(585) 405-4375
contact@echotonemusic.net
Allen & Heath
Allen & Heath professional audio mixers and consoles for live sound, DJs, studios, and installations. Explore digital mixers, analog desks, and touring-grade systems built for reliable performance in concerts, venues, broadcasting, and production environments.
Allen & Heath ZED60-10FX-RK19 Rack Mount Kit
Elevate your audio setup with the ZED-60-10FX-RK19 rackmount kit from Allen & Heath. This kit is purpose-built to effortlessly mount the versatile ZED60-10FX mixer in a standard 19-inch, 8 RU rack or flightcase.
For ZED60-10FX Mixer
Fits in Standard 19"/ 8 RU Rack
Allen & Heath ZED10-RK19 Rackmount Bracket Kit for Zed 10 Mixer
The ZED-10-RK19 Rack Mounting Kit for ZED 10 Mixer from Allen & Heath consists of 2 brackets that can be attached to your ZED-10 Digital mixer. When the brackets are attached, you can install the mixer in a standard 19" equipment rack.
Steel Brackets allow you to securely rack mount your mixer.
Allen & Heath Qu-7 Digital Mixer
Allen & Heath’s legendary digital mixer is reborn, supercharged with a 96kHz XCVI core for DEEP Processing capabilities, increased channel count with fully flexible patching across four customizable layers, a redesigned user interface, major hardware upgrades, extended connectivity.
Type: Compact 38in/24out 96kHz Mixer
33 x 100mm Motorised Faders
32 x XLR/Jack ‘Combi’ Mic/Line Input Sockets
20 x XLR Output Sockets
All New Hardware
The Qu-7 retains the classic look of the original Qu series but includes upgraded hardware for enhanced sonic performance and mixing experience.
Audio
Updated mic preamps and high-performance 96kHz AD/DA converters deliver pristine audio to and from the XCVI core, capturing every detail of the source.
Control
Each channel features its own display with name, type, or socket number, along with a chromatic meter for quick level reference. The new touchscreen offers a redesigned and intuitive user interface.
Updated Workflow
Building on the original Qu’s ease of use, the new Qu-7 adds four customizable layers, more assignable SoftKeys, flexible routing, and a faster, more responsive UI.
Capture & Playback
Enjoy reliable recording and playback with a 32×32 USB-C audio interface, SD multitrack recording, and stereo USB-A recording for any application.
SLink – Everything I/O Compatible
Connect to the Everything I/O range of stage boxes and expanders, or directly link with other Allen & Heath consoles for up to 128×128 channels of 96kHz audio.
DEEP Processing & Assistive Tools
Now DEEP Processing ready, the Qu-7 includes tools like Gain Assistant and Feedback Assistant for faster setup and feedback control.
Gain Assistant
Automatically sets and adjusts gain levels for multiple input channels, maintaining ideal performance throughout the show.
Feedback Assistant
Automatically identifies and removes problem frequencies using up to 16 filters per output, ensuring clear and feedback-free sound.
Add-Ons
Access DEEP Processing and RackExtra FX from Allen & Heath’s flagship dLive system for professional-grade effects and control.
Automatic Mic Mixer (AMM)
Perfect for conferences and panels, Qu’s 32-channel AMM is fully integrated with zero latency—no need for external DSPs or plugins.
Qu-7 Features
Processing & FX
96kHz XCVI Core
6 Multi-FX Engines with Stereo Returns
DEEP Processing Ready
Mix Architecture
38 Inputs to Mix (32 Mono/Linkable, 3 Stereo)
12 Mixes (6 Mono/Linkable Aux/Group, 6 Stereo Aux/Group)
4 Mono/Linkable Matrix
Stereo Main LR Output
I/O
32 XLR/Jack ‘Combi’ Mic/Line Inputs
2 Stereo Line Inputs (2x TRS each)
20 XLR Outputs
1 XLR Talkback Socket
2 TRS Outputs
1 AES3 Stereo Digital Output
128×128 Intelligent SLink Port for Everything I/O expansion
Stereo Headphone Output
Control
7” Capacitive Touchscreen
33 x 100mm Motorised Faders
4 Channel Strip Layers
Remote Control via Windows/Mac/iOS/Android Apps
8 SoftKeys
Configurable Single/Dual Footswitch
Recording & Playback
USB-A for Stereo Recording/Playback
USB-C Interface for Multichannel Record/Playback (32×32)
SD Card Slot (16×16 @96kHz or 32×32 @48kHz)
Miscellaneous
12V Lamp Socket
Configurable Chromatic Channel Meter LEDs
Allen & Heath Qu-6 Compact 38in/24out 96kHz Mixer
Allen & Heath’s legendary digital mixer is reimagined—supercharged with a 96kHz XCVI core for DEEP Processing, expanded channel count, fully flexible patching across four customizable layers, a redesigned user interface, hardware upgrades, and extended connectivity.
Core Specs
25 × 100 mm motorized faders
24 XLR/Jack “Combi” mic/line input sockets
16 XLR outputs
Optional 19” rack mount kit
All New Hardware
While preserving its familiar form, the Qu-6 brings enhanced performance with updated preamps, high-performance 96kHz AD/DA converters, and a more advanced control surface. Each channel displays the channel name or number, plus a chromatic level meter. The touchscreen and interface are redesigned for greater usability.
Workflow & UI
The Qu-6 maintains the “walk up and mix” simplicity beloved by engineers, while adding four layers, extra SoftKeys, flexible routing, and a faster, more responsive interface.
Capture & Playback
Built-in 32×32 USB-C interface, 32-channel multitrack recording via SD card, and stereo recording/playback through USB-A make it ready for live, studio, or installation use.
SLink & Expansion
Connect the Qu-6 to the Everything I/O family or other Allen & Heath consoles through SLink, enabling up to 128×128 channels at 96kHz for complex setups.
DEEP Processing & Assistive Tools
The Qu-6 supports DEEP Processing from Allen & Heath’s dLive system. It also includes Gain Assistant, Feedback Assistant, and a 32-channel Automatic Mic Mixer (AMM) — ideal for conferences, panels, and dynamic sound environments.
Qu-6 Features
Processing & FX
96kHz XCVI Core
6 Multi-FX Engines with dedicated stereo returns
DEEP Processing ready
Mix Architecture
38 inputs (32 mono/linkable, 3 stereo)
12 mixes (6 mono/linkable, 6 stereo)
4 mono/linkable matrix
Stereo main LR
I/O
24 XLR/Jack “Combi” mic/line inputs
2 stereo line input sockets (each 2× TRS)
16 XLR output sockets
1 XLR talkback output
2 TRS outputs
1 AES3 stereo digital output
128×128 intelligent SLink port
Stereo headphone output
Control
7” capacitive touchscreen
25 motorized faders
4 channel strip layers
Remote control via free apps (Windows, macOS, iOS, Android)
8 SoftKeys
Configurable single/dual footswitch
Recording & Playback
USB-A for stereo record/playback & data transfer
USB-C for multichannel audio (32×32)
SD card slot for multitrack recording/playback (16×16 @ 96kHz, 32×32 @ 48kHz)
Miscellaneous
12V lamp socket
Configurable chromatic channel meter LEDs
Allen & Heath Qu-5D Compact 38in/24out 96kHz Mixer with Dante
Allen & Heath’s legendary digital mixer is reborn with a 96kHz XCVI core, DEEP Processing, flexible patching, redesigned user interface, and optional Dante connectivity.
Key Features
17 motorised 100mm faders
16 XLR/Jack ‘Combi’ mic/line inputs
12 XLR outputs
19” rack mountable (optional kit)
16×16 Dante interface with locking EtherCon port
Performance and Control
Updated preamps and 96kHz AD/DA converters ensure pristine sound. Each channel features a display with chromatic metering and a redesigned touchscreen for faster workflow.
Connectivity and Expansion
Includes a 32×32 USB-C interface, SD multitrack recording, and USB-A stereo recording. The SLink port connects to Everything I/O expanders or other Allen & Heath consoles for up to 128×128 channels at 96kHz.
Processing and Tools
DEEP Processing ready, featuring Gain Assistant, Feedback Assistant, and a 32-channel Automatic Mic Mixer for conferences and shows.
Remote Apps
Compatible with Qu-MixPad for engineers and Qu-You for musicians.
Comprehensive Mixing Architecture
38 inputs to mix (32 mono/linkable, 3 stereo)
12 mixes (6 mono/linkable, 6 stereo)
4 mono/linkable matrix
Stereo main LR output
6 Multi-FX engines with dedicated stereo returns
Control and Interface
7” capacitive touchscreen
17 motorised faders
8 SoftKeys
Remote control via Windows/MacOS/iOS/Android
Configurable footswitch
Recording & Playback
USB-C 32×32 interface
SD card multitrack (16×16@96kHz, 32×32@48kHz)
USB-A for stereo record/playback
Additional Features
12V lamp socket
Configurable channel meter LEDs
Rack mountable (optional)
Allen & Heath Qu-5 Digital Mixer
Allen & Heath’s legendary digital mixer returns, upgraded with a 96kHz XCVI core for DEEP Processing, expanded channel count, flexible routing, redesigned interface, and improved hardware. With optional Dante support, Qu-5 delivers pristine performance for live, studio, and install applications.
