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Home / Pro Audio / Pro Audio Types / Preamp
Microphone preamps
Mic preamps deliver clean, high-quality sound for musicians, sound engineers, and recording studios. Ideal for music production, live sound, streaming, and studio recording, microphone preamps boost mic and instrument signals with low noise, adjustable gain, phantom power, and studio-grade clarity.
PreSonus Quantum 2626 Thunderbolt 3 Interface Preamplifier Rack unit
Ships Free!
The Speed of Sound
With a barely measurable round-trip latency of less than 1 ms*, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt™ audio interfaces the “fastest audio interfaces on the planet.” Superb high-definition digital conversion and ultra-transparent analog XMAX mic preamps mean that your audio will always sound its best—whether you’re recording with or without your favorite plug-ins engaged in real-time.
Timeless audio
Every design decision during Quantum 2626 audio interface’s engineering was made with one goal in mind: blazing-fast speed without sonic compromise. The Quantum-series proprietary Thunderbolt driver was written from the ground up to deliver ultra-low-latency performance while maximizing efficiency. Cutting-edge 24-bit, 192 kHz converters with 115 dB of dynamic range and superior low-jitter clocking—coupled with our ultra-transparent, pure analog XMAX preamps—result in superb audio quality with the lowest round-trip latency of any audio interface available (<1 ms*).
*192 kHz, 64 sample buffer in Studio One 4.5 on a MacBook Pro 2016, 2.7 GHz Intel Core i7, running macOS 10.12.5
Superior Sound
Audiophile-grade digital converters, low-jitter clocking, and transparent preamps add up to a superior recording and listening experience. The Quantum 2626 audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally, with no audible distortion. Our lauded XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.
Expansive audio
Impressive speed, combined with stunning sound quality, means that the Quantum Thunderbolt audio interface is an ideal recording solution for any size of studio. Need more mic preamps? Connect the PreSonus DigiMax DP88 to your Quantum interface’s ADAT/dual S/MUX ports. Once synced, the DigiMax DP88 preamps can be remotely controlled via Studio One or UC Surface. Want to insert your favorite gear? The Quantum 2626 features two direct preamp outputs with dedicated returns, so you can insert your favorite analog compressor and your favorite plug-ins with ease.
Award-winning recording software included
While compatible with any macOS or Windows recording application, the Quantum 2626 ships as a complete recording studio, with Studio One® Artist music production software included. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment—including powerful extensions for Studio One like the Presence XT Expansion packs and the PreSonus Channel Strip Collection.
The Quantum leap.
Industry-leading speed and pristine audio quality combined with jaw-dropping expandability are the hallmarks of the Quantum interface design. Record and monitor from your favorite DAW with any plug-in engaged. Insert your favorite outboard analog gear with ease. Regardless of your studio’s size, Quantum audio interfaces will streamline your recording process so you’ll make better music, faster.
Apple Silicon compatibility—standard.
The PreSonus Quantum-series interfaces are natively compatible with Apple Silicon-based Mac computers*. You'll be able to produce everything from podcasts to folk rock to trap—wherever sound takes you.
Make your own magic.
At PreSonus, we want to make sure that our audio products come with everything you need to craft your own mesmerizing spells in the studio. That's why we include Studio One Artist with every audio interface and controller product we make, from the 2-channel AudioBox USB 96 to the 64-channel StudioLive 64S, ATOM to FaderPort 16, but we didn't stop there. Why? Because here in Louisiana, we have a word: lagniappe. It means "a little something extra," and it's in that spirit that we also include the Studio Magic Suite of software with our audio interface products and–new for 2021–our award-winning controllers as well.
The 2021 Studio Magic includes tutorials from Melodics, sound libraries from Ghost Hack, 7 virtual instruments, and 9 effects plug-ins in VST, AU, and AAX formats to use in Studio One Artist or your DAW of choice with a retail value of over $1000 (US).
Features
General Features
26x26 Thunderbolt 3 ultra-low-latency audio interface
<1 ms roundtrip latency*; record direct to DAW with your favorite plug-ins engaged
24-bit/192 kHz operation with high-quality 115 dB A/D/A converters
Studio One® Artist and Studio Magic software bundle included
Flexible Connectivity
Simultaneous I/O up to 26 inputs / 26 outputs (at 44.1 or 48 kHz)
8 pristine XMAX preamps
2 instrument Inputs
8 balanced line inputs
Dual headphone outputs with independent level control
Balanced stereo main outputs with independent level control
8 DC-coupled, balanced line outputs
2 preamp direct outputs with returns to insert outboard gear
Main output level control
Balanced stereo main output (TRS)
Eight balanced line outputs (TRS; outputs 1 and 2 share a DAC with the main output)
Two preamp outputs (channels 1 and 2)
Two line returns (channels 1 and 2)
ADAT Optical/Dual SMUX inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channels at 88.2 or 96 kHz
Stereo S/PDIF coaxial input and output
Digitalia
Thunderbolt 3 high-speed bus
24-bit resolution and up to 192 kHz sampling rate
BNC word clock input and output with low-jitter clocking
MIDI I/O
Physical
Road-rugged construction with all-metal chassis and metal knobs
1U rack-mountable
12 VDC external power supply (included)
*192 kHz, 64 sample buffer in Studio One 4.5 on a MacBook Pro 2016, 2.7 GHz Intel Core i7 running macOS 10.12.5
Computer system requirements:
Below are the minimum computer-system requirements for the Quantum 2626 Interface.
Windows®
Windows 10 (64-bit only)
Intel® i5 processor or better
4 GB RAM (8 GB or more recommended)
Mac®
macOS® 10.13 or higher (64-bit only)
Intel i5 processor or better (M1 native compatible)
4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
Thunderbolt™ 1.0, 2.0, or 3.0 port (NOTE: Your computer's motherboard must support Thunderbolt. Thunderbolt 1 and 2 require an adapter, not included.)
Internet connection (required for Studio One® activation and content download)
Internal or external 7200 RPM storage drive highly recommended
30 GB hard disk space
Monitor with 1366x768 resolution
Note: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.
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Echo tone Music is a long time E-commerce Audio and Musical instrument dealer since 1998. We take pride in selling quality gear for musicians, sound engineers and broadcast applications.
Shipping --Items are well packed and shipped USPS, UPS or Pallet Freight Service. Items purchased on Friday may not ship until Monday or until the projected processing period. We are working hard to get your unit Built ( if needed), processed and shipped.
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided, otherwise customer pays for return shipping costs.
Returned items must be sealed/unopened in original, brand-new condition, showing no signs of wear or use such as belt-buckle or pick scratches, scuffs, dings or scrapes, screw mount marks or collateral materials. Items must also include all original packaging, manuals, warrantees and accessories or your return may be subject to a return handling charge.
If the item was listed as free shipping then the cost of the shipment will be deducted from the units original cost. Gear returned with out all its original packaging, warranty cards and accessories or that shows signs of wear from use, will be subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
The following products cannot be returned - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, strings, reeds, computers, tubes, earbuds, earplugs, recorders, harmonicas, raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids, clothing/footwear, body jewelry, sheet music, cleaners, polishes and polishing cloths, software/soundware, books, CDs, DVD's, vinyl records, and videos.
Happy customers, that's music to our ears!
PreSonus Studio 68C Ultra High Def USB Compatible Audio Interface with Preamps
Ships Free!
Powerful, flexible production tools.
Amazing sound quality with four of PreSonus®’ famed XMAX analog mic preamps, plus professional metering and monitoring features make the Studio 68c ideal for small productions, electronic artists, and bands looking to take charge of their recordings. Two stereo outputs provide flexible output options. A powerful headphone amp with A/B switching lets you listen in to either mix, ideal for live-performance applications. With a Studio One® Artist license included with registration, the Studio 68c is an audio production powerhouse right out of the box.
World-class recording software included.
Seamlessly integrated with the included PreSonus Studio One Artist music production software, the Studio 68c interface works with virtually all macOS® and Windows® recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools or hemmed in with track limitations. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment. And when you’re ready for more features, you can purchase add-ons or upgrade to Studio One Professional to add mastering, Mix Engine FX, and much more.
Superior sound.
The Studio 68c operates at up to 192 kHz for ultra-high-definition recording and mixing. High-quality converters on every input and output and four of PreSonus’ professional-grade XMAX mic preamps enable you to capture complex musical harmonics smoothly and naturally, with no audible distortion. XMAX mic preamps are known the world over for their ability to deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.
Stress-free recording.
Professional tools make any job easier. That’s why we included professional input and output metering on the Studio 68c, allowing you to keep an eye on your input and mix levels when you’re recording by yourself. An easy-to-use direct monitor control blends the analog input signals with playback from your computer, simplifying monitoring. Two pairs of outputs afford two different stereo mixes. All four ¼-inch TRS, line-level outputs are DC-coupled, enabling them to send control voltages. The Cue A/B button allows you to toggle between each mix while listening in on headphones, great for live performance and studio alike.
Wherever sound takes you.
When you’re upgrading your performance rig or building a custom production studio, the Studio 68c will give you clear, clean, ultra-high-def sound, with the professional tools you need to achieve world-class results. While it’s a perfect companion for any recording software, the Studio 68c combines with included Studio One Artist to provide you with a complete, affordable recording solution that will make you sound great.
Apple Silicon, iOS, and iPadOS compatibility—standard.
The PreSonus Studio 68c is natively compatible with Apple Silicon-based Mac computers*, as well as iOS and iPadOS devices, including iPad Pro, iPad, iPad Air, iPad Mini, iPod Touch, and iPhone. Because it's USB class-compliant, there are no special drivers or applications to download and install. You'll be able to produce on the go—everything from podcasts to folk rock to trap—wherever sound takes you.
For more on iOS/iPadOS compatibility, click here.
*Universal Control 3.4.2 or later is required for Native Apple Silicon compatibility.
Make your own magic.
At PreSonus, we want to make sure that our audio products come with everything you need to craft your own mesmerizing spells in the studio. That's why we include Studio One Artist with every audio interface and controller product we make, from the 2-channel AudioBox USB 96 to the 64-channel StudioLive 64S, ATOM to FaderPort 16, but we didn't stop there. Why? Because here in Louisiana, we have a word: lagniappe. It means "a little something extra," and it's in that spirit that we also include the Studio Magic Suite of software with our audio interface products and–new for 2021–our award-winning controllers as well.
The 2021 Studio Magic includes tutorials from Melodics, sound libraries from Ghost Hack, 7 virtual instruments, and 9 effects plug-ins in VST, AU, and AAX formats to use in Studio One Artist or your DAW of choice with a retail value of over $1000 (US).
Features
Input/Output
Simultaneous I/O up to 6 inputs/6 outputs (4x4 at 192 kHz)
2 mic/instrument/line inputs with XMAX Class A mic preamps
2 mic/line inputs with XMAX Class A mic preamps
2 balanced ¼-inch TRS main outputs
DC coupled for sending control voltages
2 balanced ¼-inch TRS line outputs for monitor mixing
DC coupled for sending control voltages
1 stereo headphone output
MIDI In/Out
Stereo S/PDIF digital I/O
1 USB-C®-compatible 2.0 port
USB-C to USB-C and USB-C to USB-A cables included for compatibility with most computers
Meters, Controls, and Features
Direct monitoring
Cue mix A/B (for headphone output)
Front-panel level controls for main outputs
True +48V phantom power for condenser microphones (global)
6 ladder-style LED level meters (4 input, 2 main output)
Integrated Software
Studio One Artist®
Studio Magic Software Suite
Digital
USB-C®-compatible port (USB 2.0)
24-bit resolution
44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
Physical
Road-rugged construction with all-metal chassis and metal knobs
Studio 68c
Overview Images and Videos Features Tech Specs Downloads Reviews
Computer system requirements:
Below are the minimum computer-system requirements.
Mac®
macOS® 10.13 or higher (64-bit only)
Intel® Core™ i3 processor or better (Native support for Apple Silicon)
4 GB RAM (8 GB or more recommended)
Windows®
Windows 10 (64-bit only)
Intel Core i3 / AMD A10 processor or better
4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
USB-C® or USB-A 2.0 port compatibility
30 GB hard disk space
Monitor with 1366x768 resolution (high-dpi monitor recommended)
Multitouch-enabled monitor required for touch operation
-----------------------------------------------------------------------------------------
Echo tone Music is a long time E-commerce Audio and Musical instrument dealer since 1998. We take pride in selling quality gear for musicians, sound engineers and broadcast applications.
Shipping --Items are well packed and shipped USPS, UPS or Pallet Freight Service. Items purchased on Friday may not ship until Monday or until the projected processing period. We are working hard to get your unit Built ( if needed), processed and shipped.
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided, otherwise customer pays for return shipping costs.
Returned items must be sealed/unopened in original, brand-new condition, showing no signs of wear or use such as belt-buckle or pick scratches, scuffs, dings or scrapes, screw mount marks or collateral materials. Items must also include all original packaging, manuals, warrantees and accessories or your return may be subject to a return handling charge.
If the item was listed as free shipping then the cost of the shipment will be deducted from the units original cost. Gear returned with out all its original packaging, warranty cards and accessories or that shows signs of wear from use, will be subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
The following products cannot be returned - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, strings, reeds, computers, tubes, earbuds, earplugs, recorders, harmonicas, raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids, clothing/footwear, body jewelry, sheet music, cleaners, polishes and polishing cloths, software/soundware, books, CDs, DVD's, vinyl records, and videos.
Happy customers, that's music to our ears!
PreSonus Studio 1810c Versatile USB Audio Interface Preamps & Software
Ships Free!
Record anything, anywhere.
You don’t need to sacrifice mobility for connectivity. Take amazing studio-quality sound and flexible input options on the road with the PreSonus® Studio 1810c audio interface. With four of PreSonus’ lauded XMAX analog mic preamps, high-quality instrument preamps, balanced line-level inputs, and an ADAT input to add eight more channels whenever you need them, the Studio 1810c is a compact recording powerhouse housed in a rugged, roadworthy chassis. A complete, all-in-one recording package that includes Studio One® Artist music production software is included with the Studio 1810c, offering unlimited tracking with tight control-room integration.
Superior sound.
