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Home / Pro Audio / Pro Audio Types / Sound Cards
Sound Cards
Audio sound cards are pivotal hardware components in computing, dedicated to processing and managing audio signals. They convert digital audio data into analog signals for output through speakers or headphones, and vice versa for recording. Modern sound cards often feature high-quality DACs (digital-to-analog converters), multiple audio inputs/outputs, support for surround sound, and low-latency performance crucial for gaming, music production, and professional audio applications. They significantly enhance audio quality, offering advanced controls for volume,
Allen & Heath AH-M-DL-WAVES3-A Audio Networking Card
dLive/Avantis Audio Networking Card
The Waves V3 Audio Networking Card (M-DL-WAVES3) is one of several audio networking options that can be fitted to an Allen & Heath dLive or Avantis I/O Port. It provides a 128x128ch 48/96kHz interface to the Waves SoundGrid networking platform, for several applications including Waves plugin processing, audio distribution, and digital mic splitting. It also offers a super convenient way of recording 128 tracks of 96kHz audio, into a Windows or Mac computer, over a single CAT cable.
SoundGrid is an Audio-over-Ethernet protocol developed by Waves for real-time professional audio applications. It provides a very low latency environment using standard Gigabit Ethernet networks. Plugin processing can be performed natively on a computer or on dedicated Waves servers.
Features:
128 in, 128 out
Switchable 48/96kHz sample rate
Waves SoundGrid audio networking
Multitrack recording and playback
Integrated 3-port Ethernet switch for connection of multiple devices
Input sharing with Waves V2 and V3 cards
Allen Heath AH-M-SQ-WAVES3-A 64Ch Digital Audio SoundGrid Network Interface Card
SQ Waves provides any SQ or AHM-64 unit with a 64×64, 96kHz or 48kHz interface to a Waves SoundGrid network using the I/O Port. Engineers or installers can now fit the Waves card to any SQ or AHM-64 for Waves plugin processing, multitrack recording (at 96kHz or 48kHz), virtual soundcheck and audio distribution applications.
Features:
64×64 channel digital audio over a network
96kHz or 48kHz operation
Integration with a Waves plugin server or Waves Native
Multichannel recording / playback
Two ports with integrated switch
Internal Control Network Bridge
Locking Ethercon connectors
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Allen & Heath AH-M-DANTE-A 64 Channel Dante Card for Digital Audio Networking
Ships Free!
Dante is a ground breaking, Ethernet compliant audio networking technology developed by Audinate to satisfy the increasing demands of the live sound industry for high performance audio, routing flexibility and affordable direct to computer recording. It uses CAT5 cable and standard networking components to distribute multiple streams of audio plus integrated control data with sub millisecond latency.
M-Dante is one of a range of digital audio networking options available for dLive, GLD and iLive to enable integration with other systems, digital mic splitting, multi-track recording and system expansion. It provides 64 channels of bi-directional audio at 48kHz, and can be fitted to any dLive I/O Port when equipped with a M-DL-ADAPT interface.
It can also be fitted to the I/O Port in a GLD mixer, Port B expansion slot in iLive fixed format MixRacks (iDR-16, iDR-32, iDR-48, iDR-64) or expander (xDR-16), Port A/B in iLive modular MixRacks (iDR0, iDR10) and Port A of iLive modular surfaces if they are fitted with the new RAB-2 standard.
Dante Virtual Soundcard is software from Audinate that lets you connect up to 64 channels of iLive audio directly to your PC or Mac via its Ethernet port, ideal for multitrack recording and playback, or working with popular processing plug-ins. One Dante Virtual Soundcard licence is provided free with M-DANTE. More can be purchased from Audinate.
Dante Domain Manager is network management software that enables user authentication, role-based security and audit capabilities for Dante networks, while allowing seamless expansion of Dante systems over any network infrastructure.
Features
64 channel bi-directional audio plus control over CAT5
Uses standard, off-the-shelf computer networking equipment
Self discovery and auto-configuration of IP addresses
Easy to add, name, remove and rearrange devices
Wide range of Dante enabled equipment becoming available
Secondary port for redundant network option
Control port to bridge dLive or other network over Dante
Sample accurate playback syncronisation
Very low latency
Gigabit ports
Direct connection to computer for multitrack recording
Dante Virtual Soundcard software replaces expensive hardware
Dante Controller software available for setting up the network
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Echotone Music LLC is an experienced long time E-commerce Audio & Musical instrument dealer since 1998. We take pride in selling quality gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Items are well packed and shipped USPS, UPS or Pallet Freight Service. Items purchased on Friday may not ship until Monday or until the projected processing period. We are working hard to get your unit Built ( if needed), processed and shipped.
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided, otherwise customer pays for return shipping costs.
Returned items must be sealed/unopened in original, brand-new condition, showing no signs of wear or use such as mount marks, plug marks, scratches, scuffs, dings or scrapes, screw mount marks or collateral material damage.. Items must also include all original packaging, manuals, warrantees & accessories or your return may be subject to a return handling charge.
Refunds or for the Item cost only. If the item was listed as free shipping then the cost of the shipment will be deducted from the units original cost. Gear returned with out all its original packaging, warranty cards and accessories or that shows signs of wear from use, will be subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
The following products cannot be returned - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, strings, reeds, computers, tubes, earbuds, earplugs, recorders, harmonicas, raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids, clothing/footwear, cleaners, polishes & polishing cloths, software/soundware, books, CDs, DVD's, vinyl records, and videos.
Happy customers, that's music to our ears!
Avid SRO 192 Analog Output Card Stage Rack Unit
The SRO (Stage Rack Output) Card is an option for the S6L that adds eight channels of analog line outputs (through XLR connectors).
You can install up to six SRO Cards into a single S6L for a total of 48 analog line output channels.
Avid SRO Features-
Eight channels of analog line-level outputs via XLR3-male connectors
24-bit digital-to-analog (D/A) converters
Avid SRO Specifications-
Analog Line Outputs
Connector (x8)- XLR3-Male, balanced
Impedance- 50 Ohm
Maximum Output Level- +24 dB (0 dBu = 0.775Vrms)
D/A Converter Latency- 0.58 ms (Fs = 48 kHz)
Authorized Avid Dealer
___________________________________________________________________________
Echo tone Music is a long time E-commerce Audio and Musical instrument dealer since 1998. We take pride in selling quality gear for musicians, sound engineers and broadcast applications.
Shipping --Items are well packed and shipped USPS, UPS or Pallet Freight Service. Items purchased on Friday may not ship until Monday or until the projected processing period. We want to get your item out as fast as we can.
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided, otherwise customer pays for return shipping costs. Refunds are for the product price only and will be less all shipping charges and 10% return Service Charge if the item is not sealed as we have to pay people to process and inspect all returns.
If the item was listed as free shipping then the cost of the shipment will be deducted from the units original cost. Gear returned with out all its original packaging, warranty cards and accessories or that shows signs of wear from use, will be subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
Happy customers, that's music to our ears!
Tascam SS-R250N Versatile 2 Channel SD Card Recorder Player for Network Applications USB
The SS-R250N is the ideal SD card recorder/player having a variety of features with extensive terminal equipment applications and business applications. An FTP client function is added which enables the exchanges of sound source data with others via server communication. You can also keep the starting time accurate for recording and playback based on time management via SNTP. The remote control with the dedicated app on a iOS/Android/ Windows/Mac device, and the mic inputs are also available on the unit which allows you to use in many ways with flexibility.
The unit is equipped with a LAN terminal for easy network connection to an FTP client, enabling you to upload recorded files from the SS-R250N side or download sound files from the server. As the SS-R250N also also acts as an FTP server, you can also upload / download from a PC side without having to physically exchange SD cards.
Event List for recording, playback, download and other functions enables automatic operation based on time
The Event List function contains an auto-play feature deisgned for audio files such as background music and announcements, perfect for use in a retail setting or restaurant. This Event List can also be used to to schedule recording and file upload which makes the TASCAM SS-R250N the perfect recorder for town hall meetings, board room installations and government jobs.
When operating on the same network, the SS-R250N can be controlled by an iOS / Android mobile device for remote status updates and transport control.
In addition to the front panel USB port, the SS-R250N will record to – and play back from SDXC cards, as well as SD/SDHC with capacity of up to 128GB.
Dual SD card slots can be used for backup recording, which records the same data on two cards simultaneously, or chain recording in which the system automatically begins recording on the second SD card when the first card has reached capacity.
While recording, the TASCAM SS-R250N automatically saves and closes the file every few seconds to safeguard against data loss.
The link playback function allows syncronized operation of two units, connected using S/PDIF. Ideal for critical situations where a backup is required, both units will record in sync, but also be able to operate independently if the need arises.
The SS-R250N is equipped with a wide array interface options to make it fast and easy to integrate into any touring, install, or live sound application.
Dual microphone preamps with Phantom power
Dual microphone inputs on the rear panel feature +48V Phantom for condenser and dynamic microphones. The SS-R250N also features an integrated ducking circuit making this unit idea for a wide variety of paging, background music and public address applications.
Optional IF-DA2 interface card supporting Dante 2ch Input and Output
With 2-channel Dante support, the TASCAM SS-R250N can be easily incorporated into any Dante network audio environment and also makes the SS-R250 one of the least expensive Dante interfaces available.