Compact 38in/24out 96kHz Mixer
17 motorised 100mm faders
16 XLR/Jack ‘Combi’ mic/line inputs
12 XLR outputs
Optional rack-mount kit (19” 3U)
Enhanced Hardware
Newly refined preamps and 96kHz AD/DA converters ensure exceptional audio quality. Each channel includes a clear display and chromatic meter for easy monitoring. A redesigned 7” touchscreen provides intuitive control.
Audio & Control
96kHz XCVI processing engine
6 multi-FX engines with dedicated stereo returns
DEEP processing ready
32 mono/linkable inputs + 3 stereo inputs
12 mixes, 4 matrix outputs, stereo main LR
Remote control via Windows/Mac/iOS/Android apps
Connectivity & I/O
16 XLR/Jack ‘Combi’ mic/line inputs
2 stereo line inputs (TRS)
12 XLR outputs, talkback XLR, AES3 digital output
SLink port for Everything I/O expansion
16×16 Dante interface (Qu-5D)
Stereo headphone output
Recording & Playback
USB-A for stereo recording/playback
USB-C 32×32 audio interface
SD card multitrack recording/playback (16×16@96kHz, 32×32@48kHz)
Assistive Tools
Gain Assistant for fast, precise gain setup
Feedback Assistant with up to 16 filters per output
32-channel Automatic Mic Mixer for conferences and panels
Miscellaneous
8 SoftKeys
Dual footswitch input
12V lamp socket
Configurable LED meters
Optional rack-mount kit
Simple Wallplate Control for Non-Technical Users
The Allen & Heath IP1 is a simple yet powerful programmable wallplate designed to provide convenient, easy control via a single push-and-turn rotary. Ideal for non-technical users in corporate, education, and hospitality environments.
US and EU/UK Versions
Available in two form factors for the US and EU/UK markets, the IP1 is compatible with Decora and MK Elements faceplates.
Simple to Use
Control zone level, source selection, or scene/preset recall easily via a single rotary control.
Visual Feedback
The color LCD screen clearly displays the parameter being controlled for intuitive operation.
Low Maintenance
IP1 automatically matches firmware with connected devices for simple installation and minimal upkeep.
System Design & Connectivity
Multiple IP controllers can be networked with AHM, Avantis, or dLive systems over standard TCP/IP connections. Configure via AHM System Manager, Avantis Director, or dLive Director software. Supports standard Ethernet and PoE power.
Features
• Music source selection, level control, or preset recall
• Dual function rotary encoder
• LCD display
• Two form variants: US (Decora compatible) and EU/UK (MK Elements compatible)
• TCP/IP and PoE compliant
• Faceplate not included (can be ordered separately for EU variant)
Allen & Heath AHM-32 Audio Matrix Processor
With 32 zone outputs, built-in echo cancelling, and flexible audio networking options, the AHM-32 is ideal for multi-room installations in hospitality, corporate, and education environments. Designed for ultimate sound management and control, it delivers exceptional flexibility, power, and performance.
Key Features
32×32 Processing Matrix: Flexible routing with configurable processing on all 32 outputs
12×12 Local Analogue I/O: 12 mic/line inputs and 12 relay-protected line outputs on Phoenix connectors
Audio Networking I/O Port: Card options include Dante, MADI, Waves, and SLink for up to 128×128 audio channels
Sound Management Tools
4× Automatic Mic Mixers
Ambient Noise Compensation (ANC)
Priority Ducking
8-band PEQ, dynamics, and delay on every input and zone
Advanced speaker processing with crossover filters, delay, limiter, PEQ, and All-Pass Filters
NTP support and EQ ganging (Relative, Absolute, and Mirrored)
Always In Control
The AHM-32 includes a front-panel screen and 8 programmable SoftKeys for intuitive volume control, source selection, and preset recall. Integration options include remote controllers, GPIO, and third-party control via TCP/IP with Crestron, AMX, and Extron drivers.
Acoustic Echo Cancellation (AEC)
The optional AEC module provides 12 channels of acoustic echo cancellation—ideal for teleconferencing and videoconferencing applications.
Additional Highlights
96 kHz FPGA Core with ultra-low latency
Integrated stereo playback
Compatible with IP1, IP6, and IP8 remote controllers
2×2 local GPIO plus networkable GPIO interface
Mac/Windows System Manager software
Custom Control app and editor for BYOD environments
16 user profiles and built-in event scheduler
Allen & Heath AR2412 AudioRack 24x12 Remote Stage Box
The Allen & Heath AR2412 is a 24-input, 12-output AudioRack designed for seamless integration with Allen & Heath’s digital mixers. It delivers pristine audio quality, plug-and-play operation, and maximum flexibility for stage or studio setups.
Key Features
24 Mic Preamps: +60 dB of gain with a -20 dB pad for line-level sources
12 Line Outputs: Balanced, relay-protected XLR line outs
Expander & Monitor Ports: Connect to an AR84 or AB168 expander and to the ME Personal Mixing System
Plug-and-Play: No configuration required—connect via Cat5 cable and you’re ready to go. Firmware updates are handled automatically by the mixer
Maximum Flexibility — Place It Where You Need It
The AR2412 can be positioned up to 100 meters away from your mixer, giving you full freedom in setup. It includes rack ears for 3U 19″ rack mounting and connects via a single Cat5 cable. A second port allows daisy-chaining to another compatible expander or connecting to a ME personal mixing system.
Personal Mixing Integration
Connect directly to the ME Personal Mixing System, allowing musicians to control their own monitor mix independently for a streamlined live sound experience.
Compatibility
Avantis – Large digital mixer
SQ Series – Compact digital mixers
Qu Series – Compact digital mixers
AHM – Sound management systems
Qu Classic – Compact digital mixer
Allen & Heath AH-ZED60-14FX-RK19 Rackmount Kit for ZED60-14FX Mixer 19"/ 8 RU
The ZED-60-14FX-RK19 is a rackmount kit designed to mount the ZED60-14FX multi-purpose mixer in a standard 19"/8 RU rack or flightcase.
Features-
Rackmount kit ZED60-14FX Mixer
Fits in Standard 19"/ 8 RU Rack
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping -Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - International Sales Clearance items, Custom Builds, Road Cases, DT12 items, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, turntable cartridges, fog fluid
Allen & Heath AH-AB-168 16 x 8 Portable AudioRack Digital Mixing System
16 XLR Input / 8 XLR Output – 48kHz
AB168 is a 48kHz portable remote AudioRack for use with Qu, Avantis and SQ mixers, and with the AHM-64 audio matrix processor.
Featuring 16 mic preamps with Phantom Power indicators and 8 XLR line outs, AB168 runs on Allen & Heath’s proprietary dSNAKE protocol.
Adding an AB168 to a compatible system allows some or all I/O to be positioned up to 100m from the mixer. The unit connects over a single Cat5 cable to the mixer or AR2412 AudioRack via a secure dSNAKE EtherCon port. A second EtherCon port is provided for daisy-chaining to another AB168 box or connection of a ME personal mixing system. AB168 auto updates its firmware to synchronize with the system.
The rack’s rugged design, including rubber bumpers, renders it highly roadworthy and allows it to be placed on the stage floor during performances. Weighing in at just 4.8kg and featuring a sturdy carry handle, AB168 is also designed for maximum convenience and portability. An optional rack mounting kit is also available.
Features:
48kHz
16 Mic Preamps
8 XLR Line Outs
Expander port for daisy-chaining of 2 AB168 Expanders or connection ME personal mixers
Optional 19-inch rack mount kit available
Compatible with CAT5e (or higher) cables of up to 100m
Rubber bumpers
Carry handle
Allen & Heath AH-ZED428 24 Ch USB Stereo Digital Mixer
4 Bus Mixer for Live Sound and Recording
ZED-428
ZED-428 is excellent for bands, houses of worship, theatres or AV applications. It has a truly professional feature set, which will fit any sound reinforcement application or professional PA hire stock. ZED-428 has configurable USB audio in/out, making it easy to capture stereo recordings, plus 24 mic/line inputs, 2 dual stereo inputs, 4-band EQ with MusiQ, 4 sub-groups, 6 auxiliary sends and a 7×2 matrix.
USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-
SEND OPTIONS
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 5-6
5) Matrix 1-2.
RETURN OPTIONS
1) To Playback input
2) To Stereo 3 channel
MUSIQ
ZED-428 has a tuned 4-band EQ taken from the acclaimed GL2200 mixer, utilising MusiQ – with optimised slope (or Q factor) for equalising individual instruments.
DUOPRE
Based on the proven pre-amps from the hugely successful PA series, ZED-428 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge – 69dB of range to be exact – and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.
Features:
24 mono channels
2 dual stereo inputs with 4-band EQ
Neutrik mic XLR
Neutrik 1/4 inch jacks
Channel insert
Super wide gain ‘DuoPre’ mic line input
4-band EQ with 2 swept mids and in/out switch
Illuminated mute
Sound image pan
Illuminated PFL & peak warning indicator
ALPS 100mm faders
6 auxiliary sends (2 pre, 2 post, 2 pre/post)
4 sub groups fed from each channel
All inputs with level control
12 bar meters
L, R and M main mix outputs
2 matrix sections available; can send output to USB
Individual channel 48V phantom power
Direct output on every mono channel
Peak and signal indication on every channel
Configurable USB stereo audio in/out
Master level controls on all outputs
Easy to use layout – all connections and controls on top surface
Allen & Heath AH-WZ416:2 16 Ch Rack Mountable All Purpose Analog Mixer
MixWizard WZ4 16:2
With its simplicity, quality and plentiful inputs, WZ4 16:2 will be loved by seasoned engineers and novice operators alike. This is a true all-purpose mixer, providing a full 16 high specification mic/line inputs in a compact, straightforward format that has made it a consistent best seller.