The Studio 1810c operates at up to 192 kHz for ultra-high-definition recording and mixing. High-quality converters on every input and output and four of PreSonus’ professional-grade XMAX mic preamps enable you to capture complex musical harmonics smoothly and naturally, with no audible distortion. XMAX mic preamps are known the world over for their ability to deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound. You’ll hear every breath, transient, and detail in your recordings.
Stress-free recording.
Professional tools make any job easier. That’s why we included professional input and output metering on the Studio 1810c, allowing you to keep an eye on your input and mix levels while running your session. Easy-to-use DSP monitor mixing lets you create four discrete mixes for you and three others. Two pairs of outputs afford two different stereo mixes. The Cue A/B button allows you to toggle between each mix while listening in on headphones, great for dialing in monitor mixes from the control room.
Wherever sound takes you.
When you need to be ready to create professional recordings anywhere, the Studio 1810c has you covered with superior mic preamps and expandable inputs to give you world-class results. While it’s a perfect companion for any recording software, the Studio 1810c and included Studio One Artist provide you with a complete, affordable recording solution that will make you sound great.
Apple Silicon, iOS, and iPadOS compatibility—standard.
The PreSonus Studio 1810c is natively compatible with Apple Silicon-based Mac computers*, as well as iOS and iPadOS devices, including iPad Pro, iPad, iPad Air, iPad Mini, iPod Touch, and iPhone. Because it's USB class-compliant, there are no special drivers or applications to download and install. You'll be able to produce on the go—everything from podcasts to folk rock to trap—wherever sound takes you.
Make your own magic.
At PreSonus, we want to make sure that our audio products come with everything you need to craft your own mesmerizing spells in the studio. That's why we include Studio One Artist with every audio interface and controller product we make, from the 2-channel AudioBox USB 96 to the 64-channel StudioLive 64S, ATOM to FaderPort 16, but we didn't stop there. Why? Because here in Louisiana, we have a word: lagniappe. It means "a little something extra," and it's in that spirit that we also include the Studio Magic Suite of software with our audio interface products and–new for 2021–our award-winning controllers as well.
The 2021 Studio Magic includes tutorials from Melodics, sound libraries from Ghost Hack, 7 virtual instruments, and 9 effects plug-ins in VST, AU, and AAX formats to use in Studio One Artist or your DAW of choice with a retail value of over $1000 (US).
Features
Input/Output
Simultaneous I/O up to 18 inputs/8 outputs (8x6 at 192 kHz)
2 mic/instrument/line inputs with XMAX Class A mic preamps
2 mic/line inputs with XMAX Class A mic preamps
4 balanced ¼-inch TRS direct-to-ADC line inputs
8 channels of ADAT Optical input (4 channels at 96 kHz)
2 balanced ¼-inch TRS main outputs
DC coupled for sending control voltages
4 balanced ¼-inch TRS line outputs for monitor mixing
DC coupled for sending control voltages
2 stereo headphone outputs with the same mix or independent mixes
MIDI In/Out
Stereo S/PDIF digital I/O
1 USB-C®-compatible 2.0 port
USB-C to USB-C and USB-C to USB-A cables included for compatibility with most computers
Integrated Software
Studio One® Artist for macOS® and Windows®
UC Surface control software for macOS, Windows, iPad®, and Android™
Studio Magic Software Suite
Meters, Controls, and Features
18x6 onboard DSP monitor mixer
Front-panel mute and level controls for main outputs
True +48V phantom power for condenser microphones (global)
6 ladder-style 8-LED level meters (4 input, 2 main output)
Digital
USB-C®-compatible port (USB 2.0)
24-bit resolution
44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
Physical
Road-rugged construction with all-metal chassis and metal knobs
Computer system requirements:
Below are the minimum computer-system requirements.
Mac®
macOS® 10.13 or higher (64-bit only)
Intel® Core™ i3 processor or better (Native support for Apple Silicon)
4 GB RAM (8 GB or more recommended)
Windows®
Windows 10 (64-bit only)
Intel Core i3 / AMD A10 processor or better
4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
USB-C® or USB-A 2.0 port compatibility
32 GB hard disk space
PreSonus® Universal Control 2.0 or higher
Monitor with 1366x768 resolution (high-dpi monitor recommended)
Multitouch-enabled monitor required for touch operation
iOS
iOS 10 or later
iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation) (UC Surface)
Android
Android™ 6.0 (Marshmallow) or later
Android smartphone (QMix®-UC)
Android tablet (8-inch) with 1024x768 resolution (UC Surface)
-----------------------------------------------------------------------------------------
Echo tone Music is a long time E-commerce Audio and Musical instrument dealer since 1998. We take pride in selling quality gear for musicians, sound engineers and broadcast applications.
Shipping --Items are well packed and shipped USPS, UPS or Pallet Freight Service. Items purchased on Friday may not ship until Monday or until the projected processing period. We are working hard to get your unit Built ( if needed), processed and shipped.
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided, otherwise customer pays for return shipping costs.
Returned items must be sealed/unopened in original, brand-new condition, showing no signs of wear or use such as belt-buckle or pick scratches, scuffs, dings or scrapes, screw mount marks or collateral materials. Items must also include all original packaging, manuals, warrantees and accessories or your return may be subject to a return handling charge.
If the item was listed as free shipping then the cost of the shipment will be deducted from the units original cost. Gear returned with out all its original packaging, warranty cards and accessories or that shows signs of wear from use, will be subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
The following products cannot be returned - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, strings, reeds, computers, tubes, earbuds, earplugs, recorders, harmonicas, raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids, clothing/footwear, body jewelry, sheet music, cleaners, polishes and polishing cloths, software/soundware, books, CDs, DVD's, vinyl records, and videos.
Happy customers, that's music to our ears!
PreSonus Studio 26C USB Midi Audio Interface with Preamps Recording Software
Ships Free!
Professional tools. Professional results.
Created with the needs of DJs and electronic musicians in mind, the Studio 26c delivers excellent audio quality with professional metering and flexible monitoring options. With two of PreSonus' pristine XMAX-L mic preamps for recording vocals and custom samples, both MIDI I / O and line inputs for your favorite synths, and professional input and output metering so you can keep track of your recording and performance levels, the Studio 26c delivers amazing sound quality in a rugged, compact form factor. A complete recording studio right out of the box, the Studio 26c audio interface comes with a complimentary license of PreSonus' award-winning Studio One® Artist music production software, so you can start creating right away.
World-class recording software included.
Seamlessly integrated with the included PreSonus Studio One Artist music production software, the Studio 26c interface works with virtually all macOS® and Windows® recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools or hemmed in with track limitations. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment. And when you're ready for more features, you can purchase add-ons or upgrade to Studio One Professional to add mastering, Mix Engine FX, and much more.
Superior sound.
The Studio 26c operates at up to 192 kHz for ultra-high-definition recording and mixing. High-quality converters on every input and output and PreSonus' professional-grade XMAX-L mic preamps enable you to capture complex musical harmonics smoothly and naturally, with no audible distortion. XMAX-L mic preamps are designed to perform optimally on bus-powered audio interfaces, allowing you to take great sound with you wherever you record.
Stress-free recording.
Professional tools make any job easier. That's why we included professional input and output metering on the Studio 26c, allowing you to keep an eye on your input and mix levels when you're recording by yourself. An easy to use direct monitor control blends the analog input signals with playback from your computer, simplifying monitoring. Two pairs of outputs afford two different stereo mixes. The Cue A / B button allows you to toggle between each mix while listening in on headphones, great for live performance and studio alike.
Wherever sound takes you.
Whether you're just getting into music production or looking to upgrade your DJ rig, the Studio 26c will give you clear, clean, ultra-high-def sound in a bus-powered, rugged unit. While it's a perfect companion for any recording software, the Studio 26c combines with included Studio One Artist to provide you with a complete, affordable recording solution that will make you sound great.
Apple Silicon, iOS, and iPadOS compatibility—standard.
The PreSonus Studio 26c is natively compatible with Apple Silicon-based Mac computers*, as well as iOS and iPadOS devices, including iPad Pro, iPad, iPad Air, iPad Mini, iPod Touch, and iPhone. Because it's USB class-compliant, there are no special drivers or applications to download and install. You'll be able to produce on the go—everything from podcasts to folk rock to trap—wherever sound takes you.
Features
Input / Output
Simultaneous I/O up to 2 inputs/4 outputs
2 mic/instrument/line inputs with XMAX-L mic preamps
2 balanced ¼-inch TRS main outputs
DC coupled for sending control voltages *
2 balanced ¼-inch TRS line outputs for monitor mixing
DC coupled for sending control voltages *
1 stereo headphone output
MIDI In / Out
1 USB-C ®-compatible 2.0 port
USB-C to USB-C and USB-C to USB-A cables included for compatibility with most computers
Meters, Controls, and Features
Direct monitoring
Cue mix A/B (for headphone output)
Front-panel level controls for main outputs
True + 48V phantom power for condenser microphones (global)
4 ladder-style LED level meters (2 input, 2 main output)
Integrated Software
Studio One Artist ®
Studio Magic Software Suite
Digital
USB-C ® -compatible port (USB 2.0)
24-bit resolution
44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
Physical
Road-rugged construction with all-metal chassis and metal knobs
USB bus-powered
* Since it is a bus-powered device, the Studio 26c has lower voltage rails than other Studio-series interfaces, resulting in reduced control-voltage range (positive to negative voltage).
Computer system requirements:
Below are the minimum computer-system requirements.
Mac®
macOS® 10.13 or higher (64-bit only)
Intel® Core ™ i3 processor or better (Native support for Apple Silicon)
4 GB RAM (8 GB or more recommended)
Windows®
Windows 10 (64-bit only)
Intel Core i3 / AMD A10 processor or better
4 GB RAM (8 GB or more recommended)
Mac and Windows Systems
USB-C ® or USB-A 2.0 port compatibility
30 GB hard disk space
Monitor with 1366x768 resolution (high-dpi monitor recommended)
Multitouch-enabled monitor required for touch operation
-----------------------------------------------------------------------------------------
Echo tone Music is a long time E-commerce Audio and Musical instrument dealer since 1998. We take pride in selling quality gear for musicians, sound engineers and broadcast applications.
Shipping --Items are well packed and shipped USPS, UPS or Pallet Freight Service. Items purchased on Friday may not ship until Monday or until the projected processing period. We are working hard to get your unit Built ( if needed), processed and shipped.
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided, otherwise customer pays for return shipping costs.
Returned items must be sealed/unopened in original, brand-new condition, showing no signs of wear or use such as belt-buckle or pick scratches, scuffs, dings or scrapes, screw mount marks or collateral materials. Items must also include all original packaging, manuals, warrantees and accessories or your return may be subject to a return handling charge.
If the item was listed as free shipping then the cost of the shipment will be deducted from the units original cost. Gear returned with out all its original packaging, warranty cards and accessories or that shows signs of wear from use, will be subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
The following products cannot be returned - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, strings, reeds, computers, tubes, earbuds, earplugs, recorders, harmonicas, raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids, clothing/footwear, body jewelry, sheet music, cleaners, polishes and polishing cloths, software/soundware, books, CDs, DVD's, vinyl records, and videos.
Happy customers, that's music to our ears!
Mackie ONYX PRODUCER 2-2 2X2 USB Audio Interfaces with MIDI Dual Onyx Mic Preamp
Whether you’re tracking your latest song idea or doing a live stream, the Onyx Series USB Interfaces deliver true studio-quality sound with maximum headroom and ultra-low noise.
HEAR THE DIFFERENCE
Combining high-resolution 24-bit/192kHz converters with premium Mackie analog circuitry and Built-Like-A-Tank™ hardware design, the bus-powered Onyx Series USB Audio Interfaces give you the power to capture your best performance and experience media with pristine fidelity at home or on the go.
Perfect for singer-songwriters and content creators. The Onyx Producer 2•2™ expands the versatility with dual Onyx mic pres and MIDI I/O for controllers, synthesizers and more.
This model offer zero-latency direct monitoring plus a headphone output, L/R line-output and +48v phantom power.
Features:
Two boutique-quality Onyx™ mic preamps with class-leading fidelity and dynamic range
XLR/TRS combo inputs accept mic, line and instrument sources
Hi-Z switch per channel
+48v Phantom Power for use with studio condenser mics
High-resolution 2 in x 2 out 24-Bit/192kHz recording
Zero-latency direct monitoring of analog inputs
Dedicated 1/4" TRS outputs for connecting studio monitors
MIDI I/O for connecting synths, controllers and more
Powerful headphone output
Bus-powered for easy mobile recording with no power adapter needed
USB 2.0 connectivity for fast transfer speed and low latency
Built-Like-A-Tank™ design to survive day-to-day abuse
Waveform OEM™ Music Production Software included
Compatible with all major DAWs on Mac or PC
1.35 lbs / .68 kg
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Whirlwind Direct2 DI Box Convert Computer Keyboard, Acoustic Preamp to balanced
Made in USA
The DIRECT2 combines features found on two of our DIRECTOR ® direct boxes in one unit.
Perfect for converting unbalanced signals from stereo keyboards, acoustic guitar preamps, CD and tape players, computer sound cards, etc.
Description
Each section features:
1/4" parallel wired in/out jacks
Ground Lift switch to help eliminate hum and buzz
-20dB pad switch for connection to "hot" input signals
Uses Whirlwind's TRHL-M transformer with metal shield
The input and output grounds of each section are isolated from each other. This allows the DIRECT2 to be used as if it were two completely separate DIs without fear of creating ground loop interaction.
Model # - DIRECT2
Impedance Ratio (input to output per channel): 133:1 Frequency Response: 20Hz-20kHz ±1dB
Level Change (input to output): -20dB (pad out), -40dB (pad in)
Focusrite CLARETT+ 2PRE Two Mic Preamps 10 IN 4 OUT Audio Interface USB port
PURE-SOUNDING 10-IN / 4-OUT AUDIO INTERFACE FOR THE RECORDING ARTIST
Whether recording vocals and instruments or composing in the box, Clarett+ 2Pre is the pure-sounding, bus-powered* USB-C interface for PC and Mac to take with you on your creative journey.
CLARETT⁺ MIC PREAMPS
Two Clarett+ mic preamps — featuring All-analogue Air with impedance switching and relay control — capture superbly clear recordings with high headroom, low distortion and ultra-low noise. Two JFET instrument inputs let you plug straight in and preserve the natural tone of your guitar, just like plugging into an amplifier.
