Earthworks Audio

Earthworks M30 Omnidirectional Condenser Measurement Microphone Up to 30kHz

The M30 works with any high-quality FFT-based real-time audio system measurement software, like SMAART™, SIM™, REW™, Electroacoustics Toolbox™, FuzzMeasure™ and others, as well as for use in PA system alignment and loudspeaker design.
Every M30 is individually hand-tuned and tested and is delivered with its own printed frequency response chart. An Electronic Calibration File (ECF) is generated for each microphone during final testing, and can be downloaded free of charge after product registration.

Features:
Cost effective measurement microphone
Ideally suited for acoustical measurements sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required
Omnidirectional polar pattern
Flat frequency response, fast impulse response and exceptional polar characteristics
Used by SMAART™, MLSSA™, Spectrafoo™, TEF™ and RTA in addition to acoustic measurement systems manufactured by dbx, DEQX and others
Meets or exceeds ANSI Type 1 and applicable IEC 61094 requirements
Requires 48V Phantom Power
Each M Series microphone is delivered with its own calibration chart providing its individually measured open-circuit sensitivity and the frequency response curve

Specifications:
FREQUENCY RESPONSE 3Hz to 30kHz
POLAR PATTERN Omnidirectional
SENSITIVITY 34mV/Pa (-29dBV/Pa)
POWER REQUIREMENTS 24-48V Phantom, 10mA
MAX ACOUSTIC INPUT 140dB SPL
OUTPUT XLR (pin 2+)
OUTPUT IMPEDANCE 65Ω balanced (between pins 2 & 3)
MIN OUTPUT LOAD 600Ω between pins 2 & 3
NOISE 20dB SPL equivalent (A weighted)
DIMENSIONS (L x D) 229mm x 22mm (9.0 x .860 inches)
WEIGHT .5 lb. (225g)

Earthworks SR117 Supercardioid Condenser Vocal Handheld Microphone

The SR117 has the power and quality of a condenser microphone with the safety and familiarity of a dynamic. Its transcendent clarity is easy to mix right out of the box without any special corrective actions. And its exceptional pattern control across all frequencies offers maximum feedback rejection. But that’s only half of the story.

From Front of House to Center Stage
For over 25 years, Earthworks microphones have sculpted the sounds of your favorite studios, concert halls and performances. You can now experience that same clarity, precision and power with the SR117. Earthworks' blazingly fast technology at the core of the SR117 ensures that every performance sounds like life.

Get the Power and Quality of a Condenser Microphone with the Safety and Familiarity of a Dynamic
The SR117 was designed to work with any singer or instrument. It is voiced with rich, clear lows, smooth vibrant mids and open airy highs ensuring that you will not limit or accentuate your voice in any abnormal ways. Because of the fast and clean frequency response, the SR117 will not add any mud to the low frequencies or harshness to the highs. With the tight pattern control across all frequencies for maximum feedback rejection and the enhanced wind, plosive, and sibilance protection, the SR117 offers the reliability of a dynamic microphone with the sound of a condenser.

For All Your Performances
The same enhanced features that make SR117 the right choice for the biggest live venues also deliver in the smaller ones - including your home studio. Exceptional pattern control that's focused on eliminating feedback for live use also works wonders to control room noise when recording in rooms that haven't been perfectly treated. And the same is true when it comes to the balanced frequency spectrum. Rather than trying to get your old microphones to sound right through corrective EQ measures and placement, the SR117 sounds natural and true right out of the box. Of course you can use EQ and effects for your creative choices - but you don't need to be an audio engineer to get great sound and performance.

Enhanced Wind, Plosive and Sibilance Protection
The overall sonic performance does not come at the expense of usability. The SR117 is built and designed for all situations - and for performers of every level. Whether this is your first microphone or your last, it is incredibly forgiving and safe to use. Use it with confidence on stage, during worship, recording and everywhere in between.