WZ4 16:2 features our acclaimed 4 band EQ with 2 sweepable mids, high quality 100mm faders, 6 aux sends, 12 segment bargraph metering and our unique QCC connector system for easy desktop, rack or flightcase mounting.
Additions for this 4th generation MixWizard console include two newly designed digital FX engines with 20 studio quality FX presets and EQ in/out switching.
If you’re looking for professional grade, all-purpose analogue mixers in a compact, rack mountable frame, the MixWizards continue to set the bar.
FEATURE:
19″ Rack mountable
16 mic/line inputs with balanced XLR/TRS jack, insert and direct output
100mm faders
4 band EQ with 2 swept mids
6 Aux sends – 2x pre fade / 2x switched / 2x post fade*
2 Stereo returns
Dedicated mono output fader – can be switched to provide an L+R mono feed for a centre or fill speaker, or sub bass feed
Independent A-B output for 2-track recording, monitor foldback, speaker fills etc
Tri-colour, 12 segment bargraph metering
Twin FX engines with 20 studio quality FX presets
+48V Phantom Power
Signal and Peak LEDs
Lamp socket
Footswitch connector (mutes/unmutes the ST1 FX Return)
Allen & Heath CC-10 AHM Matrix Processors Touch Panels for Custom Control
Perfect companions for AHM matrix processors, dLive or Avantis systems in installations, CC-7 and CC-10 are control touch panels for desktop or wall mount use. Powered by the Allen & Heath Custom Control app, they can operate as fixed control devices or complementing a BYOD solution. From simple music source selection to level control, preset recall or paging, they offer an alternative to our range of IP remote controllers for applications where a touchscreen interface is preferred.
Configured to run Custom Control in kiosk mode, the app prevents any unauthorised operation, securing the settings of the panel. The installer, integrator or system admin can exit the app to change the touch panel settings such as IP address or brightness, or to update the software.
FEATURES:
PoE or DC 12V powered
Gigabit Ethernet port
USB-A port for Custom Control updates
VESA 75x75 mounting
Desktop stand (CC-STN) and wall/glass mount bracket (CC-BRK) available
Allen & Heath ZED12FX 12 Ch Multipurpose USB Stereo Digital Mixer
Multipurpose Mixer with FX for Live Sound and Recording
ZED-12FX is ideal for groups who need to travel light. Even with its small footprint, the 12FX squeezes in 4 auxiliary channels and swept semi-parametric EQ on top of the already impressive feature set including configurable USB audio in/out makes it easy to capture stereo recordings.
USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-
SEND OPTIONS
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4
RETURN OPTIONS
1) To Stereo 3 channel
MUSIQ
ZED-12FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ – with optimised slope (or Q factor) for equalising individual instruments.
ZED-FX
ZED-12FX has an essential selection of 16 time-delay effects, designed for small groups who don’t want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point – this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing – in fact, it’s just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.
DUOPRE
Based on the proven pre-amps from the hugely successful PA series, ZED-12FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge – 69dB of range to be exact – and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a
higher input impedance.
Features:
6 mono channels
3 stereo channels with 2-band EQ and inputs for extra sources
16 internal time-delay effects
Neutrik mic XLR
Neutrik 1/4 inch jacks
Channel insert
Super wide gain ‘DuoPre’ mic line input
3 band EQ with MusiQ
2 pre-fade Aux sends
1 post-fade Aux send
1 internal FX send
Illuminated mute
Sound image pan
Illuminated PFL & peak warning indicator
ALPS 100mm faders
Stereo returns & playback
All inputs with level control
12 bar meters
Mono/stereo function on auxes 1&2
Monitor output section
Alt stereo output source
Configurable USB stereo audio in/out
Rack ears available
Allen & Heath AH-ZED10 10 Ch Multipurpose USB Stereo Digital Mixer
Multipurpose Mixer for Live Sound and Recording
ZED-10 is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in/out making it easy to capture stereo recordings
Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards.
Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs.
USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-
SEND OPTIONS
1) Main Mix Left + Right (Post master Level)
2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send)
3) Record Bus Left + Right (Separate stereo bus to Main Mix)
RETURN OPTIONS
1) To Playback input (through jack socket break contacts)
2) To Stereo 2 channel (through jack socket break contacts)
MUSIQ
ZED-10 features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ – with optimised slope (or Q factor) for equalising individual instruments.
GUITAR DI
ZED-10’s pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 3 & 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain “Boost” switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character
Features:
4 mic/line inputs, 2 with Class A FET high impedance inputs
Neutrik mic XLR
Neutrik 1/4 inch jacks
3 band EQ with MusiQ
2 auxes
Sound image pan
Illuminated PFL indicator
Stereo returns & playback
All inputs with level control
12 bar meters
Responsive 3-band, swept mid EQ with MusiQ
2 stereo sources with MP3 player compatibility
Separate 2-track record outputs
Stereo playback input for 2-track replay
XLR main stereo outputs with inserts
Comprehensive monitoring
Configurable USB stereo audio in/out
Stereo monitor outs
48V microphone phantom power
DI level switching for sub mixing
Allen & Heath M-DL-WAVES3-A Audio Networking Card
dLive/Avantis Audio Networking Card
The Waves V3 Audio Networking Card (M-DL-WAVES3) is one of several audio networking options that can be fitted to an Allen & Heath dLive or Avantis I/O Port. It provides a 128x128ch 48/96kHz interface to the Waves SoundGrid networking platform, for several applications including Waves plugin processing, audio distribution, and digital mic splitting. It also offers a super convenient way of recording 128 tracks of 96kHz audio, into a Windows or Mac computer, over a single CAT cable.
SoundGrid is an Audio-over-Ethernet protocol developed by Waves for real-time professional audio applications. It provides a very low latency environment using standard Gigabit Ethernet networks. Plugin processing can be performed natively on a computer or on dedicated Waves servers.
Features:
128 in, 128 out
Switchable 48/96kHz sample rate
Waves SoundGrid audio networking
Multitrack recording and playback
Integrated 3-port Ethernet switch for connection of multiple devices
Input sharing with Waves V2 and V3 cards
Allen & Heath QU-SB 16 Ch USB Stereo Compact Digital Mixer Wireless Control
THE MIXER THAT CHANGED THE RULES
Portable 18 in / 14 out Digital Mixer with remote wireless control
Qu-SB is an ultra-compact digital mixer which frees you to mix from anywhere in the venue and provides a smart, portable solution for performing bands and artists.
Qu-SB is portable enough to carry under one arm and comes loaded with our highly acclaimed suite of FX emulations and dynamics, making it a smart replacement for an old analogue mixer and a rack full of outboard FX.
REMOTE CONTROL APPS
Having massive processing power and advanced functionality is great, but it counts for nothing if you can’t access the controls you need in a heartbeat.
Qu-SB is designed to integrate seaamlessly with the fully-featured Qu-Pad iPad app, providing super-fast, easy access to all settings, including channel processing, meters and RTA views, FX racks, scene management, USB audio control, setup menus and much more.
Qu-Pad
With Qu-Pad you’re free to EQ and mix monitors on stage, roam around the venue whilst adjusting the PA, and mix the show from the heart of the audience. Qu-Pad connects over Wi-Fi and gives instant access to all live mixing parameters and settings.
Qu-You
Qu-You allows up to seven performers to control their own monitor mixes using any iOS or Android device, and frees up the engineer to focus on mixing for the audience.
Qu-Control
Qu-Control is a customisable iOS app providing a simple interface for non-technical users to control the essential parameters of Qu mixers when technical operators are not around.
Analogue to Qu
Thinking about making the leap to digital mixing for the first time? Find out how Qu makes it easy.
Qu for Studio
Learn how Qu can be the centrepiece of your studio
Qu for HoW
Find out why Qu is a great choice for Houses of Worship
UNRIVALLED SOUND QUALITY
CAPTURE EVERY DETAIL
Qu has been designed from the ground up to deliver professional sound quality, from input to output.
Qu-SB features sixteen AnalogiQ digitally controlled preamps with advanced zero-crossing detection and a padless 1dB-step gain stage.
The AnalogiQ preamp design has been refined to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.
The analogue signal is captured by high-class, low latency 24bit analogue to digital converters, which are matched to 24bit digital to analogue converters to deliver the required high quality output.
WORLD CLASS PROCESSING & FX
Qu’s RackFX dynamics and FX algorithms are derived from those used in our pro touring series.
Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units.
Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ.
RECORD. STREAM. MIX.
Qu’s built-in interface streams multitrack audio to your Mac or PC via a flexible patching system: all Input channels and the Main LR can be recorded at the same time, or you may choose to record something different such as FX returns or a pair of mixes.
The returns from the computer can be assigned to the Input channels. The interface is class-compliant on Mac OS X – and drivers are available for Windows systems. Either way, it will be recognized straightaway by any DAW supporting ASIOTM or Core Audio, including Logic, Cubase, Reaper, and Pro Tools.
Standard MIDI control is tunnelled over the USB and network connections, this can be mapped to the faders of your favourite DAW using the A&H MIDI Control app which provides easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems.