INDEPENDENT A-D AND D-A CONVERTERS
Independent A-D and D-A converters bring you closer than ever to your music and let you hear the truth, whether you’re in the studio or on the road. Greatly improved D-A dynamic range enables you to hear every detail and have greater control over your mix. Lower A-D converter distortion lets you capture signals with more clarity, for greater transparency and sonic accuracy.
ANYTHING, ANYWHERE
Big recording session? Use ADAT to add 8 mic pres with Clarett+ OctoPre for a 10-input tracking environment. Keeping it simple? 15W USB bus-power Clarett 2Pre; hook up your mics or guitar and go.
HITMAKER EXPANSION
Create studio quality vocals, powerful guitars, luscious keys and huge drums, then mix and master with iconic Focusrite studio hardware – all in the box. Every new Scarlett 3rd Gen, Clarett and Red interface comes with an unbeatable range of tried-and-tested studio tools from some of the biggest names in the business.
Hitmaker Expansion – available with every Scarlett 3rd Gen, Clarett+, Clarett USB and Red interface purchased and registered on or after October 1st 2021 – is built to get you creating records immediately. These are all the plug-ins you need to write, produce, mix and master your music in studio quality.
Hitmaker Expansion features exclusive content from legendary Auto-Tune® creators Antares®, along with Brainworx®, Softube®, XLN Audio®, Relab and more.
EMULATE ICONIC FOCUSRITE HARDWARE
Get the full Focusrite sound with three classic processors from Focusrite’s 40 year legacy of precision studio sound.
Brainworx bx_console Focusrite SC is an authentic emulation of the classic ISA 110 module found in Focusrite Studio Console. ISA 110 was created when Sir George Martin asked Rupert Neve for custom modules for AIR Montserrat studios.
The Red 2 & Red 3 Plug-in Suite accurately models Focusrite’s classic Red range equaliser and compressor hardware. Coveted by producers and engineers for their exceptional clarity and versatility, the original Red 2 and Red 3 remain prized fixtures in professional recording studios the world over. Now, you can use these revered pieces, easily and flexibly, in your own mixes.
Features:
TWO PROFESSIONAL QUALITY CLARETT⁺ PREAMPS
Capture clear and powerful recordings with preamps that bring masses of headroom, low distortion and ultra-low noise.
POWERFUL AND TRANSPARENT HEADPHONE OUTPUT
Create your best mixes and recordings, and inspire amazing performances with an improved headphone output that provides a flat frequency response at all output levels with any type of headphones.
USB-C BUS POWERED
USB-C connection provides bus power. 15W USB-C port required.
15W USB-C capabilities required for bus-powered operation. Find out if you have a 15W USB-C port.
MAKE VOCALS SHINE WITH ALL-ANALOGUE AIR
Premium, relay-controlled analogue circuitry on every preamp emulates the classic Focusrite ISA 110 by switching the impedance to 2.2kΩ and adding two cumulative high shelves, totalling a 4dB boost in the high frequencies.
JFET INSTRUMENT INPUTS
Dedicated, ultra-high-impedance JFET instrument inputs, with extremely wide audio bandwidth, mimic guitar amp inputs to preserve the natural tone of guitars and capture their true character.
FOCUSRITE PLUG-IN COLLECTIVE
Register to receive regular discounts and exclusive versions of the most innovative software titles.
NEW AND IMPROVED A-D AND D-A CONVERTERS
Capture more accurate recordings wherever you are, with extremely high-performance, independent A-D and D-A converters that deliver extremely low noise, low distortion and high dynamic range.
ADAT OPTICAL INPUT
Expand Clarett+ 2Pre to make the most of ADAT-compatible outboard equipment such as Clarett+ OctoPre, with eight channels of digital expandability: perfect for every stage of your creative journey.
FOCUSRITE CONTROL
Easy-to-use and feature-packed software for PC, Mac and iOS devices gives you complete control over all aspects of Clarett+.
Specifications:
MIC INPUTS
Frequency Response 20-20kHz: ± < 0.03dB
Frequency Response 20-35kHz: ± < 0.15dB
Dynamic Range (min gain): 118dB
THD+N (-1dBFS, +20dB gain): -110dB
Noise EIN: -129dBu
Max input level: 18dBu
Gain range: +57dB
LINE INPUTS (VARIABLE)
Frequency Response 20-20kHz: ± < 0.05dB
Frequency Response 20-35kHz: ± < 0.15dB
Dynamic Range (min gain): 118dB
THD+N (-1dBFS, min gain): -100dB
Max input level: 26dBu
Gain range: +57dB
INSTRUMENT INPUTS
Frequency Response 20-20kHz: ± < 0.04dB
Frequency Response 20-35kHz: ± < 0.15dB
Dynamic Range: 116dB
THD+N (-1dBFS, min gain): -96.5dB
Max input level: 15dBu
Gain range: +57dB
LINE & MONITOR OUTPUTS
Frequency Response 20-20kHz: ± < 0.02dB
Frequency Response 20-35kHz: ± < 0.02dB
Dynamic Range: 124dB
Max Output level: 18dBu
THD+N: -106dB
HEADPHONE OUTPUTS
Frequency Response 20-20kHz: <0.06dB
Frequency Response 20-35kHz: <0.07dB
Dynamic Range: 118dB
THD+N: -104dB
Max Output level: 16dBu
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Focusrite CLARETT+ 4PRE 18 IN / 8 OUT Audio Interface 4 Mic Preamps MIDI ADAT
VERSATILE AND SONICALLY TRUE 18-IN/8-OUT AUDIO INTERFACE FOR THE COMPLETE CREATOR
Clarett+ 4Pre is the studio-grade audio interface for PC and Mac, designed for music makers who demand the highest quality while recording and mixing their audio creations.
CLARETT⁺ MIC PREAMPS
Four high-headroom, low-noise, low-distortion Clarett+ mic preamps — featuring All-analogue Air with impedance switching and relay control — capture vocals, drums and acoustic instruments with immense clarity. Two JFET instrument inputs let you plug straight in and preserve the natural tone of your guitar, just like plugging into an amplifier.
INDEPENDENT A-D AND D-A CONVERTERS
Independent A-D and D-A converters bring creators and collaborators closer than ever to their music, with extremely wide dynamic range and low distortion. Greatly improved D-A dynamic range enables you to hear every detail and have greater control over your mix. Incredibly low A-D converter distortion lets you capture signals with more clarity, for greater transparency and sonic accuracy. Two powerful and true-to-life headphone outputs inspire artists to hear every nuance, customise their foldback mix, and perform their best.
ANYTHING, ANYWHERE
Clarett+ 4Pre brings collaborators together, with options to record up to 18 input channels simultaneously. Expand via ADAT using the Clarett+ OctoPre or other outboard hardware. Four analogue outputs and MIDI input and output makes Clarett+ 4Pre the centrepiece of the evolving recording studio.
HITMAKER EXPANSION
Create studio quality vocals, powerful guitars, luscious keys and huge drums, then mix and master with iconic Focusrite studio hardware – all in the box. Every new Scarlett 3rd Gen, Clarett and Red interface comes with an unbeatable range of tried-and-tested studio tools from some of the biggest names in the business.
Hitmaker Expansion – available with every Scarlett 3rd Gen, Clarett+, Clarett USB and Red interface purchased and registered on or after October 1st 2021 – is built to get you creating records immediately. These are all the plug-ins you need to write, produce, mix and master your music in studio quality.
Hitmaker Expansion features exclusive content from legendary Auto-Tune® creators Antares®, along with Brainworx®, Softube®, XLN Audio®, Relab and more.
EMULATE ICONIC FOCUSRITE HARDWARE
Get the full Focusrite sound with three classic processors from Focusrite’s 40 year legacy of precision studio sound.
Brainworx bx_console Focusrite SC is an authentic emulation of the classic ISA 110 module found in Focusrite Studio Console. ISA 110 was created when Sir George Martin asked Rupert Neve for custom modules for AIR Montserrat studios.
The Red 2 & Red 3 Plug-in Suite accurately models Focusrite’s classic Red range equaliser and compressor hardware. Coveted by producers and engineers for their exceptional clarity and versatility, the original Red 2 and Red 3 remain prized fixtures in professional recording studios the world over. Now, you can use these revered pieces, easily and flexibly, in your own mixes.
Features:
FOUR HIGH-PERFORMANCE CLARETT⁺ PREAMPS
Hear every nuance and capture clear and powerful audio with preamps that bring masses of headroom, low distortion and ultra-low noise.
MAKE VOCALS SHINE WITH ALL-ANALOGUE AIR
Premium, relay-controlled analogue circuitry on every preamp emulates the classic Focusrite ISA110 by switching the impedance to 2.2kΩ and adding two cumulative high shelves, totalling a 4dB boost in the high frequencies.
NEW AND IMPROVED A-D AND D-A CONVERTERS
Create tighter mixes and make more accurate recordings with extremely high-performance, independent A-D and D-A converters, which deliver extremely low noise, low distortion and high dynamic range.
POWERFUL, TRANSPARENT HEADPHONE OUTPUTS
Dual outputs provide a flat frequency response that inspire the best-sounding recordings and mixes, and evoke amazing vocal performances.
TWO JFET INSTRUMENT INPUTS
Dedicated, ultra-high-impedance JFET instrument inputs, with extremely wide audio bandwidth, mimic guitar amp inputs to preserve the natural tone of guitars and capture their true character.
ADAT OPTICAL INPUT
Expand Clarett+ 4Pre to make the most of ADAT-compatible outboard equipment such as Clarett+ OctoPre, with eight channels of digital expandability, perfect for every stage of your creative journey.
FOCUSRITE PLUG-IN COLLECTIVE
Register to receive regular discounts and exclusive versions of the most innovative software titles.
FOCUSRITE CONTROL
Easy-to-use and feature-packed software for computer and iOS devices gives you complete control over all aspects of Clarett+
SPECIFICATIONS:
MIC INPUTS
Frequency Response 20-20kHz: ± < 0.03dB
Frequency Response 20-35kHz: ± < 0.15dB
Dynamic Range (min gain): 118dB
THD+N (-1dBFS, +20dB gain): -110dB
Noise EIN: -129dBu
Max input level: 18dBu
Gain range: +57dB
LINE INPUTS (VARIABLE)
Frequency Response 20-20kHz: ± < 0.05dB
Frequency Response 20-35kHz: ± < 0.15dB
Dynamic Range (min gain): 118dB
THD+N (-1dBFS, min gain): -100dB
Max input level: 26dBu
Gain range: +57dB
LINE INPUTS (FIXED)
Frequency Response 20-20kHz: ± < 0.05dB
Frequency Response 20-35kHz: ± < 0.15dB
Dynamic Range: 118dB
THD+N (-1dBFS): -100dB
Max input level: +18dBu
INSTRUMENT INPUTS
Frequency Response 20-20kHz: ± < 0.04dB
Frequency Response 20-35kHz: ± < 0.15dB
Dynamic Range: 116dB
THD+N (-1dBFS, min gain): -96.5dB
Max input level: 15dBu
Gain range: +57dB
LINE & MONITOR OUTPUTS
Frequency Response 20-20kHz: ± < 0.02dB
Frequency Response 20-35kHz: ± < 0.02dB
Dynamic Range: 124dB
Max Output level: 18dBu
THD+N: -106dB
HEADPHONE OUTPUTS
Frequency Response 20-20kHz: <0.06dB
Frequency Response 20-35kHz: <0.07dB
Dynamic Range: 118dB
THD+N: -104dB
Max Output level: 16dBu
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Focusrite SCARLETT 4I4 3RD GEN Audio Interface Mic Preamps USB MIDI 4 Out 4 In
STUDIO-QUALITY SOUND FOR ALL YOUR INSTRUMENTS.
Sitting on the desks of more musicians and producers than any other, the Scarlett range of audio interfaces means studio-quality sound for all your instruments – and 4i4 is the interface of more. Capture more of your ever-expanding setup with more inputs, more outputs and more connectivity.
EXTENDED PLAY
Plug in and produce; all your instruments, all the time. With two 3rd Generation preamps, four line-ins and four balanced outs – for synths, drum machines or looping hardware effects – our most connected bus-powered interface records wherever your instruments are. Spend less time plugging in and more time playing.
THE BEST SOUNDING, EASILY
Easy Start gets you set up, recording and playing back within minutes. Our mic preamps, high-headroom instrument inputs, iconic Gain Halos, clean and balanced fixed line I/O and MIDI connectivity mean the science of sounding great is sorted. We’ve worried about the tech, you can focus on the music.
YOUR TRACKS ARE 30 YEARS IN THE MAKING
We’ve been making mic preamps for 30 years, and the 3rd Gen mic pre is the best Scarlett has ever heard. The 24-bit/192kHz converters give your recordings clarity and detail. Air mode breathes life into vocals, adding unique high-end detail. Our decades of experience mean Scarlett sounds just like you.
OUR TECHNOLOGY IS SOUND
Incredibly reliable, Focusrite hardware won’t let you down. If, however, you come across a problem you can rely on our global support team and your three-year warranty to get it sorted. Sound.
PLUG-IN COLLECTIVE, FOR A LASTING CONNECTION
When you buy any Focusrite hardware you gain access to the most innovative music software brands on the market. Plug-in Collective keeps you up to date on the latest tools, offering you new free downloads every couple of months, along with generous discounts. Let’s stay together.
Features:
Four balanced line inputs, for connecting synths or other line-level audio, and four balanced outputs, for monitoring and effects sends
Two of the best performing Scarlett mic preamps the range has ever heard – now with Air – for miking up guitars or recording vocals
Two high headroom instrument inputs, for plugging your guitar or bass straight in
Loopback, for grabbing a stereo feed of any combination of hardware inputs and software playback, no cables needed, for simple sampling, streaming or podcasting
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Focusrite CLARETT+ 8PRE 18 IN 20 OUT Audio Interface 8 Mic Preamps MIDI S/PDIF
POWERFUL STUDIO-GRADE 18-IN / 20-OUT AUDIO INTERFACE FOR THE ESTABLISHED PRODUCER
Clarett+ 8Pre is a high-performance and immensely capable studio centrepiece for PC and Mac, which inspires producers, engineers and artists to create their best work.