Features:
Works for any singer or instrument
Designed for live stage performances but works equally well for televised productions, worship and home recordings
Sounds natural and true on any voice
Tight pattern control across all frequencies offers maximum feedback rejection
Voiced with rich, clear lows, smooth vibrant mids and open airy highs
The high SPL prevents clipping from even the most powerful vocalists
Consistent pattern control enables more directionality and usability ensuring that you keep a good tone and volume level even when vocalists pull away
Enhanced wind, plosive and sibilance protection
Minimal handling noise
Designed for very high gain before feedback
Tight supercardioid polar pattern

Specifications:
FREQUENCY RESPONSE :20Hz – 20KHz
POLAR PATTERN: Supercardioid
SENSITIVITY (1KHZ): 5 mV/Pa (-46 dBV/Pa)
POWER REQUIREMENTS: 48V Phantom Power (P48), 10mA
PEAK ACOUSTIC INPUT: 140 dBSPL
MINIMUM LOAD IMPEDANCE: 1kOhm
SELF-NOISE (A-WEIGHTED): 20 dBSPL-A
SIGNAL TO NOISE RATIO: 74 dB
INCLUDED ACCESSORIES: Microphone Bag, Clip
DIMENSIONS (L X D): 7″ x 1.93″
COLOR: Black with Stainless Steel Band
WEIGHT: 0.85 lbs (0.38 Kg)
MANUFACTURER PART NUMBER: SR117
MICROPHONE TYPE: Condenser

Earthworks M23 Condenser Gooseneck Measurement Microphone Up to 23kHz

The M23 is a precision engineered 23kHz omnidirectional measurement microphone ideally suited for acoustical measurements including loudspeaker design and quality control, sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required.

The M Series has become the accepted standard for affordable, reliable reference and measurement microphones that are accurate in the time domain and frequency response. They are remarkably stable with respect to temperature and atmospheric conditions and are optimized for clean, very fast impulse performance providing accurate wideband response with virtually no handling noise.

Unparalleled Audio Results at an Affordable Cost
A flat frequency response that extends from 3Hz to 23kHz, an exceptionally consistent omnidirectional polar response, 140dB SPL rating without distortion and no handling noise.

Consistent Measurements in Any Location
Immune to most temperature and atmospheric fluctuations, the M23 delivers reliable and repeatable results in any environment.

Professional products
designed with professionals in mind
In audio, our perception of what feels real and natural is incredibly sensitive to resolution in the time domain. In particular, the level of detail present in the initial transient is responsible for much of our sense of content, meaning, and frequency balance. This includes defining attributes like “timbre”, “texture”, and “air”. Earthworks’ blazingly fast technology ensures that every performance sounds like life

Features:
Cost effective measurement microphone
Improved version of the SMAARTMIC™ previously offered by EAW
Ideally suited for acoustical measurements sound system setup and troubleshooting, room acoustics, or any application where an accurate free-field measurement microphone is required
Omnidirectional polar pattern
Flat frequency response, fast impulse response and exceptional polar characteristics
Used by SMAART™, MLSSA™, Spectrafoo™, TEF™ and RTA in addition to acoustic measurement systems manufactured by dbx, DEQX and others
Meets or exceeds ANSI Type 1 and applicable IEC 61094 requirements
Requires 48V Phantom Power
Each M Series microphone is delivered with its own calibration chart providing its individually measured open-circuit sensitivity and the frequency response curve

Specifications:
FREQUENCY RESPONSE: 3Hz -23kHz
POLAR PATTERN: Omnidirectional
SENSITIVITY: 34mV/Pa (-29dBV/Pa)
POWER REQUIREMENTS: 24-48V Phantom, 10mA
MAX ACOUSTIC INPUT: 140dB SPL
OUTPUT: XLR (pin 2+)
OUTPUT IMPEDANCE: 65Ω balanced (between pins 2 & 3)
MIN OUTPUT LOAD: 600Ω between pins 2 & 3
NOISE: 20dB SPL equivalent (A weighted)
DIMENSIONS (L x D): 165mm x 22mm (6.5 x .860 inches)
WEIGHT: .36 lb. (160g)

Earthworks FW730 7' Cardioid Choir Microphone Boom Stand 30 kHz

FW730 FlexWand Series 30 kHz High-Definition Cardioid Choir Microphone from Earthworks incorporates a highly sensitive 30 kHz FlexWand microphone built into a height-adjustable gooseneck stand. The entire microphone system is sleek, easy to set up, and reproduces audio with incredible detail. The integrated low-profile stand features internal cabling with an XLR connection on the bottom, reducing unsightly cables that can create noise. The height is adjustable from 1.5 to 7', making it easy to position the mic above a choir or group of singers, while the round, cast-iron base ensures stability.
Choir Miking Made Simple.
Integrated choir miking system with 30kHz cardioid microphone, low profile microphone stand and boom.