Features at a glance:
Network functions / control functions
FTP Client function enables automatic uploading of recorded files or downloading audio files from the server
Event List for recording, playback, download and other functions can be operated automatically based on the time set
Time setting via SNTP Client function enables event management with more accuracy
Automatic Upload function enables recorded files to be uploaded automatically
iOS / Android / Windows / Mac control apps available: allowing transport operations and remote control of various settings
The IF-DA2 interface card supporting Dante 2ch input and output can be installed (sold separately)
Serial and parallel port connections
RC-SS150 Flash Start control unit with the a color LCD screen (sold separately)
Optional RC-3F footswitch can be connected to the RC-20 remote control
Recording capabilities
Supports recording and playback of high-resolution files up to 96kHz / 24bit
Dual SD memory card slot permits mirror and relay recording
Auto mark function: When an error occurs or input level overloads, the time point will be marked automatically
PRE REC function to prevent any missing part in your recording
Auto track function automatically trims the tracks
Compressor and limiter included
Auto level control function automatically adjusts the input level for recording
Starts recording as soon as the unit is turned on with Power-on-record function
Microphone input connector with phantom power supply
Direct recording function enables the recording starts right away without any standby
Playback functions
Call function that saves the position where your last playback starts
Playback modes such as Program, Random, and Single
Ducking function automatically adjusts the playback volume while the input level increases or decreases
All repeat / A-B repeat function
Incremental play function to transport to the beginning of the next track
Monaural mix playback function
Auto Cue function tracks the first sound in the playback for standby
Auto ready function allows a standby before the next track begins
Pitch control and key control function for speed and key adjustments
Can set the mark at any position
EOM (End of message) notification available before the track ends
Other features
Sampling rate converter for inputs and outputs are available
Link playback function allows two units to be operated at the same time
Automatic file closing process to avoid data loss if there is a sudden power loss during recording
User presets: Up to three sets of optional settings can be stored for such things as switching input and output, sampling rate selection and other functions
1U rack-mount size
Specifications:
Recording/Playback media
SD:
SD card (512MB to 2GB)
SDHC card (4GB to 32GB)
SDXC card (64GB to 128GB)
USB: USB Flash memory (512MB to 128GB)
File format
MP3: 44.1k / 48k Hz, 64k / 128k / 192k / 256k / 320k bps
WAV: 44.1k / 48k / 96k Hz, 16 / 24-bit
Number of channels: 2 (stereo), 1 (mono)
Analog Audio inputs
UNBALANCED
Connector: RCA Pin jack× 1 pair
Nominal input level: –10dBV (0.316Vrms)
Maximum input level: +6dBV (2.0Vrms)
Input impedance: 10kΩ
BALANCED
Connector: XLR-3-31 (1: GND, 2: HOT, 3: COLD) × 1 pair
Line input
Nominal input level:
+4dBu (1.23Vrms, Ref.Level other than –9dBFS)
+6dBu (1.55Vrms, Ref.Level –9dBFS)
Maximum input level:
+15dBu (4.36Vrms, Ref.Level –9dBFS)
+18dBu (6.16Vrms, Ref.Level –14dBFS)
+20dBu (7.75Vrms, Ref.Level –16dBFS)
+22dBu (9.76Vrms, Ref.Level –18dBFS)
+24dBu (12.28Vrms, Ref.Level –20dBFS)
Input impedance: 10kΩ
Mic input
Maximum input level: +4dBu (1.23Vrms)
Minimum input level: –70dBu (245uVrms) or more
Input impedance: 2.2kΩ
Analog Audio outputs
UNBALANCED
Connector: RCA Pin jack × 1 pair
Nominal output level: –10dBV (0.316Vrms)
Maximum output level: +6dBV (2.0Vrms)
Output impedance: 200Ω
BALANCED
Connector: XLR-3-32 (1: GND, 2: HOT, 3: COLD) × 1 pair
Nominal output level: +4dBu (1.23Vrms)
Maximum output level:
+15dBu (4.36Vrms, Ref.Level –9dBFS)
+18dBu (6.16Vrms, Ref.Level –14dBFS)
+20dBu (7.75Vrms, Ref.Level –16dBFS)
+22dBu (9.76Vrms, Ref.Level –18dBFS)
+24dBu (12.28Vrms, Ref.Level –20dBFS)
Output impedance: 200Ω
Digital Audio inputs
AES/EBU
Connector: XLR-3-31 × 1
Input impedance: 110Ω
Format: AES3-2003/IEC60958-4 (AES/EBU)
Supported sampling frequencies: 44.1k / 48k / 96k Hz
S/PDIF
Connector: RCA Pin jack × 1
Format: IEC60958-3
Supported sampling frequencies: 32k to 96k Hz
Digital Audio outputs
AES/EBU
Connector: XLR-3-32 × 1
Output impedance: 110Ω
Format: AES3-2003/IEC60958-4 (AES/EBU)
Supported sampling frequencies: 44.1k / 48k / 96k Hz
S/PDIF
Connector: RCA Pin jack × 1
Format: IEC60958-3
Control input/output
REMOTE (FRONT)
Connector: 2.5mm TRS jack × 1 (TASCAM RC-3F, RC-20 sold separately)
RS-232C
Connector: D-sub 9 pin × 1
PARALLEL
Connector: D-sub 25 pin × 1
PHONES
Connector: 1/4" (6.3mm) Stereo Phone jack × 1
Maximum output: 45mW + 45mW (THD+N 0.1% or less, into 32Ω load)
ETHERNET
Connector: RJ-45 × 1
Compatible standard: 100BASE-TX
Power: AC 100 - 240V, 50/60Hz
Power consumption: 20W
Dimensions: 19.0" × 1.77" × 11.8" / 482.6 × 45 × 300.5 mm
Weight: 6.4 lbs. / 2.9 kg
Operating temperature range: 41˚F to 95˚F / 5˚C to 35˚C
Included items: AC power code, RC-10 remote control unit, rack-mounting screw kit, security screw kit, Owner's manual (with warranty)
Audio performance
Frequency response:
20Hz to 20kHz, ±0.5dB(JEITA)
20Hz to 40kHz, +0.5/–3dB (JEITA)
Distortion: 0.002% or less (Ref:–16dB/BALANCED, JEITA)
S/N ratio: 106dB or more (JEITA)
Dynamic range: 106dB or more (JEITA)
Crosstalk: 100dB or more (JEITA)
EIN (equivalent input noise): –125dBu or less (40Ω 20kHz LPF)
Waves SGRCK Plug In Software for VENUE S6L Mixing Console Full License Download
The full license of Waves 'SGRCK' SoundGrid Rack for VENUE rack plug-in software is the heart of the company's SoundGrid software and hardware integration with the Avid VENUE | S6L mixing console. Ideal for demanding live environments, it enables front-of-house, monitor, and broadcast engineers to run SoundGrid-compatible plug-ins directly within the S6L, with tactile control from the console's surface knobs and no need for a computer host or external network switch.
The software moves plug-in processing from the VENUE engine to a SoundGrid server (available separately), allowing you to run up to 128 mono or 64 stereo SoundGrid Rack instances at 96 kHz, and with minimum system latency. You can load up to eight SoundGrid-compatible plug-ins per instance of SoundGrid Rack.
Features:
Run SoundGrid-compatible Waves plug-ins directly within your Avid VENUE | S6L console
Real-time audio processing for front-of-house, monitor, and broadcast applications
Uses SoundGrid DSP server processing power for increased processing power with minimum system latency
Run up to 128 mono or 64 stereo SoundGrid Racks within the S6L, at 96 kHz
Load up to eight SoundGrid-compatible Waves plug-ins per instance of SoundGrid Rack
Follows standard operation of all plug-ins in the VENUE plug-in rack
Tactile control surface mapping for all Waves plug-ins
Snapshot automation for plug-in parameters
Legacy VENUE D-Show file compatibility
Server redundancy with automatic failover
No external computer host or network switch necessary
Specifications:
Delivery Method: Download
License Type: Standard
Standalone Operation: No
Supported Sample Rates: Up to 96 kHz
Number of Devices Supported: 1
Visual Impairment Support: No
System Requirements
Software Requirement:
VENUE 5.7
Waves Plug-Ins
Internet Connection Required: Yes
Waves XWSG SoundGrid I/O Expansion Card for X 32 and M 32 Series Mixing Console
The X-WSG is a console expansion card supported by various X-32 and M-32
series console models.
The X-WSG expansion slot card makes it possible to run Waves plug-ins on selected Behringer mixing consoles, using Waves SoundGrid technology. Together with a server, a Mac or PC, and authorized Waves plug-ins, the X-WSGlets you process 32 channels of audio using Waves award-winning reverbs, equalizers, compressors, limiters, delays, and more.
With a rich feature set including a redundancy and recovery safety net, plus scalability and expandability,X-WSG is an essential asset toany compatible Behringer mixing console.
The X-WSG card also features Clock Sync-over-Ethernet for syncing multiple consoles and performing digital splits.
SoundGrid is Waves’ Audio-over-Ethernet networking and processing technology, which provides extremely low latency, high channel-countWaves audio processing. Since it uses standard, off-the-shelf network switches,servers, and computers,it is an extremely cost-effective live-sound platform.
Features
Supports the following sampling frequencies: 44.1, 48kHz
Sample resolution: 24 bits
32 channels of audio at 44.1/48KHz
ClockSync-over-Ethernet (SoE) for digital splits andaudio networking
Card can accept Firmware changes/upgrades
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Avid MADI-192 OPTION CARD Audio Interface Card for Audio Mixer Processor System
Ships Free!
Bring high-channel, high-quality MADI connectivity to VENUE | S6L with this easy-to-install audio interface card. The MADI-192 MADI Option Card enables you to send and receive up to 64 channels of audio per card between S6L and any MADI audio device, such as an external audio mixer, recorder, or processor, including Waves SoundGrid systems. You can install up to four MADI cards in the E6L-192 or E6L-144 engine for up to 256 channels of bi-directional audio.
Work with tons of channels
The MADI Option Card makes it easy to support the largest live audio productions. Each card can provide up to 64 channels of bi-directional audio at 96 kHz. Simply add more cards to increase your channel countâup to 256.
Achieve pristine sound
Each MADI card provides four premium BNC connectors and a single BNC Word Clock output connector. This enables you to stream a large number of audio channels and keep things in sync over two simple lightweight cables, without any signal degradation.
Get real-time Waves processing
Through MADI, you can integrate S6L with Waves SoundGrid systems, enabling you to run your favorite Waves reverbs, EQs, dynamics, and other plugins right alongside your VENUE AAX ones.
