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Microphones Types
Explore microphone types for studio recording, live vocals, podcasting, streaming, and broadcast. Shop dynamic, condenser, ribbon, lavalier, and wireless microphones designed for clear sound capture and reliable performance in professional audio environments.
Lewitt LCT 140 AIR Small Diaphragm Condenser Microphone
Two sounds with the flip of a switch.
LCT 140 AIR — Small diaphragm condenser microphone.
Choose between two distinct sound characteristics: AIR and FLAT.
Perfect for acoustic guitars, drums, and other instruments.
Excellent transient response
Cardioid polar pattern
Lightweight and durable aluminum housing
Includes: Foam windscreen, microphone clip, and transport bag
Sound Options
AIR: Open, sparkling tone ideal for quick results without post-processing.
FLAT: Linear, natural sound for realistic recording of instruments.
Performance
Delivers a punchy yet warm sound with accurate transient reproduction.
Ideal for cymbals, strings, and acoustic instruments.
Specifications
Type: Condenser, permanently polarized
Acoustical operating principle: Pressure gradient transducer
Transducer Ø: 17 mm (0.67 in)
Diaphragm: 3-micron gold-sputtered Mylar
Polar pattern: Cardioid
Frequency range: 20 Hz – 20 kHz
Sensitivity: 14.6 mV/Pa (-36.7 dBV/Pa)
Self-noise: 20 dB (A)
Max SPL: 135 dB SPL
Dynamic range: 115 dB (A)
Pre-attenuation pad: 0 / -12 dB
Low-cut filter: Linear / 80 Hz (12 dB per octave)
Internal impedance: 173 Ω
Power: 48 V ± 4 V phantom
Connector: Gold-plated 3-pin XLR
Dimensions: 0.9 in (Ø) × 5.5 in (L)
Weight: 2.3 oz (66 g)
Our TCM1500 Tablet/Smartphone Holder mounts to a mic stand or desktop and securely holds a tablets while simultaneously holding a smartphone or battery. Both holders adjust to fit tablets and phones of various sizes. Padding on the holders prevents slipping and protects your device from scratches. The versatile mount can screw directly onto the threaded end of a mic stand or boom, or it can use the included clamp to attach to shafts or desktops. A wide range of tilt and rotation facilitates positioning for ergonomic tablet viewing and operation.
Specifications:
Grip adjusts in height and width to fit a wide range of tablets
Heavy-duty, padded grip for reliable, protective device support
180° tilt and 360° rotation for precise, comfortable tablet positioning
Second device grip adjusts to fit a variety of external batteries and phones
Perfect for PA amplification and live recording of a cello, the 4099C offers a sound that is considerably more natural than an internal microphone or pick-up as well as several excellent placement possibilities.
The 4099C is a unique clip microphone inheriting the sonic approach from the legendary DPA studio microphones to a new instrument microphone. The 4099C microphone and mounting system is meticulously designed and optimized for the violoncello. This is to ensure the best possible mount and audio reinforcement is achieved when performing live. The 4099C attaches to the C and A string below the bridge and allows for microphone capsule placement in the sweet spot between bridge and fingerboard, offering a unique combination of natural string sound and high audio separation on stage.
Representing years of research and development, the 4099 condenser microphones feature supercardioid polar patterns for superior gain-before-feedback. Fully capable of handling the cellos dynamic range and subtle details, these microphones live up to their pedigree with sound as accurate as DPAs other world-class microphones.
Despite its tiny, discreet size and elegant, lightweight design, the 4099C is extremely rugged. The versatile gooseneck provides stable and repeatable positioning. The mics can be easily unclipped and repositioned or moved to another instrument, while the mounting system is designed never to mar or scratch the finish of your instrument nor changing the sonic character of it.
Through the use of our extensive adapter system, the 4099 can be used as a standard 48V phantom powered microphone via the included XLR connector and is also compatible with virtually any wireless system.
Fleet owners of 4099s will appreciate the multiplicity of using the microphone for a number of different instruments simply by moving the microphone/gooseneck part to another instrument clip from the range.
With its very flexible design for a wide variety of mounting and positioning possibilities along with its extremely natural sound, the 4099 is truly a musicians mic without equal. Continuing DPAs heritage of sonic excellence, this series of microphones achieves the purest reproduction of your instrument and therefore your full range of expression.
Optional gooseneck extension
Standard gooseneck length is 140 mm (5.5 in), which can be altered with the optional gooseneck extension unit, adding another 50% to the length, helping to achieve exactly the sweet spot for the instrument.
Detachable cables
The updated 4099 range features detachable cable from gooseneck, so its more convenient to mount the mic on an instrument before connecting it. Furthermore, the choice of different cable qualities makes it possible to tailor yourmic to the specific task, such as choosing the heavy duty 2.2 mm cable for PA/Live gigs or the easier-to-hide, thinner miniature cable for personal mounting on instruments where you dont want the cable weight to interfere with your performance. In case of cable break, service is easy and fast.
DPA has specific adapters for AKG, Audio Ltd., Audio-Technica, Beyerdynamic, Electro-Voice, Lectrosonics, Micron, Mipro, Pastega, Telex ProStar, Ramsa, Samson, Sennheiser, Shure, Sony, Toa, Vega and other systems. Each adapter for your cordless microphone is guaranteed to perfectly mate to your system of choice.
Features:
CORE by DPA technology inside
Supercardioid instrument condenser microphone
Handles high SPLs
Superior gain-before-feedback
Flexible and easy mounting
Gentle and easy to mount on the instrument
Detachable cable and a versatile gooseneck extender
Specifications:
Directional: patternSupercardioid
Principle of operation: Pressure gradient
Cartridge type: Pre-polarized condenser
Frequency response: 20 Hz - 20 kHz
Effective frequency range ±2 dB, at 20 cm (7.9 in): 80 Hz - 15 kHz with 2 dB soft boost at 10-12 kHz. Second order low-cut filter at 80 Hz with DAD4099-BC
Sensitivity, nominal, ±3 dB at 1 kHz: 6 mV/Pa; -44 dB re. 1 V/Pa
Equivalent noise level, A-weighted: Typ. 23 dB(A) re. 20 μPa (max. 26 dB(A))
Distortion, THD < 1%: 128 dB SPL RMS, 131 dB SPL peak
Dynamic range: Typ. 108 dB
Max. SPL, THD 10%: 14
Lewitt LCT640TS Dual Output Condenser Microphone Multi-Pattern
Whether you're recording studio vocals or stereo drum overheads, the LCT 640 TS is up to the task.
Its forward-thinking feature set has been officially certified by the Music and Technology Alliance (MET), consisting of top award-winning audio engineers/producers, including Elliot Scheiner, George Massenburg, and Sylvia Massy, just to name a few.
For when you need beautifully bright and clear recordings, the professional-grade FET circuitry of the LCT 640 TS will let you hear every nuance of the performance.
You'll get perfect clarity, and small details will shine through, making it the best choice for vocals, stringed instruments, piano, or even ASMR recordings.
Stereo recording can be time-consuming and challenging. With the LCT 640 TS, you can record perfect, in-phase stereo with a single microphone.
The signals from the front and back of the LCT 640 capsule can be output on two separate channels, making it adaptable to both solo vocals and wide open rooms and even choirs.
Every single LCT 640 TS undergoes a series of measurements followed by an adjustment of polarization voltage to achieve the same sensitivity in every microphone. It is what we call our Perfect match technology.
If you add more LCT 640 TS to your collection, you can use any two of them as a stereo pair.
Features:
• 1" multi-pattern studio condenser microphone
• Full, crisp, and well-balanced sound
• Revolutionary Dual Output Mode
• POLARIZER plugin to create any pattern after the fact
• Stereo capabilities
Specifications:
• Type: Condenser, externally polarized
• Acoustical operating principle: Pressure gradient transducer
• Diaphragm:3 micron gold sputtered Mylar
• Transducer Ø: 25.4 mm, 1 in
• Polar pattern: Dual Output Mode: create any polar pattern in post-production / Multi-Pattern Mode: Omni, wide cardioid, cardioid, supercardioid, figure-8
• Frequency range: 20 ... 20,000 Hz
• Sensitivity: 31.4 mV/Pa, -30.1 dBV/Pa
• Self-noise: 10 dB (A)
• Max. SPL for 0.5 % THD: 134 dBSPL, 0 dB attenuation
• Signal / noise ratio: 84 dB (A)
• Dynamic range: 124 dB (A)
• Attenuation: 0 dB, -6 dB, -12 dB, -18 dB
• Low-cut filter: linear, 40 Hz (12 dB/oct), 80 Hz (12 dB/oct), 160 Hz (6 dB/oct)
• Internal impedance: 110 Ω
• Supply voltage: 48 V ± 4 V
• Current consumption: 5.1 mA
• Microphone enclosure: Zinc die cast
• Connector: Gold plated 3-pin XLR + Mini 3-pin XLR
• Microphone dimensions: 158 x 52 x 36 mm, 6.22 x 2.04 x 1.42 in
• Microphone net weight: 425 g, 14.9 oz
• Min. system requirements: POLARIZER Plugin | Windows: Windows 10 or newer, 64bit plugin formats: VST3 and AAX (all 64bit) , macOS: 10.15 Catalina or newer, VST3, AAX, AudioUnit v2 (Intel64+Silicon architectures) , DAWs: 64bit DAWs on Windows and Intel mac machines, ProTools: Win: ProTools 12.5 and newer, macOS: ProTools 2019.12 and newer
Lewitt LCT440PURE Studio Condenser Microphone with Shock Mount
The LCT 440 PURE is a studio-quality microphone with high-end specs and Record-Ready sound to unfold your creative potential.