Unflinching Focus
A near-perfect cardioid polar pattern, with 32dB of rear rejection.

Less is Truly More
A wide coverage area means fewer mics and no spotlighting. Your choir will be heard as one unified voice.

Fully Flexible
The microphone head can be positioned as high as 7 feet and as low as 1.5 feet from the floor. Plus, the microphone cable plugs into the base of the microphone, making it incredibly low profile and clean.

Options
The FlexWand™ microphones have cast iron or tripod base options. Available in cardioid or hypercardioid. Matched pairs available.

Features:
Cardioid polar pattern
Frequency response of 30Hz to 30kHz
Near perfect polar response and the ability to reject sounds from the rear of the microphone, making it a perfect solution for choirs and vocal groups
For applications requiring a tighter pickup pattern with greater off-axis rejection
Large flex section near the center of the stand that couples the stand and the wand
Mini-gooseneck between the end of the wand and the microphone head
The lower section of the stand is 3/4" in diameter and the 24 inch wand is 5/16" in diameter with a 4.5" mini-gooseneck connected at the end which connects to the High Definition Microphone™ head
The combination of a mid-flex section and the mini flex on the wand provide an infinite combination of placement options between 1.5 feet and 7 feet
Substantial improvement in gain before feedback
The near perfect polar response of the FlexWand™ allows the use of fewer microphones on choir, with better sound quality, no spotlighting and incredible rejection of sounds from the rear of the microphone
Ideal where bands or orchestras are placed in front of a choir, as the FlexWand™ will reject much of the sound of the band or orchestra

Specifications:
FREQUENCY RESPONSE 20Hz – 30kHz
POLAR PATTERN Cardioid
SENSITIVITY 10mV/Pa (-40dBV/Pa)
POWER REQUIREMENTS 24-48V Phantom, 10mA
SIGNAL TO NOISE RATIO 78dB (A-weighted)
PEAK ACOUSTIC INPUT 145dB SPL
OUTPUT XLR (pin 2+)
OUTPUT IMPEDANCE 65Ω balanced (between pins 2 & 3)
MIN OUTPUT LOAD 600Ω between pins 2 & 3
SELF NOISE 16dB SPL equivalent (A weighted)
DIMENSIONS Stand 7’ 2” long (2.18m), Base 12” (30.5cm) in diameter, (2.7cm) high
POSITIONING RANGE From 1′ 6″ to 7′ above floor level
WEIGHT Stand 2 lbs. (.9 kg), Base 12.6 lbs. (5.7kg)

Earthworks DK7 7 Piece Drum Kit Cardioid Condenser Microphone System

DK7 Drum Kit System provides seven microphones tailored for drums. Included are four DM20 cardioid condenser microphones for toms and snarse, as well as two SR25 cardioid condensers for your overheads, and an SR20LS which has been specifically manufactured to handle the particularities of kick drums.

Earthworks is a company renowned for its sonic transparency, and this kit is no exception: the nature of these cardioid capsules is to provide a uniform frequency response across the field of pickup; no sound coloration will result from off-axis miking. However, where the sound is rejected, it is rejected at levels of over 30 dB, making the mics suitable for minimizing bleed from other sound sources, and rendering tracks more useful in mixing or live sound contexts.

Included with this kit are rim mounts for the DM20s microphones, clips for the other microphones, windscreens, and a rugged case to house the mics when they're not in use.

Seven Alone. One Together.
On their own, each microphone in the Earthworks DK7 kit is best in its class. When combined, they capture the full complexity of your drumkit.