SYSTEM REQUIREMENTS
VENUE | S6L system running VENUE 5.3 and higher software
Specifications
Audio channel support (per card)-Up to 64 channels of bi-directional audio at 96 kHz
Connections- Four MADI BNC connectors, one BNC Word Clock output connector
Card connection- PCIe for installation in any E6L engine
Maximum card/channel support- Up to four cards in either an E6L-192 or E6L-144 engine (for a maximum total of 256 channels)
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Echotone Music LLC is an experienced long time E-commerce Audio & Musical instrument dealer since 1998. We take pride in selling quality gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Items are well packed and shipped USPS, UPS or Pallet Freight Service. Items purchased on Friday may not ship until Monday or until the projected processing period. We are working hard to get your unit Built ( if needed), processed and shipped.
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided, otherwise customer pays for return shipping costs.
Returned items must be sealed/unopened in original, brand-new condition, showing no signs of wear or use such as mount marks, plug marks, scratches, scuffs, dings or scrapes, screw mount marks or collateral material damage.. Items must also include all original packaging, manuals, warrantees & accessories or your return may be subject to a return handling charge.
Refunds or for the Item cost only. If the item was listed as free shipping then the cost of the shipment will be deducted from the units original cost. Gear returned with out all its original packaging, warranty cards and accessories or that shows signs of wear from use, will be subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
The following products cannot be returned - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, strings, reeds, computers, tubes, earbuds, earplugs, recorders, harmonicas, raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids, clothing/footwear, cleaners, polishes & polishing cloths, software/soundware, books, CDs, DVD's, vinyl records, and videos.
Happy customers, that's music to our ears!
Avid 9900-71249-00 Pro Tools MTRX 2 Mic/Line Pristine AD Option Card for Audio System
Ships Free!
Pro Tools | MTRX is fully modular, enabling you to customize it with up to eight analog and/or digital audio I/O option cards to create a 64-channel interface. You can install a maximum of six AD and/or DA cards to support up to 48 analog channels. Or design an all-digital boxâor any combination between
Add two channels of analog inputs and mic preamps with relay-based gain circuitâan ideal low-cost option for talkback and tracking
Specifications
Mix preamps- 2
Input gain- Adjustable from -18 to +70 dB, in steps of 0.1 dB, ± 0.25 dB accuracy
Max input level- Adjustable from 9 dBu to 30 dBu in steps of 0.1 dB
Mic equivalent input noise (A)- < -133 dB
Sampling, resolution- 5-bit sigma/delta @ 5.645 or 6.144 MHz, 24-bit PCM
DSD sample rates- 2.8224 and 5.6448 Mhz (64 and 128 fs)
THD+N (A)- < -117 dB @ -3 dB FS / 0.00014%
Crosstalk- < -120 dB
Input Impedance- > 10 k Ohm
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Echotone Music LLC is an experienced long time E-commerce Audio & Musical instrument dealer since 1998. We take pride in selling quality gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Items are well packed and shipped USPS, UPS or Pallet Freight Service. Items purchased on Friday may not ship until Monday or until the projected processing period. We are working hard to get your unit Built ( if needed), processed and shipped.
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided, otherwise customer pays for return shipping costs.
Returned items must be sealed/unopened in original, brand-new condition, showing no signs of wear or use such as mount marks, plug marks, scratches, scuffs, dings or scrapes, screw mount marks or collateral material damage.. Items must also include all original packaging, manuals, warrantees & accessories or your return may be subject to a return handling charge.
Refunds or for the Item cost only. If the item was listed as free shipping then the cost of the shipment will be deducted from the units original cost. Gear returned with out all its original packaging, warranty cards and accessories or that shows signs of wear from use, will be subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
The following products cannot be returned - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, strings, reeds, computers, tubes, earbuds, earplugs, recorders, harmonicas, raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids, clothing/footwear, cleaners, polishes & polishing cloths, software/soundware, books, CDs, DVD's, vinyl records, and videos.
Happy customers, that's music to our ears!
Avid AVB-192 ETHERNET AVB Network Card for Venue E6L Engine Expand of S6L System
The AVB-192 Ethernet AVB Network Card for the VENUE | E6L engine expands the audio networking capabilities of your VENUE | S6L system. Visit www.avid.com/S6Lsupport for information on the number and type of expansion Network cards the E6L engine currently supports.
Required Materials-
(1) AVB-192 AVB Network Card or other supported card
Ethernet cable, for internally connecting Network cards
Phillips #1 screwdriver (not included)
Anti-Static wrist strap (not included)
Foam or other soft surface to place the card on (not included)
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping -Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, Road Cases, DT12 items, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, turntable cartridges, fog fluid
Avid 9900-74160-00 MLN-192 Milan Option Card Up to 128 Ch Audio Avid VENUE S6L
Send and receive up to 128 channels of audio between Avid VENUE | S6L and Milan-certified loudspeakers, amplifiers, and other pro audio devices with the utmost speed and sample accuracy. The MLN-192 Milan Option Card enables easy plug-and-play connectivity to Milan-enabled devices and switches on an AVB network, with the guaranteed delivery, interoperability, and reliability the Milan specification brings.
With a growing number of pro audio manufacturers adopting the Milan protocol, the card enables S6L to connect with and transmit audio to a variety of Milan-enabled devices over an Ethernet AVB network. No switch configuration or IT expertise required. And when used with redundant star network topologies, you can create a more robust, scalable, and future-proof distributed I/O model for theaters, houses of worship, and other performance venues.
FEATURES-
Distribute audio with ease
Enable system-to-system routing
Get guaranteed performance
SYSTEM REQUIREMENTS-
VENUE | S6L system running VENUE 7.0 or later software
SPECIFICATIONS-
Audio channels- 128 channels of audio at 96 kHz
Connections- Two Milan-AVB RJ45 Ethernet ports
Host connection- PCIe for installation into any E6L engine
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping -Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, Road Cases, DT12 items, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, turntable cartridges, fog fluid
Avid DNT-192 Dante Option to Venue S6L System 16 Channel Audio Interface Card
Bring high-speed, high-quality Dante connectivity and communication to VENUE | S6L with this easy-to-integrate 16-channel audio interface card. Based on the Dante Brooklyn II module, the DNT-192 Dante Option Card enables you to integrate your S6L system with a network of Gigabit Dante-enabled devices, including external audio mixers, amps, preamps, DSP, wireless mics, and more. Install up to six Dante cards in a single Stage 64 for a maximum total of 64 inputs and 32 outputs per rack.
FEATURES
Get pristine-quality sound - Avoid the pitfalls and challenges of analog connections, including signal degradation, crosstalk, and electrical interference. With Danteâs full digital audio transmission, you can preserve the full quality and integrity of your original sound sources to achieve the highest quality mixes.
Eliminate bulky and expensive cabling- Long cable runs can be a heavy and publicly hazardous challenge. With the Dante card, all you need is a single low-cost, readily available CAT5e, CAT6, or fiber optic Ethernet cable to connect everything easily and reliably.
Take command of your network-With the free Dante Controller software, you can quickly configure your cards and devices, monitor signal health and status, and route audio throughout your entire Dante network. Plus set-up couldnât be easier, thanks to automatic device discovery, one-click signal routing, and user-editable device and channel labels.
SYSTEM REQUIREMENTS
VENUE | S6L system running VENUE 5.2 and higher software
SPECIFICATIONS-
Input and output (48 kHz)-
16x0âslots AâH
8x8âslots H and J only
0x16âslots JâM
Input and output (96 kHz)-
16x0âslots AâH
8x8âslots H and J only
0x16âslots JâM
Input and output (192 kHz)-
8x0âslots AâH
4x4âslots H and J only
0x8âslots JâM
Connections- Three Gigabit Ethernet portsâone Control, one Primary, and one Secondary
Mute options- Auto-Mute on power up and power down; outputs can also be manually muted using VENUE software
Sample Rate Conversion- Supported across all Dante sample rates, including pull up and pull down; can be enabled and disabled
Transmission- Supports multicast and unicast operation
Status indicators- Multicolor LEDs for System, Sync, Error, Control Port, Primary Dante Port, Secondary Dante Port, Redundant, and Daisy Chain
Card size- Occupies two slots in Stage 64
Software- Dante Controller; free OS X and Windows downloads available from Audinate
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping -Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, Road Cases, DT12 items, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, turntable cartridges, fog fluid
Avid SRI-192 Analog Input Card 8 Mic/Line Input w/ High Performance Mic Preamps
The SRI (Stage Rack Input) card provides eight channels of software controlled, fully recallable analog mic/line inputs to the VENUE Stage Rack. Up to six SRI cards may be installed in the Stage Rack, providing a total of 48 channels of analog mic/line inputs to your VENUE system.
SRI Card Components-
The SRI card package includes the following items-
SRI card
Mounting screws
Avid Registration Information Card
SRI Card Capabilities and Features-
Eight channels of analog mic/line level inputs via XLR3-male connectors
24-bit sigma-delta analog-to-digital converters
20 dB pad (selectable per channel via VENUE software)
+48V phantom power (selectable per channel via VENUEsoftware)
Signal presence and phantom power LEDs
Polarity invert (selectable per channel via VENUE software)
SRI Analog Mic/Line Inputs
Parameter Specifications Limit Units Condition/ Comment
Type Balanced, XLR3-Female
Gain +10 to +60 dB 6 dB analog steps with 0.1 dB digital increments and crossfade at analog relay switch point
Max Input Level +34 dBu Pad ON
Pad 20 dB
Input Impedance,pad OFF 10 k Ohm Balanced
Input Impedance, pad ON 4 k Ohm Balanced
Phantom Power +48 VDC 10 mA max per channel
EIN â126 max dBu Max gain, 150 ohm source, 22 Hz-20 kHz BW, unweighted
THD + N 0.003 % Minimum gain, pad OFF,â1 dBFS output, 20 HZâ20 kHz BW
A/D Converter Latency 0.25 ms Fs=48kHz
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping -Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, Road Cases, DT12 items, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, turntable cartridges, fog fluid
Avid WSG-HD Waves SoundGrid S6L Surface and VENUE Software Interface Option Card
Use Waves plugins live? Access and control them from your Avid VENUE | S6L surface and VENUE software interface with this option card WSG-HD WAVES, which links Waves SoundGrid systems directly with S6L. This collaboration between Avid and Waves provides full unrivalled integration, enabling you to interact with Waves plugins and their parameters just as easily as and right alongside your AAX plugins.