Want to livestream? Easy. Just send a stereo mix over USB and your streaming software will do the rest.
EVERYTHING I/O
Qu-SB is a self-contained mixer, so if you’ve already got the analogue cables you’re good to go.
But if you’re thinking of trading in the multicore for a Cat5 digital snake, the built-in dSNAKE™ port has you future-proofed, allowing connection to a remote AB168, AR2412 or AR84 Stagebox from our Everything I/O range of remote expanders.
THE STRONG, SILENT TYPE
Made from 18 gauge, cold-rolled Zintec steel, Qu’s distinctive frame is designed for strength and rigidity. We’ve done unspeakable things to that chassis in the lab and it’s taken everything we’ve thrown at it – even being stomped on by our resident ex-tank commander!
Silence is a precious commodity in the live or studio environment, which is why nobody wants those moments of stillness ruined by whirring coming from the mix position. Qu’s sleek profile generates optimal airflow through the mixer, eliminating the need for any fans.
GIVE PERFORMERS CONTROL
Qu is fully compatible with our ME Personal Mixing System.
The ME system expands available monitor mixes and gives each performer control over their own mix, leaving the engineer free to focus on the main mix.
Features:
16 local Mono Mic/Line Inputs (TRS + XLR)
Recallable AnaLOGIQTM Preamps
1 Stereo Input (TRS)
12 local Mix Outputs (XLR)
1 Stereo Output (TRS)
Expandable up to 32 input, 24 out using dSNAKE AudioRack
Up to 11 Monitor Mixes (4 mono + 7 stereo)
4 Stereo Groups (switchable to Mix mode)
4 FX Engines
4 dedicated FX Sends / Returns
4 Mute Groups
4 DCA Groups
32×32 USB Audio Interface
Qu-Drive Multitrack Recording / Playback direct to USB device
dSNAKETM Remote Audio Port
Qu-Pad fully-featured iPad App
Qu-You iPhone / Android personal monitoring app
Qu-Control customisable iOS app for simple wireless control
Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs
Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs
Automatic Mic Mixer
Channel Ducker on all Inputs
ProFactory Mic Presets
RackFX Library
Built-in Signal Generator
RTA with Peak Band indication
DAW MIDI Control
Compatible with ME Personal Mixing System
19” Rack Mountable with optional rack ears
Allen-Heath AH-CC-7 AHM matrix Processors Touch Panels for Custom Control
Perfect companions for AHM matrix processors, dLive or Avantis systems in installations, CC-7 and CC-10 are control touch panels for desktop or wall mount use. Powered by the Allen & Heath Custom Control app, they can operate as fixed control devices or complementing a BYOD solution. From simple music source selection to level control, preset recall or paging, they offer an alternative to our range of IP remote controllers for applications where a touchscreen interface is preferred.
Configured to run Custom Control in kiosk mode, the app prevents any unauthorised operation, securing the settings of the panel. The installer, integrator or system admin can exit the app to change the touch panel settings such as IP address or brightness, or to update the software.
FEATURES:
PoE or DC 12V powered
Gigabit Ethernet port
USB-A port for Custom Control updates
VESA 75x75 mounting
Desktop stand (CC-STN) and wall/glass mount bracket (CC-BRK) available
Allen & Heath AVANTIS 64 Ch USB Stereo Digital Mixer Console 96kHz
IT'S A SMALL STEP TO A GIANT LEAP
The third mixer based on our 96kHz XCVI FPGA engine, Avantis puts all our next-generation technology in a 64 channel / 42 configurable bus console, with dual Full HD touchscreens, a super-flexible workflow with Continuity UI, extensive I/O options, add-on processing from our flagship dLive mixing system, and a rugged full metal chassis.
CONTINUITY UI
It's your mixer so mix your way.
With a massive 206 square inches of screen space operating at a crisp 1080p Full HD resolution, Continuity UI allows you to see and instantly interact with more of what matters, enabling a seamless connection between the physical controls and the displays.
The faders react on touch to immediately highlight the active channels for instant visual feedback.
The channel rotaries let you work gains or pans, then at the touch of a button, dynamically fold the display to show EQ or compressor parameters across the whole bank.
Each screen also features a FastGrab tab on the right-hand side, giving you split-second access to key freely-assignable parameters like aux sends, EQ, compressor and FX on the currently selected or specific channel.
The whole system is set up to dynamically surface the information you need at any moment and put control right at your fingertips.
EVERYTHING I/O
A complete ecosystem of remote expanders.
Whether you’re an owner/operator looking to build a compact system, or a rental company with existing Allen & Heath stock, the SLink connection on Avantis allows true flexibility by connecting to the entire range of Allen & Heath audio expander hardware.
Add a Dante card to your system and you’ve got even more options, with our dedicated Dante expanders, DT168 and DT164-W.
UPGRADE TO dPACK ( this listing does not include the DPack extra software)
However here is the info on it if you purchase it seperately
Get acclaimed dLive processing. Inside your Avantis.
Right out of the box, Avantis is loaded with powerful processing tools that will easily meet the demands of most users and applications. Want more options? Upgrade your console with Avantis dPack to get additional dLive processing including Dyn8 (up to 16 instances), DEEP Compressors, and the Dual Stage Valve Preamp, plus more models as they’re added.
dPACK - DEEP
Trusted by platinum selling artists on sellout tours, DEEP puts incredible emulations directly within Avantis’ input and mix channels with zero latency. No burning FX slots, no 3rd party gear hassles and no issues with latency or phase coherency.
dPACK - DYN8
Avantis dPack also delivers Dyn8, a powerful and sophisticated processor boasting 4 bands of dynamic EQ and 4 bands of multiband compression. With endless applications including taming vocals, tightening sub-groups or adding sonic glue to a mix, Dyn8 changes the way we think about dynamic processing. dPack enables 16 Dyn8 engines for inserting on Input and Mix channels.
A WORLD OF CONTROL
Avantis can be controlled using the Avantis Director software, MixPad app, Custom Control app or from our range of remote controllers and GPIO interfaces, with up to 48 IP remote controllers over a standard TCP/IP network. Applications include control of IEM mixes on stage, extra fader banks at FOH, and local control in breakout rooms.
IP1
1x push n turn rotary
1x LCD display
Wallplate (US or EU/UK standard)
PoE
IP6
6x push n turn rotaries
18x SoftKeys
8x LCD displays
Free standing or flush mount
PoE or wall wart
IP8
8x 60mm motor faders
22x SoftKeys
8x LCD displays
Free standing, flush mount or mic stand
PoE+ or wall wart
GPIO
8x GPI
8x GPO (N/O)
Half U, rack-mountable
PoE or wall wart
RACKEXTRA FX
12 dedicated fx rack slots. And no compromises.
Trust us, these are not your usual built-in effects.
Allen & Heath has a well-earned reputation for crafting FX emulations that rival the very best third party plug-ins, but with none of the associated hassle.
With a passion bordering on obsession, we’ve created a suite of FX inspired by some of the most revered outboard equipment, including pristine reverbs, detailed delays, and wonderful classic modulation effects.
Best of all, we offer our 12 FX slots with no compromises. Each effect takes up just one of the 12 slots, and each of the 12 FX slots has a dedicated stereo return - so you don’t need to waste your input channels.
FULL METAL CHASSIS
Lightweight and super-strong.
You’ve probably noticed that Avantis is not just another dull grey box mixer with plastic sides. Part-inspired by the tubular exo skeletons of the latest generation of superbikes, those sleek curves are all metal - super tough - but lightweight.
Because every part of Avantis was designed in pursuit of performance and reliability, we subjected it to some of the most rigorous testing we’ve ever embarked upon. And it took it all.
DIRECTOR
Editor & Control. Offline and Online.
Avantis Director is a free Windows and Mac OS application enabling offline editing and online control capabilities. Offline mode can be used for the creation and editing of show files and system configuration, as well as serving as a training tool for new users. Online mode delivers full remote-control of the mixer, freeing the engineer from the mix position to make changes from anywhere in the venue.
ONEMIX & MIXPAD APPS
Remote mixing. Personal monitoring.
MixPad
Avantis MixPad is an engineer’s mixing tool providing wireless mobile control for Allen & Heath Avantis digital mixers. It gives you the freedom to walk the room or stage and control the sound right where it is needed. Avantis MixPad and the Avantis mixer can work together to provide simultaneous control of independent functions, for example one engineer using the mixer to mix front-of-house sound, and another using the iPad to mix monitors on stage. Several iPads can be connected, each providing independent control.
OneMix
OneMix is a cut down version of the Avantis MixPad app that locks control to a single Aux (monitor) mix. Multiple iPads may be set up by the 'Admin' user to give each musician customised personal monitor control via Wi-Fi connection to Avantis without the risk of affecting the other monitors or FOH main mix. Avantis OneMix can be configured to provide as much or as little control as needed.
WELL CONNECTED
Dante. Waves. And so much more.
For local I/O, Avantis is well equipped with 12 XLR analogue inputs, 12 XLR analogue outputs, plus AES (Stereo In, 2x Stereo Out).
Two additional I/O Ports allow Avantis to benefit from the full range of current dLive option cards, including Dante (64x64 and 128x128), Waves, gigaACE, MADI and more, expanding the scope for system integration, FoH / monitor splits and multitrack recording.