It is the distilled essence of our top-of-the-line microphones and our absolute bestseller.
To make recording as easy as possible, the LCT 440 PURE features Record-Ready sound. It makes your voice and instrument sit well in the mix.
The Record-Ready LEWITT sound is the first choice for producers and engineers working with artists like Justin Bieber, The Rolling Stones, Lil Yachty, Halsey, Post Malone, Kehlani, Yngwie Malmsteen, or Doja Cat.
LEWITT microphones are also an integral part of microphone lockers in iconic studios like Atlantic Records Studio, Blackbird Studios, Metropolis Studios, Sound Factory, and many more.
LCT 440 PURE has a compact and clever design that makes it easier to show your face to the camera, read a script, or view a screen while using the microphone. There is no bulky pop filter or microphone covering your face or field of view.
The shock mount protects your signal from structure-borne noise. The pop filter protects your signal from plosives during vocal recordings and attaches to the shock mount magnetically.
Features:
• 1" true condenser studio microphone
• High-end circuit and capsule design
• For vocals, podcasts, and instruments
• Record-Ready sound for easy recording
• Cardioid polar pattern
• Camera-friendly design
Specifications:
• Type: Condenser, externally polarized
• Acoustical operating principle: Pressure gradient transducer
• Diaphragm: 3 micron gold sputtered Mylar
• Transducer Ø: 25.4 mm, 1 in
• Polar pattern: Cardioid
• Frequency range: 20 ... 20,000 Hz
• Sensitivity: 27.4 mV/Pa, -31.2 dBV/Pa
• Self-noise: 7 dB (A)
• Max. SPL for 0.5 % THD: 140 dBSPL
• Signal / noise ratio: 87 dB (A)
• Dynamic range: 133 dB (A)
• Supply voltage: 48 V ± 4 V
• Current consumption: 2.63 mA
• Internal impedance: 110 Ω
• Connector: Gold plated 3-pin XLR
• Microphone enclosure: Zinc die cast
• Microphone dimensions: 138 x 52 x 36 mm, 5.43 x 2.04 x 1.42 in
• Microphone net weight: 310 g, 10.9 oz
• Microphones measured according to: IEC 60268-4 | Phantom power according to: IEC 61938 | Noise measurement according to: IEC 60268-1
Lewitt LCT1040 Studio Microphone with Remote & Tube Sound
During the development process of the LCT 1040, we set out to see Grammy award-winning engineers and producers in their fantastic studios to put our prototypes to the test in real-life conditions.
The additional feedback from the global audio community ranging from friendly appreciation to brutal honesty was exactly what we needed to bring this exciting project to perfection.
Set the directivity with the seamless polar pattern control of the LCT 1040, giving you exactly what you were looking for. Additionally, you can also freely define the front of the mic depending on your recording scenario.
To prepare you for all possible scenarios, the LCT 1040 features two XLR outputs with Neutrik connectors. The Mix output delivers the ratio set with the Circuit control, a combination of the tube and FET circuit. The FET output delivers 100% pure FET independent from the Circuit control.
The high-performance magnetic pop filter of the LCT 1040 protects your capsule from unwanted plosives and moisture. Its double-layer design perfectly integrates with the shock mount and ensures clean recordings with any vocalist or genre.
Features:
• Studio centerpiece - adapt to any sound source
• 4 all-analog tube characteristics - Clear, Warm, Dark, and Saturated
• Developed in close cooperation with Grammy-winning studio professionals
• Detachable remote control for unrivaled workflow
• Blendable FET circuit and seamless polar pattern control
Specifications:
• Type: Condenser, externally polarized
• Acoustical operating principle: Pressure gradient transducer
• Transducer Ø: 25.4 mm, 1 in
• Diaphragm: 3 micron gold sputtered Mylar
• Polar pattern: Seamless from omni to wide cardioid, cardioid, supercardioid, figure-8
• Frequency range: 20 ... 20,000 Hz
• Sensitivity: 17.2 mV/Pa, -35.3 dBV/Pa
• Self-noise: 10 dB (A) FET, 13 dB (A) tube
• Max. SPL for 0.5 % THD: 137 dBSPL, 0 dB attenuation
• Signal / noise ratio: 84 dB (A) FET, 81 dB (A) tube
• Dynamic range: 127 dB (A)
• Attenuation: 0 dB, -6 dB, -12 dB, -24 dB
• Low-cut filter: lin, 40 Hz (12 dB/oct), 80 Hz (12 dB/oct), 120 Hz (6 dB/oct)
• Internal impedance: 83.8 Ω
• PSU - supply voltage: 230 V, 50 Hz, 110 V, 60 Hz
• Current consumption: 230V - 170 mA, 110V - 240 mA
• Connector PSU and remote: Gold-plated 3-pin XLR by Neutrik
• Connector: 10-pin Hirose Electric
• Tube/Valve: E88CC / 6DJ8
• Microphone enclosure: Zinc die cast
• Microphone dimensions: 196 x 65 x 45 mm, 7.7 x 2.6 x 1.8 in
• Microphone net weight: 652 g, 23 oz
• PSU dimensions: 240 x 170 x 47 mm, 9.4 x 6.7 x 1.9 in
• PSU net weight: 2381 g, 68 oz
• Remote dimensions: 240 x 163 x 52 mm, 9.4 x 6.4 x 2 in
• Remote weight: 1952 g, 69 oz
Lewitt RAY XLR Condenser Microphone with AURA & Mute
By continuously measuring your distance from the microphone, RAY can adapt your levels and tone on the fly.
You can focus on your performance while creating flawless recordings for podcasts, content, live streaming, and music production.
RAY is the first professional XLR microphone that comes with a MUTE button. You get clear visual feedback when MUTE is engaged and works fully analog, even when MUTE by Distance is activated.
RAY features our signature Record-Ready sound. It's the first choice for producers and engineers working with artists like Justin Bieber, The Rolling Stones, Halsey, Post Malone, Kehlani, Yngwie Malmsteen, or Doja Cat, be it in the studio or on stage.
RAY is based on our best-selling studio microphone, the LCT 440 PURE, and therefore features high-end specifications.
RAY's compact and clever design makes it easier to show your face to the camera, read a script, or view a screen while using the microphone. There is no bulky pop filter or microphone covering your face or field of view.
The shock mount protects your signal from structure-borne noise. The pop filter protects your signal from plosives during vocal recordings and attaches to the shock mount magnetically.
RAY is a true condenser microphone with 3-pin XLR connector. It powers all its features via 48V phantom power from your audio interface or mixer. No additional power source is needed. Just plug it in and start recording.
Features:
• Groundbreaking XLR microphone
• Sensor-based AURA Technology
• MUTE by Distance feature
• Dedicated MUTE button
• Record-Ready sound
• 1" true condenser capsule
• 100% analog signal path
• Works with any audio interface
• Camera-friendly design
Specifications:
• Type: Condenser, externally polarized
• Acoustical operating principle: Pressure gradient transducer
• Diaphragm: 3 micron gold sputtered Mylar
• Transducer Ø: 25.4 mm, 1 in
• Polar pattern: Cardioid
• Frequency range: 20 ... 20,000 Hz
• Sensitivity: 22.6 mV/Pa, -32.9 dBV/Pa
• Self-noise: 8 dB (A)
• Max. SPL for 0.5 % THD: 131 dBSPL
• Signal / noise ratio: 86 dB (A)
• Dynamic range: 123 dB (A)
• Features: AURA, MUTE by distance, MUTE button, Lock mode
• AURA processing range: Seamless from 5 to 100 cm / 2 to 40 in
• MUTE by Distance range: 15 / 30 / 45 / 60 / 80 cm, 6 / 12 / 18 / 24 / 32 in
• MUTE attenuation value: -70 dB
• Supply voltage: 48 V ± 4 V
• Current consumption: 7.2 mA
• Internal impedance: 120 Ω
• Connector: Gold plated 3-pin XLR
• Microphone enclosure: Zinc die cast
• Microphone dimensions: 138 x 52 x 36 mm, 5.43 x 2.04 x 1.42 in
• Microphone net weight: 330 g, 11.6 oz
Lewitt PURETUBE Studio Condenser Microphone for Vocals & Recording
Retain full sound quality. Vintage tube mics sound great, but their high noise floor is a problem. Especially when applying heavy compression. PURE TUBE gives you puristic tube sound with an ultra-low noise floor of only 7 dB (A) that makes it fit for endless vocal layering, heavy compression, and more.