Just like AAX plugins, all Waves plugins linked through your Waves SoundGrid system can be accessed using the controls on your S6L surface and the VENUE software interface. Unlike other solutions that require interaction in a separate host from your live mixing rig, the WSG-HD (Waves SoundGrid High Density) Option Card integrates directly with the latest VENUE software, so your Waves plugins show up in the same VENUE Plugins Racks as your other plugins, with full Snapshot automation and ADC support.
Features-
Experience full Waves integration
Bring all of your old show files to S6L
Enjoy easy set-up
Get unmatched performance and reliability
SYSTEM REQUIREMENTS-
VENUE | S6L system running VENUE 5.7 or later software
Waves SoundGrid Server One or Extreme ServerâImpact Server not supported at this time
Waves Central for VENUE (to install and activate Waves plugins)
Waves SoundGrid Rack for VENUE license
SPECIFICATIONS-
Audio paths- 128 voicesâEach voice occupies a single path, so stereo channels occupy two paths, while a sidechain occupies an additional path
Plugin support- Supports up to 128 Waves SoundGrid Rack instancesâEach Rack instance can support up to 8 Waves plugins for a maximum total of 1,024 Waves plugins per WSG-HD card
Card connections- Two RJ45 ports for connecting up to two Waves SoundGrid servers via Cat5e cables
Host connection- PCIe for installation in any Avid VENUE | E6L engine; only one WSG-HD card may be installed per engine
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping -Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, Road Cases, DT12 items, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, turntable cartridges, fog fluid
Avid HDX-192 DSP EXPANSIO Expansion Card Add Mixer and Plug In for S6L Systems
HDX-192 DSP Expansion Cards add mixer and plug-in processing capacity to a VENUE | S6L system. HDX cards are installed in the VENUE | E6L engine. A total of four HDX cards can be installed in an E6L.
** this item is non returnable and non refundable
Required Materials-
HDX-192 DSP Expansion Card package, which includes-
(1) HDX-192 DSP Card
(1) HDX TDM Flex Cable
Phillips #1 screwdriver (not included)
Anti-Static wrist strap (not included)
Foam or other soft surface to place the card on (not included)
Avid 9935-72793-01 PRO TOOLS HDX TB 3 MTRX Desktop or Studio Rackmount System
This is a software download. A code will be provided to you upon purchase.
Bring the power of Pro Tools | HDX to your desktop or studio rack with the Pro Tools | HDX Thunderbolt 3 Chassis, built in partnership with Sonnet. The 1U rack-mountable chassis can house a single HDX PCIe card (not included) and Mac mini, providing portability and easy connection to the latest high-performance computers. Or get a ready-to-go HDX system in one easy bundle.
Features-
Connect HDX through Thunderbolt 3 - Integrate Pro Tools | HDX with Thunderbolt 3-equipped Mac and Windows-based computersâincluding laptopsâwith a high-performance, ultra-quiet chassis. Take advantage of the greater processing power todayâs machines offer, enabling you to work with more AAX Native plugins on top of AAX DSP.
Take HDX on the go - The rackmount chassis can securely house a Mac mini and HDX card, enabling you to configure a powerful yet portable self-contained system. Plus, it can be converted from rackmount system to desktop, and vice-versa, making it easy to move HDX from home studio to facility, and from live rig to hotel room.
Work and travel with peace of mind - In partnership with Sonnet, the chassis is robustly built with rugged aluminum and steel housing to protect your inside investments during transport and in any environment. Itâs custom-designed for the size, power, and heat requirements of HDX, providing the guaranteed performance HDX reliably delivers.
Get everything in one easy bundle - Save money and set-up time with a preconfigured Pro Tools | HDX Thunderbolt 3 System Bundle thatâs ready to go. Each system includes your choice of desktop or rackmount chassis, one HDX card, Pro Tools | Ultimate software, and your choice of Pro Tools hardware I/O interface.
Specifications-
Form factor- Available as a desktop or rackmount chassis; desktop and rackmount conversion accessories also available as options
PCIe connectivity- One expansion slot for a Pro Tools | HDX PCIe card (sold separately)
Thunderbolt connectivity- Two Thunderbolt 3 portsâone for computer connection and one for daisy-chaining up to five additional Thunderbolt/USB devices
USB connectivity- One USB 3.0 port on the front panel of the rackmount chassis
Mac mini enclosure- Internal enclosure to secure optional Mac mini with Thunderbolt 3 ports (rackmount chassis only)
Bandwidth-
Thunderbolt interface- 40 Gbit/s
PCIe interface- 2,750 MB/s
Power supply- 96W
Operating temperature- 32ºâ95º F (0ºâ35º C)
Dimensions (H x W x D)-
1U rack
Desktop chassis (with feet)- 9.4 x 2.2 x 14.5 inches (238 x 57 x 368 mm)
Rackmount chassis (with rack ears and rails)- 1.7 x 19 x 17.3 inches (44 x 482 x 439 mm)
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping -Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, Road Cases, DT12 items, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, turntable cartridges, fog fluid
Avid 9938-30007-00 Pro Tools Ultimate Perpetual with 1 Year Updates and Support
This is a software download. A code will be provided to you upon purchase
Avid Pro Tools | Ultimate Perpetual with 1-Year Updates and Support Plan is the go-to audio-production software for professionals working in high-end music and audio-post facilities, who require the full power and advanced workflows of Pro Tools to tackle the most challenging and complex projects. Get full track and I/O counts and Pro Tools | HDX DSP acceleration to track and mix the largest music productions with ease and record pristine 32-bit float / 192 kHz audio sound with depth, dimension, and near-zero latency.
Features-
Advanced Suite for Audio Post and Music
1-Year Updates + ExpertPlus Support
256 Native I/O, 2048 Audio Tracks
1024 MIDI Tracks, 64 Video Tracks
Complete Production Bundle + HEAT
SoundFlow Cloud
Surround, Dolby Atmos, Ambisonics Mixing
Hybrid Engine, Carbon/HDX/HD Native
Mac, M1 Mac, Windows
Pro Tools | Ultimate at a Glance
Simultaneous recording inputs- 256 (Core Audio, ASIO), 192 (HDX Hybrid Engine, HDX Classic), 64 (HD Native)
2048 audio tracks, 512 instrument tracks, 1024 MIDI tracks
1024 aux tracks/routing folders, 128 VCA tracks, 64 master tracks
64 video tracks
Stereo, Surround, Dolby Atmos, and Ambisonics mixing
Pro Tools | Carbon Hybrid Engine, Pro Tools | HDX and HD Native + interfaces, VENUE | S6L support
What's Included and How to Manage Your Perpetual License
Perpetual access to the Pro Tools | Ultimate software.
1-year access to all available Pro Tools | Ultimate updates. Keep all installed updates after the 12-month period expires.
1-year access to ExpertPlus support with unlimited priority phone support and online technical support plus billing and account helpâresponse within 4 hours.
1-year access to the Complete Production Bundle (over 115 plug-ins) and HEAT add-on. Once your 1-Year Updates and Support Plan lapses, you no longer have access to the Complete Production Bundle unless you renew or resubscribe. If you do not have a plan anymore, you get to perpetually keep 55 included virtual instruments, effects, and sound-processor plug-ins (HEAT is not included).
1-year access to Celemony Melodyne essential.
1-year access to SoundFlow Cloud Avid Edition.
Access to 1GB of Cloud Collaboration storage, 2GB high-quality loop library, plus over 3GB of bonus samples and sounds for virtual instruments.
Users who wish to retain access to software updates and ExpertPlus support after the initial 1-year period need to purchase a 1-Year Software Updates and Support Plan RENEWAL before their current updates and support plan expires. The active 1-Year Software Updates and Support Plan currently attached to your Perpetual license can be renewed at any time before it expires.
If your 1-Year Software Updates and Support Plan has already expired, you need to purchase a 1-Year Software Updates and Support Plan NEW.
Pro Tools runs on Intel-based Windows and Mac computers as well as on M1-based Mac computers.
Choose to authorize the software either via cloud license with iLok Cloud (requires a constant Internet connection) or with a physical iLok 2 / iLok 3 key (available separately).
Capture Inspired Performances
Ever have that moment where you play something amazing but didn't hit record? With Retrospective MIDI Record, you can bring in those MIDI improvisations retroactively to recoup that spontaneity.
Create the Perfect Take
Experience the easiest audio comping workflow for creating flawless performances quickly. You can even cycle through different playlist takes to hear what works best and create something truly inspired.
Edit Your Way, Tweak Audio Timing and Pitch
With Pro Tools | Ultimate, you can reshape sounds, fix issues, chop, cut, and tweak audio and MIDI tracks with ultimate flexibility and precision. Trim clips, edit notes, and add fades with the Smart Tool. Change tempo or timing on the fly with Elastic Time. You can even make bad notes sound pitch-perfect with Elastic Pitch.
Advanced and Accurate Mix Automation
From VCA Masters, Track Freeze, and professional metering to the unrivaled ability to automate practically anythingâfrom track volumes and panning to plug-in settings and sends in your mixâall this makes the art of mixing music and soundtracks fast and easy. Automatic delay compensation corrects for delays incurred by plug-ins and mixer routing as well as side-chaining.
SoundFlow Cloud Workflow Automation Platform
SoundFlow is a state-of-the-art workflow automation platform that enables Pro Tools users to reduce complex, many-step tasks to single keystrokes or presses on a touch surface.
SoundFlow Cloud Avid Edition provides access to over 1600 prebuilt macros and commands for Pro Tools that can be custom-assigned and triggered by keyboard shortcuts, MIDI controllers, and HID devices. Whether bouncing stems, navigating plug-ins in large sessions, or triggering complex workflows, SoundFlow saves users significant time and enables them to stay in their creative flow.