Your Drums. Your Sound.
The DK7 makes whatever drum kit you’re miking sound like just that―you. A crystal clear translation of your sound.

Lightning Fast
Nothing compares to the lightning speed of the DM20. Every detail, every nuance, and every texture remains flawlessly intact.

Bring It All Together
A perfect sonic image of your whole kit from above. A matched pair of Earthworks SR25s bring transparency, clarity, and attack to your drum sound.

Punch Through the Mix
With handling capabilities of 150dB SPL, and a cardioid condenser capsule that captures the full spectrum of sound all the way down to 20Hz, the Earthworks SR20LS captures every detail you’re after.

Isolation Like Never Before
Massive rear rejection and a polar pattern that’s consistent across the entire frequency range means any off-axis leakage is virtually nonexistent.

Features:
Ultra fast impulse response ideal for reproducing the full detail of the attack. Substantially shorter diaphragm settling time prevents subtle details from being blurred or covered by earlier loud attacks.
Near-perfect cardioid polar pattern reproduces all specified frequencies uniformly at any position within the pattern.
With over 30dB of rear rejection, it is ideal for live performances or recording environments where there may be bleed from surrounding instruments.
More gain before feedback. High SPL rating ensures the mic will not overload from the loudest of drum attacks.

Specifications:
DM20
Frequency Response: 20Hz – 20kHz
Polar Pattern: Cardioid
Sensitivity: 8mV/Pa (-42dBV/Pa)
Power Requirements: 24-48V Phantom, 10mA
Max Acoustic Input: 150dB SPL
Signal-to-Noise Ratio: 74dB A-weighted
Output: XLR (pin 2+)
Output Impedance: 200Ω balanced (between pins 2 & 3)
Min Output Load: 1000Ω between pins 2 & 3
Noise: 20dB SPL equivalent (A weighted)
Dimensions (L x D): 282mm x 22mm (11.12 x .860 inches)
Gooseneck Length: 121mm (4.75 inches)
Weight: .55 lb. (.25kg)

SR25
Frequency Response: 20Hz – 25kHz
Polar Pattern: Cardioid
Sensitivity: 10mV/Pa (-40dBV/Pa)
Power Requirements: 24-48V Phantom, 10mA
Max Acoustic Input: 145dB SPL
Output: XLR (pin 2+)
Output Impedance: 65Ω balanced (between pins 2 & 3)
Min Output Load: 600Ω between pins 2 & 3
Noise: 20dB SPL equivalent (A weighted)
Dimensions (L x D): 165mm x 22mm (6.5 x .860 inches)
Weight: .35 lb. (160g)

SR20LS
Frequency Response: 20Hz – 20kHz
Polar Pattern: Cardioid
Sensitivity: 3mV/Pa (-50dBV/Pa)
Power Requirements: 24-48V Phantom, 10mA
Max Acoustic Input: 150dB SPL
Signal-to-Noise Ratio: 74dB A-weighted
Output: XLR (pin 2+)
Output Impedance: 200Ω balanced (between pins 2 & 3)
Min Output Load: 1000Ω between pins 2 & 3
Noise: 20dB SPL equivalent (A weighted)
Dimensions (L x D): 192mm x 22mm (7.57 x .860 inches)
Weight: .36 lb. (164g)

Earthworks FMR500 19" Condenser Dual Flex Gooseneck Podium Microphone

FlexMics™ have been chosen for use in premium church installations, houses of congress, court rooms, political debates, corporate boardrooms, universities and many other educational and governmental institutions.

The Peak of Speech.
Whether it is a seasoned professional or a public speaking novice stepping up to the microphone, the FlexMic™ has you covered.

Honest Articulation
Optimized for speech, the FlexMic™ microphones feature a frequency response out to 20kHz and excellent phase response that delivers the highest level of speech intelligibility and articulation.

Be Confident in Your Clarity
The near-perfect polar response of the FlexMics provides incredible coverage and freedom of movement for the speaker.

No More Interruptions
With 32dB or rear rejection, the FlexMic™ delivers more gain before feedback and exceptional isolation from unwanted sound sources.