DANTE 128x128
With 128 channels of bidirectional audio at 96kHz, the Dante 128x128 card is suitable for high channel digital splits between systems, for instance FOH and MON, whilst offering simultaneous multitrack recording via Dante Virtual Soundcard (available separately).
DANTE 64x64
The Dante 64x64 audio networking card offers low latency connectivity to Dante networks and devices using standard networking cabling and hardware and is a cost-effective alternative to Dante 128x128 in applications that don’t require the additional I/O.
Waves V3
An interface to the Waves SoundGrid networking platform, for plugin processing, multitrack recording and audio distribution.
Features:
96kHz 64 channel / 42 bus digital mixer
XCVI FPGA core with ultra-low latency (0.7ms)
Fully configurable mix bus architecture
Super-tough, full metal chassis
Continuity UI seamlessly connects physical and touchscreen controls for the fastest, most intuitive workflows
dPack option adds dLive processing, including 16 Dyn8 engines, plus per-channel zero-latency DEEP Compressors and Dual-Stage Valve preamp
12 RackExtra FX slots with dedicated stereo returns
16 DCAs
Dual 15.6” Full HD capacitive touchscreens with gesture control
AMM (Automatic Mic Mixer) up to 64 channels across 1, 2 or 4 zones
Fully assignable layout
144 fader strips (24 faders, 6 layers) with optional dedicated master section
SLink port for connection to Remote I/O Expanders and the ME Personal Mixing System
12 analogue XLR Inputs / 12 analogue XLR Outputs
1 Stereo AES In / 2 Stereo AES Out
2 I/O Ports, both capable of 128x128 operation at 96kHz – for optional cards inc. Dante, MADI and gigaACE
User configurable rotary controls
24 assignable SoftKeys
Comprehensive metering with multi-point peak detection
Internal storage for stereo playback and recording
USB stereo playback
BNC Word Clock
Allen & Heath QU-PAC-32 32Ch Rack Mount Digital Mixer USB Audio Touch Control
Qu-Pac takes the power and legendary quality of the Qu family and shrinks it into a compact desk or rack mount format.
With Qu-Pac you are free to mix from your iPad, but the full functions of the mixer can be accessed from the front panel and touchscreen should you need them.
TOUCH CONTROL
Massive processing power and advanced functionality counts for nothing if you can’t access the controls you need in a heartbeat.
The 800 x 480, sixteen million colour Touchscreen and its dedicated data encoder form the heart of Qu-Pac’s interface, providing super-fast, easy access to all settings. Dedicated keys and screen tabs quickly guide you to meter and RTA views, FX racks, channel processing, USB audio control, scenes, setup menus and much more.
The Qu-Control key brings up a fully customizable screen which gives access to channels and settings tailored to the user and application. Several ‘widgets’ can be assigned to the page, including channel levels, mutes and assignment on/off switches and are arranged to suit the user requirement, for example, as a source selection and level control of background music to one or multiple zones.
UNRIVALLED SOUND QUALITY
CAPTURE EVERY DETAIL
Qu has been designed from the ground up to deliver professional sound quality, from input to output.
Qu-Pac features sixteen AnalogiQ digitally controlled preamps with advanced zero-crossing detection and a padless 1dB-step gain stage.
The AnalogiQ preamp design has been refined to offer superb transparency, minimal distortion and an ultra-low noise floor, with a warm, musical sound that is missing from some digital consoles.
The analogue signal is captured by high-class, low latency 24bit analogue to digital converters, which are matched to 24bit digital to analogue converters to deliver the required high quality output.
WORLD CLASS PROCESSING & FX
Qu’s dynamics and FX algorithms are derived from those used in our pro touring series.
Some of the world’s most respected audio engineers have chosen to use RackFX on tour in preference to top-end plug-ins and external FX units.
Qu boasts 4 stereo RackFX engines, featuring lovingly crafted emulations of legendary classic reverbs, gated reverbs, delays, modulators, flangers and more. FX are returned to the mix on dedicated return channels, so you’re not tying up your mono and stereo input channels, and each Stereo FX Return has a dedicated 4 band PEQ.
RECORD. STREAM. MIX.
Qu’s built-in interface streams multitrack audio to your Mac or PC via a flexible patching system: all Input channels and the Main LR can be recorded at the same time, or you may choose to record something different such as FX returns or a pair of mixes.
The returns from the computer can be assigned to the Input channels. The interface is class-compliant on Mac OS X – and drivers are available for Windows systems. Either way, it will be recognized straightaway by any DAW supporting ASIOTM or Core Audio, including Logic, Cubase, Reaper, and Pro Tools.
Standard MIDI control is tunnelled over the USB and network connections, this can be mapped to the faders of your favourite DAW using the A&H MIDI Control app which provides easy setup and emulation of HUI or Mackie Control protocols on Mac OS X and Windows systems.
QU GIVES YOU MORE
Qu-Drive
Qu has an integrated multitrack USB recorder, providing 18 channels of 48kHz, 24bit recording and playback straight to / from your USB key or hard drive.
Capturing multitrack recordings of your shows has never been so easy. A selectable stereo pair can be recorded alongside the 16 Mono channels, and multitrack audio can be played back to the 16 Mono inputs plus ST1.
On top of this, Qu-Drive also provides stereo recording patchable from any pair of Mix outputs, the Main LR (pre, post, or summed to mono) or even the PAFL bus, with 2- track stereo playback to ST3.
AMM: Automatic Mic Mixer
AMM is vital in applications such as conferences, meetings and panel discussions where a number of microphones are open at the same time.
Reducing background noise and minimising the risk of feedback, the Automatic Microphone Mixer helps the engineer to manage the levels of multiple mic inputs, ensuring that each speaker’s contribution is heard clearly.
The D-Classic dynamic gain sharing algorithm is inspired by industry standard automixers. Up to 16 microphone sources can be mixed at once, with each channel having a priority setting which determines its ‘weight’ in the total system gain.
Made from 18 gauge, cold-rolled Zintec steel, Qu’s distinctive frame is designed for strength and rigidity. We’ve done unspeakable things to that chassis in the lab and it’s taken everything we’ve thrown at it – even being stomped on by our resident ex-tank commander!
Silence is a precious commodity in the live or studio environment, which is why nobody wants those moments of stillness ruined by whirring coming from the mix position. Qu’s sleek profile generates optimal airflow through the mixer, eliminating the need for any fans.
GIVE PERFORMERS CONTROL
Qu is fully compatible with our ME Personal Mixing System.
The ME system expands available monitor mixes and gives each performer control over their own mix, leaving the engineer free to focus on the main mix.
Features:
19” Rack Mountable
16 local Mono Mic/Line Inputs (TRS + XLR)
Recallable AnaLOGIQTM Preamps
3 Stereo Inputs (TRS)
12 local Mix Outputs (XLR)
Expandable to 38 input, 24 out using dSNAKE AudioRack
4 Stereo Groups (switchable to Mix mode)
Up to 11 Monitor Mixes (4 mono + 7 stereo)
4 FX Engines
4 dedicated FX Sends / Returns
4 Mute Groups
4 DCA Groups
AES Digital Out
32×32 USB Audio Interface
dSNAKETM Remote Audio Port
800×480 Touchscreen
15 Soft Keys
16 Custom Select keys
Trim, polarity, HPF, gate, insert, 4-band PEQ, compressor, delay on all Inputs
Insert, 4-band PEQ, 1/3 octave GEQ, compressor, delay on all Outputs
Automatic Mic Mixer
Channel Ducker on all Inputs
ProFactory Mic Presets
RackFX Library
Built-in Signal Generator
RTA with Peak Band indication
Spectrogram to aid feedback elimination and room acoustics
Qu-Drive Direct Multitrack Recording / Playback on USB drives
DAW MIDI Control
Qu-Pad fully-featured iPad App
Qu-You iPhone / Android personal monitoring app
Qu-Control customisable iOS app for simple wireless control
Compatible with ME Personal Mixing System
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Allen & Heath GR4 4 Stereo Channel Rack Mount Zone Audio Mixer Music Paging
GR4 is a 1U rack-mounting or desktop audio mixer, providing simple yet comprehensive control of background music and paging in bars, restaurants, stores and other leisure / retail environments. Standout features include optional remote wallplates, a mic input on the front panel, plus a 3.5mm jack on the front for portable music sources.
FEATURES:
Connectivity
MIC INPUTS
Four mic inputs on rear mount Phoenix connectors with MIC1 selectable to an optional front mounted XLR.
LINE INPUTS
Four stereo inputs on rear mount phono connectors. An additional front mounted 3.5mm jack socket overrides input 4 phono source.
ZONE OUTPUTS
Two stereo (mono selectable via internal jumper) zones on rear mount Phoenix connectors. An additional two mono zone outputs are available with mix output being selectable from internal jumpers.
CONTROL
Paging and Alarm contact inputs on rear mounted Phoenix connectors allow integration with 3rd party paging stations and fire alarm systems.
REMOTE
Remote control can be achieved via PL-14 Remote connected to the rear mounted RJ45 or custom/3rd party analogue remotes connected to the rear mounted Phoenix connectors.
MIXING
Individual mix and selectable control of all inputs to Z1 & Z2. Multiple options for configuring mix outputs to Z3 & Z4 (via internal jumpers).
DYNAMICS
Gain and 2 band EQ available on all mic inputs with an additional 2 band EQ available on Z1 & Z2 outputs.