Mix Dolby Atmos Music and Export Dolby Atmos ADM Files Directly
Pro Tools | Ultimate adds surround mixing capabilities for multichannel mixing in Dolby Atmos and Ambisonics.
Say goodbye to all the tedious time spent bouncing Dolby Atmos mixes to ADM (Audio Definition Model) files in real time. With Pro Tools | Ultimate, you can directly export and import ADM files to and from Pro Tools in faster-than-real-time offline mode, greatly streamlining your workflow. All groups and their associated beds and objects in the mix are embedded in the file, making delivery easy.
Fine-Tune MIDI Performances
Quantize notes. Adjust note durations. Transpose recordings. Add dynamics by varying note velocities. Rearrange parts with Folder Tracks. Add more humanistic soul using MIDI Real-Time Properties.
Turn Audio to MIDI and Vice-Versa
Drag an audio sample to a MIDI track or convert an audio track to MIDI, and you can change the instrument, switch out samples, and edit notes. Or, drag a MIDI clip to an audio track for more creative editing possibilities. Audio-to-MIDI allows you to repitch notes and play with the timing. It not only works with melodic material, but you can also convert percussive and polyphonic recordings.
Change Pitch and Time with Melodyne
The Celemony Melodyne essential plug-in makes it easy to fix bad notes, hold out good ones, tighten up grooves, or even rearrange the melody, all with natural-sounding results. Perfect vocal and instrument performances quickly, or get more creative with them using the core tool set.
Pro Tools | GrooveCell and Pro Tools | SynthCell Virtual Instruments
Pro Tools | GrooveCell is a virtual drum machine and sequencer that makes it easy to create intricate beats and drum patterns in Pro Tools. You can use the included sounds and presets or build custom drum kits by dragging and dropping your own samples onto the drumpads (MP3, WAV, or AIFF).
Pro Tools | SynthCell is a modern virtual synth that offers a wide palette of sounds in Pro Toolsâfrom old-school familiar to the truly unique. Sporting two oscillators, two multimode filters, an LFO, envelopes, an arpeggiator, and a variety of effects, you can start sculpting your own sounds from scratch or cruise through the library of presets and instantly find something organic, distorted, smooth, chaotic, or analog, without ever touching a knob.
Fuel Your Creativity with Pro Plug-Ins
Polish mixes with access to HEAT (to bring analog warmth and color to your mixes) and every audio plug-in offered in the Complete Production Bundle. From high-quality reverbs, EQs, and dynamics, to virtual instruments and guitar-amp emulators, you have access to everything you need to shape, enhance, and fine-tune your sound.
Work with Sound for Picture (64 Video Tracks)
Play and edit 4K/UHD and HD video and Avid DNxHD sequences right in the Pro Tools timeline with 64 video tracks. You can create and mix soundtracks in sync with picture. Edit audio clips with timecode precision, and position them perfectly in the scene. Clean up tracks and ensure every bit of dialog, music, and sound is heard using plug-ins and automation.
Bring More Power to HDX with the Hybrid Engine
The Hybrid Engine provides a vastly significant boost in performance for DSP-powered HDX Systems. This proprietary technology maximizes the performance of your Pro Tools | Ultimate rig by leveraging both native and DSP processing more harmoniously. All processing, voice count, and mixing is handled by your CPU until the moment you need a DSP-based workflow.
You can toggle between Native and DSP modes on a per-track basis and nullify the distracting effects of latency simply by clicking a button. The track's entire signal chain and AAX DSP-compatible plug-ins are then processed directly on the HDX card, while your CPU plays back the rest of your mix. This means you can track bigger sessions (with a massive 2048 voices and audio tracks at all sample rates even with one-card systems), and work with a lot more outboard gear using any Core Audio interface.
Bounce Better (Including Stems)
Whether bouncing a final mix, consolidating tracks, or printing stems, the new Bounce window enables you to work more easily than ever before. Create your own presets for frequently used workflows. Import OP-Atom audio files. QuickTime capabilities are back, enabling macOS Catalina users to once again export MOV, MP4, M4V, and M4A (AAC) files, critical for audio post workflows.
Save Tons of Time with Space Clips
For video-game sound designers, dialog editors, and sound librarians, who often import tens of thousands of audio files per project, Space Clips eliminates the mind-numbing grind and time wasted spacing clips apart before getting to work. With a single command, you can separate multiple clips on a track at equal time intervals of your choosing, quickly, and easily.
Discover the Power of the Dark Side
With the Dark theme, Pro Tools offers a modern look and feel that's easier on the eyesâespecially in lower light conditions. You can also change the brightness and saturation of almost every aspect of the Dark and Classic user interfaces.
Bring Focus to Your Session with Folder Tracks
Take command of large sessions by organizing tracks into collapsible folders, enabling you to work more creatively and productively. Arrange, consolidate, and route tracks quickly with drag-and-drop ease. And, group folders in folders and color-code them for even easier navigation.
Connect to Ableton-Link-Enabled Apps and Devices
Expand your instrument options and enable multiple musicians and beatmakers to play along with your session. With support for Ableton Link, you can connect Pro Tools to a wide range of Link-enabled music creation apps, electronic instruments, and sound processors on your networkâ everything and everyone in perfect sync.
Collaborate In the Cloud
Avid Cloud Collaboration enables you to work with up to 10 collaborators to contribute to the same Pro Tools project remotely. You can work on a song with anyone anywhere in the world as if you were in the same studioâall you need is an internet connection.
Connect, Expand Opportunities, and Get Discovered
With Avid Link in the Pro Tools interface, you can connect with other music creators and audio professionals to find collaborators and gigs, share your work, promote your skills, and expand your creative opportunities. Plus, get your music heard on Apple Music, Spotify, Pandora, TIDAL, and dozens of other major streaming services with easy music distribution through AvidPlay (available separately). AvidPlay supports 24-bit / 192 kHz audio, including Dolby Atmos music.
Take Hands-On Control of Your Mix
Experience the deepest level of integration when you pair Pro Tools with any EUCON-enabled control surfaceâ includes Avid S6L, S6, S4, S3, S1, and Avid Dock, as well as the free Avid Control app on your mobile device (all available separately). Speed up recording, editing, and mixing tasks with access to tracks, plug-ins, and automation control right from the surface. You can even create custom keys to perform practically any Pro Tools function with a single button press.
Go Further with Pro Tools | Ultimate
Apply real-time EQ and dynamics to a single clip or clip group with Clip Effects.
Get time-saving workflows for field recording, rerecording, and (with Pro Tools | HDX) in-the-box dubbing.
Get advanced recording, mixing, and delivery capabilities, including TrackPunch, single-file multistem bounce, and Netflix-compliant workflows.
Get advanced automation features such as Capture, Automatch, and Preview.
Control up to 12 Pro Tools | Ultimate workstations from a single transport with the included Satellite Link.
Integrate and control external audio and video devices from Pro Tools with the included ProTools | MachineControl.
Avid Carbon Audio Interface For Music Production 118 Plug ins
Built to capture brilliance. And ready for yours.
A NEW BREED OF AUDIO INTERFACE FOR MUSIC PRODUCTION
With superior sound quality and intelligent software integration, Pro Tools | Carbon removes barriers to creativity, so you can bring out the best in your performance and capture it beautifully.
***Used by Darrell Thorp 9 time grammy winning engineer , Foo fighters, Beck, Radiohead
Fast, intuitive, and fully integrated.
Move effortlessly between tracking and mixingâwithout messing with buffer settings. The magic is in the Hybrid Engine, which lets you toggle tracks in and out of DSP Mode at the touch of a button. Record naturally through real-time AAX DSP plugins, without distracting latency. Then mix with the same plugins in Native Mode, without taxing Carbonâs onboard DSP.
Epic performance eliminates latency.
Carbon is cut from the same cloth as our flagship Pro Tools systems used in the worldâs most acclaimed studios. Its custom-designed FPGA and eight HDX DSPs achieve remarkable sub-1 ms recording latency and free up your computer to run big, plugin-heavy sessions smoothly
Thermal design. Quietly cool.
A high-performance audio interface generates a lot of heat. Thatâs why we innovated a thermal design that quietly keeps Carbon coolâeven when stacked with other gear in your rack. A single axial fan gently pushes air from the front of the interface to the back, modulating its speed to dissipate heat. Plus, itâs super quiet, so it can stay in the same room with you as you record.
Turn your music into records.
From idea to final mix, Pro Tools is the heartbeat of your studio. And with Carbon turbocharging the experience, as well as a suite of hit-making AAX plugins at your fingertips, you can act on inspiration the instant it strikes.
Plug into an inspired sonic palette.
Shape your sound with a full range of AAX pluginsâfrom warm, dimensional analog emulations, to cutting edge processors that define modern music making. In addition to the 118 plugins that come with Pro Tools, Carbon includes a premium collection to get you started from the biggest brands in the business.
Super sonics.
Superior audio conversion. Double resolution clocking. And our most transparent preamp design ever. All details have been meticulously considered, so that Carbon captures every nuance of your performance with the greatest depth, dimension, and clarity. All you have to do is push record.
Converters and preamps. Musical and transparent.
With four ADCs per channel and pristine 32-bit precision throughout its gain structure, Carbon captures clean, natural-sounding audio without coloration. And with Variable Z built in, you can optimize or alter the tone of any microphone or instrument by simply adjusting input impedance.
High-resolution clocking. Flawless sound.
Precision clocking is crucial for distortionless, artifact-free audio. Thatâs why we designed a double resolution implementation of the JetPLL⢠jitter elimination technology to ensure the best sound quality for your music. It runs twice as fast as typical JetPLL clocksâand itâs twice as accurate.
Connect the whole band.
Whether youâre a solo artist or part of a band, Carbon has your I/O needs covered. With 25 x 34 simultaneous I/Oâincluding eight mic pres and four headphone outsâyou can record your entire band. With plenty of creative possibilities for miking, cue mixing, and expansion to meet your needs.