Features:
Rigid center and flex at both ends
Uniform frequency response on or off axis
Flat from 50Hz to 20kHz within + 2dB at 6 inches
Will handle up to 145dB SPL
No handling noise
High rejection of sounds to the rear of the microphone
Rejects RFI
Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
Incredible gain before feedback
Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility

Specifications:
FREQUENCY RESPONSE: 20Hz -20kHz
POLAR PATTERN: Cardioid
SENSITIVITY: 20mV/Pa (-34dBV/Pa)
POWER REQUIREMENTS: 24-48V Phantom, 10mA
MAX ACOUSTIC INPUT: 139dB SPL
OUTPUT: XLR (pin 2+)
OUTPUT IMPEDANCE: 65Ω balanced (between pins 2 & 3)
MIN OUTPUT LOAD: 600Ω between pins 2 & 3
NOISE: 16dB SPL equivalent (A weighted)
WEIGHT: .5 lb. (225g)

Earthworks DM20 Cardioid Condenser Tom and Snare Drum Microphone

The DM20's right-angle capsule head and firm-yet-flexible gooseneck ensure that you can get the mic right where you want it - and that it will stay there. And with its near-perfect cardioid polar pattern, the DM20 beautifully captures the sweet spot, with excellent rejection of cymbals and stage ambience. The DM20's included RM1 RimMount eliminates the need for mic stands. At Sweetwater, we appreciate how this cuts down on setup and teardown time while keeping your drum setup neat and clutter-free.

Isolation Like
Never Before
Massive rear rejection and a polar pattern that’s consistent across the entire frequency range means any off-axis leakage is virtually nonexistent.

Electrifying Onstage
A small diaphragm capsule coupled with a proprietary Class A amplifier circuit. A staggering max acoustic input of 150dB SPL. An incredible transient response delivered with each hit.

The DM20’s rugged gooseneck lets you easily and precisely position the microphone – and makes sure it stays in place – to get your best drum sound.

Goodbye Mic Stands
Keep your setup streamlined. Mount the DM20 directly onto your drum with the included RM1 RimMount™.

Features:
Compact, rugged drum mic for stage and studio
Frequency response: 50Hz-20kHz
Ultra-fast impulse response
Near-perfect cardioid polar pattern
150dB SPL; rear rejection: 32dB
Microphone head housing will protect capsule from direct drumstick hit
Rigid gooseneck stays where you position it, even when drums are played hard
Included RM1 RimMount and windscreen

Specifications:
FREQUENCY RESPONSE: 20Hz – 20kH
POLAR PATTERN: Cardioid
SENSITIVITY: 3mV/Pa (-50dBV/Pa)
POWER REQUIREMENTS: 24-48V Phantom, 10mA
SIGNAL TO NOISE RATIO: 74dB A-weighted
PEAK ACOUSTIC INPUT: 150dB SPL
OUTPUT: XLR (pin 2+)
OUTPUT IMPEDANCE: 200Ω balanced (between pins 2 & 3)
MIN OUTPUT LOAD: 1000Ω between pins 2 & 3
SELF NOISE: 20dB SPL equivalent (A weighted)
DIMENSIONS L x D: 282mm x 22mm (11.12 x .860 inches)
GOOSENECK LENGTH: 121mm (4.75 inches)
WEIGHT: .55 lb. (.25kg)

Earthworks C30/C-B Cardioid Condenser Hanging Gooseneck Choir Microphone

The C30 ChoirMic™ is the ultimate problem solver for miking choirs and other venues with high ceilings.

Choir microphones have always presented a unique design and installation challenge – the traditional solution is to use an angle guide on the microphone’s lead to aim towards the performance venue. The problem with this approach is that either a very small microphone had to be used to keep aimable weight within practical limits – or locate the microphone’s electronics at some considerable distance from the element – inviting losses and noise. The ChoirMic™ Series solves all of these problems. Our hanging choir microphones provide pristine audio quality without spotlighting and more gain before feedback while picking up almost no sound from the rear of the microphones. They are ideal for miking choirs and orchestra or band in front of the choir.