EIGHT HIGH-PERFORMANCE CLARETT⁺ PREAMPS
Eight high-headroom, low-noise, low-distortion Clarett+ mic preamps — featuring All-analogue Air with impedance switching and relay control — capture vocals, drums and acoustic instruments with precise clarity. Two JFET instrument inputs preserve the natural tone of guitars, just like plugging into an amplifier.
NEW AND IMPROVED A-D AND D-A CONVERTERS
Independent A-D and D-A converters bring recording artists closer than ever to their music, with extremely wide dynamic range, low noise and low distortion. Greatly improved D-A dynamic range brings every detail into focus, so engineers and producers can embrace no-compromise audio quality in abundance. Incredibly low A-D converter distortion lets you capture signals with more clarity, for greater transparency and sonic accuracy. Two powerful and transparent headphone outputs inspire artists to hear every nuance of their sound on any type of headphones, customise their foldback mix, and perform their best.
ANYTHING, ANYWHERE
Whether you’re multi-tracking a drum kit or connecting to synths and outboard equipment, Clarett+ 8Pre lets you constantly develop your musical ideas while always maintaining analogue purity and extreme audio clarity. Expand via ADAT to add eight inputs and outputs using Clarett+ OctoPre, and connect to MIDI and S/PDIF equipment to maximize your creative potential.
HITMAKER EXPANSION
Create studio quality vocals, powerful guitars, luscious keys and huge drums, then mix and master with iconic Focusrite studio hardware – all in the box. Every new Scarlett 3rd Gen, Clarett and Red interface comes with an unbeatable range of tried-and-tested studio tools from some of the biggest names in the business.
Hitmaker Expansion – available with every Scarlett 3rd Gen, Clarett+, Clarett USB and Red interface purchased and registered on or after October 1st 2021 – is built to get you creating records immediately. These are all the plug-ins you need to write, produce, mix and master your music in studio quality.
Hitmaker Expansion features exclusive content from legendary Auto-Tune® creators Antares®, along with Brainworx®, Softube®, XLN Audio®, Relab and more.
EMULATE ICONIC FOCUSRITE HARDWARE
Get the full Focusrite sound with three classic processors from Focusrite’s 40 year legacy of precision studio sound.
Brainworx bx_console Focusrite SC is an authentic emulation of the classic ISA 110 module found in Focusrite Studio Console. ISA 110 was created when Sir George Martin asked Rupert Neve for custom modules for AIR Montserrat studios.
The Red 2 & Red 3 Plug-in Suite accurately models Focusrite’s classic Red range equaliser and compressor hardware. Coveted by producers and engineers for their exceptional clarity and versatility, the original Red 2 and Red 3 remain prized fixtures in professional recording studios the world over. Now, you can use these revered pieces, easily and flexibly, in your own mixes.
Features:
EIGHT PROFESSIONAL QUALITY CLARETT⁺ PREAMPS
Hear every nuance and capture the clearest and most powerful sounds with preamps that bring masses of headroom, low distortion and ultra-low noise.
NEW AND IMPROVED A-D AND D-A CONVERTERS
Maintain the purity of analogue in your recordings and mixes, with extremely high-performance, independent A-D and D-A converters that deliver extremely low-distortion, low-noise audio with high dynamic range.
ADAT OPTICAL INPUT
Expand your interface to make the most of ADAT-compatible outboard equipment such as the Clarett+ OctoPre, with eight channels of digital expandability.
FOCUSRITE PLUG-IN COLLECTIVE
Register to receive regular discounts and exclusive versions of the most innovative software titles.
MAKE VOCALS SHINE WITH ALL-ANALOGUE AIR
Premium, relay-controlled analogue circuitry on every preamp emulates the classic Focusrite ISA 110 by switching the impedance to 2.2kΩ and adding two cumulative high shelves, totalling a 4dB boost in the high frequencies.
POWERFUL, TRANSPARENT HEADPHONE OUTPUTS
Inspire the best-sounding recordings and evoke amazing artist performances with improved headphone outputs that provide a flat frequency response.
FOCUSRITE CONTROL
Easy-to-use and feature-packed software for computer and iOS devices gives you complete control over all aspects of Clarett+..
SPECIFICATIONS:
MIC INPUTS
Frequency Response 20-20kHz: ± < 0.03dB
Frequency Response 20-35kHz: ± < 0.15dB
Dynamic Range (min gain): 118dB
THD+N (-1dBFS, +20dB gain): -110dB
Noise EIN: -129dBu
Max input level: 18dBu
Gain range: +57dB
LINE INPUTS (VARIABLE)
Frequency Response 20-20kHz: ± < 0.05dB
Frequency Response 20-35kHz: ± < 0.15dB
Dynamic Range (min gain): 118dB
THD+N (-1dBFS, min gain): -100dB
Max input level: 26dBu
Gain range: +57dB
INSTRUMENT INPUTS
Frequency Response 20-20kHz: ± < 0.04dB
Frequency Response 20-35kHz: ± < 0.15dB
Dynamic Range: 116dB
THD+N (-1dBFS, min gain): -96.5dB
Max input level: 15dBu
Gain range: +57dB
LINE & MONITOR OUTPUTS
Frequency Response 20-20kHz: ± < 0.02dB
Frequency Response 20-35kHz: ± < 0.02dB
Dynamic Range: 124dB
Max Output level: 18dBu
THD+N: -106dB
HEADPHONE OUTPUTS
Frequency Response 20-20kHz: <0.06dB
Frequency Response 20-35kHz: <0.07dB
Dynamic Range: 118dB
THD+N: -104dB
Max Output level: 16dBu
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Focusrite CLARETT+ OCTOPRE 8 In / 8 Out ADAT Interface Mic Preamp Studio Console
PROFESSIONAL QUALITY 8-IN / 8-OUT ADAT PREAMP FOR THE ADAPTABLE ENGINEER
Clarett+ OctoPre is an 8-in / 8-out ADAT mic pre that delivers professional audio quality with the original Focusrite Studio Console sound.
CAPTURE DRUM RECORDINGS WITH EVERY DETAIL
The Clarett+ Mic Pre helps you achieve clear recordings in any session. With eight professional quality, low distortion, low noise mic preamps featuring fully balanced signal paths that give sessions the professional Focusrite sound.
THE TRUEST VERSION OF YOUR SOUND
From jazz to heavy metal drums, capture the performer’s vision — with masses of headroom so that you can focus on the session without having to constantly adjust gain staging. For the techie engineer, the fully balanced signal path ensures inbound signals are clean and have no unwanted colouration. Be confident in a recording that is right first time and captures the energy of a live session accurately.
GET THE CONSOLE SOUND
All-analogue Air with relay-controlled circuitry is the engineer’s secret weapon. It captures transients on drums, makes vocals shine, and ensures a precise, clear recording. When Air is engaged the Clarett+ OctoPre switches impedance to 2.2kΩ and adds two cumulative high shelves, totalling a 4dB boost in the high frequencies, which recreates the sound of the classic Focusrite ISA 110.
TRACK THROUGH YOUR FAVOURITE OUTBOARD
Clarett+ OctoPre’s eight dedicated channel inserts allow you to easily add analogue equipment to the signal path. Our flexible insert design reduces the need for a patchbay as inserts are switchable — so you spend less time reaching around the rear of the unit. Leave your outboard plugged in and simply press the button to bypass it.
MAINTAIN YOUR SIGNATURE STYLE
Exceptional D-A conversion ensures that audio quality is preserved when sending audio to analogue compressors, EQs and effects. You can easily process audio in your signature style and benefit from integrating your outboard into your workflow to achieve accurate results. Send 16 channels of high-quality audio from your computer by connecting a Clarett+ OctoPre to a Clarett+ 8Pre via ADAT — perfect for integrating an analogue mixer into your workflow.
PRESERVE THE NATURAL TONE OF YOUR GUITAR
JFET instrument inputs capture the true characteristics of guitars. The wide input bandwidth retains the purity of high frequencies and feels like you are plugging straight into an amp. Connect OctoPre to any of the other Clarett+ range to have four instrument inputs at your disposal. Perfect for DI multitracking – the band can perform together and capture the essence of the moment in a clear, clean, and accurate recording.
PREMIUM-QUALITY AUDIO OVER ADAT
Add Clarett+ OctoPre to a 2Pre, 4Pre or 8Pre to expand your I/O easily and consistently via ADAT. Non-Clarett+ users can upgrade to a professional standard by connecting to any ADAT-enabled interface, bringing the classic Focusrite sound to their recordings as well as the premium quality offered by Clarett+ OctoPre.
Features:
CAPTURE DRUM RECORDINGS WITH EVERY DETAIL
With high dynamic range and ultra-low noise, the Clarett+ Mic Pre ensures you can be confident of an accurate recording in any session.
THE TRUEST VERSION OF YOUR SOUND
From jazz to heavy metal drums, capture the performer’s vision — with masses of headroom so that you can focus on the session without having to constantly adjust gain staging.
GET THE CONSOLE SOUND
Engage All-analogue Air — the premium, relay-controlled analogue circuitry captures transients on drums, makes vocals shine, and ensures a precise, clear recording.
TRACK THROUGH YOUR FAVOURITE OUTBOARD
Clarett+ OctoPre’s eight dedicated channel inserts allow you to easily add analogue equipment to the signal path. Our flexible, switchable insert design reduces the need for a patchbay — so you spend less time reaching around the rear of the unit.
MAINTAIN YOUR SIGNATURE STYLE
Clarett+ OctoPre’s premium D-A conversion ensures that audio quality is preserved when sending audio to analogue compressors, EQs and effects.
PRESERVE THE NATURAL TONE OF YOUR GUITAR
Feel like you are plugging straight into an amp and capture the true characteristics of guitars with the wide input bandwidth offered by JFET instrument inputs.
PREMIUM-QUALITY AUDIO OVER ADAT
Add Clarett+ OctoPre to a 2Pre, 4Pre or 8Pre to expand your I/O easily and consistently via ADAT. Non-Clarett+ users can upgrade to a professional standard by connecting to an ADAT-enabled interface.
ALL THE TOOLS YOU NEED
All the plug-ins you need to write, produce, mix, and master your music in professional quality.
MIC INPUTS
Frequency Response 20 - 20kHz: ± < 0.03dB
Frequency Response 20 - 35kHz: ± < 0.15dB
Dynamic Range (min gain): 118dB
THD+N (-1dBFS, +20dB gain): -110dB
Noise EIN: -129dBu
Max Input Level: 18dBu
Gain Range: +57dB
LINE INPUTS
Frequency Response 20 - 20kHz: ± < 0.05dB
Frequency Response 20 - 35kHz: ± < 0.15dB
Dynamic Range (min gain): 118dB
THD+N (-1dBFS, min gain): -100dB
Max Input Level: 26dBu
Gain Range: +57dB
INSTRUMENT INPUTS
Frequency Response 20 - 20kHz: ± < 0.04dB
Frequency Response 20 - 35kHz: ± < 0.15dB
Dynamic Range: 116dB
THD+N (-1dBFS, min gain): -96.5dB
Max Input Level: 15dBu
Gain Range: +57dB
LINE OUTPUTS
Frequency Response 20 - 20kHz: ± < 0.02dB
Frequency Response 20 - 35kHz: ± < 0.02dB
Dynamic Range: 124dB
Max Output Level: 18dBu
THD+N: -106dB
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Focusrite SCARLETT 18I8 3RD GE Audio Interface USB 4 Mic Preamps 8 Inputs
The 3rd Generation Scarlett 18i8 gives you all the tools to record all your instruments in studio quality, anywhere. With its high channel count, compact size and a huge selection of software in the box, 18i8 is ready to record your band wherever you are.
THE STUDIO IS WHEREVER YOU ARE
18i8 has a way in for everyone, with four mic/line inputs, two of which double as instrument-ins, and four fixed line-ins. Then, you have four balanced line-outs and speaker switching plus two independent headphone outs to monitor, mix and play back however you want. Whatever you’re recording, wherever you are, you can take your whole studio with you.
YOUR RECORDING IS 30 YEARS IN THE MAKING
We’ve been making mic preamps for 30 years, and the 3rd Gen mic pres are the best Scarlett has ever heard. The 24-bit/192kHz converters give your recordings clarity and detail. Air mode breathes life into vocals, adding unique high-end detail. Our decades of experience mean Scarlett sounds just like you.
DRUM UP SOME INCREDIBLE RECORDINGS
With ADAT, you can expand your recording capabilities, adding a further eight inputs to your Scarlett 18i8 via a mic pre such as Scarlett OctoPre or Scarlett OctoPre Dynamic. That’s enough channels to mic up a full drum kit.
THIS IS YOUR CUE
Focusrite Control makes it simple to route your audio and cue mix, loopback and monitor mixes, from your Mac®, PC, iPad®, iPhone® or iPod touch®. Send, stream, sample – simple.
OUR TECHNOLOGY IS SOUND
Incredibly reliable, Focusrite hardware won’t let you down. If, however, you come across a problem you can rely on our global support team and your three-year warranty to get it sorted. Sound.
PLUG-IN COLLECTIVE, FOR A LASTING CONNECTION
When you buy any Focusrite hardware you gain access to the most innovative music software brands on the market. Plug-in Collective keeps you up to date on the latest tools, offering you new free downloads every couple of months, along with generous discounts. Let’s stay together.