The future is Ethernet.
Carbon connects to your computer over Ethernet using a proprietary version of AVB to stream audio at 32-bit float precisionâa first in the industry. This enables a consistently high headroom and the highest possible sound quality from input to output. And it primes Carbon for the future.
Premium plugins included.
In addition to the 118 plugins included with Pro Tools, Carbon comes with a suite of premium plugins thatâll take your production further. Find your groove and lay down melodies with unique virtual instruments. And shape, enhance, warm up, and master your vocal and instrument tracks with acclaimed EQ, dynamics, and sound processing plugins.
Achieve maximum Pro Tools performance with a hybrid system that harnesses onboard HDX DSP and native CPU power
Record flawlessly through AAX DSP plugins in real time, enabling you to create polished cue mixes and track with zero audible latency
Toggle any track from native to DSP processing mode, freeing up your CPU cores to handle virtual instruments and more creative mixing
Capture every performance detail with up to 32-bit/192 kHz audio conversion, double precision clocking, and our most transparent mic preamp design ever
Create, record, edit, and mix professional-quality music with Pro Tools, thousands of instrument sounds, and studio-staple effects and sound processors
Expand your sonic possibilities with a special pack of premium plugins from Arturia McDSP, Plugin Alliance, UVI, Native Instruments, and more
Get all the I/O you need to record an entire band, with 25 x 34 simultaneous channels, including four headphone out
Optimize or change up the tone of your mics, guitars, and basses with Variable Z inputs
Accessories
Rackmount screws and desktop feet
Power cable
Ethernet cable
Registration card
What's Included
Pro Tools | Carbon audio interface
Pro Tools software
1-year subscription with a Pro Tools perpetual parachute
115 AAX plug-ins (over 70 AAX DSP plug-ins), including UVI Falcon, the Avid Complete Plug-in Bundle, and HEAT 5.4GB sound library
Standard support
Additional premium plug-ins included
Arturia Rev PLATE-140
Brainworx bx_console N
Brainworx bx_rockrack
Brainworx bx_masterdesk
Brainworx Purple Audio MC77
Embody Immerse Virtual Studio
McDSP 6050 Ultimate Channel Strip HD
Native Instruments Vintage Organs
UVI Model D
Specifications-
Combo mic/line inputs
8 balanced XLR/TRS with Variable Z (impedance) on inputs 5â8
DB25 line inputs-
8 balanced via 25-pin D-sub
Instrument (Variable Z) inputs-
2 unbalanced 1/4" TS
Digital inputs-
ADAT- 16 channels @ 44.1â96kHz
ADAT- 8 channels @ 176.4â192kHz
A/D Conversion
Mic preamps-
Dynamic Range- 126 dB (A-weighted)
THD+N- -105 dB (0.00056%)
Frequency Response- 20 Hzâ20 kHz, ±0.1 dB
EIN- -129 dB (A-weighted)
Line inputs-
Dynamic Range-125 dB (A-weighted)
THD+N- -103 dB (0.0007%)
Frequency Response- 20 Hzâ20 kHz, ±0.1 dB
Line inputs (true bypass)-
Dynamic Range- 126 dB (A-weighted)
THD+N- -114 dB (0.0002%)
Frequency Response- 20 Hzâ20 kHz, ±0.1 dB
Instrument inputs-
Dynamic Range- 125 dB (A-weighted)
THD+N- -103 dB (0.0007%)
Frequency Response- 20 Hzâ20 kHz, ±0.1 dB
Outputs
DB25 line outputs-
8 balanced via 25-pin D-sub
Monitor outputs- 2 balanced ¼-inch TRS
Headphone outputs 4 stereo ¼-inch TRS
Digital outputs-
ADAT- 16 channels @ 44.1â96 kHz
ADAT- 8 channels @ 176.4â192 kHz
D/A Conversion
Line outputs-
Dynamic Range- 120 dB (A-weighted)
THD+N- -110 dB (0.0003%)
Frequency Response- 20 Hzâ20 kHz, ±0.1 dB
Monitor outputs-
Dynamic Range- 120 dB (A-weighted)
THD+N- -110 dB (0.0003%)
Frequency Response-
20 Hzâ20 kHz, ±0.1 dB
Headphone outputs-
Power-100 mW into 300 ohm; 200 mW into 32 ohm
Dynamic Range- 116 dB (A-weighted)
THD+N (32 ohm)- -87 dB (0.0045%)
THD+N (300 ohm)- -100 dB (0.001%)
Frequency Response- 20Hzâ20kHz, ±0.1 dB
DSP Acceleration
HDX DSP 8-
HDX DSP processors (2.8 GHz aggregated processing)
Additional Specifications
Supported sample rates-
44.1kHzâ192kHz; 32-bit, 192 kHz max
Host connection-
Ethernet
Power supply-
Single (internal)
Chassis-
1U 19" rack mountable unit
Echo tone Music is a long time E-commerce Audio and Musical instrument dealer since 1998. We take pride in selling quality gear for musicians, sound engineers and broadcast applications.
Shipping --Items are well packed and shipped USPS, UPS or Pallet Freight Service. Items purchased on Friday may not ship until Monday or until the projected processing period. We are working hard to get your unit Built ( if needed), processed and shipped.
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided, otherwise customer pays for return shipping costs. Returned items must be in original, brand-new condition, showing no signs of wear or use such as belt-buckle or pick scratches, scuffs, dings or scrapes, screw mount marks or collateral materials. Items must also include all original packaging, manuals, warrantees and accessories or your return may be subject to a return handling charge.
If the item was listed as free shipping then the cost of the shipment will be deducted from the units original cost. Gear returned with out all its original packaging, warranty cards and accessories or that shows signs of wear from use, will be subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
Happy customers, that's music to our ears!
Furman BLUEBOLT-CV2 IP Interface Card Plug In for F1500-UPS and MB1500
The BlueBOLT-CV2 Interface Card plugs in to select Panamax/Furman products and provides access to BlueBOLT™ cloud based remote power management technology. Each BlueBOLT-CV2 card includes a unique MAC address and identification number allowing you to create a BlueBOLT account or add a compatible unit to an existing account. The BlueBOLT-CV2 includes an embedded web page for local control, embedded scheduled events and pings, increased memory for future expansion, and enhanced data encryption AES128.
Features:
Embedded Web Page for local control
Embedded scheduled events and pings
Increased memory for future expansion
Enhanced data encryption AES128
Specifications
Networking: 10/100Base-T Ethernet
Power consumption: 1W (3.3V x 300mA)
Regulatory Approval: FCC part 15, Class B device
Supported Protocols: HTTP (port 80*), Telnet (Port 23*),*or user defined
Dimensions: 3.15” W x 4.0” L x 0.9” H
General
Family: Accessories
Line Voltage: 120 (Volts)
Compliance: FCC part 15, Class B device
Weight: 0.1 lbs.
Power Consumption: 1W (3.3V x 300mA)
Soundcraft MINI STAGEBOX-16R 16 Channel Mixing Console with MADI Card
The new Mini Stagebox range from Harman's Soundcraft provides a simple solution to stage connectivity offering a lower-cost option for many systems where the modularity and configurability of the larger systems are not required.
The Mini Stagebox 16R (2U) model providing 16 analogue inputs and 8 line outputs making a 16 x 8 matrix. They connect to any of the Soundcraft Si Expression, Si Compact, Si Performer, Si Series and Vi Series consoles via a MADI card fitted to the option card slot.
The Mini Stagebox models contain an integral PSU so are completely self-contained and sit comfortably stage-side.
The new units are part of the ViSi Connect range of interface options for all Soundcraft mixing consoles which includes the Compact and Vi Stageboxes and a range of option cards such as MADI, AES, CobraNet and AES.
Both models are supplied with the stagebox card installed, plus the corresponding card for an Si series console (Vi console MADI cards sold separately)
Compatibility:
Vi1 Si Impact Si1, Si1+
Vi2 Si Performer Si2, Si2+
Vi4 Si Expression Si3, Si3+
Vi6 Si Compact
Vi3000
Vi5000
Vi7000
Avid 9900-74068-00 Pro Tools 32 Channel MTRX Studio Audio Interface HDX HD
Bring creative efficiency to your studio with powerful I/O, monitoring, and routing capabilities in an all-in-one audio interface. Pro Tools | MTRX Studio simplifies your signal flow, providing connections to all your gear. Route any input to any output. Customize monitor profiles with integrated speaker tuning. Outfit any room in your facility for Dolby Atmos mixing. And get ultra-low latency monitoring when tracking and mixing with Pro Tools | HDX or HD Native.
Get ample analog and digital connectivity—including Dante, DigiLink, and ADAT—to connect your outboard gear, mics, speakers, and more. Consolidate multiple devices, declutter your signal chain, and save rack space with a versatile audio solution that extends your workflow possibilities.
Get premium sound, built in partnership with DAD
With Digital Audio Denmark’s precision audio converters and mic preamps, you can capture and hear every vocal, instrument, and sound performance in great detail. Plus, get ultra-low latency when tracking with Pro Tools | HDX or HD Native, enabling artists to perform at their best.
Take full monitor control
No need for a separate monitor controller. MTRX Studio covers this and your signal routing needs. Create monitor profiles and fold-downs to speed up your workflow. And toggle between multiple speaker sets directly from the included DADman software or your Avid control surface.
Optimize your monitoring environment
With speaker calibration built directly into the interface—the same SPQ speaker processing technology available as an option for Pro Tools | MTRX—you can tune your room for any session format. Easily transition between music and audio post production—from mono to immersive audio.