PRIMARY MIC MODE
When audio sensed on MIC1 channel and/or PAGE contact closure is sensed then music is faded to pre-set level and MICs2-4 muted for the duration of the announcement. MIC1 zone select LEDs flash slowly when in priority mic mode.
Gain / volume rotary controls can be removed and capped (caps supplied) to prevent unauthorised use.
INSTALLER SELECTABLE MODES, INCLUDING:
Primary and secondary mic modes
Perfect for controlling hierarchal microphone feeds such as simple paging announcements.
Emergency mic mode
For use with 3rd party systems in emergency situations. Mutes all inputs except MIC1 on alarm contact closure.
Juke box mode
Provides a priority line input to the system for pre-recorded announcements or programme material such as Sports channels.
ADVANCED FEATURES
Entering programming mode allows the following parameters to be adjusted:
Ducker attenuation
Ducker hold time
Ducker release time
Music crossfade time
Jukebox hold time
Jukebox release time
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Allen & Heath ADLIVE-DLC35 C3500 24 Fader Surface Console Digital Mixer
The C3500 is the largest C Class control Surface for the dLive MixRack. It features 24 faders over 6 layers, built-in audio I/O and networking port, dual 12″ capacitive touchscreens and the innovative Harmony UI for the fastest workflow in the industry.
Harmony User Interface
Where many digital consoles are still trying to recreate the experience of using an analogue mixer, dLive is a true digital native, drawing on our familiarity with the ubiquitous smartphones and tablets that we all use without thinking. C3500’s twin 12” capacitive touchscreens feel instantly familiar, responding to every pinch, swipe, drag and drop exactly how you’d expect them to. Bespoke ‘widget’ areas can also be set up on the screens to keep track of scenes, meters, FX and other custom controls. The screens are complemented by a set of rotary controls, allowing the creativity and immediacy of tactile control over key processing functions, working in harmony with the visual feedback displayed on the screen. The high-grip rotary knobs offer precision control, and feature RGB illumination, with colours mapped to functions for instant visual orientation.
Transparent Workflow
C3500’s layout is fully customisable, allowing the user to create a mixing interface that reflects their own mental map of the show, or for an installer to set up the surface to match the venue and the experience levels of the operators. Throughout the dLive journey our guiding aim has been to create fast and transparent workflows that allow the operator to focus on the mix, not the mixer. Every input or mix can be assigned to any and every bank and / or layer, virtual scribble strips allow inputs and mixes to be clearly named and colour coded for at-a-glance navigation, and there are 19 assignable SoftKeys, plus 3 pages of 6 assignable rotaries.
Features:
24 faders
Fully assignable layout – 144 fader strips
Harmony UI integrates screen and wrap-around controls
Dual 12” capacitive touchscreens
Gesture control – pinch, swipe, drag ‘n drop
Dedicated multi-mode EQ view
Configurable widget areas for Scenes, meters, FX and more
3 pages of 6 assignable rotaries
19 assignable SoftKeys
Engineer’s Wedge and IEM fader strips
Comprehensive multipoint metering
Daylight visibility
USB stereo recording and playback
6 XLR mic/line in, 6 XLR line out
1 digital st AES3 in, 1 digital st AES3 out
Connection hub
GigaACE gigabit link to MixRack
DX link for I/O expansion
I/O Port – 128 ch 96 kHz
2x Network ports
Wordclock BNC I/O
Video output
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Allen-Heath AH-ZED10FX Multipurpose Mixer with FX for Live Sound and Recording
Ships Free!
ZED-10FX is an amazing little desk for small band mixing. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. It comes with configurable USB audio in/out making it easy to capture stereo recordings.
Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. We’ve added a set of fabulous effects to give shimmering reverbs and enhance your sound
USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-
SEND OPTIONS:
Main Mix Left + Right (Post master Level)
Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send)
Record Bus Left + Right (Separate stereo bus to Main Mix)
RETURN OPTIONS:
To Playback input (through jack socket break contacts)
To Stereo 2 channel (through jack socket break contacts)
MUSIQ
ZED-10FX features a responsive 3-band, swept mid frequency EQ design which utilises MusiQ – with optimised slope (or Q factor) for equalising individual instruments.
ZED-FX
ZED-10FX has an essential selection of 16 time-delay effects, designed for small groups who don’t want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point – this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialled-in. There is one-stop navigation and editing – in fact, it’s just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.
GUITAR DI
ZED-10FX’s pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 3 & 4 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain “Boost” switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character.
Features
4 mic/line inputs, 2 with Class A FET high impedance inputs
Neutrik mic XLR
Neutrik 1/4 inch jacks
3 band EQ with MusiQ
1 pre-fade Aux send
1 FX send
Sound image pan
Illuminated PFL indicator
Stereo returns & playback
All inputs with level control
12 bar meters
Responsive 3-band, swept mid EQ with MusiQ
2 stereo sources with MP3 player compatibility
Separate 2-track record outputs
Stereo playback input for 2-track replay
XLR main stereo outputs with inserts
Comprehensive monitoring
Configurable USB stereo audio in/out
Stereo monitor outs
48V microphone phantom power
DI level switching for sub mixing
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Allen & Heath AH-AVANTIS-W-DPACK 64 Ch USB Stereo Digital Mixer System & Dpack
This is The Avantis That has The DPack Software Included
IT'S A SMALL STEP TO A GIANT LEAP
The third mixer based on our 96kHz XCVI FPGA engine, Avantis puts all our next-generation technology in a 64 channel / 42 configurable bus console, with dual Full HD touchscreens, a super-flexible workflow with Continuity UI, extensive I/O options, add-on processing from our flagship dLive mixing system, and a rugged full metal chassis.
CONTINUITY UI
It's your mixer so mix your way.
With a massive 206 square inches of screen space operating at a crisp 1080p Full HD resolution, Continuity UI allows you to see and instantly interact with more of what matters, enabling a seamless connection between the physical controls and the displays.
The faders react on touch to immediately highlight the active channels for instant visual feedback.
The channel rotaries let you work gains or pans, then at the touch of a button, dynamically fold the display to show EQ or compressor parameters across the whole bank.
Each screen also features a FastGrab tab on the right-hand side, giving you split-second access to key freely-assignable parameters like aux sends, EQ, compressor and FX on the currently selected or specific channel.
The whole system is set up to dynamically surface the information you need at any moment and put control right at your fingertips.
EVERYTHING I/O
A complete ecosystem of remote expanders.
Whether you’re an owner/operator looking to build a compact system, or a rental company with existing Allen & Heath stock, the SLink connection on Avantis allows true flexibility by connecting to the entire range of Allen & Heath audio expander hardware.
Add a Dante card to your system and you’ve got even more options, with our dedicated Dante expanders, DT168 and DT164-W.
Get acclaimed dLive processing. Inside your Avantis Included with this Mixer..
Live processing including Dyn8 (up to 16 instances), DEEP Compressors, and the Dual Stage Valve Preamp, plus more models as they’re added.
dPACK - DEEP
Trusted by platinum selling artists on sellout tours, DEEP puts incredible emulations directly within Avantis’ input and mix channels with zero latency. No burning FX slots, no 3rd party gear hassles and no issues with latency or phase coherency.
dPACK - DYN8
Avantis dPack also delivers Dyn8, a powerful and sophisticated processor boasting 4 bands of dynamic EQ and 4 bands of multiband compression. With endless applications including taming vocals, tightening sub-groups or adding sonic glue to a mix, Dyn8 changes the way we think about dynamic processing. dPack enables 16 Dyn8 engines for inserting on Input and Mix channels.
A WORLD OF CONTROL
Avantis can be controlled using the Avantis Director software, MixPad app, Custom Control app or from our range of remote controllers and GPIO interfaces, with up to 48 IP remote controllers over a standard TCP/IP network. Applications include control of IEM mixes on stage, extra fader banks at FOH, and local control in breakout rooms.
IP1
1x push n turn rotary
1x LCD display
Wallplate (US or EU/UK standard)
PoE
IP6
6x push n turn rotaries
18x SoftKeys
8x LCD displays
Free standing or flush mount
PoE or wall wart
IP8
8x 60mm motor faders
22x SoftKeys
8x LCD displays
Free standing, flush mount or mic stand
PoE+ or wall wart
GPIO
8x GPI
8x GPO (N/O)
Half U, rack-mountable
PoE or wall wart
RACKEXTRA FX
12 dedicated fx rack slots. And no compromises.
Trust us, these are not your usual built-in effects.
Allen & Heath has a well-earned reputation for crafting FX emulations that rival the very best third party plug-ins, but with none of the associated hassle.
With a passion bordering on obsession, we’ve created a suite of FX inspired by some of the most revered outboard equipment, including pristine reverbs, detailed delays, and wonderful classic modulation effects.
Best of all, we offer our 12 FX slots with no compromises. Each effect takes up just one of the 12 slots, and each of the 12 FX slots has a dedicated stereo return - so you don’t need to waste your input channels.
FULL METAL CHASSIS
Lightweight and super-strong.
You’ve probably noticed that Avantis is not just another dull grey box mixer with plastic sides. Part-inspired by the tubular exo skeletons of the latest generation of superbikes, those sleek curves are all metal - super tough - but lightweight.
Because every part of Avantis was designed in pursuit of performance and reliability, we subjected it to some of the most rigorous testing we’ve ever embarked upon. And it took it all.