PURE TUBE upgrades your vocal performance with timeless premium sound, which is apparent in all the details. From its precisely crafted 1" capsule and revolutionary circuit to the integrated design of the shock mount and magnetic pop filter.
The pop filter magnetically attaches directly to the shock mount and gives you the pop performance of a studio-grade gooseneck filter while retaining the natural sound of your voice. And you are free to focus on your performance.
Works worldwide with low power consumption. The included power supply unit is extremely compact.
Upgrading gear to the next tier is a very considered decision for many of us. That's why PURE TUBE comes with a 10-year warranty and industry-leading customer service to ensure peace of mind.
A safe investment that's built to last.
PURE TUBE is developed in the LEWITT lab, a research framework founded to push audio technologies to their limits and foster innovation.
Features:
• Studio microphone for premium sound
• 1" true condenser capsule
• Optimized for vocals
• Revolutionary circuit design
• Puristic signal path
• Hand-selected 12AU7/ECC82 tube
• Ultra-low self-noise of 7 dB (A)
• Cardioid polar pattern
• 10-year LEWITT warranty
Specifications:
• Type: Condenser, externally polarized
• Acoustical operating principle: Pressure gradient transducer
• Diaphragm: 3 micron gold sputtered Mylar
• Transducer Ø: 25.4 mm, 1 in
• Polar pattern: Cardioid
• Frequency range: 20 ... 20,000 Hz
• Sensitivity: 28.2 mV/Pa, -31 dBV/Pa
• Self-noise: 7 dB (A)
• Max SPL: 132 dBSPL
• Signal / noise ratio: 87 dB (A)
• Dynamic range: 125 dB (A)
• PSU - supply voltage: 230 V, 50 Hz, 110 V, 60 Hz
• Connector: 7-pin XLR connector
• Microphone enclosure: Zinc die cast
• Microphone dimensions: 196 x 65 x 45mm, 7.7 x 2.6 x 1.8 in
• Microphone net weight: 692 g, 24.41 oz
Lewitt LCT540S Ultra-Low Noise Studio Condenser Microphone
Experience a whole new level of musical detail.
Our unique approach towards electronics and capsule design makes the microphone better than human hearing. With the LCT 540 S, we set a new benchmark in terms of capturing fine-grained details of your recording source. Record details of your voice and instruments that usually wouldn’t even be audible. Make every detail count.
Our hearing threshold is very frequency-dependent. It is less sensitive towards low and very high frequencies and most sensitive around 2 – 5 kHz. With our specific and unique approach towards circuit and capsule design, we were able to realize self-noise that'll stay below the threshold of hearing across the entire frequency spectrum.
With its cutting-edge circuit and capsule design, the LCT 540 S features an impressive dynamic range of 132 dB to capture everything from loud to subtle. You won’t hear the self-noise of the mic even after heavily compressing the signal. Material recorded with the LCT 540 S is fit for extreme processing.
Every single LCT 540 S undergoes a series of measurements followed by adjustment of the polarization voltage to achieve the same sensitivity in every LCT 540 S we will ever produce. This way, you can form a pair when you buy another one later on.
Features:
• 1" true condenser studio microphone
• Self-noise below the threshold of human hearing
• Ideal for extreme processing
• Low-cut filters and attenuation
• Cardioid polar pattern
Specifications:
• Type: Condenser, externally polarized
• Acoustical operating principle: Pressure gradient transducer, externally polarized
• Transducer Ø: 25.4 mm, 1 in
• Diaphragm: 3 micron gold sputtered Mylar
• Polar pattern: Cardioid
• Frequency range: 20 ... 20,000 Hz
• Sensitivity: 41 mV/Pa, -28 dBV/Pa
• Self-noise: 4 dB (A)
• Max. SPL for 0.5 % THD: 136 dBSPL, 0 dB attenuation
• Signal / noise ratio: 90 dB (A)
• Dynamic range: 132 dB (A)
• Attenuation: 0 dB, -6 dB, -12 dB
• Low-cut filter: linear - 80 Hz (6 dB/oct), 160 Hz (6 dB/oct)
• Internal impedance: 68 Ω
• Supply voltage: 48 V ± 4 V
• Current consumption: 3.6 mA
• Microphone enclosure: Zinc die cast
• Connector: Gold-plated 3-pin XLR
• Microphone dimensions: 158 x 52 x 36 mm, 6.22 x 2.04 x 1.42 in
• Microphone net weight: 371 g, 13.1 oz
Lewitt W9 Condenser Capsule for Live Sound & Wireless Systems
The Lewitt W9 Condenser Capsule is a premium interchangeable microphone capsule designed for live sound and wireless systems. Featuring a 1-inch true condenser capsule, the W9 delivers studio-quality clarity, warmth, and precision for vocal performances.
Ideal for professional vocalists, touring musicians, and audio engineers, the Lewitt W9 ensures exceptional clarity and detail, making it a top choice for high-performance live sound.
Features:
• Premium 1" true condenser capsule
• Crystal-clear live mixes in studio quality
• Directly compatible with industry-standard wireless systems
• High tone integrity with cupping safe design
• Optimized against plosives & moisture
• Tested & approved by pro live sound engineers and artists
Specifications:
• Type: Condenser, externally polarized
• Acoustical operating principle: Pressure gradient transducer
• Transducer Ø: 25.4 mm, 1 in
• Polar pattern: Cardioid, supercardioid
• Sensitivity: 8.1 mV/Pa, -41 dBV/Pa
• Self-noise: 21 dB (A)
• Max. SPL for 0.5 % THD: 140 dBSPL
• Signal / noise ratio: 73 dB (A)
• Attenuation: 0 dB, -12 dB
• Low-cut filter: lin, 120 Hz
• Internal impedance: 217 Ω
• Supply voltage (capsule): min. 5V V
• Current consumption: 7.5 mA
• Connector: Capsule thread: 1¼-28UN-2A
• Microphone dimensions: 51 dia x 183 mm
• Microphone net weight: 230 g
Lewitt LCT240PROBLACK XLR Condenser Microphone for Vocals & Streaming
To make recording as easy as possible, the LCT 240 PRO gets you close to a finished sound from the start with its tailored frequency response. Record-Ready, if you will. The only thing you need to do is press record.
The LCT 240 PRO is an XLR condenser microphone and is made specifically for home recording. It is the first choice for Vocals, Podcasts, Live streaming & Acoustic instruments.
The Record-Ready LEWITT sound is the first choice in world-renowned and iconic studios like Atlantic Records Studio, Blackbird Studios, Metropolis Studios, Sound Factory, and many more.
Features:
• XLR condenser microphone
• For vocals, podcasts, streaming, and instruments
• Record-Ready sound for easy recording
• Cardioid polar pattern
Specifications:
• Type: Condenser, permanently polarized
• Acoustical operating principle: Pressure gradient transducer
• Transducer Ø: 17 mm, 0.67 in
• Diaphragm: 3 micron gold sputtered Mylar
• Polar pattern: Cardioid
• Frequency range: 20 ... 20,000 Hz
• Sensitivity: 16.7 mV/Pa, -35.5 dBV/Pa
• Self-noise: 19 dB (A)
• Max. SPL for 0.5 % THD: 142 dBSPL
• Dynamic range: 123 dB (A)
• Internal impedance: 100 Ω
• Supply voltage: 48 V ± 4 V
• Current consumption: 3.1 mA
• Connector: Gold plated 3-pin XLR
• Microphone enclosure: Zinc die cast
• Microphone dimensions: 138 x 52 x 36 mm, 5.43 x 2.04 x 1.42 inch
• Microphone net weight: 310 g, 10.9 oz
Lewitt MTP550DM Professional Dynamic handheld microphone
Our MTP 550 DM is our answer to end all your feedback issues. Its very consistent cardioid polar pattern suppresses sound coming from your stage monitors. Always clear, powerful sound, for yourself on stage and for your audience.