Features:
Four of the best performing Scarlett mic preamps the range has ever heard – now with Air – for miking up guitars or recording vocals
Two high headroom instrument inputs, for plugging your guitar or bass straight in
Eight balanced line inputs, for connecting synths or other line-level audio, and four balanced outputs, for monitoring and effects sends
Four monitor outs, featuring anti-thump tech and speaker switching
Specification:
SUPPORTED SAMPLE RATES
44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, 192kHz
MICROPHONE INPUTS
Frequency Response
20Hz - 20kHz ± 0.1dB
Dynamic Range
111dB (A-weighted)
THD+N
<0.0012%
Noise EIN
-128dBu (A-weighted)
Maximum Input Level
9dBu (at minimum gain)
Gain Range
56dB
Impedance
3kΩ
LINE INPUTS 1-4 (VARIABLE GAIN)
Frequency Response
20Hz - 20kHz ± 0.1dB
Dynamic Range
110.5dB (A-weighted)
THD+N
<0.002%
Maximum Input Level
22dBu (at minimum gain)
Gain Range
56dB
Impedance
60kΩ
LINE INPUTS 5-8 (FIXED GAIN)
Frequency Response
20Hz - 20kHz ± 0.1dB
Dynamic Range
110.5dB (A-weighted)
THD+N
<0.002%
Maximum Input Level
18dBu (at minimum gain)
Impedance
44kΩ
INSTRUMENT INPUTS
Frequency Response
20Hz - 20kHz ± 0.1dB
Dynamic Range
110dB (A-weighted)
THD+N
<0.03%
Maximum Input Level
12.5dBu (at minimum gain)
Gain Range
56dB
Impedance
1.5MΩ
LINE/MONITOR OUTPUTS
Dynamic Range (Line Outputs)
108dB
THD+N
<0.002%
Maximum Output Level (0 dBFS)
15.5dBu
Impedance
430Ω
HEADPHONE OUTPUTS
Dynamic Range
104dB (A-weighted)
THD+N
<0.002%
Maximum Output Level
7dBu
Impedance
<1Ω
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Whirlwind PCUSB USB interface converter box Connect your PC to Mixer or PA.
The Easy way to connect your USB audio from your Computer to any Mixer or sound System . Fits in the palm of your hand. Small and portable and comes with USB cable.
MADE IN USA
Converts the digital audio from USB outputs on your PC to high quality analog, stereo, balanced audio for easy connection to PA systems, mixing boards, etc. Great for any performer, artist or band to have quick and easy audio from a laptop to play music at any event. USB in from computer to stereo 2 channel out.
Rugged well made unit made by the same people that wired the New Yankee stadium and are top audio builders for more than 40 years. Count on whirlwind to deliver a product that will last for years and perform well.
Specs:
Max output: -3.4 dBV balanced with 0 dBfs input
Supported sample rates: 32 kHz, 44.1 kHz, 48 kHz
Input pad attenuation: -20 dB
USB hook-up cable included
ground lift switch
ART TUBEMP/C Tube MP/C Microphone/Line Preamplifier and VCA Less Compressor
The Tube MP/C (PreAmplifier/Compressor) is a multi-purpose tool for audio engineering and recording. Two independent circuits featuring a tube-based analog preamplifier and a VCA-less compressor with optical gain reduction control are housed in one, convenient desk-top chassis.
Used as a mic/line preamp or as a DI (direct) box, the Tube MP/C is designed to work seamlessly with any recording, sound-reinforcement, or electronic instrument setup. A R T’s Tube MP/C circuitry is a hybrid design utilizing the latest, most advanced, solid-state and tube technology.
The preamplifier’s active balanced solid-state input provides extremely low noise and excellent common mode rejection. The ¼-inch high impedance input prevents loading of any connected device making the Tube MP/C perfect for DI or line level applications. The preamplifier’s second stage 12AX7a tube runs on a regulated DC voltage providing an additional 20dB of gain.
The compression circuit features a VCA-less design and utilizes optical electronics (Vactrol) coupled with a 12AX7a vacuum tube gain stage for superior musical performance.
Optional ART SM1 stand mount securely attaches the Tube MP/C to any microphone stand for live stage or studio applications is available.
Features
Tube-based mic/line preamplifier with up to 80 dB of gain
Hand-selected 12AX7a tube
Optical (VCA-less) compressor circuitry = transparent dynamics control
1/4-inch unbalanced inputs and outputs
XLR balanced inputs and outputs
Transformer isolated XLR output
Selectable output range for Line/Instrument interface levels
LED meters for Tube Warmth, Gain Reduction and Output level
+48V phantom power Phase reversal switch
Selectable release time settings
> 90dB dynamic range
Custom extruded aluminum chassis
Specifications
Frequency Response: 30 Hz – 60 kHz +/- 1 dB balanced output, 20 Hz – 60 kHz +/- 1dB 1/4″ output
Total Harmonic Distortion: <0.1% @ max gain
CMMR: > 60 dB @ max gain
Equivalent Input Noise: -128dBu typical (“A” wtd., Shorted XLR balanced input, gain @ max)
Input Impedance: 1M Ω 1/4″ input, 5K Ω XLR input
Input/Output Connections: Input: XLR balanced or 1/4″ balanced. Output: 1/4″ unbalanced XLR balanced, transformer isolated.
Maximum Gain: +80 dB (balanced in-out, +64dB (unbalanced input, balanced output)
Maximum Input Level: unbalanced (Inst): +15 dBu, balancd (mic): +10 dBu
Maximum Output Level: +19 dBu (Line mode)
Output Impedance: XLR: <600 Ω, 1/4″: <300 Ω
Low Cut Filter: -3 dB @ 70 Hz, 6dB/Octave
Phantom Power: Switch selectable, +48Volts DC, filtered, current limited
Chassis Type: All aluminum black anodized with integral rubber sides
Power Requirements: 9VAC @ 1000mA (external)
Attack Time: <1 ms (limit), 20 ms (comp.)
Release Time: 150ms (fast), 20ms – 3s Program dependant (Auto)
Tube Type: Hand selected 12AX7a
Compressor Slope: 2:1 (Comp.) / 11:1 (Limit)
Dimensions: 1.75″H x 5.9″ W x 6.5″ D (44.5mm x 150mm x 165mm)
Weight: 2.9 lbs (1.32 kg)
Notes: 0dBu = 0.775V rms
Weight includes power supply and packaging
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days.
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
ART USBDUALPREPS 2 Channel Dual Preamplifier and Computer Interface USB Pre
The USB Dual Pre is a full-featured high quality dual portable preamplifier and computer interface packed into a compact rugged case.
It is designed to work over a wide variety of applications from remote field recording to desktop/studio tracking. Each of the two low noise input channels has up to 48 dB of clean gain with signal present and clip LED indicators. Inputs can be either XLR balanced or 1/4-inch TRS. Each of the 1/4-inch TRS outputs is buffered low impedance balanced.
The USB Dual Pre is powered via the USB bus. An internal 9 Volt battery, or optional external 12V power supply (or any combination of USB, battery & power supply) can be used depending on application. When running powered by battery alone, you should expect in excess of 50 hours of operation with phantom power off. Battery life will drop to approximately 20 hours (depending on microphone) when phantom powering is engaged (still enough time to get through an average session).
The built-in low noise +48 Volt phantom power supply allows you to power up to 2 microphones as well as the preamplifier when running from any power sources including the USB bus.
For monitoring, an 1/8-inch TRS mini headphone jack with level and monitor mix controls on the rear allow for latency free local monitoring of the inputs while recording as well as playback monitoring of the USB bus. The monitor mix is also routed to the 1/4-inch TRS balanced outputs. This lets you use the 1/4-inch outputs as either preamplifier outputs or as the monitor feed to your powered monitors.
The USB interface is fully compliant with the USB 1.1 specification and uses USB adaptive mode for playback and USB asynchronous mode for record. It will work with the USB audio device drivers built into Windows 98SE/ME/2000/XP/Vista and Apple OS9.1/OSX computers with native USB support. No special drivers are needed.
Features:
USB Connectivity to Desktop and Laptop Computers
Low Noise Fully Balanced XLR and 1/4-inch TRS Combi Inputs
Up to 48 dB of Clean Gain n Built-in Low Noise Phantom Power Supply
Latency Free Monitoring Mix and Level Controls
Independent Channel Gain Controls
1/4-inch TRS Balanced Monitor and 1/8-inch Headphone Monitor Outputs
Includes Audacity Recording & Production Software
Flexible 3-way Power from USB, External Supply, or 9 Volt Battery
Includes USB Cable – Everything Needed To Start Recording Today!
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Apogee DUET DOCK for Duet 3 USB C Audio Interface Conversion and Mic Preamps
Apogee's Duet Dock accessory pairs with your Duet 3 to deliver the ultimate desktop recording experience. Ergonomic and elegant, Duet Dock keeps your workspace organized.
Duet set the standard for making music and recording on the go with its small footprint and flexible breakout cable. But when working in your studio, the best way to use Duet 3 is with the all-new Duet Dock*. The Dock positions Duet at the ideal angle for quick adjustments and meter and function visibility. The rear panel connectors on Duet Dock make it easier to organize and connect your cables to Duet too.
Features:
Best-in-class Apogee conversion and mic preamps
Up to 24 bit / 192kHz recording
Low profile design with aluminum body
Scratch resistant top
Precision balanced back lit knob
Input and output connections via breakout cable:
2 USB Type C ports
Bus powered / External power optional via second USB Type C port as needed
On-board hardware DSP for low-latency recording with Apogee FX
Symphony ECS Channel Strip - Hardware DSP FX included
Apogee SYM2-CONNECT-8X8MP-D Connect Series Thunderbolt Audio Interface AD DA Conversion Mic Preamps
The Apogee Electronics Symphony I/O Mk II 8x8 MP Connect Series Thunderbolt Audio Interface features flagship A/D and D/A conversion, eight mic preamps, modular I/O, and an intuitive touchscreen display. The installed Connect 8x8 MP module also gives you eight analog outputs and digital I/O including AES/EBU, ADAT, and S/PDIF.
The front-panel touchscreen offers convenient access to nearly every setting such as sample rate, clock source, headphone & speaker output levels, meters for all I/O, and section navigation, as well as input levels, digital I/O, and configuration settings.
The rear panel provides access to the two I/O module slots—one occupied by the Connect 8x8 MP and the other open for future expansion, while two Thunderbolt connectors ensure compatibility with macOS systems and common peripherals. Also included are Wordclock I/O connectors for synchronizing external digital equipment and a quiet digitally-controlled fan to keep everything running cool.
The Symphony I/O Mk II features an ultrahigh-fidelity DAC and headphone amplifier with Apogee's Constant Current Drive technology, which dynamically compensates for nonlinearities of any connected headphones to provide massive power while maintaining extremely low distortion and linear frequency response.
Advanced Stepped Gain Architecture
Apogee's Advanced Stepped Gain Architecture introduces a mic preamp circuit that is dynamically optimized at different gain settings to provide superior bandwidth, ultralow noise, and nonexistent distortion across an expansive gain range of 0 to 72 dB. Digitally-controlled analog switches "shift the gears" of the circuit at each gain setting to ensure the best sound and performance.
Transparent Conversion
High-performance A/D-D/A conversion designed for extreme audio clarity and sonic transparency
Features:
High-Performance 192 kHz Conversion
Advanced Stepped Gain Architecture
8 x Analog I/O via DB25 Connector
1/4" Headphone Port
Thunderbolt Ports for macOS Systems
Ultralow Noise and Distortion
8 x Mic Preamps with 72 dB of Gain
AES, ADAT, and S/PDIF Digital I/O
Front-Panel Touchscreen and Control Knob
Flexible I/O
Eight balanced analog inputs and outputs at up to 192 kHz via DB25 connectors
Eight microphone preamps with up to 72 dB of gain
Eight AES/EBU inputs and outputs (192 kHz single-wide compatible) via DB25 connector
TOSLINK optical inputs and outputs support ADAT, SMUX, and S/PDIF (8x8 ADAT at 44.1 or 48 kHz, 8x8 SMUX at 88.2 or 96 kHz, 2x2 S/PDIF at up to 96 kHz)
Coaxial input and output for 2x2 S/PDIF at up to 192 kHz
Versatile Chassis
Ultralow-latency performance
Stereo 1/4" headphone jack features Apogee's proprietary Constant Current Drive for smooth frequency response with any headphones
Easy-to-use color touchscreen display
Large front-panel control for quick adjustment of selected parameter
Highly customizable Symphony Control software provides easy access to all I/O parameters
Supports multiple I/O cards
BNC word clock I/O for synchronizing external equipment
Enhanced temperature controls are complemented by an improved fan and chassis ventilation design, which allows adequate component cooling to occur quietly
Designed in California, built in the USA
Connect Series Highlights
Up to 72 dB of gain in 1 dB increments
Noiseless gain adjustment
+26 dBu maximum input level
Improved common mode noise rejection and EMI suppression for optimal performance
Switchable impedance (2.4 or 10 kilohms) to support passive mic splitting in live sound applications
Control all mic preamps from Symphony I/O’s front panel, the optional Apogee hardware remote control, or in Apogee control software
Simplified and optimized signal path with fewer components and higher channel count
Available in configurations of eight, 16, 24, or 32 flagship mic preamps per unit
Soundcraft MINI STAGEBOX 32I US Compact Digital Stageboxes I/O Mic Preamps
Soundcraft Mini Stagebox 32i combine high-quality components with a streamlined design, making it easy to add multiple channels of remote-controlled I/O to your Si-series mixing console. The Studer-designed mic preamps provide exceptional sound quality, while the compact form factor offers easy transport and fast configuration. Ideal for live engineers, houses of worship, bands, club owners and corporate installations, Soundcraft Mini Stageboxes allow you to replace heavy, expensive analog snakes with a single RJ45 Cat5 style Ethernet cable.
HIGH-QUALITY COMPONENTS
Soundcraft Mini Stageboxes offer remarkable value while maintaining the industry-leading performance that Soundcraft live solutions are known for. Renowned Studer-designed mic preamps deliver warm, rich sound for live performances and recording events.
COMPREHENSIVE I/O
Soundcraft Mini Stageboxes provide multi-channel MADI I/O via standard Cat5 cabling, eliminating the need to run expensive and heavy analog snakes from the stage to front-of-house mixing positions. Dedicated XLR mic pre inputs allow 32 simultaneous channels of external analog input. Mini Stagebox 32i offers twelve analog outputs for easy connection to house and stage monitors and broadcast or streaming feeds.
STREAMLINED DESIGN
A streamlined design provides essential connections and features, including MADI over RJ45 connectors built right onto the chassis. No local hardware configuration or installing option cards are required—simply plug in, power on, select inputs and control remotely using a Soundcraft Si console.
FULL INTEGRATION WITH Si SERIES MIXERS
Mini Stageboxes pair with Soundcraft Si Series mixers to provide remote controlled expanded I/O and intuitive operation during complex mixing scenarios. Si Impact allows owners to add a stagebox for additional inputs, while simultaneously using the existing console inputs. By adding a second MADI option card to the console, customers can add a second stagebox and select which inputs to assign to the 80 mixing channels.
