Lewitt Microphones

Lewitt LCT 140 AIR Stereo Pair – Versatile Recordings in Perfect Stereo

Key Features:

• Perfectly matched stereo pair

• Choose between two sound characteristics: AIR or FLAT

• Made for acoustic instrument recording

• Low-cut filter and PAD

• Cardioid polar pattern

• Includes: Foam windscreen, Microphone clip, Transport bag

Overview
The LCT 140 AIR stereo pair delivers versatility and precision for professional recordings. Switch between two sound modes—AIR for a bright, record-ready tone or FLAT for a natural, authentic capture. Thanks to automated precision matching, you get perfectly balanced stereo performance without extra cost.

This lightweight, professional-grade pair offers two sound modes, low-cut, and pre-attenuation—ideal for studio or live applications.

Sound Characteristics
AIR or FLAT? Record instruments exactly how you want them.

• AIR: Open and sparkling, perfect when you need great sound right away.

• FLAT: Linear frequency response, ideal for realistic sonic imaging of drums, strings, acoustic guitars, and choirs.

Precision Matching
Every LCT 140 AIR undergoes one of the most accurate stereo matching processes in the industry. Each microphone’s frequency response and sensitivity are measured, and an algorithm pairs them perfectly, ensuring consistent, phase-accurate stereo capture.

Full Flexibility
Equipped with a low-cut filter and PAD, the LCT 140 AIR handles loud sources effortlessly and minimizes unwanted low-frequency noise.

Ideal for Recording:

• Acoustic Guitar

• Drums

• Strings

• Choirs

• Piano

• Ukulele

Specifications

• Type: Condenser, permanently polarized

• Operating Principle: Pressure gradient transducer

• Transducer Diameter: 17 mm (0.67 in)

• Diaphragm: 3-micron gold-sputtered Mylar

• Polar Pattern: Cardioid

• Frequency Range: 20–20,000 Hz

• Sensitivity: 14.6 mV/Pa (−36.7 dBV/Pa)

• Self-Noise: 20 dB(A)

• Max SPL (0.5% THD): 135 dB SPL

• Dynamic Range: 115 dB(A)

• Attenuation: 0 dB / −12 dB

• Low-Cut Filter: Linear / 80 Hz (12 dB/oct)

• Impedance: 173 Ω

• Supply Voltage: 48 V ± 4 V (phantom power)

• Current Consumption: 7.2 mA

• Connector: Gold-plated 3-pin XLR

• Dimensions: 24 dia. x 140 mm, 0.9 dia. x 5.5 in

• Weight (each): 66 g (2.3 oz)

Measured per IEC 60268-4 | Phantom Power per IEC 61938 | Noise Measurement per IEC 60268-1

Lewitt LCT 140 AIR Small Diaphragm Condenser Microphone

Two sounds with the flip of a switch.
LCT 140 AIR — Small diaphragm condenser microphone.

Choose between two distinct sound characteristics: AIR and FLAT.
Perfect for acoustic guitars, drums, and other instruments.

• Excellent transient response

• Cardioid polar pattern

• Lightweight and durable aluminum housing

• Includes: Foam windscreen, microphone clip, and transport bag

Sound Options

• AIR: Open, sparkling tone ideal for quick results without post-processing.

• FLAT: Linear, natural sound for realistic recording of instruments.

Performance
Delivers a punchy yet warm sound with accurate transient reproduction.
Ideal for cymbals, strings, and acoustic instruments.

Specifications

• Type: Condenser, permanently polarized

• Acoustical operating principle: Pressure gradient transducer

• Transducer Ø: 17 mm (0.67 in)

• Diaphragm: 3-micron gold-sputtered Mylar

• Polar pattern: Cardioid

• Frequency range: 20 Hz – 20 kHz

• Sensitivity: 14.6 mV/Pa (-36.7 dBV/Pa)

• Self-noise: 20 dB (A)

• Max SPL: 135 dB SPL

• Dynamic range: 115 dB (A)

• Pre-attenuation pad: 0 / -12 dB

• Low-cut filter: Linear / 80 Hz (12 dB per octave)

• Internal impedance: 173 Ω

• Power: 48 V ± 4 V phantom

• Connector: Gold-plated 3-pin XLR

• Dimensions: 0.9 in (Ø) × 5.5 in (L)

• Weight: 2.3 oz (66 g)

Lewitt LCT640TS Dual Output Condenser Microphone Multi-Pattern

Whether you're recording studio vocals or stereo drum overheads, the LCT 640 TS is up to the task.

Its forward-thinking feature set has been officially certified by the Music and Technology Alliance (MET), consisting of top award-winning audio engineers/producers, including Elliot Scheiner, George Massenburg, and Sylvia Massy, just to name a few.