Get out there and deliver! The stage is yours.
Tailored vocal sound
Express yourself while sitting well in the mix.
Do you want to make yourself heard? Our MTP 550 DM features powerful live sound. Your voice sits well in the mix, and you'll hear yourself clearly on the monitors.
Highly feedback proof
You'll get a clear signal on the stage monitors.
Due to the MTP 550 DM featuring a consistent cardioid pattern, your monitor signal can be as loud as you desire.
You don’t have to worry about feedback. A confident performance makes a solid show.
Durable materials for longevity
Survives all mic drops, planned or unplanned.
To assure your beloved microphone survives even the roughest touring routines, we made the enclosure out of durable zinc die-cast parts. A rubber-suspension protects the capsule while minimizing unwanted handling noise. The built-in wind- and pop-filter prevents hissing sounds and plosives. On top of that, the capsule is protected from moisture.
Cardioid polar pattern
Zero f***s given about feedback.
The cardioid polar pattern picks up sound coming mainly from the front of the microphone, sound from directly behind the MTP 550 DM is dampened effectively. Because the pattern is very consistent, it's hard to find a mic with better feedback-rejection.
Type
Dynamic, moving coil
Acoustical operating principle
Pressure gradient transducer
Polar pattern
Cardioid
Sensitivity
2 mV/Pa, -54 dBV/Pa
Internal impedance
300 Ω
Connector
Gold plated 3-pin XLR
Microphone net weight
381 g, 13.4 oz
Microphone dimensions
49 dia. x 170 mm, 1.9 dia. x 6.7 in
Microphone enclosure
Zinc die cast
Microphones measured according to: IEC 60268-4 | Phantom power according to: IEC 61938 | Noise measurement according to: IEC 60268-1
Professional dynamic vocal microphone.
MTP 550 DM
Dynamic vocal microphone
Tailored vocal sound
Highly feedback proof
Durable materials for longevity
Cardioid polar pattern
Included: Microphone clip, Windscreen, Transport bag
Lewitt DTP 640 REX Bass kick Drum Instrument Microphone
Kick drum microphone with two capsules.
DTP 640 REX
Dual-element instrument microphone
Dynamic and condenser capsule in one housing
Separate outputs for both capsules
For kick drum and other bass-heavy sources
Three switchable sound characteristics
Cardioid polar pattern
Included: Audio cable, Transport bag
Your mic for double-power kick drum sound.
The DTP 640 REX is a dual-element microphone specifically designed to capture the sound of your drums and percussion instruments. It features two phase-aligned capsules, a condenser and a dynamic one. You can also switch between three sounds for more flexibility in studio and live applications.
Dual-element kick drum microphone
Two capsules for the best of your source.
We put two phase-aligned microphones in a single housing. The dynamic side ensures accurate attack reproduction of the kick drum, while the condenser element captures the drum's low end. Each element has a dedicated output.
This enables you to shape the kick drum sound in unique ways.
For kick drum and other bass-heavy sources
Cuts a good figure on your drums and bass.
With the DTP 640 REX, you get massive yet clear kick drum and bass recordings, in the studio and on stage.
The capsule is specifically designed to replicate low frequencies with precision and punch.
Three switchable sound characteristics
Hear and feel that kick.
Dynamic =//= Condenser
Both elements with neutral frequency response.
Dynamic +//= Condenser
Dynamic element boosts low frequencies; condenser stays neutral.
Dynamic +//+ Condenser
Dynamic boosts the range of 4-6 kHz, condenser boosts low frequencies.
Sturdy metal housing
This mic is built to last.
The DTP 640 REX features a hardened hexagonal ruthenium-galvanized steel mesh grille and a solid die-cast metal body.
Specifications
Type
Dynamic, moving coil, Condenser, permanently polarized
Acoustical operating principle
Pressure gradient transducer
Transducer Ø
31.7 mm, 1.25 in
Transducer Ø
22.4 mm, 0.88 in
Polar pattern
Cardioid
EFR, ‘Enhanced Frequency Response' settings
Sensitivity, = // = FFR
0.4 mV/Pa (-69 dBV), dynamic
2 mV/Pa (-54 dBV), condenser
Sensitivity, + // = Dynamic EFR
0.4 mV/Pa, -69 dBV/Pa, dynamic
2 mV/Pa, -54 dBV/Pa, condenser
Sensitivity, + // + Dual EFR
Condenser and dynamic matched at 1 mV/Pa, -60 dBV
Self-noise
28 dB (A)
Max. SPL for 0.5 % THD
150 dBSPL, 0 dB attenuation
Dynamic range of mic. amp. (condenser)
122 dB
Pre-attenuation pad
0 dB
-10 dB
-20 dB
Rated impedance dynamic
500 Ω
Rated impedance condenser
200 Ω
Supply voltage
48 V ± 4 V
Current consumption
2 mA
Connector
Gold plated 3-pin and 5-pin XLR
Cable
1.5 m (4.95’) dual shielded Y-cable, 5-pin XLR into two 3-pin XLRs
Lewitt DTP340TT Dynamic tom and percussion microphone
Perfect for toms and percussion.
DTP 340 TT
Your mic for tom and percussion clarity.
Our DTP 340 TT is a dynamic microphone designed to accurately capture the sound of drums and percussion instruments. Its supercardioid polar pattern ensures maximum isolation of your instrument for studio and live applications.
Detailed and punchy sound for drums and amplifiers.
Capture the essence of your drum sound.
We designed the DTP 340 TT to accurately capture the sound of your drums and percussion instruments with maximum clarity.
This results in authentic instrumental sounds with sonic detail and character.
Punch and clarity in a compact mic.
The DTP 340 TT gives you a well-balanced drum sound, in the studio and onstage. The supercardioid pattern reduces bleed coming from the other parts of your kit. As a result, you get a focused sound with punch and clarity.
On top of that, the DTP 340 TT also sounds fantastic on guitar cabinets and its compact size helps to keep things tidy.
How tough is it?
To assure your beloved microphone survives drops and unintended hits, we make the enclosure out of durable zinc die-cast parts. A rubber-suspension protects the capsule while minimizing structure-borne noise.
A highly focused mic for a clear signal.
The supercardioid polar pattern provides high gain before feedback and maximum isolation of the desired source - side and rear sounds are effectively rejected.
Features:
Dynamic instrument microphone
Maximum clarity
Specifically designed for toms
Works also great for snare and amps
Rugged body and hardened steel mesh grille
Supercardioid pattern
Included: Microphone mount for drums, Microphone mount, Transport bag
Specifications
Type: Dynamic, moving coil
Acoustical operating principle: Pressure gradient transducer
Polar patter: Supercardioid
Sensitivity: 1.4 mV/Pa, -57 dBV/Pa
Internal impedance: 500 Ω
Connector: Gold plated 3-pin XLR
Microphone enclosure: Zinc die cast
Microphone dimensions: Ø 41 dia. X 94 mm, Ø 1.6 dia. X 3.7 in
Microphone net weight: 165 g, 5.82 oz
Lewitt LCT040 MATCH Small diaphragm condenser microphone
A microphone for easy instrument recordings.
You want professional sound right from the moment you hit “record”? With the LCT 040 MATCH recording instruments is as easy as it gets. Its tried and tested small diaphragm condenser capsule provides well-balanced sound with a pleasant high-end. The excellent transient response retains the natural musicality of your acoustic instruments - quick results with zero hassle.
Crisp and defined acoustic guitar recordings.
With its fast transient response, the LCT 040 MATCH makes your acoustic guitar sound crisp and defined. What you get is a mic for guitar recordings with fast attack and a sound that cuts through the mix.
Punchy and precise drum recordings.
Transients are the DNA of your instrument's sound. To retain the natural musicality of your instruments, the LCT 040 MATCH delivers an excellent transient response. The natural characteristics of hi-hat and snare are captured accurately. You get a punchy and precise reproduction of your drum kit’s unique sound.
Durable and light aluminum housing.
The LCT 040 MATCH is built to last yet it is lightweight thanks to its CNC'ed aluminum housing, weighing only 44 g or 1.6 oz. Together with its space-saving form factor positioning and setup become easy tasks.
Are you just starting out?
Don't worry. We are here to help you.
If you are just looking for the perfect microphone for you, check out our product finder. If you want to learn and understand more about microphones in general, check out the microphone basics.