Features:
Legendary Studer-designed preamps for professional performance
Dedicated remote controlled XLR mic inputs
32i features 32 mic preamps, 12 analog outs and dual MADI connections
Technical Specifications:
Mini Stagebox 32i:
RJ45/Cat5 connectivity, for 100M runs between stage and mixing console (328 feet)
32 remote controlled mic preamps and AD converters
12 XLR analog line level outputs
3U Rack mount design
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Soundcraft MINI STAGEBOX 16I US Compact Digital Stageboxes I/O Preamp Microphone
Soundcraft Mini Stagebox 16i high-quality components with a streamlined design, making it easy to add multiple channels of remote-controlled I/O to your Si-series mixing console. The Studer-designed mic preamps provide exceptional sound quality, while the compact form factor offers easy transport and fast configuration. Ideal for live engineers, houses of worship, bands, club owners and corporate installations, Soundcraft Mini Stageboxes allow you to replace heavy, expensive analog snakes with a single RJ45 Cat5 style Ethernet cable.
HIGH-QUALITY COMPONENTS
Soundcraft Mini Stageboxes offer remarkable value while maintaining the industry-leading performance that Soundcraft live solutions are known for. Renowned Studer-designed mic preamps deliver warm, rich sound for live performances and recording events.
COMPREHENSIVE I/O
Soundcraft Mini Stageboxes provide multi-channel MADI I/O via standard Cat5 cabling, eliminating the need to run expensive and heavy analog snakes from the stage to front-of-house mixing positions. Dedicated XLR mic pre inputs allow 16 simultaneous channels of external analog input. Mini Stagebox 16i offers eight analog outputs for easy connection to house and stage monitors and broadcast or streaming feeds.
STREAMLINED DESIGN
A streamlined design provides essential connections and features, including MADI over RJ45 connectors built right onto the chassis. No local hardware configuration or installing option cards are required—simply plug in, power on, select inputs and control remotely using a Soundcraft Si console.
FULL INTEGRATION WITH Si SERIES MIXERS
Mini Stageboxes pair with Soundcraft Si Series mixers to provide remote controlled expanded I/O and intuitive operation during complex mixing scenarios. Si Impact allows owners to add a stagebox for additional inputs, while simultaneously using the existing console inputs. By adding a second MADI option card to the console, customers can add a second stagebox and select which inputs to assign to the 80 mixing channels.
Features:
Legendary Studer-designed preamps for professional performance
Dedicated remote controlled XLR mic inputs
16i features 16 mic preamps, 8 analog outs and a single MADI connection
Technical Specifications:
Mini Stagebox 16i
RJ45/Cat5 connectivity, for 100M runs between stage and mixing console (328 feet)
16 remote controlled mic preamps and AD converters
8 XLR analog line level outputs
2U Rack mount design
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Allen Heath AH-DT168 16 x 8 Stage Box Dlive 96kHz Dante Mic Preamps Expander
The DT168 provides 16 microphone preamps and 8 line outputs in a convenient stagebox form factor. Ideal for portable applications thanks to its rubber bumpers and handle, it can be deployed on stage or used as a drop-in expander in any SQ, Avantis, AHM-64 or dLive Dante network.
DT168 offers the acclaimed Allen & Heath preamps, complete with 96kHz converters for best-in-class sound quality over Dante, plus Primary and Secondary ports for daisy-chain or redundancy through secure EtherCon connectors.
Up to 16 units can be added to an AHM-64, SQ, Avantis or dLive system when equipped with an SQ Dante or dLive 96kHz Dante card.
DT Preamp Control software allows remote control of multiple DT expanders, and enables the use of DT expanders with Dante equipped 3rd party digital mixers and sound management systems.
Features:
Dante audio expander, 96kHz / 48kHz
Portable stagebox design
16 mic preamps on XLR with Phantom Power status LEDs
8 XLR Line Outs
Primary and Secondary Dante ports with locking EtherCon
Redundant or Switched mode
Direct preamp control from dLive, Avantis, AHM-64 and SQ
Remote control of preamps via DT Preamp Control software for integration with 3rd party systems
Optional 19-inch rack mount kit available
Rubber bumpers and carry handle
AES67 compatible
Dante Domain Manager ready
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Allen Heath AH-GX-4816 48 DLive Microphone Preamps 96kHz Audio Expander
48 XLR Input / 16 XLR Output Portable GX Expander w/ DX Sockets
GX4816 is a 96kHz audio expander that provides high-input-count remote expansion for SQ, Avantis and dLive mixing systems, and for the AHM-64 audio matrix processor.
Each GX4816 is loaded with 48 dLive mic preamps with independent Phantom Power LED indicators, plus 16 XLR line outputs. Additionally, 2 DX ports are provided for connection to up to 4 DX Expanders for further I/O expansion. Connection to a ME Personal Mixing System is possible via the DX2 socket when used with SQ or Avantis.
GX4816 connects via a single Cat5e cable to an SLink socket on a SQ, Avantis or AHM-64, or to a gigaACE audio network card on a dLive system.
Connection to DX Expanders and the ME Personal Mixing System is also over Cat5e cable.
Features:
48 Mic Preamps on XLR with Phantom Power status LEDs
16 XLR Line Outs
96kHz operation
DX1 Port – compatible with a single DX32, or up to 2 DX168/DX164-W expanders
DX2/ME Port – compatible with a single DX32, up to 2 DX168/DX164-W expanders, or a ME personal monitoring system (not compatible with AHM-64 or dLive).
Compatible with SQ, Avantis, AHM-64 and dLive (dLive requires firmware V1.86 onwards)
Multiple GX4816 can be added to a system:
Up to 2 GX4816 units can be added to a SQ system
Up to 3 GX4816 units can be added to an Avantis system
Up to 5 GX4816 units can be added to a dLive S Class system
Up to 3 GX4816 units can be added to a dLive C Class system
Rack-mounted (5u) or shelf/floor operation
Plug and Play – no IP addressing required
Compatible with CAT5e (or higher) cables of up to 100m
Locking EtherCon ports
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Allen Heath AH-DX164-W 16x4 Mic Preamps Wall Mount DX Expander Audio Processor
The DX164-W is a wall mountable expander that adds remote I/O to a dLive, Avantis or SQ mixer, or to the AHM-64 audio matrix processor.
Each DX164-W features 16 mic preamps with independent Phantom Power LED indicators, plus 4 XLR line outs.
The Expander’s design allows for wall mount operation or, alternatively, installation in a stage “Dip Trap” making it perfect for fixed installations.
With dLive
Up to 6 DX164-W units can be connected to a standard dLive system – 4 via the MixRack and 2 via the Surface – allowing up to 96 remote inputs and 24 remote outputs in addition to those provided by the MixRack and Surface. Up to 46 units can be added to a dLive system via a DX Link card or DX Hub (808 analogue inputs, 224 analogue outputs).
The DX164-W connects via a single Cat5e cable (Ethernet based Layer 2) to the dLive Surface, MixRack, DX Hub or upstream DX164-W / DX168 via a secure etherCON port. A second locking etherCON port is provided for redundant connection to compatible hardware, or for daisy-chaining to a downstream DX164-W or DX168 for additional remote I/O.
With AHM-64
Two units can be daisy chained and connected directly to an AHM-64 SLink port. Up to 8 DX164-W units can be added to an AHM-64 system via a DX Hub and freely patched to the 64 input channels.
With Avantis
Two units can be daisy chained and connected directly to an Avantis SLink port. Up to 16 DX164-W units can be added to an Avantis system via DX Link card and/or DX Hubs.
With SQ
Two units can be daisy chained and connected directly to an SQ SLink port, with the optional SLink card for SQ enabling more connections. For a more distributed system, a DX Hub can handle up to 8 DX164-W or DX168 units in any combination, which can be freely patched to the SQ’s 48 input channels.
Features:
Designed for Wall Mount or Dip Trap installation
16 balanced Mic Preamps on XLR
Phantom Power LED per Input
4 balanced XLR Line Outs
Locking EtherCon ports
Daisy chain or redundant audio connection
Can fit in a standard NEMA box (custom brackets required)
Compatible with ACE Backstage 174SLBK stage pocket system
3 power supply options: 100-230V AC powered on IEC or screw terminal blocks, as well as 12V DC power
DC power can be used as redundant power supply
96kHz converters
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Allen-Heath DX168 6 x 8 Stage Box DLive 96kHz Mic Preamps Expander Processor
The DX168 is a rugged, 96kHz portable expander for adding remote I/O to a dLive, Avantis or SQ system, or to the AHM-64 audio matrix processor.
Each DX168 features 16 mic preamps with independent Phantom Power LED indicators, plus 8 XLR line outs.
The DX168 connects via a single Cat5e cable to the dLive Surface, MixRack, SQ mixer, Avantis mixer or upstream DX168 via a secure EtherCon port. A second locking EtherCon port is provided for redundant connection to compatible hardware, or for daisy-chaining to a downstream DX168 for additional remote I/O.
The Expander’s rugged design, with hard-wearing rubber bumpers, allows it to be placed directly on the stage floor during performances. Weighing in at just 4.8kg and featuring a sturdy carry handle, the DX168 offers the convenience and portability needed in rental, education, houses of worship and many other environments. An optional 4U rack mounting kit is available which allows installation in industry standard 19-inch racks.
With dLive
Up to 6 DX168 units can be connected directly to a dLive system – 4 via the MixRack and 2 via the Surface – allowing up to 96 remote inputs and 48 remote outputs in addition to those provided by the MixRack and Surface. More units can be connected via the dLive DX Link card or DX Hub.
With Avantis
Two units can be daisy chained and connected directly to an Avantis SLink port. Up to 16 DX168 units can be added to an Avantis system via DX Link card and/or DX Hubs.
With SQ
Two units can be daisy chained and connected directly to an SQ SLink port, with the optional SLink card for SQ enabling more connections. For a more distributed system, a DX Hub can handle up to 8 DX168 units which can be freely patched to the SQ’s 48 input channels.
With AHM-64
Two units can be daisy chained and connected directly to an AHM-64 SLink port. Up to 8 DX168 units can be added to an AHM-64 system via a DX Hub and freely patched to the 64 input channels.
Features:
16 Mic Preamps on XLR with Phantom Power status LEDs
8 XLR Line Outs
Compatible with dLive S Class and dLive C Class hardware
Cascade mode allows daisy-chaining of 2 DX168 Expanders for additional I/O
Redundant DX connection to compatible dLive hardware
Optional 19-inch rack mount kit available
Plug and Play – no IP addressing required
Compatible with CAT5e (or higher) cables of up to 100m
Rubber bumpers
Carry handle
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Presonus NSB 8.8 8x8 AVB Networked Stage Box Digital Mixer Microphone Preamps
The PreSonus® NSB 8.8 networked stage box lets you put your analog I/O for your StudioLive® Series III digital mixer wherever you need it. Equipped with eight digitally controlled XMAX mic preamps, eight balanced line-level inputs, and eight analog outputs, the NSB 8.8 integrates seamlessly into StudioLive Series III digital mixers with a single Ethernet connection. Remote control input trims, phantom power, and more directly from your StudioLive Series III console or from UC Surface remote mixing software on your tablet or laptop.
The NSB 8.8 networked stage box is loaded with eight versatile locking combo jacks. Connect your microphones to the digitally controlled XMAX preamps or use the balanced ¼-inch TRS inputs to connect your line-level devices—the NSB 8.8 can handle it all. The inputs can be sent to any StudioLive Series III digital mixer on the network, and thanks to gain compensation, every mixer gets individual gain control without affecting the front-of-house mix.
An NSB-series stage box can provide inputs for more than one StudioLive Series III digital mixer on an AVB network. You can send audio from the stage to the front-of-house mixer, the mixer at the monitor position, the mixer in the broadcast booth, and more, all from the same NSB 8.8 on stage. Because control of the NSB 8.8 preamps is handled remotely on a StudioLive Series III digital mixer, a single mixer must be given master control over NSB 8.8 preamp levels and phantom power.
With some networked systems, every mixer on the network must share the same preamp level. Not so with the StudioLive Series III ecosystem: NSB-series stage boxes have onboard DSP that provides gain compensation on every input that allows every mixer on the network to make gain adjustments relative to the level set on the master mixer. In this way, every mixer can adjust the preamp level locally for optimal gain staging.
Rugged stage box, flexible installation.
PreSonus built the NSB 8.8 inside a rugged steel chassis with sturdy handles designed to survive the rigors of the most demanding tours. The NSB 8.8 is also install-friendly: Just remove the handles and attach the optional rackmount kit, and your NSB 8.8 can be racked in your studio or backstage. For permanent installations, the NSB 8.8 is also compatible with stage pockets from Ace Backstage.
One PreSonus NSB 8.8 slides easily in and out of the ACE Stage Pocket Nesting Frame. Once secured inside the stage pocket, analog cables connected to the NSB 8.8 can exit neatly through provisions inside the lid. Additional room for a single-space rack panel inside the stage pocket makes it possible to add additional connectivity at the stage floor.
A complete networked solution.
StudioLive Series III networked products form an ecosystem that is easily expanded and quickly configured. Designed to enhance each other, these products are at the forefront of AVB networking technology. The NSB 8.8 can be used alone or with many other NSB-series stage boxes to add remote audio to one StudioLive Series III digital mixer or multiple mixers on the same network. For StudioLive Series III mixers that have limited onboard analog I/O, the NSB 8.8 provides a simple expansion to a full 32- or 64-channel mixing system.