DIRECTOR
Editor & Control. Offline and Online.
Avantis Director is a free Windows and Mac OS application enabling offline editing and online control capabilities. Offline mode can be used for the creation and editing of show files and system configuration, as well as serving as a training tool for new users. Online mode delivers full remote-control of the mixer, freeing the engineer from the mix position to make changes from anywhere in the venue.
ONEMIX & MIXPAD APPS
Remote mixing. Personal monitoring.
MixPad
Avantis MixPad is an engineer’s mixing tool providing wireless mobile control for Allen & Heath Avantis digital mixers. It gives you the freedom to walk the room or stage and control the sound right where it is needed. Avantis MixPad and the Avantis mixer can work together to provide simultaneous control of independent functions, for example one engineer using the mixer to mix front-of-house sound, and another using the iPad to mix monitors on stage. Several iPads can be connected, each providing independent control.
OneMix
OneMix is a cut down version of the Avantis MixPad app that locks control to a single Aux (monitor) mix. Multiple iPads may be set up by the 'Admin' user to give each musician customised personal monitor control via Wi-Fi connection to Avantis without the risk of affecting the other monitors or FOH main mix. Avantis OneMix can be configured to provide as much or as little control as needed.
WELL CONNECTED
Dante. Waves. And so much more.
For local I/O, Avantis is well equipped with 12 XLR analogue inputs, 12 XLR analogue outputs, plus AES (Stereo In, 2x Stereo Out).
Two additional I/O Ports allow Avantis to benefit from the full range of current dLive option cards, including Dante (64x64 and 128x128), Waves, gigaACE, MADI and more, expanding the scope for system integration, FoH / monitor splits and multitrack recording.
DANTE 128x128
With 128 channels of bidirectional audio at 96kHz, the Dante 128x128 card is suitable for high channel digital splits between systems, for instance FOH and MON, whilst offering simultaneous multitrack recording via Dante Virtual Soundcard (available separately).
DANTE 64x64
The Dante 64x64 audio networking card offers low latency connectivity to Dante networks and devices using standard networking cabling and hardware and is a cost-effective alternative to Dante 128x128 in applications that don’t require the additional I/O.
Waves V3
An interface to the Waves SoundGrid networking platform, for plugin processing, multitrack recording and audio distribution.
Features:
96kHz 64 channel / 42 bus digital mixer
XCVI FPGA core with ultra-low latency (0.7ms)
Fully configurable mix bus architecture
Super-tough, full metal chassis
Continuity UI seamlessly connects physical and touchscreen controls for the fastest, most intuitive workflows
dPack option adds dLive processing, including 16 Dyn8 engines, plus per-channel zero-latency DEEP Compressors and Dual-Stage Valve preamp
12 RackExtra FX slots with dedicated stereo returns
16 DCAs
Dual 15.6” Full HD capacitive touchscreens with gesture control
AMM (Automatic Mic Mixer) up to 64 channels across 1, 2 or 4 zones
Fully assignable layout
144 fader strips (24 faders, 6 layers) with optional dedicated master section
SLink port for connection to Remote I/O Expanders and the ME Personal Mixing System
12 analogue XLR Inputs / 12 analogue XLR Outputs
1 Stereo AES In / 2 Stereo AES Out
2 I/O Ports, both capable of 128x128 operation at 96kHz – for optional cards inc. Dante, MADI and gigaACE
User configurable rotary controls
24 assignable SoftKeys
Comprehensive metering with multi-point peak detection
Internal storage for stereo playback and recording
USB stereo playback
BNC Word Clock
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Allen-Heath ZED60-14FX Multipurpose Mixer with FX Live Sound and Recordings
Live or in the studio, ZED60-14FX is a compact, portable mixer that is ideal for small bands.
This mixer is a guitarist’s dream. Two of the 8 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards.
ZED60-14FX comes with configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 stunning FX.
Most important of all, ZED60-14FX lives up to the audio and build quality standards that have made Allen & Heath one of the most trusted names in professional audio for more than 40 years.
USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-
SEND OPTIONS:
1) Main Mix Left + Right (Post master Level)
2) Aux + FX bus (Aux is a pre-fade send, FX is a post-fade send)
3) Record Bus Left + Right (Separate stereo bus to Main Mix)
RETURN OPTIONS:
1) To Playback input (through jack socket break contacts)
2) To Stereo 2 channel (through jack socket break contacts)
MUSIQ
ZED60-14FX features a responsive 3-band, swept mid frequency EQ design which utilizes MusiQ – with optimized slope (or Q factor) for equalizing individual instruments.
ZED-FX
ZED60-14FX has an essential selection of 16 time-delay effects, designed for small groups who don’t want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point – this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialed-in. There is one-stop navigation and editing – in fact, it’s just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.
GUITAR DI
ZED60-14FX’s pre-amps are similar in design to our MixWizard range of mixers, but with a twist! Inputs 7 & 8 have a high impedance jack input capable of taking either a normal line level or a low level input from a guitar pickup. These newly designed inputs have been crafted with the aim of replicating the sound of a classic guitar or instrument tube pre-amp in a combo or head amp. An extremely high input impedance ensures loading on pick-ups is minimal and a Class A FET (field effect transistor) circuit powered from 48V is employed to give the valve-like gain stage. There is a gain “Boost” switch associated with the guitar inputs which boosts gain by 26dB to cater for instruments with very low level outputs and the overdrive characteristics of the guitar inputs are very similar to a valve (tube) circuit, being asymmetric and soft. All this makes for a wonderfully natural sound to be reproduced from the instrument, full of warmth and character.
Features:
8 mic/line inputs, 2 with Class A FET high impedance
60mm professional quality faders
Responsive 3-band, swept mid EQ with MusiQ
Configurable USB stereo audio in/out
1 pre-fade Aux send
1 FX send
2 stereo inputs
Separate 2-track record outputs
16 Internal Effects
XLR main stereo outputs with inserts
Comprehensive monitoring
48V microphone phantom power
DI level switching with Gain Boost
Neutrik XLRs and 1/4 inch jacks
----------------------------------------------------------------------------------------------------------------
Echotone Music LLC is an experienced E-commerce Audio & Musical instrument dealer since 1998. We take pride in selling quality gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Items are well packed and shipped USPS, UPS or Pallet Freight Service. Items purchased on Friday may not ship until Monday or until the projected processing period. We are working hard to get your unit Built ( if needed), processed and shipped.
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided, otherwise customer pays for return shipping costs.
Returned items must be sealed/unopened in original, brand-new condition, showing no signs of wear or use such as mount marks, plug marks, scratches, scuffs, dings or scrapes, screw mount marks or collateral material damage.. Items must also include all original packaging, manuals, warrantees & accessories or your return may be subject to a return handling charge.
Refunds or for the Item cost only. If the item was listed as free shipping then the cost of the shipment will be deducted from the units original cost. Gear returned with out all its original packaging, warranty cards and accessories or that shows signs of wear from use, will be subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
The following products cannot be returned - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, strings, reeds, computers, tubes, earbuds, earplugs, recorders, harmonicas, raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids, clothing/footwear, cleaners, polishes & polishing cloths, software/soundware, books, CDs, DVD's, vinyl records, and videos.
Happy customers, that's music to our ears!
Allen & Heath ZED22FX Multipurpose Mixer with FX for Live Sound and Recording
ZED-22FX is ideal for groups who need to travel light. Featuring configurable USB audio in/out makes it easy to capture stereo recordings. Easily accommodates vocals, drums, guitar, bass and keys whilst also providing a dedicated FX bus and 16 internal time-delay effects – giving the whole mix extra ambience.
USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-
SEND OPTIONS
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4
RETURN OPTIONS
1) To Stereo 3 channel
MUSIQ
ZED-22FX features a responsive 3-band, swept mid frequency EQ design which utilizes MusiQ – with optimized slope (or Q factor) for equalizing individual instruments.
ZED-FX
ZED-22FX has an essential selection of 16 time-delay effects, designed for small groups who don’t want to carry around an effects unit with their gear but who still want great quality FX at their gigs and on their recordings. Our DSP engineers worked hard, crafting and refining beautiful reverb algorithms to enhance every performance. These effects are available nowhere else at this price point – this quality and integration is only available from the ZED-FX. ZED effects are easily controlled using 3 buttons with 9 display LEDs. For example, the ideal delay time can be quickly tapped-in, or the perfect amount of reverb on the lead vocal can be dialed-in. There is one-stop navigation and editing – in fact, it’s just as easy as using effects pedals. To alter effects parameters, the TAP button is held down and the up/down buttons pressed to adjust the specific parameter for that effect, for example, the decay length on PLATE, or the depth on CHORUS.
DUOPRE
Based on the proven pre-amps from the hugely successful PA series, ZED-22FX has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge – 69dB of range to be exact – and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.
Features:
16 mono channels
16 internal time-delay effects
Neutrik mic XLR
Neutrik 1/4 inch jacks
Channel insert
Super wide gain ‘DuoPre’ mic line input
3 band EQ with MusiQ
2 pre-fade Aux sends
1 post-fade Aux send
1 internal FX send
Illuminated mute
Sound image pan
Illuminated PFL & peak warning indicator
ALPS 100mm faders
4 stereo channels with 2-band EQ and inputs for extra sources
Stereo returns & playback
All inputs with level control
12 bar meters
Mono/stereo function on auxes 1&2
Monitor output section
Alt stereo output source
Configurable USB stereo audio in/out
----------------------------------------------------------------------------------------------------------------
Echotone Music LLC is an experienced E-commerce Audio & Musical instrument dealer since 1998. We take pride in selling quality gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Items are well packed and shipped USPS, UPS or Pallet Freight Service. Items purchased on Friday may not ship until Monday or until the projected processing period. We are working hard to get your unit Built ( if needed), processed and shipped.