The Definition of Balance
A wide pickup pattern at all frequencies, with over 30db of rear rejection. The result is the pure sound of your choir.

Flexible for All Your Needs
The C30 features a small microphone head attached to a flexible mini gooseneck, as well as a minimal profile that won’t attract attention away from your choir. The 30’ (9m) attached Canare® Star Quad cable resists twisting due to temperature and humidity changes, so you can rest assured that the microphone will stay put once it has been properly aimed.

Features:
30kHz flat frequency response
No spotlighting
Uniform frequency response on or off axis
More gain before feedback
Picks up almost no sound from the rear of the microphone
Electronics housed in microphone
Prevents RFI
Mini-gooseneck allows quick and easy positioning
Comes with 30 foot balanced, twisted pair Canare cable
Custom cable lengths available
Does not come with XLR (order accessory C30-XLR for installed male XLR)

Specifications:
FREQUENCY RESPONSE: 20Hz to 30kHz ±2dB at 12 inches (30cm)
POLAR PATTERN: Cardioid or Hypercardioid
C30/C SENSITIVITY: 10mV/Pa (-40dBV/Pa)
C30/HC SENSITIVITY: 20mV/Pa (-34dBV/Pa)
POWER REQUIREMENTS: 24-48V Phantom, 10mA
C30/C MAX ACOUSTIC INPUT: 145 dB SPL
C30/HC MAX ACOUSTIC INPUT: 139dB SPL
OUTPUT: XLR (pin 2+)
OUTPUT IMPEDANCE: 65Ω balanced (between pins 2 & 3)
MIN OUTPUT LOAD: 600Ω between pins 2 & 3
C30/C NOISE: 20dB SPL equivalent (A weighted)
C30/HC NOISE: 16dB SPL equivalent (A weighted)
DIMENSIONS: 324mm x 22mm (12.75 x .860 inches)
ATTACHED CABLE: 30 feet (9.14m) Canare Star Quad
WEIGHT: .22 lb. (100g) microphone only; 1.2 lb (544.3g) microphone with 30′ cable

Earthworks FMR600 23" Cardioid Condenser Gooseneck Podium Microphone

FlexMics™ have been chosen for use in premium church installations, houses of congress, court rooms, political debates, corporate boardrooms, universities and many other educational and governmental institutions.

FMR600 23” Directional Cardioid Podium Microphone is part of the FlexMic series that comes equipped with rigid center and flex at both ends. It provides a high level of speech intelligibility and uniform off-axis response to ensure the orator is heard clearly, with no loss in sound quality, when speaking at the front or at the sides of the microphone. This smooth off-axis response also provides more gain before feedback.

The Peak of Speech.
Whether it is a seasoned professional or a public speaking novice stepping up to the microphone, the FlexMic™ has you covered.

Honest Articulation
Optimized for speech, the FlexMic™ microphones feature a frequency response out to 20kHz and excellent phase response that delivers the highest level of speech intelligibility and articulation.

Be Confident in Your Clarity
The near-perfect polar response of the FlexMics provides incredible coverage and freedom of movement for the speaker.

No More Interruptions
With 32dB or rear rejection, the FlexMic™ delivers more gain before feedback and exceptional isolation from unwanted sound sources.

Rigid center and flex at both ends
Uniform frequency response on or off axis
Flat from 50Hz to 20kHz within + 2dB at 6 inches
Will handle up to 145dB SPL
No handling noise
High rejection of sounds to the rear of the microphone
Rejects RFI
Handles high sound pressure levels with high rejection of sounds to the rear of the microphone
Incredible gain before feedback
Orators can speak above, below or to either side of the microphone and maintain the same pristine sound quality with high intelligibility

Specifications:
FREQUENCY RESPONSE: 20Hz -20kHz
POLAR PATTERN: Cardioid
SENSITIVITY: 20mV/Pa (-34dBV/Pa)
POWER REQUIREMENTS: 24-48V Phantom, 10mA
MAX ACOUSTIC INPUT: 139dB SPL
OUTPUT: XLR (pin 2+)
OUTPUT IMPEDANCE: 65Ω balanced (between pins 2 & 3)
MIN OUTPUT LOAD: 600Ω between pins 2 & 3
NOISE: 16dB SPL equivalent (A weighted)
WEIGHT: .5 lb. (225g)