Features:
Small diaphragm condenser microphone
Well-balanced sound with pleasant high-end
Made for acoustic guitar and drum recordings
Durable and light aluminum housing
Cardioid polar pattern
Included: Foam windscreen, Microphone clip, Transport bag
Specifications:
Type: Condenser, permanently polarized
Acoustical operating principle: Pressure gradient transducer
Transducer Ø: 17 mm, 0.67 in
Diaphragm: 3 micron gold sputtered Mylar
Polar pattern: Cardioid
Frequency range: 20 ... 20,000 Hz
Sensitivity: 18.8 mV/Pa, -34.5 dBV/Pa
Self-noise: 20 dB (A)
Max. SPL for 0.5 % THD: 135 dBSPL
Dynamic range: 115 dB (A)
Internal impedance: 203 Ω
Supply voltage: 48 V ± 4 V
Current consumption: 7.2 mA
Connector: Gold plated 3-pin XLR
Microphone dimensions: 24 dia. x 83 mm, 0.9 dia. x 3.3 in
Microphone net weight: 44.6 g, 1.6 oz
Lewitt LCT40SH Microphone shock mount
Features:
Shock mount for studio microphones
Attenuates noise, shock and vibration
Screw thread closure permits fast and easy setup
Compatible with 3/8" and 5/8" threads.
Lewitt LCT40SHX Microphone shock mount
Lewitt LCT 40 SHX, Lewitt microphone shock mount, Shock mount for LCT 540 and LCT 640, Professional mic isolation mount, Studio condenser mic shock mount, Best shock mount for Lewitt mics, Anti-vibration microphone mount, Recording studio mic holder, Universal shock mount for condenser mics, Durable microphone shock mount
Features:
Attenuates noise, shock and vibration
Screw thread closure permits fast and easy setup
Compatible with 3/8" and 5/8" threads
Lewitt LCT40SHXX Microphone shock mount
The Lewitt LCT 40 SHxx Microphone Shockmount is designed for used with their LCT 840 and 940 microphones. It attenuates noise, shock and vibration transmitted through mic stands, booms and mounts and features a quick-acting screw thread closure that permits fast and easy setup. The mount is compatible with 3/8" and 5/8" threads.
Features:
Attenuates noise, shock and vibration
Screw thread closure permits fast and easy setup
Compatible with 3/8" and 5/8" threads
Suitable for: LCT 840, LCT 940
Lewitt LCT441FLEX 1" true condenser multi-patter
Full flexibility with 8 polar patterns.
The LCT 441 FLEX is a compact multi-pattern studio microphone. It features high-spec technology and eight different polar patterns. You'll be more flexible when it comes to recording different instruments and vocals. It also allows switching between high directivity or more room impression and provides freedom to experiment.
Capture all the emotion of your performance.
The 1" true condenser capsule of the LCT 441 FLEX captures your instruments and vocals with an impressive amount of depth and clarity. Every single one of our capsules is tested according to the highest quality standards. At LEWITT, we completely measure every single microphone before it gets to you. Only this way, we can be sure that you can make every detail of your sound count.
Pristine studio sound quality.
The LCT 441 FLEX features a very low self-noise of only 7 dB (A) and handles ear-shattering sound pressure levels of up to 144 dBSPL.
You set the direction.
With the LCT 441 FLEX, you can easily change the overall recording direction with a push of a button. This is practical in front of guitar speakers, for drum recordings, and as a room microphone.
Specifications:
Type: Condenser, externally polarized
Acoustical operating principle: Pressure gradient transducer
Diaphragm: 3 micron gold sputtered Mylar
Transducer Ø: 25.4 mm, 1 in
Polar pattern: Omni, wide cardioid, cardioid, supercardioid, figure-8, reverse cardioid, reverse wide cardioid, reverse supercardioid
Frequency range: 20 ... 20,000 Hz
Sensitivity: 17.2 mV/Pa, -35.3 dBV/Pa
Self-noise: 7 dB (A)
Max. SPL for 0.5 % THD: 144 dBSPL
Signal / noise ratio: 87 dB (A)
Dynamic range: 137 dB (A)
Supply voltage: 48 V ± 4 V
Current consumption: 4 mA
Internal impedance: 54 Ω
Connector: Gold plated 3-pin XLR
Microphone enclosure: Zinc die cast
Microphone dimensions: 138 x 52 x 36 mm, 5.43 x 2.04 x 1.42 in
Microphone net weight: 325 g, 11.5 oz
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Lewitt MTP250DM Dynamic handheld microphone
Your mic for a clear vocal performance on stage.
The MTP 250 DM is your first-choice handheld microphone for onstage applications. The frequency response of the high-performance capsule is tailored specifically for your vocals.
Your voice will cut through the mix in any live environment. The stage is yours.
Hearing yourself clearly makes you perform better.
You want to make yourself heard? Our MTP 250 DM features full and clear live sound. Your voice sits well in the mix and you can hear yourself clearly on the monitors.
Engage with your fans. They can hear you loud and clear!
Don't worry about mic drops.
To make sure your beloved microphone survives even your roughest touring routines, we made the enclosure out of durable zinc die-cast parts. A rubber-suspension protects the capsule while minimizing unwanted handling noise.
The built-in wind and pop-filter prevents hissing sounds and plosives. On top of that, the capsule is protected from moisture.
Your voice is in focus, feedback-free.
A cardioid polar pattern picks up sound coming mainly from the front of the microphone, sound from directly behind the MTP 250 DM is dampened. You can run your monitor signal as loud as you want, without having to worry about nasty feedback issues.
You'll perform confidently, and a solid show is assured.
Are you just starting out?
Don't worry. We are here to help you.
If you are just looking for the perfect microphone for you, check out our product finder. If you want to learn and understand more about microphones in general, check out the microphone basics.
Features:
Dynamic vocal microphone
Tailored vocal sound
Durable materials for longevity
Cardioid polar pattern
Switch version available
Included: Microphone clip, Windscreen, Transport bag
Specifications:
Acoustical operating principle: Dynamic, moving coil
Polar pattern: Cardioid
Sensitivity: 2 mV/Pa, -54 dBV/Pa
Internal impedance: 280 Ω
Connector: Gold plated 3-pin XLR
Microphone dimensions: 49 dia. x 170 mm, 1.9 dia. x 6.7 in
Microphone net weight: 300 g, 10.6 oz
Lewitt MTP250DMS Dynamic handheld microphone
Your mic for a clear vocal performance on stage.
The MTP 250 DMS is your first-choice handheld microphone for onstage applications. The frequency response of the high-performance capsule is tailored specifically for your vocals.
Your voice will cut through the mix in any live environment. The stage is yours.
Hearing yourself clearly makes you perform better.
You want to make yourself heard? Our MTP 250 DMS features full and clear live sound. Your voice sits well in the mix and you can hear yourself clearly on the monitors.
Engage with your fans. They can hear you loud and clear!
You want to make yourself heard? Our MTP 250 DMS features full and clear live sound. Your voice sits well in the mix and you can hear yourself clearly on the monitors.
Engage with your fans. They can hear you loud and clear!
Durable materials for longevity
Don't worry about mic drops.
To make sure your beloved microphone survives even your roughest touring routines, we made the enclosure out of durable zinc die-cast parts. A rubber-suspension protects the capsule while minimizing unwanted handling noise.
The built-in wind and pop-filter prevents hissing sounds and plosives. On top of that, the capsule is protected from moisture.
Cardioid polar pattern
Your voice is in focus, feedback-free.
A cardioid polar pattern picks up sound coming mainly from the front of the microphone, sound from directly behind the MTP 250 DMS is dampened. You can run your monitor signal as loud as you want, without having to worry about nasty feedback issues.
You'll perform confidently, and a solid show is assured.
Features:
Dynamic vocal microphone
Tailored vocal sound
Durable materials for longevity
Cardioid polar pattern
Switch version available
Included: Microphone clip, Windscreen,Transport bag
Specifications
Acoustical Operating Principle: Dynamic, moving coilPolar
Pattern: Cardioid
Frequency Range: 60 ... 18,000 Hz
Sensitivity: 2 mV/Pa, -54 dBV/Pa
Internal Impedance: 280 Ohms
Rated Load Impedance: 1,000 Ohms
Connector: Gold plated 3-pin XLR
Microphone Dimensions: 49 dia. x 175 mm, 1.9 dia. x 6.9 in
Microphone Net Weight: 335 g, 11.8 oz
Lewitt MTP350CM Condenser handheld microphone
Your mic for detailed condenser sound on stage.
Our MTP 350 CM provides rich and detailed condenser sound. Its tailored frequency response allows maximum precision and unsurpassed clarity, taking your vocals to the next level.
The mic that stays with you, forever.
To make sure your beloved microphone survives even your roughest touring routines, we made the enclosure out of durable zinc die-cast parts. A rubber suspension protects the capsule while minimizing unwanted handling noise.