For when you need beautifully bright and clear recordings, the professional-grade FET circuitry of the LCT 640 TS will let you hear every nuance of the performance.

You'll get perfect clarity, and small details will shine through, making it the best choice for vocals, stringed instruments, piano, or even ASMR recordings.

Stereo recording can be time-consuming and challenging. With the LCT 640 TS, you can record perfect, in-phase stereo with a single microphone.

The signals from the front and back of the LCT 640 capsule can be output on two separate channels, making it adaptable to both solo vocals and wide open rooms and even choirs.

Every single LCT 640 TS undergoes a series of measurements followed by an adjustment of polarization voltage to achieve the same sensitivity in every microphone. It is what we call our Perfect match technology.

If you add more LCT 640 TS to your collection, you can use any two of them as a stereo pair.

Features:
• 1" multi-pattern studio condenser microphone
• Full, crisp, and well-balanced sound
• Revolutionary Dual Output Mode
• POLARIZER plugin to create any pattern after the fact
• Stereo capabilities

Specifications:
• Type: Condenser, externally polarized
• Acoustical operating principle: Pressure gradient transducer
• Diaphragm:3 micron gold sputtered Mylar
• Transducer Ø: 25.4 mm, 1 in
• Polar pattern: Dual Output Mode: create any polar pattern in post-production / Multi-Pattern Mode: Omni, wide cardioid, cardioid, supercardioid, figure-8
• Frequency range: 20 ... 20,000 Hz
• Sensitivity: 31.4 mV/Pa, -30.1 dBV/Pa
• Self-noise: 10 dB (A)
• Max. SPL for 0.5 % THD: 134 dBSPL, 0 dB attenuation
• Signal / noise ratio: 84 dB (A)
• Dynamic range: 124 dB (A)
• Attenuation: 0 dB, -6 dB, -12 dB, -18 dB
• Low-cut filter: linear, 40 Hz (12 dB/oct), 80 Hz (12 dB/oct), 160 Hz (6 dB/oct)
• Internal impedance: 110 Ω
• Supply voltage: 48 V ± 4 V
• Current consumption: 5.1 mA
• Microphone enclosure: Zinc die cast
• Connector: Gold plated 3-pin XLR + Mini 3-pin XLR
• Microphone dimensions: 158 x 52 x 36 mm, 6.22 x 2.04 x 1.42 in
• Microphone net weight: 425 g, 14.9 oz
• Min. system requirements: POLARIZER Plugin | Windows: Windows 10 or newer, 64bit plugin formats: VST3 and AAX (all 64bit) , macOS: 10.15 Catalina or newer, VST3, AAX, AudioUnit v2 (Intel64+Silicon architectures) , DAWs: 64bit DAWs on Windows and Intel mac machines, ProTools: Win: ProTools 12.5 and newer, macOS: ProTools 2019.12 and newer

Lewitt CONNECT2 USB-C Audio Interface with Autosetup & Clipguard

CONNECT 2 is the most user-friendly audio interface for musicians and content creators. It combines great usability, powerful features, and incredible specs.

Comes with CONTROL CENTER software and all the tools to make you sound sensational with just a few clicks.

With CONNECT 2, you don't need an audio engineering degree to sound great. Run Autosetup and quickly find your perfect settings with the help of the integrated Clipguard, Denoiser, Compressor, and three iconic preamp sounds.

Mute all channels separately on hardware- and software, or if things are getting out of control, hold MUTE to globally mute everything until you reset your channels the way you want.

The custom button lets you assign one of many workflow shortcuts. You can switch from a recording to a monitoring scenario, bring up the CONTROL CENTER with a single push, and more.

Whether you choose dynamic or condenser, CONNECT 2 will yield the best results with its high-end microphone preamp. It offers up to 72 dB gain, so you'll never need an additional signal booster and an incredible dynamic range of 118 dB(A).

Features:
• USB-C audio interface
• Autosetup for sensational sound with just a few clicks
• Clipguard protects from distortion
• Single-click Compressor and Denoiser
• Three iconic preamp sounds
• Touch-based and intuitive controls
• Custom button for workflow shortcuts
• Individual LED colors and brightness