Earthworks PM40 Cardioid Condenser Piano Microphone System

The PM40 PianoMic System is a dream come true for live sound and recording applications. It’s infinitely flexible with incredible gain before feedback and virtually no bleed. If you’ve ever struggled miking a piano, this turn-key solution is for you. It sets up in minutes, is totally self-contained, and is completely invisible to the audience. You can even keep the lid closed.

The PianoMicâ ¢ System was designed to revolutionize piano miking and achieve an incredible improvement in piano sound for live and recording applications with no mic stands or booms. There is more gain before feedback, significantly less leakage from surrounding instruments and the same pristine sound quality with the piano lid either up or down.

Lightning Fast Set Up
A simple piano miking system that takes just minutes to setup and provides incredible results for live performances and studio recordings.

Infinitely Flexible
Capture sound from everywhere inside the piano and spotlight the hammers, the dampeners, or any tone you want.

Random Incidence Omnis
The heart of the PianoMic System is two omnidirectional 40kHz High Definition Microphones with a frequency response from 9Hz to 40kHz, incredible impulse response and very short diaphragm settling time. The 40kHz High Definition Microphones have been designed for random incidence pickup. When microphones are placed inside a piano they are within a sound field that has multiple sound sources: i.e. every string, the soundboard, multiple reflections of the sound from the sound board, the sides and the lid of the piano. All these sound sources and reflections produce sound waves that arrive at the microphones from all directions. This is called a diffused sound field, and the microphones are designed to perform optimally within such diffused sound field. In addition, these omni microphones have no proximity effect and the sound will remain the same (no increase or decrease in low frequency levels) no matter how close or how far the microphones are from the piano strings or sound board. This system provides exceptional sound quality with the piano lid either up or down.

Features:
Incredible High Definition Audio that will outperform any microphones at any price
Cannot be seen from outside of the piano (needs no stands or mic booms)
Superb sound with the piano lid either up or down
Virtually no leakage from sounds outside the piano
Incredible gain before feedback
Recording studios can now record piano with other instruments in the same room
Quick, Simple and Easy Setup
40kHz Random Incidence Omnis
Hear the full range of the piano including the high and low strings with no hot spots
The telescoping bar allows the PianoMic™ to be quickly and easily installed in nearly all grand pianos and to place the microphones close to or away from the dampers and get the exact sound desired

Specifications:
FREQUENCY RESPONSE: 9Hz – 40kHz
POLAR PATTERN: Omnidirectional
SENSITIVITY: 15mV/Pa (-36dBV/Pa)
POWER REQUIREMENTS: 24-48V Phantom, 10mA
MAX ACOUSTIC INPUT: 150dB SPL
OUTPUT: XLR (pin 2+)
OUTPUT IMPEDANCE: 65Ω balanced (between pins 2 & 3)
MIN OUTPUT LOAD: 600Ω between pins 2 & 3
NOISE: 20dB SPL equivalent (A weighted)
DIMENSIONS (L x D): 64″ fully extended, 46″ fully collapsed
WEIGHT: Mic Assembly .75 lb. (350g)
With External Electronics Box 1.5 lb. (700g)

Earthworks ETHOS B 0.6" Small Diaphragm Broadcast Condenser Microphone

ETHOS B is a broadcast condenser microphone built to impart a competitive, detailed quality to your voice for podcasts, narration, audiobooks, and more, helping it stand out in a world of speech-centric content. Like many mics that made Earthworks a big name, the ETHOS B utilizes a small-diaphragm condenser capsule, which allows it to deliver nuanced and accurate vocal recordings with extended highs.

Your Voice is Your Brand
Sophisticated and uncomplicated, impactful without being hyped. And like all Earthworks microphones, ETHOS is built for speed and designed to capture every transient.