The built-in wind- and pop-filter prevents hissing sounds and plosives. On top of that, the capsule is protected from moisture.
Perform with superb clarity.
Our MTP 350 CM is a condenser vocal microphone with a lightweight diaphragm condenser capsule. This brings a high level of sonic clarity to your vocal performance.
Your voice is in focus, with full transparency.
Its cardioid polar pattern picks up sound coming mainly from the front of the microphone. Sound coming from directly behind the mic is dampened to guarantee high monitor levels.
A solid show is assured as you don't have to worry about nasty feedback issues.
Features:
Condenser vocal microphone
Clear and precise condenser sound
Durable materials for longevity
Cardioid polar pattern
Switch version available
Included: Microphone clip, Windscreen, Transport bag
Specifications:
Type: Condenser, permanently polarized
Acoustical operating principle: Pressure gradient transducer
Polar pattern: Cardioid
Sensitivity: 3.1 mV/Pa, -50 dBV/Pa
Self-noise: 25 dB (A)
Maximum SPL: 141 dB, 1% THD
Internal impedance: 200 Ω
Supply voltage: 48 V ± 4 V
Current consumption: 5.3 mA
Connector: Gold plated 3-pin XLR
Microphone dimensions: 49 dia. X 175 mm, 1.9 dia. X 6.9 in
Microphone net weight: 330 g, 11.6 oz
Lewitt MTP350CMS Condenser handheld microphone
Your mic for detailed condenser sound on stage.
Our MTP 350 CMS provides rich and detailed condenser sound. Its tailored frequency response allows maximum precision and unsurpassed clarity, taking your vocals to the next level.
The mic that stays with you, forever.
To make sure your beloved microphone survives even your roughest touring routines, we made the enclosure out of durable zinc die-cast parts. A rubber suspension protects the capsule while minimizing unwanted handling noise.
The built-in wind- and pop-filter prevents hissing sounds and plosives. On top of that, the capsule is protected from moisture.
Perform with superb clarity.
Our MTP 350 CMS is a condenser vocal microphone with a lightweight diaphragm condenser capsule. This brings a high level of sonic clarity to your vocal performance.
Your voice is in focus, with full transparency.
Its cardioid polar pattern picks up sound coming mainly from the front of the microphone. Sound coming from directly behind the mic is dampened to guarantee high monitor levels.
A solid show is assured as you don't have to worry about nasty feedback issues.
Features:
Condenser vocal microphone
Clear and precise condenser sound
Durable materials for longevity
Cardioid polar pattern
Switch version available
Included: Microphone clip, Windscreen, Transport bag
Specifications:
Type: Condenser, permanently polarized
Acoustical operating principle: Pressure gradient transducer
Polar pattern: Cardioid
Sensitivity: 3.1 mV/Pa, -50 dBV/Pa
Self-noise: 25 dB (A)aximum SPL: 141 dB, 1% THD
Internal impedance: 200 Ω
Supply voltage: 48 V ± 4 V
Current consumption: 5.3 mA
Connector: Gold plated 3-pin XLR
Microphone dimensions: 49 dia. X 175 mm, 1.9 dia. X 6.9 in
Microphone net weight: 330 g, 11.6 oz
Lewitt MTP440DM Dynamic instrument microphone
Your mic for punchy, lively instrument recordings.
Our MTP 440 DM is tailored for your snare drum, wind instrument, or amp. It features a high-performance capsule that delivers remarkable sound, live and in the studio.
Fantastic sound on snare
Give your snare what it deserves.
Our MTP 440 DM features a high-performance capsule that delivers remarkably lively sound. Perfect for miking your snare drum.
The consistent cardioid pattern focuses the sound of your snare, live and in the studio.
Fantastic sound on amps
Your amp goes to eleven? So does the MTP 440 DM!
High-SPL sources like amplifiers are reproduced with high clarity and full details.
The slight bass roll-off and defined midrange provide a punchy and unique sound that works like a charm with cabs of any size.
Fantastic sound on wind instruments
Clear sounding wind instruments? Here's how.
Wind instruments produce high sound pressure levels, not every microphone is capable of handling. Our MTP 440 DM has proven itself on countless stages.
Let your instrument have the clear sound quality it needs to stand out in the mix.
Durable materials for longevity
This mic can take quite a beating.
To assure your beloved microphone survives drops and unintended hits, we made the enclosure out of durable zinc die-cast parts. A rubber-suspension protects the capsule while minimizing structure-borne noise.
Focus on your instrument.
A cardioid polar pattern picks up sound coming mainly from the front of the microphone, sound from directly behind the MTP 440 DM is dampened. Unwanted reflections or background noise are effectively suppressed.
Specifications:
Type: Dynamic, moving coil
Acoustical operating principle: Pressure gradient transducer
Polar pattern: Cardioid
Sensitivity: 2.5 mV/Pa, -52 dBV/Pa
Internal impedancep: 500 Ω
Connector: Gold plated 3-pin XLR
Microphone enclosure: Zinc die cast:
Microphone dimensions: 39 dia. x 159 mm, 1.53 dia. x 6.25 in
Microphone net weight: 280 g, 9.88 oz
Lewitt MTP550DMS Dynamic handheld microphone
Your mic for a powerful performance.
Our MTP 550 DMS is our answer to end all your feedback issues. Its very consistent cardioid polar pattern suppresses sound coming from your stage monitors. Always clear, powerful sound, for yourself on stage and for your audience.
Get out there and deliver! The stage is yours.
Express yourself while sitting well in the mix.
Do you want to make yourself heard? Our MTP 550 DMS features powerful live sound. Your voice sits well in the mix, and you'll hear yourself clearly on the monitors.
It's easy to connect with your audience when you know that they'll hear you.
You'll get a clear signal on the stage monitors.
Due to the MTP 550 DMS featuring a consistent cardioid pattern, your monitor signal can be as loud as you desire.
You don’t have to worry about feedback. A confident performance makes a solid show.
Survives all mic drops, planned or unplanned.
To assure your beloved microphone survives even the roughest touring routines, we made the enclosure out of durable zinc die-cast parts. A rubber-suspension protects the capsule while minimizing unwanted handling noise. The built-in wind- and pop-filter prevents hissing sounds and plosives. On top of that, the capsule is protected from moisture.
The cardioid polar pattern picks up sound coming mainly from the front of the microphone, sound from directly behind the MTP 550 DMS is dampened effectively. Because the pattern is very consistent, it's hard to find a mic with better feedback-rejection.
Features:
Dynamic vocal microphone
Tailored vocal sound
Highly feedback proof
Durable materials for longevity
Cardioid polar pattern
Included: Microphone clip, Windscreen, Transport bag
Specifications:
Type: Dynamic, moving coil
Acoustical operating principle: Pressure gradient transducer
Polar pattern: Cardioid
Sensitivity: 2 mV/Pa, -54 dBV/Pa
Internal impedance: 300 Ω
Connector: Gold plated 3-pin XLR
Microphone net weight: 381 g, 13.4 oz
Microphone dimensions :49 dia. x 170 mm, 1.9 dia. x 6.7 in
Microphone enclosure: Zinc die cast
Lewitt DTP640REXDual-capsule kick drum microphone
Your mic for double-power kick drum sound.
The DTP 640 REX is a dual-element microphone specifically designed to capture the sound of your drums and percussion instruments. It features two phase-aligned capsules, a condenser and a dynamic one. You can also switch between three sounds for more flexibility in studio and live applications.
Two capsules for the best of your source.
We put two phase-aligned microphones in a single housing. The dynamic side ensures accurate attack reproduction of the kick drum, while the condenser element captures the drum's low end. Each element has a dedicated output.
This enables you to shape the kick drum sound in unique ways.
Cuts a good figure on your drums and bass.
With the DTP 640 REX, you get massive yet clear kick drum and bass recordings, in the studio and on stage.
The capsule is specifically designed to replicate low frequencies with precision and punch.
Hear and feel that kick.
Dynamic =//= Condenser
Both elements with neutral frequency response.
Dynamic +//= Condenser
Dynamic element boosts low frequencies; condenser stays neutral.
Dynamic +//+ Condenser
Dynamic boosts the range of 4-6 kHz, condenser boosts low frequencies.
This mic is built to last.
The DTP 640 REX features a hardened hexagonal ruthenium-galvanized steel mesh grille and a solid die-cast metal body.