Features:
8x8 network stage box for StudioLive Series III console mixers
8 digitally controlled XMAX mic/line inputs with gain compensation for shared streams
8 line outputs
Easy configuration from StudioLive Series III console mixers and UC Surface
Built-in 2-port AVB switch with locking Ethernet connections for easy point-to-point and daisy-chain network configurations
Rugged all-metal stage box enclosure
Optional rack ears
Compatible with stage pockets from Ace Backstage
Specifications:
Microphone Preamplifier
Input Type:XLR Female, balanced
Frequency Response to Main Output (at unity gain):20-20 kHz, ±0.5 dBu
Input Impedance:1 kΩ
THD to Main Output:<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd):94 dB
Common Mode Rejection Ratio (1 kHz at unity gain):65 dB
Gain Control Range (±1 dB):0 dB to +60 dB
Maximum Input Level (unity gain):+12 dBu
Phantom Power (±2 VDC):48 VDC, switchable per channel
Line Inputs
Type:¼” TRS Female, balanced
Frequency Response to Main Output (at unity gain):20-20 kHz, ±0.5 dBu
Input Impedance:10 kΩ
THD to Main Output:<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd):94 dB
Maximum Input Level:+18 dBu
XLR Outputs
Type:XLR Male, balanced
Maximum Output Level:+24 dBu, ±0.5 dBu
Output Impedance:100Ω
Digital Audio
ADC Dynamic Range:115 dB (A-wtd, 48 kHz)
DAC Dynamic Range:115 dB (A-wtd, 48 kHz)
AVB Audio Network Ports:Locking XLR Ethernet
Sampling Rate:48 kHz, 44.1 kHz
Power
Connector:Locking IEC
Input-Voltage Range:90 to 230 VAC (±10%)
Physical
Height:5.2” (132 mm)
Width:16.7” (424 mm)
Depth:4.5” (114 mm)
Weight:5.4 lbs. (2.4 kg)
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Presonus STUDIO CHANNEL 1 Ch Vacuum Tube Ch Strip Mic/Instrument Preamplifier
We named this channel strip the Studio Channel, and indeed it’s a wonderful studio tool. But it’s great for live performance, too. Featuring tube preamplification, a VCA-based compressor, and three-band EQ, it delivers a huge variety of timbres. Produce luscious, in-your-face vocals, dynamic acoustic piano, and fat, solid bass guitar, not to mention crystal-clear acoustic guitars and cracking snare. Yes, we got the name wrong; we should have called it the Anywhere Channel. But we got the design right.
Impressive headroom and a huge variety of fat sounds.
The Studio Channel’s Class A preamplifier starts with a high-output 12AX7 tube that operates on voltages double that of other preamplifiers in its class. The result is lots of headroom and big tone. Gain and Tube Drive controls enable a wide range of sounds, from transparent and clear to edgy and overdriven. A -20 dB pad, 80 Hz highpass filter, and polarity reverse let you tweak your signals to sit properly in the mix.
Fast, smooth, musical VCA compression.
Our VCA-based compressor is known for musicality and fast attack, with the ability to tame the fastest transients. From slap bass, to snare drum, to vocals, the Studio Channel’s compressor allows you to record blazing-hot signals with accurate dynamics control. In addition to ratio, threshold, attack, release and gain controls, it offers a convenient Auto Attack/Release feature with preset attack and release curves. The backlit VU meter can display gain reduction or output gain.
Sweet three-band EQ—before or after the compressor.
The three-band equalizer in the Studio Channel is a precision tool, with the ability to carve out unwanted frequencies as well as tailor your tone to enhance your sound. The EQ can be pre- or post-compressor, and you can bypass each stage independently. Custom-designed amplifiers deliver sweet-sounding gain and cut for smooth highs; deep, solid lows; and clear midrange. The midrange band is fully parametric, with variable Q, while the high- and low-frequency bands are semi-parametric, with Frequency and Gain controls but fixed Q, and can be either shelving or peak bands.
Tasty spices that work with virtually everything.
In the lunch room at PreSonus’® Baton Rouge headquarters, it’s an article of faith that Cajun spices taste great with almost everything. The Studio Channel is equally versatile, delivering great sound for virtually any type of recording or live music. And with separate XLR mic, balanced ¼-inch line, and unbalanced ¼-inch instrument inputs and balanced XLR and ¼-inch outputs, you can connect it to almost any recording interface, amp, or P.A. This really is an Anywhere Channel! Hear it for yourself at your favorite PreSonus dealer.
Features:
1 channel with Class A 12AX7 vacuum-tube mic/instrument preamplifier
Gain control with +10 dB to +54 dB gain range
Tube Drive control
48V phantom power switch
80 Hz high-pass filter
-20 dB pad
Polarity-reverse switch
Fully Variable VCA compressor
Attack, Release, Ratio, Threshold, and (makeup) Gain
Auto Attack/Release switch
Soft/Hard Knee switch
Bypass switch
3-band parametric equalizer
Gain, Frequency, and Q controls (mid band)
Gain and Frequency controls (low and high bands)
Shelving/peak switches (low and high bands)
Switchable pre-/post-compressor
Bypass switch
Master level control
Backlit VU meter
Gain Reduction to Meter switch (selects gain reduction or output gain)
Input/Output
1 unbalanced ¼-inch instrument input (front panel)
1 balanced ¼-inch line input
1 balanced XLR mic input
1 balanced ¼-inch line output
1 balanced XLR line output
Physical
1U 19-inch rack-mountable, rugged steel chassis
Sealed, detented, metal rotary controls
External 16 VAC power supply
Specifications:
General
Channels:1
Dynamic Range:>115 dB
Frequency Response:10 Hz to 50 kHz
Internal Operating Level:0 dBu = 0 dB
Microphone Preamp
Gain:-6 dB to +66 dB (± 10 dB trim on line input)
Noise Floor:-96 dBu
EIN:-126 dB
THD + Noise (0% Tube Drive):< 0.050%
THD + Noise (100% Tube Drive):< 0.10%
Microphone Input Connector:XLR
Microphone Input Impedance:1.3 kΩ
Instrument Input Connector:¼” TS
Instrument Input Impedance:1 MΩ
Line Input Connector:¼” TRS
Line Input Impedance:10 kΩ
Phantom Power (switchable):+48V
Pad (switchable):0 dB / -20 dB
Phase (switchable):0°, 180°
High-pass filter (switchable):-3 dB at 80 Hz
Compressor
Threshold (variable):-40 dBu to +-2 dBu
Ratio (variable):1-10 (1:1 to 10:1)
Attack (variable):0.1 to 200 ms
Release (variable):0.05 ms to 3S
Gain Makeup:-10 dB to +10 dB
Metering:Analog VU (Gain Reduction / Output)
Equalizer
LF Band Controls:
Frequency:Variable from 40 Hz to 500 kHz
Gain:Variable between ±10 dB
Q:0.7 (on Peak setting)
MF Band Controls:
Frequency:Variable from 200 Hz to 3 kHz
Gain:Variable from -10 dB to +10 dB
Q:Variable from 0.7 to 2.5
HF Band Controls:
Frequency:Variable from 2 kHz to 20 kHz
Gain:Variable between ±10 dB
Q:0.7 (on Peak setting)
Master
Output Fader:-80 dB to +10 dB
Output Connectors:XLR Balanced and ¼” TRS Balanced/Unbalanced
Output Impedance:51Ω
Metering (Output level):Analog VU (-20 dBu to +6 dBu)
Metering (Gain Reduction):Analog VU -20 dB to 0 dB
Output Headroom:+22 dBu
Power Supply
Type:Linear
Input:12 VAC / 1000 mA
Power Requirements (Continuous):16W
Transformer:External (country specific)
Physical
Dimensions:1U rackmount
Height:1.75” (44.45 mm)
Depth:5.5” (139.7 mm)
Width:19” (482.6 mm)
Weight:5 lbs. (2.27 kg)
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Presonus STUDIO 24C USB C Digital Audio Interface Mic Preamps Mixing & Recording
Professional quality for home recording studios.
Whether you’re recording your first album or your hit podcast’s latest episode, the Studio 24c will help you sound your best. With two of PreSonus®’ pristine XMAX-L mic preamps for recording vocals, high-headroom instrument preamps so you can connect your guitar or bass directly to your interface, and professional input metering so you can keep track of your recording levels, the Studio 24c delivers amazing sound quality in a rugged, compact form factor. A complete home recording studio right out of the box, the Studio 24c audio interface comes with a complimentary license for PreSonus’ award-winning Studio One® Artist music production software so you can start recording right away.
World-class recording software included.
Seamlessly integrated with the included PreSonus Studio One Artist music production software, the Studio 24c interface works with virtually all macOS® and Windows® recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools or hemmed in with track limitations. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content and upgrades without even opening your browser so you can build the version of Studio One that’s right for you. By combining a flexible single-window user interface with drag-and-drop and a modern, beat-based production workflow, Studio One doesn’t dictate how you work or what you work on.
Superior sound.
The Studio 24c operates at up to 192 kHz for ultra-high-definition recording and mixing. High-quality converters on every input and output and PreSonus’ professional-grade XMAX-L mic preamps enable you to capture complex musical harmonics smoothly and naturally, with no audible distortion. XMAX-L mic preamps are designed to perform optimally on bus-powered audio interfaces, allowing you to take great sound with you wherever you record.
Stress-free recording.
When you have the right tools, any job is easier and faster to finish. That’s why we included professional input and output metering on the Studio 24c, allowing you to keep an eye on your input and mix levels when you’re recording by yourself. An easy to use Mix control lets you blend your analog inputs with playback from your computer, making creating a great monitor mix fast and simple.
Wherever sound takes you.
Whether you're just getting into recording or are a veteran producer who wants to go mobile, the Studio 24c will give you clear, clean, ultra-high-def sound in a bus-powered, rugged unit. While it’s a perfect companion for any recording software, the Studio 24c combines with included Studio One Artist to provide you with a complete, affordable recording solution that will make you sound great.
The PreSonus Studio 24c is natively compatible with Apple Silicon-based Mac computers*, as well as iOS and iPadOS devices, including iPad Pro, iPad, iPad Air, iPad Mini, iPod Touch, and iPhone. Because it's USB class-compliant, there are no special drivers or applications to download and install. You'll be able to produce on the go—everything from podcasts to folk rock to trap—wherever sound takes you.
Features
Input/Output
Simultaneous I/O up to 2 inputs/2 outputs
2 mic/instrument/line inputs with XMAX-L mic preamps
2 balanced ¼-inch TRS main outputs
1 stereo headphone output
MIDI In/Out
1 USB-C®-compatible 2.0 port
USB-C to USB-C and USB-C to USB-A cables included for compatibility with most computers
Meters, Controls, and Features
Mixer knob for low-latency direct input monitoring
Front-panel level controls for main outputs
+48V phantom power for condenser microphones (global)
4 ladder-style LED level meters (2 input, 2 main output)
Integrated Software
Studio One Artist®
Studio Magic Software Suite
Ableton® Live Lite
Digital
USB-C® -compatible port (USB 2.0)
24-bit resolution
44.1, 48, 88.2, 96, 176.4 and 192 kHz sampling rates
Physical
Road-rugged construction with all-metal chassis and metal knobs
USB bus-powered
ProductsAudio InterfacesStudio 24cFeatures
Specifications:
General
Supported Sample Rates (kHz):44.1, 48, 88.2, 96, 176.4, or 192 kHz
Converter Resolution:24 bit
ADC Converter Dynamic Range:108 dB
DAC Converter Dynamic Range:108 dB
Microphone Inputs
Maximum Level:+10 dBu (±0.5 dBu, min gain)
Gain Range:50 dB
Frequency Response:20 Hz - 20 kHz (±0.3 dBu, unity gain, unwtd)
Dynamic Range:106 dB (A-wtd, min gain)
THD + N:0.004% (1 kHz, -1 dBFS, min gain)
EIN:-126 dBu (A-weighted, 150Ω, max gain)
Input Impedance:1.4 kΩ
Phantom Power:+48 VDC (10 mA total)
Instrument Inputs
Maximum Level:+19 dBu (min gain)
Gain Range:50 dB
Frequency Response:20 Hz – 20 kHz (±0.1 dBu, unity gain, unwtd)
Dynamic Range:105 dB (A-wtd, unity gain)
THD + N:0.002% (1 kHz, min gain)
Input Impedance:750 kΩ
Main Outputs
Type:¼" TRS, Female
Maximum Level:+10 dBu (1 kHz, unity gain, balanced)
Frequency Response:20 Hz – 20 kHz (±0.3 dBu, unity gain, unwtd)
Dynamic Range:104 dB (unity gain, unwtd)
THD + N:0.001% ( 1 kHz, -1 dBFS, unity gain)
Headphone Outputs
Maximum Power:47 mW / channel @ 56Ω
Frequency Response:20 Hz – 20 kHz (±0.5 dBu, unity gain, unwtd)
Dynamic Range:83 dB (A-wtd, 56Ω load)
THD + N:0.01% (1 kHz, 0 dBFS, loaded)
Impedance Working Range:32Ω to 300Ω
Physical
Height:1.75" (44 mm)
Width:7" (180 mm)
Depth:5.5" (144 mm)
Weight:2 lbs. (0.9 kg)
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Presonus NSB 16.8 16 x 8 AVB Networked Digital Stage Box Microphone Preamps
The PreSonus® NSB 16.8 networked stage box lets you put analog I/O for your StudioLive® Series III digital mixer wherever you need it. Equipped with 16 digitally controlled XMAX mic preamps, 16 balanced line-level inputs, and 8 analog outputs, the NSB 16.8 integrates seamlessly into StudioLive Series III digital mixers with a single Ethernet connection. Remote-control input trims, phantom power, and more directly from your StudioLive Series III console or from UC Surface remote mixing software on your tablet or laptop.
Powerful connectivity that’s designed to be shared.
The NSB 16.8 networked stage box is loaded with 16 versatile locking combo jacks. Connect your microphones to the digitally controlled XMAX preamps or use the balanced ¼-inch TRS inputs to connect your line level devices—the NSB 16.8 can handle it all. The inputs can be sent to any StudioLive Series III digital mixer on the network, and thanks to gain compensation, every mixer gets individual gain control without affecting the front-of-house mix.
Rugged stage box, flexible installation.
PreSonus built the NSB 16.8 inside a rugged steel chassis with sturdy handles designed to survive the rigors of the most demanding tours. The NSB 8.8 is also install-friendly: Just remove the handles and attach the optional rackmount kit, and your NSB 8.8 can be racked in your studio or backstage. For permanent installations, the NSB 8.8 is also compatible with stage pockets from Ace Backstage.
The ACE Backstage #175SLBK Stage Pocket is designed to be permanently installed in the stage floor and is configured to receive PreSonus Networked Stage Boxes (NSB 8.8 and NSB 16.8) for portable onstage use and passive storage.