Available in Matte Black.
A low-profile finish, for high-profile people.

MINIMAL HANDLING NOISE
Robust Stainless Steel Construction.

ENHANCED TIME DOMAIN ACCURACY
Ultra-Fast 11.67 Microsecond Rise Time

CUTTING EDGE PLOSIVE & WIND PROTECTION
Custom Foam Windscreen

Features;
0.6" small-diaphragm condenser capsule
Ultrafast 11.67 microsecond rise time
Supercardioid polar pattern
20 Hz to 30 kHz frequency range
145 dB maximum SPL
16 dBA self-noise
XLR 3-pin output connector
Requires 24 to 48 VDC phantom power

Specifications:
FREQUENCY RESPONSE: 20Hz – 30kHz
POLAR PATTERN: Supercardioid
DIAPHRAGM SIZE: 14mm
SENSITIVITY: 20mV/Pa (-34dBV/Pa)
POWER REQUIREMENTS: 24-48v Phantom Power, 10mA
SIGNAL TO NOISE RATIO: 78dB (A-weighted)
PEAK ACOUSTIC INPUT: 145dB SPL
OUTPUT: XLR (pin 2+)
OUTPUT IMPEDANCE: 65Ω
MIN OUTPUT LOAD: 600Ω
SELF NOISE: 16dB SPL (A weighted)
INCLUDED ACCESSORIES: Windscreen, M2-R Ball
Mount, ⅜” Thread Adapter
DIMENSIONS L x D: 6.9″ x 2.25″
WEIGHT: 1.34 lb (610 g)
MANUFACTURER PART NUMBER: ETHOS

Earthworks ICON USB Podcasting Streaming Condenser Microphone

ICON is a studio microphone with USB plug and play simplicity. There are no EQ mode settings to fuss with. There are no energy drink hype gimmicks to dial in or DSP patterns to choose from. There is simply phenomenal sound for any application.

Class Compliant
ICON shines during remote meetings — your coworkers and clients will notice. But more importantly, so will your IT department. We don’t force you to download any apps or drivers or software bundles that could prevent or preclude you from using ICON on your company network.

The USB Mic for Professionals
Don’t get caught on a hot mic. All conferencing programs give the moderator or administer digital control over participants’ muting or unmuting controls. ICON puts the control back in your hands with the added security analog mute.

LOOKS AS GOOD AS IT SOUNDS
This is the microphone that belongs on camera with you — reflecting your style and brand. After all, you’re on screen for a reason.

CAPTURES STUDIO QUALITY AUDIO
Ultra fast capsule rise time speed of 14 microseconds.

CUSTOM TRIAD-ORBIT DESKTOP STAND
The stand is sleek yet robust enough to hold and balance the stainless-steel microphone.

Features:
Sound signature designed for streaming, podcasting, interviewing, gaming, web conferencing, and content creating
Capture studio-quality audio
Ultra fast capsule Rise Time Speed of 14 microseconds
Off-axis rejection prevents room noise from entering your stream — even when you're working from home along with the rest of the family
Integrated visual LED status indication
Intuitive analog mute & gain control
Headphone out with sidetone (sidetone available on PC and Linux)
Interchangeable Class-compliant USB Connectivity for plug 'n play simplicity
No foam. Easy to clean and sanitize stainless steel windscreen with integrated pop filter
Designed, Machined, & Assembled in the USA

Specifications:
FREQUENCY RESPONSE: 20Hz – 20kHz
POLAR PATTERN: Cardioid
DIAPHRAGM SIZE: Small
SENSITIVITY: 20mV/Pa (-34dBV/Pa)
POWER REQUIREMENTS: USB Bus Power
SIGNAL TO NOISE RATIO: 70dB A-weighted
PEAK ACOUSTIC INPUT: 132dB SPL
OUTPUT IMPEDANCE: 65Ω
MIN OUTPUT LOAD: 600Ω
INCLUDED ACCESSORIES: Windscreen, M2-R Ball Mount
DIMENSIONS L x D: 5.53″ x 1.6″
COLOR: Stainless Steel
WEIGHT: 1.5 lb