Type: Dynamic, moving coil, Condenser, permanently polarized
Acoustical operating principle: Pressure gradient transducer
Transducer Ø: 31.7 mm, 1.25 in
Transducer Ø: 22.4 mm, 0.88 in
Polar pattern: Cardioid
EFR, ‘Enhanced Frequency Response' settings: Sensitivity, = // = FFR: 0.4 mV/Pa (-69 dBV), dynamic
2 mV/Pa (-54 dBV), condenser
Sensitivity, + // = Dynamic EFR: 0.4 mV/Pa, -69 dBV/Pa, dynamic
2 mV/Pa, -54 dBV/Pa, condenser
Sensitivity, + // + Dual EFR: Condenser and dynamic matched at 1 mV/Pa, -60 dBV
Self-noise: 28 dB (A)
Max. SPL for 0.5 % THD: 50 dBSPL, 0 dB attenuation
Dynamic range of mic. amp. (condenser): 122 dB
Pre-attenuation pad:
0 dB
-10 dB
-20 dB
Rated impedance dynamic: 500 Ω
Rated impedance condenser: 200 Ω
Supply voltage: 48 V ± 4 V
Current consumption: 2 mA
Connector: Gold plated 3-pin and 5-pin XLR
Cable; 1.5 m (4.95’) dual shielded Y-cable, 5-pin XLR into two 3-pin XLRs
Microphone dimensions: 71 dia. x 158 mm, 2.8 dia. x 6.2 in
Microphone net weight: 755 g, 27.3 oz
Sennheiser 835-S Set (R1-9) Wireless Handheld Microphone
This set consists of 2 x EW-DX SKM-S (handheld with mute switch), 2 x MMD 835 capsule (cardioid, dynamic), 1 x EW-DX EM 2 rackmout receiver (2 channels) and 2 x BA 70 rechargeable batteries.
Sennheiser EW-DX simplifies your professional workflow by utilizing refined technologies and decades of research to deliver a digital UHF system that can be scaled with ease. With its advanced feature set and hardware options, classrooms, corporate campuses, and live productions benefit from a network-ready system that is designed to integrate seamlessly. The system quickly assesses your environment and uses equidistant channel spacing to deploy frequencies while tools like Sennheiser’s Control Cockpit, Wireless Systems Manager, and Smart Assist App allow you to monitor your system remotely. In-device charging, 12-hour battery operation, and switching bandwidth up to 88 MHz are only a few more of the many features that make EW-DX the right tool for the job.
Perfect for Presenters and Singers. All-in-one digital wireless lavalier set for those who speak and present, featuring Sennheiser's renowned MKE 2 omni-directional clip-on lavalier microphone.
Features
134 dB input dynamic range - no need to set gain on your wireless transmitters at all, thanks to proprietary Sennheiser Performance Audio Codec (SePAC)
AutoScan-feature quickly scans your environment and deploys frequencies with equidistant channel spacing - even without RF knowledge
Network enabled for expanded remote control with Sennheiser Control Cockpit, Wireless System Manager (WSM - Available in mid-2023) and 3rd party media control systems via plug-in
Remote control via Smart Assist App over Bluetooth® Low Energy (BLE) at distances up to 25 meters (Available in late 2023)
Secure transmission of confidential content using AES 256 encryption
Up to 12 hours of operation time with rechargeable lithium ion battery BA 70 (included)
Function buttons - control all the transmitter settings directly from the handheld including button lock function
Persistent E-Ink display for "always on" information - parameters visible on screen even when taking out batteries
Equidistant channel spacing to easily allocate intermodulation-free channels: Standard Mode with 600 kHz spacing for up to 146 channels; Link Density (LD) Mode with 300 kHz spacing for up to 293 channels
Up to 88 MHz switching bandwidth
Low latency of 1.9 ms wireless transmission thanks to proprietary Sennheiser Performance Audio Codec (SePAC)
Digital audio trim
Transmitters with charging contacts for in-device charging with CHG 70N charger (sold separately)
Sennheiser Standard Capsule Interface - compatible with a wide range of Sennheiser and Neumann capsules (sold separately)
Versatile charging options optionally available: CHG 70 N, L 70 USB, LM 6070 Module for L 6000 full rack charging station (Availability in 2023)
Worldwide usage (specific frequencies subject to local RF regulations)
Specsification
Dimensions: 212 x 44 x 189 mm
Weight (g): approx. 1000 g (without antennas and power supply)
Latency (ms): 1.9 ms
Polar pattern: Cardioid
Sensitivity: 2,1 mV/Pa
Transducer principle: Dynamic
Transducer type: Dynamic
Connection: Wireless
Total harmonic distortion (THD): < -60 dB for 1 kHz @ -3 dBfs Input level
Transducer principle: Dynamic
Latency (ms): 1,9 ms
Frequency Specifications
Audio frequency response: 20 Hz - 20 kHz (-3 dB) @3 dBfs
Acoustic Properties
Dynamic range (>): 134 dB
Audio output level: 18 dBu max.
Amblent Conditions
Operating relative humidity (%): 5-95% (non-condensing)
Operating temperature (C): -10 °C - +55 °C (14°F - 131 °F)
Battery capacity (Ah): 1.72
Battery count: 2
Battery Included: Y
Battery voltage (V): 3.8
Charging current (mA): ≤1A
Electrical Properties
Sensitivity: 2,1 mV/Pa
Input voltage: 11-13 Vor PoE IEEE 802.3af Class O (CAT5e or higher)
Transmission power (mA): Audio link: 10 mW ERP (Range Y1-3: 12 mW ERP) BLE: max. 10 mW EIRP
Dimensions: 212 x 44 x 189 mm
Height (mm): 73
Length (mm): 405
Weight (g)
Width (mm): approx. 1000 g (without antennas and power supply)
Product height: 73
Product length: 405
Product weight (g): 1000
Product width: 350
Bluetooth transmission frequency: 2402-2480 MHz
Sennheiser SK/SKM-S Base Q1-9 Wireless Mic Transmitters
Sennheiser EW-DX simplifies your professional workflow by utilizing refined technologies and decades of research to deliver a digital UHF system that can be scaled with ease. With its advanced feature set and hardware options, classrooms, corporate campuses, and live productions benefit from a network-ready system that is designed to integrate seamlessly. The system quickly assesses your environment and uses equidistant channel spacing to deploy frequencies while tools like Sennheiser’s Control Cockpit, Wireless Systems Manager, and Smart Assist App allow you to monitor your system remotely. In-device charging, 12-hour battery operation, and switching bandwidth up to 88 MHz are only a few more of the many features that make EW-DX the right tool for the job. Flexibility for Those Who Want to Choose the Capsule That Best Meets Their Needs. Base Set for digital wireless applications featuring 2-channel receiver, handheld and bodypack transmitter for use with a wide range of Evolution Wireless Digital microphone heads.
Features
134 dB input dynamic range - no need to set gain on your wireless transmitters at all, thanks to proprietary Sennheiser Performance Audio Codec (SePAC)
AutoScan-feature quickly scans your environment and deploys frequencies with equidistant channel spacing - even without RF knowledge
Network enabled for expanded remote control with Sennheiser Control Cockpit, Wireless System Manager (WSM - Available in mid-2023) and 3rd party media control systems via plug-in
Remote control via Smart Assist App over Bluetooth® Low Energy (BLE) at distances up to 25 meters (Available in late 2023)
Secure transmission of confidential content using AES 256 encryption
Up to 12 hours of operation time with rechargeable lithium ion battery BA 70 (included)
Function buttons - control all the transmitter settings directly from the handheld and bodypack including button lock function
Persistent E-Ink display for "always on" information - parameters visible on screen even when taking out batteries
Equidistant channel spacing to easily allocate intermodulation-free channels: Standard Mode with 600 kHz spacing for up to 146 channels; Link Density (LD) Mode with 300 kHz spacing for up to 293 channels
Up to 88 MHz switching bandwidth
Low latency of 1.9 ms wireless transmission thanks to proprietary Sennheiser Performance Audio Codec (SePAC)
Digital audio trim
Transmitters with charging contacts for in-device charging with CHG 70N charger (sold separately)
Sennheiser Standard Capsule Interface - compatible with a wide range of Sennheiser and Neumann capsules (sold separately)
Compatible with a wide range of Sennheiser lavalier and headset microphones with 3.5 mm jack plug connection (sold separately)
Versatile charging options optionally available: CHG 70 N, L 70 USB, LM 6070 Module for L 6000 full rack charging station (Availability in 2023)
Worldwide usage (specific frequencies subject to local RF regulations)
Specsification
Dimensions: 212 x 44 x 189 mm
Weight: (g)approx. 1000 g (2.2 lbs) (without antennas and power supply)
Latency: (ms)1.9
Total harmonic distortion (THD): < -60 dB for 1 kHz @ -3 dBfs Input level
Latency (ms): 1.9 ms
Frequency Specifications
Audio frequency response: 20 Hz - 20 kHz (-3 dB) @3 dBfs
Acoustic Properties
Dynamic range (>): 134 dB
Amblent Conditions
Operating relative humidity (≤ %): 5-95% (non-condensing)
Operating temperature (C): -10 °C - +55 °C (14°F-131 °F)
Battery capacity (Ah): 1.72
Battery count: 2
Battery Included: Y
Battery voltage (V): 3.8
Electrical Properties
Input voltage: 11-13 V- or PoE IEEE 802.3af Class O (CAT5e or higher)
Dimensions: 212 x 44 x 189 mm
Height (mm): 73
Length (mm): 405
Weight (g): approx. 1000 g (2.2 lbs) (without antennas and power supply)
Width (mm): 350
Product height: 73
Sennheiser EW IEM G4 Twin A1 Wireless Monitor System
Engineered for professional live sound: Rugged all-in-one wireless monitoring system for in-ear applications.