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided, otherwise customer pays for return shipping costs.
Returned items must be sealed/unopened in original, brand-new condition, showing no signs of wear or use such as mount marks, plug marks, scratches, scuffs, dings or scrapes, screw mount marks or collateral material damage.. Items must also include all original packaging, manuals, warrantees & accessories or your return may be subject to a return handling charge.
Refunds or for the Item cost only. If the item was listed as free shipping then the cost of the shipment will be deducted from the units original cost. Gear returned with out all its original packaging, warranty cards and accessories or that shows signs of wear from use, will be subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
The following products cannot be returned - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, strings, reeds, computers, tubes, earbuds, earplugs, recorders, harmonicas, raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids, clothing/footwear, cleaners, polishes & polishing cloths, software/soundware, books, CDs, DVD's, vinyl records, and videos.
Happy customers, that's music to our ears!
Allen & Heath AH-ME-500 Personal Mixer with 16 Mono/Stereo Channels Fast Setup
Ships Free!
ME-500 is a powerful walk-up-and-mix solution that’s quick to set up and easy for just about anyone to learn in moments. The ME-500 personal mixer’s intuitive hands-on controls and crisp visual display make it easy for musicians to quickly build and control their own monitor mixes. With plug ‘n’ play setup and self-sufficient musicians, ME-500 is also a massive time-saver for the audio engineer.
Fast Setup
With ME-500 there’s no time-consuming configuration of individual units. The first 16 mono / stereo channels and / or mixes assigned from the mixer will be automatically mapped to ME-500’s 16 select keys, so it’s fast and simple to deploy personal mixers in pressured situations such as festivals.
8 User Presets
Levels, pan and mutes can all be stored and recalled at the touch of a button. Presets can be saved to USB and easily transferred to different ME-500s.
Features
16 Mono / 16 stereo inputs with level and pan control
Master 2 band EQ and Limiter
Automatic key assignment
8 User presets
3.5mm and 1/4” headphone outputs
Solo and Mute keys
Mains or PoE powered
Daisy chain or use standard PoE Ethernet hubs
Mic stand bracket + headphone hanger sold separately
Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998. We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Pro packed & shipped USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed & shipped. Processing times vary, 2-30 days
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids
Allen-Heath AH-ZED24 Multipurpose Mixer for Live Sound and Recording Stereo
ZED-24 has an incredibly advanced feature-set for a mixer at this level – it has 23 independent sources to the mix, 10 independent outputs, 4 aux sends, Configurable USB audio in/out makes it easy to capture stereo recordings, playback and effects, a unique dual stereo input capability and some very advanced monitoring facilities. In fact, ZED-24 is so packed full of great features that you’d think it would cost much, much more!
USB AUDIO FLEXIBILITY
Getting audio to and from a computer easily is now a common requirement for live sound and music production. The way this has been implemented on ZED is super-flexible and super-easy! No longer do you need to fiddle around the back of your PC to get to the soundcard inputs, only to find that the levels are all wrong and noisy. Just plug in a USB lead to your ZED, select the USB routing on the mixer and the device on your computer and that’s it! CD quality audio to and from your PC or Mac. Switches and connection through jack socket terminals provide different send/return configurations:-
SEND OPTIONS
1) Main Mix Left + Right (Post-fade)
2) Main Mix Left + Right (Pre-Fade)
3) Auxes 1-2
4) Auxes 3-4
RETURN OPTIONS
1) To Stereo 3 channel
MUSIQ
ZED-24 features a responsive 3-band, swept mid frequency EQ design which utilizes MusiQ – with optimized slope (or Q factor) for equalizing individual instruments.
DUOPRE
Based on the proven pre-amps from the hugely successful PA series, ZED-24 has DuoPre pre-amps, which use a two stage design, with carefully controlled amounts of gain in each stage. When amplifying the signal from the XLR input, the gain range is huge – 69dB of range to be exact – and is very evenly distributed around the gain control, meaning better control of signal level. Most of the gain comes from the first stage, so unwanted noise is kept to a minimum. Line level signals are simply plugged into the second stage of the pre-amp by using the line input jack socket, which has the great advantage of less noise when using the line input and also matching to a higher input impedance.
Features:
16 mono channels
Neutrik mic XLR
Neutrik 1/4 inch jacks
Channel insert
Super wide gain ‘DuoPre’ mic line input
3 band EQ with MusiQ
4 auxes
Illuminated mute
Sound image pan
Illuminated PFL & peak warning indicator
ALPS 100mm faders
4 stereo channels with 2-band EQ and inputs for extra sources
Stereo returns & playback
All inputs with level control
12 bar meters
Mono/stereo function on auxes 1&2
Monitor output section
Alt stereo output source
Configurable USB stereo audio in/out
----------------------------------------------------------------------------------------------------------------
Echotone Music LLC is an experienced E-commerce Audio & Musical instrument dealer since 1998. We take pride in selling quality gear for musicians, sound engineers, production companies and broadcast applications.
Shipping --Items are well packed and shipped USPS, UPS or Pallet Freight Service. Items purchased on Friday may not ship until Monday or until the projected processing period. We are working hard to get your unit Built ( if needed), processed and shipped.
Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided, otherwise customer pays for return shipping costs.
Returned items must be sealed/unopened in original, brand-new condition, showing no signs of wear or use such as mount marks, plug marks, scratches, scuffs, dings or scrapes, screw mount marks or collateral material damage.. Items must also include all original packaging, manuals, warrantees & accessories or your return may be subject to a return handling charge.
Refunds or for the Item cost only. If the item was listed as free shipping then the cost of the shipment will be deducted from the units original cost. Gear returned with out all its original packaging, warranty cards and accessories or that shows signs of wear from use, will be subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new.
The following products cannot be returned - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items, electronic software downloads, demo gear, strings, reeds, computers, tubes, earbuds, earplugs, recorders, harmonicas, raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids, clothing/footwear, cleaners, polishes & polishing cloths, software/soundware, books, CDs, DVD's, vinyl records, and videos.
Happy customers, that's music to our ears!
A New Standard in Compact Digital Mixing
48 channel, 96kHz digital mixer for live sound, AV and installation.
Compact, powerful, and versatile, the Allen & Heath SQ-5 is a premium 48-channel digital mixer designed for professionals who need exceptional performance in a portable format. It features 16+1 motorized faders, 16+1 onboard preamps and 8 assignable SoftKeys, providing comprehensive control in a compact 19” rack-mountable design.
Drag-and-Drop Layout
Channels and mixes can be dragged and dropped to any strip, with custom naming and colour coding on the displays, allowing you to build a mixing environment that works for you.
At-a-Glance Metering
Each strip features our patented Chromatic channel metering system, giving you at-a-glance level indication thanks to LEDs with variable brightness and colour.
Intuitive Control
SQ’s dashboard is centred around a high-res 7” touchscreen, framed by an array of high-grip, illuminating encoders to create an intuitive, integrated blend of clear visual feedback and immediate, hands-on control.
Speed Up Your Workflow
All SQ mixers feature SoftKeys, which can be assigned to commonly used functions. The SQ-6 and SQ-7 also provide assignable Soft Rotaries for even more custom control.
Processing
Powerful Processing
Every input has HPF, a super-fast gate with sidechain and filter, a musical 4-band parametric equaliser with RTA, and Peak/RMS compressor for control and shaping of levels and transients.
Mixes have both a parametric and 28 band graphic EQ, along with compressor as standard, all ready to switch in when required.
FX
World-Class FX
SQ is armed with 8 stereo FX engines and comes complete with the acclaimed RackExtra library, featuring emulations of legendary classic reverbs, gated reverbs, delays, modulators and more.
Every engine has its own dedicated stereo return too, so you don’t need to use up any of your 48 input channels.
Integrated USB Interface
Record. Stream. Mix.
SQ’s built-in 32×32 96kHz audio interface enables easy multitrack recording, backing-track playback, livestreaming and virtual soundcheck.
The interface is class-compliant on Mac OS X making it truly plug ‘n play, with ASIO and WDM compatible drivers available for Windows computers.
You can even map the SQ’s faders, rotaries, channel keys and softkeys to control your favourite DAW using the Allen & Heath MIDI Control app.
Features
Audio and Processing:
96kHz XCVI FPGA processing
48 input channels
12 stereo mixes + LR
3 stereo matrix
8 stereo FX engines + dedicated stereo returns
DEEP processing ready
Onboard I/O:
16+1 built-in mic preamps
2 stereo line inputs
12 XLR line outputs
2 TRS line outputs
AES output
Control:
16+1 Faders / 6 Layers
7” capacitive touchscreen
8 assignable SoftKeys
SQ-MixPad app
SQ4You app
Expandability and Integration:
SLink port for remote audio/expansion
64×64 I/O port for audio networking cards (Dante, Waves, MADI, SLink)
Recording and Streaming:
SQ-Drive direct recording to USB
32×32 96kHz USB interface