One PreSonus NSB 16.8 slides easily in and out of the ACE Stage Pocket Nesting Frame. Once secured inside the stage pocket, analog cables connected to the NSB 16.8 can exit neatly through provisions inside the lid. Additional room for a single-space rack panel inside the stage pocket makes it possible to add additional connectivity at the stage floor.
A complete networked solution.
StudioLive Series III networked products form an ecosystem that is easily expanded and quickly configured. Designed to enhance each other, these products are at the forefront of AVB networking technology. The NSB 16.8 can be used alone or with many other NSB-series stage boxes to add remote audio to one StudioLive Series III digital mixer or to multiple mixers on the same network. For StudioLive Series III mixers that have limited onboard analog I/O, the NSB 16.8 provides a simple expansion to a full 32- or 64-channel mixing system.
Features:
16x8 network stage box for StudioLive® Series III console mixers
16 digitally controlled XMAX mic/line inputs with gain compensation for shared streams
8 line outputs
Easy configuration from StudioLive Series III console mixers and UC Surface
Built-in 2-port AVB switch with locking Ethernet connections for easy point-to-point and daisy-chain network configurations
Rugged all-metal stage box enclosure
Optional rack ears
Compatible with stage pockets from Ace Backstage
Specifications:
Microphone Preamplifier
Input Type:XLR Female, balanced
Frequency Response to Main Output (at unity gain):20-20 kHz, ±0.5 dBu
Input Impedance:1 kΩ
THD to Main Output:<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd):94 dB
Common Mode Rejection Ratio (1 kHz at unity gain):65 dB
Gain Control Range (±1 dB):0 dB to +60 dB
Maximum Input Level (unity gain):+12 dBu
Phantom Power (±2 VDC):48 VDC, switchable per channel
Line Inputs
Type:¼” TRS Female, balanced
Frequency Response to Main Output (at unity gain):20-20 kHz, ±0.5 dBu
Input Impedance:10 kΩ
THD to Main Output:<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd):94 dB
Maximum Input Level:+18 dBu
XLR Outputs
Type:XLR Male, balanced
Maximum Output Level:+24 dBu, ±0.5 dBu
Output Impedance:100Ω
Digital Audio
ADC Dynamic Range:115 dB (A-wtd, 48 kHz)
DAC Dynamic Range:115 dB (A-wtd, 48 kHz)
AVB Audio Network Ports:Locking XLR Ethernet
Sampling Rate:48 kHz, 44.1 kHz
Power
Connector:Locking IEC
Input-Voltage Range:90 to 230 VAC (±10%)
Physical
Height:7” (178 mm)
Width:16.7” (424 mm)
Depth:4.5” (114 mm)
Weight:6.2 lbs. (2.8 kg)
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Dbx 676 Class A Vacuum Tube Microphone Pre Amplifier Channel Strip 250 Volts
At dbx Professional Products we are proud to introduce the all new 676 Tube Mic Pre Channel Strip. The 676 represents all of the best of dbx’s more than 40 years of dynamics processing.
The 676 offers a pristine high-voltage, Class-A tube preamp section that runs on 250 volts, so your signal can be as crystal clean or dirty as you need it to be. The 676 also incorporates the compressor/limiter design from the highly-sought after dbx162SL, as well as a 3-band parametric EQ with sweepable mids.
The 676 provides audio professionals with the perfect channel strip for recording and live applications alike with its military-grade build, vintage-inspired controls and VU metering.
Features
Class-A Vacuum Tube Preamp with High Voltage Gain
High-Visibility Vintage VU Meter
Compressor designed from the dbx162SL
3-Band Semi-Parametric EQ
1/4” and XLR Inputs and Outputs
Front Panel Instrument Input
Side Chain Insert
Specifications:
Mic Preamp Connector: Female XLR Pin 2 Hot; Electronically balanced/unbalanced
Mic Preamp Input Impedance: 1.9 kΩ
CMRR: >85 dB from 20 Hz to 3 kHz, >70 dB from 3 kHz to 20 kHz
Instrument Input Connector: Tip-Sleeve ¼” Jack
Input Type: (instrument) Unbalanced
Instrument Input Impedance: 500 k Ω
Max Input: (instrument) +21dBu unbalanced
Preamp Insert Connector: Tip-Ring-Sleeve ¼”, RF filtered
Preamp Insert Type: Unbalanced, Tip = send, Ring = return
Line Outputs (Preamp & Compressor/Limiter) Connector: Male XLR and Tip-Ring-Sleeve ¼” (Pin 2 and Tip hot)
Line Outputs (Preamp & Compressor/Limiter) Type: Servo-balanced/unbalanced
Line Outputs (Preamp & Compressor/Limiter) Impedance: Balanced 30 Ω, unbalanced 15 Ω
Line Outputs (Preamp & Compressor/Limiter) Maximum Output Level: > +21 dBm (into a 600 ohm load)
Compressor Sidechain Insert Connector: Tip-Ring-Sleeve ¼”, RF filtered
Compressor Sidechain Insert Type: Unbalanced, Ring = output, Tip = input
Compressor Sidechain Insert Impedance: 1 kΩ (output), 50 kΩ (input)
Vacuum Tube Type: 12AU7A / ECC82
Vacuum Tube Grid Power Supply: +250V DC
Vacuum Tube Heater Power Supply: +12V DC
Frequency Response (Mic Input): 20 Hz to 50 kHz, +0/-1dB, 40 dB gain
Frequency Response (Instrument Input): 30 Hz to 70 kHz, +0/-1dB, unity gain
THD + Noise (Mic In to LIne Out): 0.25% typical at 0 dBu out, 1 kHz, 40 dB gain
THD + Noise (Instrument In to Line Out): 0.2% typical at 0 dBu out, 1kHz, unity gain
Equivalent Noise Level: Typically > -123 dBu with a 150 Ω source load, 22 Hz to 22 kHz
Noise Floor: Mic Insert to Comp Output: <-93 dBu, unity gain, EQ flat and no gain reduction
Preamp Function Switches/Controls: Instrument Input: Selects between microphone XLR input and front panel ¼” instrument input
Preamp Function Switches/Controls: +48V: Sends +48 VDC through 6.81 kΩ resistors to pins 2 and 3 of the microphone input
Preamp Function Switches/Controls: 20dB Pad: Attenuates the microphone input by 20 dB
Preamp Function Switches/Controls: Polarity Invert: Reverses pins 2 and 3 of the microphone input XLR
Preamp Function Switches/Controls: 80 Hz Low Cut: Enables an 80 Hz, 12 dB/octave high pass filter in the microphone and instrument signal path
Preamp Function Switches/Controls: Gain Control Range: -∞ to +55 dB for Microphone Input; -∞ to +40 dB for Instrument Input
Preamp Function Switches/Controls: Post Tube Attenuation: -∞ to 0 dB
Preamp Function Switches/Controls: Peak Indicator: Illuminates RED when the Preamp is within 3 dB of clipping
EQ Low Frequency: 100 Hz, Low-pass shelving filter
EQ High Frequency: 10 kHz, High-pass shelving filter
EQ Mid Frequency: Sweepable from 100 Hz to 8 kHz
EQ Function Switches/Controls: Narrow: Selects the “Q” of the MID Frequency EQ. “OUT” position Q = 0.9; “IN” position Q = 2.9
EQ Gain (All Bands): Sweepable from –15 to +15 dB
Compressor Threshold Range: -40 dBu to +20 dBu
Compressor Threshold Characteristic: Selectable OverEasy™ or Hard Knee
Compressor Ratio: Variable 1:1 to ∞:1; 60 dB maximum Compression
Compressor Attack/Release Modes: Selectable Manual or Auto
Compressor Manual Attack Time: Scalable program-dependent; Typically 400 dB/msec to 1 dB/msec
Compressor Manual Release Time: Scalable program-dependent; Typically 4000 dB/sec to 10 dB/sec
Compressor Auto Attack Time: Program-dependent, typically 15 ms for 10 dB, 5 ms for 20 dB, 3 ms for 30 dB
Compressor Auto Release Time: Program-dependent, typically 120 dB/sec
Compressor Output Level Control Range: -20 dB to +20 dB
Compressor Peak Indicator: Illuminates RED when the Compressor/Limiter is within 3 dB of clipping
Limiter Type: dbx PeakPlus™
Limiter Threshold Range: -4 dBu to + 22 dBu (off)
Limiter Ratio: ∞:1
Limiter Attack and Release: Program-dependent
Power Supply: Universal switch-mode
Operating Voltage: 100 – 240 VAC, 50/60 Hz
Power Requirements: 20 Watts
Fuse: T2.5AL 250V
Turn-On Time: Approximately 2 seconds
Dimensions: 3.5”H X 19”W X 8”D (88.9mmH X 482.6mmW X 203.2mmD)
Weight: 8.1 lbs (3.7 kg)
Shipping Weight: 11.0 lbs (5.0 kg)
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Avid SRI-192 Analog Input Card 8 Mic/Line Input w/ High Performance Mic Preamps
The SRI (Stage Rack Input) card provides eight channels of software controlled, fully recallable analog mic/line inputs to the VENUE Stage Rack. Up to six SRI cards may be installed in the Stage Rack, providing a total of 48 channels of analog mic/line inputs to your VENUE system.
SRI Card Components-
The SRI card package includes the following items-
SRI card
Mounting screws
Avid Registration Information Card
SRI Card Capabilities and Features-
Eight channels of analog mic/line level inputs via XLR3-male connectors
24-bit sigma-delta analog-to-digital converters
20 dB pad (selectable per channel via VENUE software)
+48V phantom power (selectable per channel via VENUEsoftware)
Signal presence and phantom power LEDs
Polarity invert (selectable per channel via VENUE software)
SRI Analog Mic/Line Inputs
Parameter Specifications Limit Units Condition/ Comment
Type Balanced, XLR3-Female
Gain +10 to +60 dB 6 dB analog steps with 0.1 dB digital increments and crossfade at analog relay switch point
Max Input Level +34 dBu Pad ON
Pad 20 dB
Input Impedance,pad OFF 10 k Ohm Balanced
Input Impedance, pad ON 4 k Ohm Balanced
Phantom Power +48 VDC 10 mA max per channel
EIN â126 max dBu Max gain, 150 ohm source, 22 Hz-20 kHz BW, unweighted
THD + N 0.003 % Minimum gain, pad OFF,â1 dBFS output, 20 HZâ20 kHz BW
A/D Converter Latency 0.25 ms Fs=48kHz
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping -Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, Road Cases, DT12 items, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, turntable cartridges, fog fluid
Ashly NE4800 4 channel input Microphone Preamps DSP Audio System Processor
Ships free!
The Ashly ne Series DSP processors are designed for optimum flexibility and ease-of-use in a range of professional and commercial applications. The ne Series is available in three versions: the ne4400 (4 in x 4 out), the ne 4800 (4 in x 8 out) & ne 8800 (8 in x 8 out). Rear module slots can accommodate a choice of available factory-installed options, including: 4-channel input mic preamps, 4-channel AES/EBU, Cobra Net & Dante Network audio cards.
The Protea software platform (for Windows™) provides the power & flexibility needed to achieve the most demanding project requirements, yet is extremely intuitive and easy to use, even for those with little experience working with DSP. The Protea™ DSP suite offers a complete user-selectable menu of DSP, where any of up to 12 functions per input & output channel may be populated as needed, in virtually any order! These functions include: Gain, Remote Gain, Gate, Leveler, Compressor, Clip Limiter, 31-band GEQ, 10-band PEQ, Feedback Suppressor, Signal Generator, Ambient Noise Compensation, X-Over, FIR Filters, Auto-Mixing, Ducking and more….. You can even load speaker voice file presets (available in the DOWNLOADS section) directly into each output channel for optimized performance when incorporating Ashly speakers.
The ne Series hardware may also be custom built to suit your specific needs-include mic pre-amp cards for different applications-perhaps only a single 4-channel card is needed for a small conference room or retail store with paging requirements, or add more for larger conferences, schools or HoW where more mics will be used. Make the ne Series compatible with your digital ecosystem by adding AES/EBU, Cobra Net or Dante cards.
Remote control? No problem. The ne provides several remote options, from conventional, serial and networked in-wall remotes to fader controllers plus a healthy compliment of logic I/O. It even allows creating custom iPad-compatible remote templates to suit any venue (Ashly Remote app downloadable for free from the Apple App Store). The ne is also ready to work with a host of 3rd party control systems. All wrapped up in a sturdy 2 RU rack-mountable chassis, the ne Series processors are ready to work whenever you are
Features:
CobraNet®, Dante® , AES3, Mic Input options
10/100 Ethernet and RS-232 computer interface standard
Extensive Protēa DSP available
Easy and intuitive user interface
24-Bit A/D–D/A audio resolution, 32-bit SHARC DSPs, sample rates of 48kHz and 96KHz
Hot-plug software control
iPad control via free Ashly Remote app
Automatic DHCP network IP configuration
Butterworth, Bessel, Linkwitz-Riley, and Notched-Linkwitz-Riley filters
FIR filter capability
Advanced automatic feedback suppression Word Clock input and output
Euroblock connectors for audio, preset recall, DC remote level control and data in/out
Remote controls for level, logic I/O and programmable functions
Third-party control friendly, input and output me
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Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Items are well packed and shipped USPS, UPS or Freight Service. Items purchased on Friday may not ship until Monday or until the projected processing period. We are working hard to get your unit Built ( if needed), processed and shipped. Processing Times do vary
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided, otherwise customer pays for return shipping costs.
Returned items must be sealed/unopened in original, brand-new condition, showing no signs of wear or use such as mount marks, plug marks, scratches, scuffs, dings or scrapes, screw mount marks or collateral material damage.. Items must also include all original packaging, manuals, warrantees & accessories or your return may be subject to a return handling charge.
Refunds are for the Item cost only. If the item was listed as free shipping then the cost of the shipment will be deducted from the units original cost. Gear returned with out all its original packaging, warranty cards and accessories or that shows signs of wear from use, will be subject to an additional service/restocking fee. This item is now used and it would be unfair to resell to another customer as new.
The following products cannot be returned - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, strings, computers, vacuum tubes, earbuds, earplugs, recorders, harmonicas, raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids, clothing/footwear, cleaners, polishes & polishing cloths, software/sound ware, books, CDs, DVD's, vinyl records, and videos.