Full control over your performance – your direct link, everywhere, everyday. The G4 In-Ear Monitoring Sets make your gig an extraordinary experience – not just for your audience, but also for you. Robust bodypack receiver and reliable in-ear monitoring IE 4 headphones delivering clarity along the whole frequency spectrum for daily use on stage.
Features
Engineered for professional live sound: Rugged all-in-one wireless monitoring system for in-ear applications.
Robust bodypack receiver and reliable in-ear monitoring IE 4 headphones delivering clarity along the whole frequency spectrum for daily use on stage
Half-rack stereo transmitter in a full-metal housing with OLED display for full control
Easy and flexible wireless synchronization between transmitter and receiver via infrared
Compatible with Sennheiser WSM control software for flexible frequency allocation
Up to 16 compatible channels
Up to 42 MHz bandwidth with 1680 selectable frequencies, fully tunable in a stable UHF range
Transmission Range: up to 100 meters / 300 feet
High RF output power (up to 50 mW) depending on country regulations
Specsification
Dimensions: Approx. 202 x 212 x 43 mm
Weight (g): Approx. 980 g
Audio input: 2x XLR-3/¼" (6.3 mm) jack combo socket, electronically balanced
Audio output: ¼" (6.3 mm) stereo jack socket, balanced
Signal-to-noise ratio: >90 dB
Connection: Wireless
Receiver principle: Adaptive diversity
RF sensitivity: <4 μV, typ. 1.6 μV for 52 dBA rms S/N
Total harmonic distortion (THD): <0.9%Audio frequency response (Hz): 25 Hz to 15 kHz
Audio frequency response: 25 Hz to 15 kHzSignal-to-noise ratio: >90 dB
Squelch: 5 to 25 dBμV, adjustable in steps of 2 dBConnection: Wireless
Audio Input: 2x XLR-3/* (6.3 mm) Jack combo socket, electronically balanced
Audio output: 0.25 (6.3 mm) stereo jack socket, balanced
Antenna output: BNC socket, 50 Ohms
Battery capacity (Ah): 2.3
Battery count: 4
Battery Included: Y
Battery voltage (V): 1.5
Battery operating time (h): approx. 4 to 6 hours (depending on volume level)
Dimensions: Approx. 202 x 212 x 43 mm
Height (mm): 73
Length (mm): 405
Weight (g): Approx. 980 g
Width (mm): 350
Product height: 73
Product length: 405
Product weight (g): 980
Product width: 350
Pro Microphones
If you want to perform music live, record tracks or give a presentation or vlog your going to need a quality pro microphone. Microphones are used for a variety of situations from concerts, theatre, lectures and podcasting plus studio tracking. Haveing a good quality mic will make a huge difference in the end result and will define your level of professionalism and artistic value. Each microphone has different elements and features depending what you are using it for.
Boost your Microphoen and Sound pro
Professional microphones are the starting point in any pro audio setup, capturing sound and converting it into electrical signals. These signals are typically weak and require a pre amplifier. When connected to an audio interface, the microphone’s signal is boosted to line level and converted into digital audio for recording or live streaming. In a studio environment, this ensures high-quality sound capture with minimal noise and optimal clarity.
Mixers can be the Rock Stars for Microphones
In live or studio settings, mixers play a crucial role in shaping microphone signals. They allow engineers to adjust levels, apply effects, and balance multiple audio sources. The processed signal is then routed to power amplifiers in live setups, ensuring it has enough strength to drive speakers. In a studio, mixers help fine-tune sound before it’s sent to reference monitors or recorded for production. This stage is key to achieving a professional, polished sound.
The Final Sound
Speakers and power amplifiers work together to deliver the final sound output. In live sound environments, microphones feed into a mixer, which sends signals to power amplifiers, boosting them to drive PA speakers and stage monitors. This ensures clear, amplified sound across venues. In studios, the amplified signal is played through reference monitors, providing an accurate representation of the recorded audio for precise mixing and mastering.
Type of Microphones
1. Live Dynamic Microphones are Rugged and versatile, these microphones are commonly used for live performances.
Uses: Ideal for capturing vocals and instruments on stage, as they handle high sound pressure levels without distortion.
Main Features: Durable build, cardioid or supercardioid polar patterns for feedback rejection, and no need for external power.
Description: Cordless microphones that use radio frequencies to transmit audio signals.
Uses: Perfect for performers, presenters, and speakers requiring mobility.
Main Features: Long-range operation, interference-resistant channels, and rechargeable battery options.
Description: Small, clip-on microphones often used in broadcast or presentations.
Uses: Best for hands-free speaking, interviews, or theater performances.
Main Features: Discreet design, omnidirectional pickup, and compatibility with wireless systems.
4. Studio Condenser Microphones
Description: Sensitive mics designed for detailed sound capture in controlled environments.
Uses: Ideal for vocals, acoustic instruments, and podcasting.
Main Features: Wide frequency response, high sensitivity, and requires phantom power.
Description: Lightweight microphones worn around the head.
Uses: Great for fitness instructors, performers, and public speakers.
Main Features: Hands-free operation, secure fit, and directional pickup to reduce ambient noise.
Echotone Music also carries professional Microphone Accessories like Cables, Shock mounts and stands. We have thousands of items in stock. Call if you dont see what you need on our site. Chances are we have it and at a great price.
Lewitt LCT 140 AIR Stereo Pair – Versatile Recordings in Perfect Stereo
Key Features:
Perfectly matched stereo pair
Choose between two sound characteristics: AIR or FLAT
Made for acoustic instrument recording
Low-cut filter and PAD
Cardioid polar pattern
Includes: Foam windscreen, Microphone clip, Transport bag
Overview
The LCT 140 AIR stereo pair delivers versatility and precision for professional recordings. Switch between two sound modes—AIR for a bright, record-ready tone or FLAT for a natural, authentic capture. Thanks to automated precision matching, you get perfectly balanced stereo performance without extra cost.
This lightweight, professional-grade pair offers two sound modes, low-cut, and pre-attenuation—ideal for studio or live applications.
Sound Characteristics
AIR or FLAT? Record instruments exactly how you want them.
AIR: Open and sparkling, perfect when you need great sound right away.
FLAT: Linear frequency response, ideal for realistic sonic imaging of drums, strings, acoustic guitars, and choirs.
Precision Matching
Every LCT 140 AIR undergoes one of the most accurate stereo matching processes in the industry. Each microphone’s frequency response and sensitivity are measured, and an algorithm pairs them perfectly, ensuring consistent, phase-accurate stereo capture.
Full Flexibility
Equipped with a low-cut filter and PAD, the LCT 140 AIR handles loud sources effortlessly and minimizes unwanted low-frequency noise.
Ideal for Recording:
Acoustic Guitar
Drums
Strings
Choirs
Piano
Ukulele
Specifications
Type: Condenser, permanently polarized
Operating Principle: Pressure gradient transducer
Transducer Diameter: 17 mm (0.67 in)
Diaphragm: 3-micron gold-sputtered Mylar
Polar Pattern: Cardioid
Frequency Range: 20–20,000 Hz
Sensitivity: 14.6 mV/Pa (−36.7 dBV/Pa)
Self-Noise: 20 dB(A)
Max SPL (0.5% THD): 135 dB SPL
Dynamic Range: 115 dB(A)
Attenuation: 0 dB / −12 dB
Low-Cut Filter: Linear / 80 Hz (12 dB/oct)
Impedance: 173 Ω
Supply Voltage: 48 V ± 4 V (phantom power)
Current Consumption: 7.2 mA
Connector: Gold-plated 3-pin XLR
Dimensions: 24 dia. x 140 mm, 0.9 dia. x 5.5 in
Weight (each): 66 g (2.3 oz)
Measured per IEC 60268-4 | Phantom Power per IEC 61938 | Noise Measurement per IEC 60268-1