Features:
All-in-one audio interface
Optimize analog and digital connectivity
Achieve pristine sound quality
Simplify signal workflow
Route any input to any output
Customize monitor profiles
Get ultra-low latency monitoring
Specifications:
Analog and Digital I/O:
Configurability: Static I/O configuration
Mic/Instrument Inputs: 2 x 1/4"
Analog Line I/O: 16 x 16 (DB25)
ADAT I/O: 16 x 16
AES/EBU I/O: None
Dante I/O: 64 x 64
DigiLink I/O: Two 32-channel DigiLink Mini connectors (64 channels total)
MADI I/O: None
Dedicated Monitor Outputs: 2 x 1/4"
Headphone Outputs: 2 x 1/4"
Monitoring and Routing:
Cross-point Digital Matrix: 512 x 512
Summing Matrix with Monitor Profiles:
256 x 16
Monitor Groups
Fold Downs
Group Formats
Integrated Speaker Calibration: Built-in SPQ speaker processing with 256 filters on 16 channels; delay management adjustable up to 150 ms per channel
EUCON Integration: Yes
System Sync: Word Clock and Loop Sync via BNC connectors; Dante Sync
Support Sample Rates: 44.1 kHz–192 kHz
Power Supply: Single
Chassis: 1U 19" rack-mountable unit
Avid PRO TOOLS HDX CORE 64 Channel Recording Audio Interface PCIe Card
The Avid Pro Tools HDX | PCIe Core Card is the real-time mixing and processing engine at the heart of a fully optimized Pro Tools hardware, Pro Tools | Ultimate software, and control surface system, delivering precision-timed mixing, routing, automation, and plug-in performance. Its hybrid capabilities accelerate the most demanding music and audio-post workflows, so you can handle massive music and post-production projects with ease.
The first step to building your HDX System is to add the HDX PCIe card to Pro Tools Ultimate. This hardware accelerator delivers unparalleled DSP power and performance. And it features 64 channels of DigiLink I/O per card for connecting your system to any Pro Tools hardware I/O.
Loaded with eighteen DSP cores and two high-performance FPGA chips, the PCIe Core Card supercharges your system without burdening your CPU. The FPGA routes audio with near-zero latency (0.7 ms) while the HDX DSPs handle plug-in processing at staggering speeds. So, you can mix the biggest sessions and record large performances with tons of plug-ins running in real time while your computer's CPU remains accessible for handling virtual instruments, more plug-ins, and other creative tasks.
The HDX PCIe card features two DigiLink ports and one DigiSerial Port, enabling you to connect Pro Tools hardware to your system. The uniquely designed DigiLink connector provides support for 64 channels of I/O and ensures the highest audio fidelity in and out of the HDX Engine. It also enables Pro Tools to automatically compensate for hardware insert delays. The DigiSerial Port is part of a proprietary technology, providing unmatched sample-accurate synchronization of video frame edges with audio when connected to Avid sync peripherals, like Sync X.
Pro Tools | Ultimate software is available separately or as part of the Pro Tools | HDX PCIe Core Card with Pro Tools | Ultimate Software bundle (MFR #9935-71763-00).
HDX DSP Acceleration with the Hybrid Engine
The Hybrid Engine allows native CPU and HDX DSP power to be used more cooperatively to maximize Pro Tools performance. All processing, voice count, and mixing are handled by your CPU until the moment you need a DSP-based workflow. The result is a vastly significant boost in performance.
You can offload tracks to HDX at the touch of a button. When you need to record with near-zero monitoring latency, simply put a track in DSP Mode. The track’s entire signal chain and AAX DSP-compatible plug-ins are then processed directly on the HDX card while your CPU plays back the rest of your mix.
Up to 2048 Simultaneous Voices with Just One Card
The Hybrid Engine enables a massive 2048 simultaneous voices at all sample rates for any HDX system (compared to 256 voices per HDX card without the Hybrid Engine).
All HDX configurations have the same maximum number of voices. With the Hybrid Engine, stacking HDX cards (up to three cards) will increase your system’s available DSP power for running more AAX DSP plug-ins with near-zero latency and will provide up to 192 channels of I/O.
A single PCIe card running in HDX Classic mode is capable of streaming up to 256 voices at 48 kHz.
A single PCIe card running in HDX Hybrid mode is capable of streaming up to 2048 voices at all sample rates.
Run Tons of Plug-Ins with Near-Zero Latency
With 18 DSP cores and two high-performance FPGA chips, the Pro Tools | HDX PCIe card is a powerhouse. The central FPGA rapidly routes signal around the card—one sample at a time—allowing your system to achieve exceptionally low latency (0.7 ms).
The DSPs handle mixer and real-time plug-in processing at an amazing 6.3 GHz aggregate clip, allowing you to track the largest recording sessions with tons of plug-ins and near-zero latency.
Audio Quality You Can Count On
The engine streams audio to and from your host CPU at uniform 32-bit float precision, preserving the highest-possible audio quality throughout the system's gain structure. So when the work is mission critical and you press record, you're backed by exceptional, unwavering capability you can depend on.
Features:
Two DigiLink Connectors: Connect up to four audio interfaces for up to 64 channels of audio I/O
One DigiSerial Connector: Interface with SYNC HD for sample-accurate frame-edge alignment
FPGA 1: PCIe interface to the host streaming up to 256 voices at 48 kHz (in HDX Classic mode)
FPGA 2: 4500 x 4500 + matrix routes digital signal to the DSPs, Pro Tools, and DigiLink outputs
DSP processing: 18 x 350 MHz TI processors per HDX card (6.3 GHz aggregated processing)
Channels of I/O: 64 (scalable up to 192 with three HDX cards)
Automatic Delay Compensation for hardware inserts: 16,383 samples
Processing depth: 32-bit floating point
Mixer depth: 64-bit floating point
Maximum power consumption: 40W / 136.5 BTU
System requirements: Avid-qualified Mac or Windows computer
Specifications:
Computer Connectivity: PCIe card
Simultaneous I/O: 64 channels per I/O card
Digital Inputs: 2 x Mini-DigiLink ports, 1 x Serial Port
Digital Outputs: 2 x Mini-DigiLink ports, 1 x Serial Port
BBS BSSBLUDIGITALOUT-M Digital Output Card for Soundweb London Blu Link
The BSS BSSBLUDIGITALOUT-M Digital Output Card card is designed to populate any of the four card slots on Soundweb London BLU-800, BLU-805, BLU-806, BLU-320, BLU-325, BLU-326, BLU-160, BLU-120, BLU-80, BLU-32 and BLU-16 devices. These digital cards enable Soundweb London devices to receive AES/EBU and S/PDIF audio signals.
Features:
The Digital Output Card can be configured in the following ways:
• 2 Stereo AES/EBU Signals
• 1 Stereo AES/EBU signal / 1 Stereo S/PDIF Signal
• 2 Stereo S/PDIF Signals
The Digital Output Card has two Combicon connectors which are used as follows:
• Connector 1: Stereo Audio, Channels 1 and 2 - AES/EBU / S/PDIF; Stereo Audio, Channels 3 and 4 - AES/EBU / S/PDIF
• Connector 2: Clock Input - High Impedance; Clock Input - 75R Terminated
Specifications:
• The Digital Output Card can be configured in the following ways:
2 Stereo AES/EBU Signals
1 Stereo AES/EBU signal / 1 Stereo S/PDIF Signal
2 Stereo S/PDIF Signals
• The Digital Output Card has two Combicon connectors which are used as follows:
Connector 1
Stereo Audio, Channels 1 and 2 - AES/EBU / S/PDIF
Stereo Audio, Channels 3 and 4 - AES/EBU / S/PDIF
Connector 2
Clock Input - High Impedance
Clock Input - 75R Terminated
Digital Inputs
• Up to 2 pairs of AES/EBU or S/PDIF on Phoenix/Combicon removable screw connectors
• Input Impedance: 110 ohm (AES/EBU), 75 ohm (S/PDIF)
• Sample Rate: 48kHz or 96kHz
• Sample Rate Conversion: 8kHz-96kHz
• THD+N: <-140dB
• Latency: 3/Fso + (56.581/Fsi) + (55.658/Fso)
Digital Outputs
• Up to 2 pairs of AES/EBU or S/PDIF on Phoenix/Combicon removable screw connectors
• Output Impedance: 110 ohm (AES/EBU), 75 ohm (S/PDIF)
• Sample Rate: 48kHz or 96kHz
• Sample Rate Conversion: 8kHz-96kHz
• THD+N: <-140dB
• Latency: 3/Fso + (56.581/Fsi) + (55.658/Fso)
BBS BSSBLUCARDOUT-M Analog Output Card Line for Soundweb London Chassis
The Soundweb London Analog Output Card is designed to populate any of the four card slots on Soundweb London BLU-800, BLU-805, BLU-806, BLU-320, BLU-325, BLU-326, BLU-160, BLU-120, BLU-80, BLU-32 and BLU-16 devices. This analog card enables Soundweb London devices to send line level signals.
Features:
The Analog Output Card has two Combicon connectors which are used as follows:
• Connector 1
Balanced / Unbalanced Audio, Channel 1 - Mic/Line
Balanced / Unbalanced Audio, Channel 2 - Mic/Line
• Connector 2
Balanced / Unbalanced Audio, Channel 3 - Mic/Line
Balanced / Unbalanced Audio, Channel 4 - Mic/Line
Specifications:
• Analog Inputs: Up to 4 electronically balanced on Phoenix/Combicon removable screw connectors
• Mic/Line Inputs: Nominal gain 0dB, electronically switchable up to +48dB,in +6dB steps
• Input Impedance: 3.5kΩ
• Maximum Input Level: +20dBu with 0dB input gain,+8dBu with 12dB gain
• CMRR: >75dB at 1KHz
• Input Noise (E.I.N.): <-128dBu typical with 150Ω source
• Phantom Power: 48V nominal, selectable per input
• A/D Latency (Rev. A):* 41/Fs [0.85ms@48k, 0.43ms@96k]
• A/D Latency (Rev. B): 12/Fs [0.25ms@48k, 0.13ms@96k]
• Analog Outputs: Up to 4 electronically balanced on Phoenix/Combicon removable screw connectors
• Maximum Output Level: +19dBu
• Output Impedance: 40 Ohms balanced, 20 Ohms unbalanced
• Frequency Response: 20Hz-20KHz (+0.5dB/-1dB)
• THD: <0.01% 20Hz to 20KHz, +10dBu output
• Dynamic Range: 108dB typical, 22Hz-22KHz unweighted
• Crosstalk: <-75dB
• D/A Latency: 28/Fs [0.58ms@48k, 0.29ms@96k]
Avid 8 Line Pristine AD Card Input
Add eight channels of line-level analog inputs for connecting preamps, keyboards, signal processors, mixers, and other gear.
Features:
• Expansion card for Pro Tools | MTRX audio interface
• Adds 8 channels of line-level analog inputs to your MTRX studio setup
Specifications:
• Analog Inputs: 8 Line-level
• Input gain: Adjustable from -18 to +70 dB, in steps of 0.1 dB, ± 0.25 dB accuracy
• Max input level: Adjustable from 9 dBu to 30 dBu in steps of 0.1 dB
• Sampling, resolution: 5-bit sigma/delta @ 5.645 or 6.144 MHz, 24-bit PCM
• DSD sample rates: 2.8224 and 5.6448 Mhz (64 and 128 fs)
• THD+N (A): < -117 dB @ -3 dB FS / 0.00014%
• Crosstalk: < -120 dB
• Input Impedance: > 10 k Ohm
Avid PRO TOOLS SYNC X Precision Synchronizer
The VENUE | S6L-48D comes with three years of Avid Advantage Elite Live support—the company's highest level of service available to customers who work in the most mission-critical live sound environments. That means you've got the attention of a dedicated customer care team at your service—24x7. You'll receive the highest priority care to resolve issues fast, get advice and answers, and have replacement hardware or parts shipped to you rapidly—wherever you are or will be.
Features:
• 48 channel faders across 5 Channel Fader Modules, plus 2 assignable faders in the Master Live Module
• 160 assignable channel knobs (encoders) across 5 Channel Knob Modules
• 1 Master Touchscreen (central screen for quick navigation, parameter identification, and control)
• 1 Master Live Module (provides control over global system parameters, such as channel banking, snapshots, and monitoring)
• 5 Channel Touch Modules (touchscreen display provides access and control to parameters in Meters view and Channel view)
• Local analog I/O, digital I/O, and ancillary I/O, including ECx for remote control and DVI for connecting an external monitor (available separately) for VENUE software display
Specifications:
• Clock Type: Master Clock & Distribution
• Clock Frequency and Supported Sample Rates:
• AES3/Word Clock Input: Up to 192 kHz
• Supported Frame Rates: 23.976 / 24 / 25 / 29.97 / 30 / 50 / 59.94 / 60 fps
Connectivity:
• Inputs:
1x BNC Reference/Video
1x BNC Word Clock
1x BNC AES3
1x BNC Loop Sync
1x XLR 3-Pin LTC
1x DB-25 GPIO
1x DB-25 AES3 (Input and Output Shared on DB-25)
1x DE-9/DB-9 MIDI (Input and Output Shared on DE-9/DB-9)
• Outputs:
4x BNC Reference/Video Output
6x BNC Word Clock Output
1x BNC Loop Sync Output
1x XLR 3-Pin LTC Output
1x DB-25 AES3 Output (Input and Output Shared on DB-25)
1x DE-9/DB-9 MIDI Output (Input and Output Shared on DE-9/DB-9)
• USB: No
Performance:
• Clock Accuracy: ±1 ppm
• Jitter: 72 ps
Compatibility:
• OS Compatibility: macOS 12.3, Windows 11
Power:
• AC Input Power: 85 to 264 VAC, 50 / 60 Hz
• Power Consumption: 9.5 W (Typical), 30 W (Maximum)
Physical:
• Rackmount Size: 1 RU (with Included Hardware)
• Operating Humidity: 0 to 95% (Non-Condensing)
• Operating Temperature: 36 to 72°F / 4 to 40°C
• Storage Temperature: -40 to 176°F / -40 to 80°C
Avid MTRX HD Audio Interface Base Unit
Get the exceptional sound quality and routing flexibility of Pro Tools | MTRX II optimized for smaller spaces and budgets. Pro Tools | MTRX Studio provides all the I/O you need in a fixed-format but fully loaded interface, enabling you to streamline and expand your workflow. No matter what DAW you use—or whether you connect to Pro Tools | HDX and/or a Mac or PC—you get the pristine clarity, low-latency monitoring, and room tuning capabilities you need to create and deliver at the highest quality possible.
Features:
• Streamline your studio Connect all your gear to a single interface that provides ample I/O, including 18 channels of analog I/O, 64 DigiLink channels, 64 Dante channels, and 16 ADAT channels
• Get unparalleled sound clarity Capture and output audio without any coloration—exactly as the sources sound—with impeccably clean, transparent, and highly detailed AD/DA conversion
• Tackle any production Mix and monitor mono, stereo, surround, and Dolby Atmos projects with ultra-low latency, integrated speaker calibration, and a 256x32 summing mixer
• Feed any input to any output Route, split, and patch audio across multiple devices and rooms in your facility with the 512 x 512 matrix router
• Expand your workflow Route audio over IP with Dante, work with multiple DAWs, and connect to Pro Tools | HDX and/or a Mac or PC (with the Thunderbolt 3 option), enabling new creative possibilities
Specifications:
Channels of I/O:
• Digital: 16 Input / 16 Output
• MADI: 64 Input / 64 Output
• DigiLink: 64 Input / 64 Output
• Maximum Sampling Rate: 384 kHz / 24-Bit
• Number of Microphone Inputs: No
Connectivity:
• Analog Audio I/O: No
• Digital Audio I/O:
1x BNC Coaxial MADI Input
1x BNC Coaxial MADI Output
1x DB-25 AES3 Input
1x DB-25 AES3 Output
1x XLR 3-Pin AES3 Input
• Host Connection: 2x DigiLink Mini
• Host Connection Protocol: Avid Proprietary
• Sync I/O:
1x BNC Word Clock Input
1x BNC Word Clock Output
• Network I/O: 2x etherCON/RJ45 Dante
• MIDI I/O: No
Digital Audio:
• Sample Rates: Up to 384 kHz
• Bit Depths: Up to 24-Bit
• Sync Sources: Internal, Word Clock
Power:
• Power Requirements: AC Input
Physical:
• Rackmount Size: 2 RU
Packaging Info:
• Package Weight: 18.335 lb
• Box Dimensions (LxWxH): 23.3 x 23 x 8.2"
Yamaha NY64-D Dante Expansion Card for TF Series Mixers
Call to order 585-405-4375
The NY64-D is a Dante expansion card for TF series consoles. The NY64-D from Yamaha is an I/O expansion card for the TF-series console that allows transmission and reception of up to 128 channels (64 in/64 out) of uncompressed 24-bit/48 kHz digital audio data via a Dante audio network. It is also compatible with the Tio1608-D Dante-equipped I/O rack (sold separately) and with this setup, it becomes possible to create a stage-box system with up to 48 inputs and 24 outputs.
The Yamaha NY64-D expands your TF mixer’s capabilities, making it a powerful solution for professional audio systems demanding top-tier performance and network versatility.
Features:
• Expands the TF-Series Routing Capacities
• 24-Bit/48 kHz Digital Audio
• Transmits & Receives Up to 128 Channels
• Plugs into Expansion Slot of Mixer
• Provides Audio Data Via a Dante Network
Specifications:
• Compatible with TF-Series Consoles
• Sample Rate and Resolution: 48 kHz / 24-Bit
• Inputs/Outputs: Connector 1 - 1x RJ45/etherCON, Connector 2 - 1x RJ45/etherCON
• Package Weight: 1 lb
• Dimensions (LxWxH): 8.8 x 7.1 x 3.6"
BSS BLUCARD-OUT Analog Output Sound Card AES/EBU and S/PDIF audio signals
The Soundweb London Analog Output Card is designed to populate any of the four card slots on Soundweb London BLU-800, BLU-805, BLU-806, BLU-320, BLU-325, BLU-326, BLU-160, BLU-120, BLU-80, BLU-32 and BLU-16 devices. This analog card enables Soundweb London devices to send line level signals.
The Analog Output Card has two Combicon connectors which are used as follows:
Connector 1
Balanced / Unbalanced Audio, Channel 1 - Mic/Line
Balanced / Unbalanced Audio, Channel 2 - Mic/Line
Connector 2
Balanced / Unbalanced Audio, Channel 3 - Mic/Line
Balanced / Unbalanced Audio, Channel 4 - Mic/Line
Connector [Mic/Line Combicon] [Mic/Line Combicon]
Signal 4 3 2 1
Pin [S + -] [S + -] [S + -] [S + -]
Balanced Hot: to + Unbalanced Hot: to +
Cold: to - Link to Shield: to -
Shield: to S Shield: to S
Specifications
Analog Outputs: 4 line
Output Type: balanced/unbalanced
----------------------------------------------------------------------------------------------------------------
Echotone Music LLC is an experienced long time E-commerce Audio & Musical instrument dealer since 1998. We take pride in selling quality gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Items are well packed and shipped USPS, UPS or Pallet Freight Service. Items purchased on Friday may not ship until Monday or until the projected processing period. We are working hard to get your unit Built ( if needed), processed and shipped.
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided, otherwise customer pays for return shipping costs.
Returned items must be sealed/unopened in original, brand-new condition, showing no signs of wear or use such as mount marks, plug marks, scratches, scuffs, dings or scrapes, screw mount marks or collateral material damage.. Items must also include all original packaging, manuals, warrantees & accessories or your return may be subject to a return handling charge.
Refunds or for the Item cost only. If the item was listed as free shipping then the cost of the shipment will be deducted from the units original cost. Gear returned with out all its original packaging, warranty cards and accessories or that shows signs of wear from use, will be subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
The following products cannot be returned - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, strings, reeds, computers, tubes, earbuds, earplugs, recorders, harmonicas, raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids, clothing/footwear, cleaners, polishes & polishing cloths, software/soundware, books, CDs, DVD's, vinyl records, and videos.
Happy customers, that's music to our ears!