Specifications:
• Features: RGBW LEDs, MUTE, custom button, autogain, input / playback mix, gain reduction display, Kensington lock
• Control: Capacitive touch
• Inputs: 1x Microphone: balanced 3-pin XLR, 1x Instrument: Hi-Z 6.3 mm jack
• Outputs: 2x Speaker: 6.3 mm balanced jack, 1x Headphone: 6.3 mm jack, 1x Headphone: 3.5 mm jack
• Metering: 25 step high-resolution
• Dimensions and weight: 151 x 110 x 41 mm, 394 g
• Power requirements: USB bus-powered
• Type: USB-C audio interface
• Software: LEWITT CONTROL CENTER
• DAW included: Steinberg Cubase LE, Cubasis LE
• Compatibility: MacOS, Windows, iOS (plug and play with USB-C devices, devices with lightning connector require Camera Connection Kit and external bus power)
• ASIO driver: Yes
• Sample rate: 44.1 kHz, 48 kHz, 96 kHz
• Bit rate: 24
• USB Audio Class: 2.0
• Signal flow: Input / playback mix
• DSP powered: Yes
• Loopback: Yes
• Inputs / Outputs: 4 (includes 2 software channels) / 2
• Streaming modes: macOS mode, mobile mode
• Min. system requirements: Windows 10 (64 bits): 4 GB RAM minimum, USB 2.0 connector; macOS 10.15 and higher: 4 GB RAM minimum, USB 2.0 connector

Lewitt LCT440PURE Studio Condenser Microphone with Shock Mount

The LCT 440 PURE is a studio-quality microphone with high-end specs and Record-Ready sound to unfold your creative potential.

It is the distilled essence of our top-of-the-line microphones and our absolute bestseller.

To make recording as easy as possible, the LCT 440 PURE features Record-Ready sound. It makes your voice and instrument sit well in the mix.

The Record-Ready LEWITT sound is the first choice for producers and engineers working with artists like Justin Bieber, The Rolling Stones, Lil Yachty, Halsey, Post Malone, Kehlani, Yngwie Malmsteen, or Doja Cat.

LEWITT microphones are also an integral part of microphone lockers in iconic studios like Atlantic Records Studio, Blackbird Studios, Metropolis Studios, Sound Factory, and many more.

LCT 440 PURE has a compact and clever design that makes it easier to show your face to the camera, read a script, or view a screen while using the microphone. There is no bulky pop filter or microphone covering your face or field of view.

The shock mount protects your signal from structure-borne noise. The pop filter protects your signal from plosives during vocal recordings and attaches to the shock mount magnetically.

Features:
• 1" true condenser studio microphone
• High-end circuit and capsule design
• For vocals, podcasts, and instruments
• Record-Ready sound for easy recording
• Cardioid polar pattern
• Camera-friendly design

Specifications:
• Type: Condenser, externally polarized
• Acoustical operating principle: Pressure gradient transducer
• Diaphragm: 3 micron gold sputtered Mylar
• Transducer Ø: 25.4 mm, 1 in
• Polar pattern: Cardioid
• Frequency range: 20 ... 20,000 Hz
• Sensitivity: 27.4 mV/Pa, -31.2 dBV/Pa
• Self-noise: 7 dB (A)
• Max. SPL for 0.5 % THD: 140 dBSPL
• Signal / noise ratio: 87 dB (A)
• Dynamic range: 133 dB (A)
• Supply voltage: 48 V ± 4 V
• Current consumption: 2.63 mA
• Internal impedance: 110 Ω
• Connector: Gold plated 3-pin XLR
• Microphone enclosure: Zinc die cast
• Microphone dimensions: 138 x 52 x 36 mm, 5.43 x 2.04 x 1.42 in
• Microphone net weight: 310 g, 10.9 oz
• Microphones measured according to: IEC 60268-4 | Phantom power according to: IEC 61938 | Noise measurement according to: IEC 60268-1

Lewitt CONNECT6 USB-C Audio Interface with DSP Effects & Loopback

Today, we use audio interfaces for more than recording. We host podcasts, take zoom calls, participate in live streams, and produce content for social media.

CONNECT 6 extends the usability of an audio interface beyond basic recording functionalities, so you have them when you need them.

CONNECT 6 lets you fully integrate your mobile device into your audio setup.

CONNECT 6 provides two studio-grade preamps for crystal-clear sound with any microphone— dynamic and condenser.

To ensure everything works on your computer, CONNECT 6 comes with its own ASIO driver. This ensures plug-and-play capability and low latency on every system.

Features:
• Dual USB-C audio interface for creators and musicians
• Extensive analog and digital connectivity
• Studio-grade preamps with 72 dB gain and -133 dBV EIN
• Auto Setup for voice, vocals, and instruments
• Zero-latency DSP effects included
• Easy routing, mixing, and loopback
• Made for Windows, Mac, iPhone, iPad, and Android

Specifications:
• 2 Studio-grade preamps with XLR / Line combo jacks
• Outstanding 72 dB of preamp gain - no need for signal boosters
• Industry-leading low noise performance of -133 dBV EIN
• Auto Setup for optimal settings in any recording environment
• Professional sound with zero-latency DSP-powered effects
• Professional sound without tweaking via Auto Setup
• 2 microphone inputs for crystal clear studio quality
• 2 independent outputs for any studio headphone
• Loopback channel to record your computer's audio or Skype/Zoom/Teams
• Maximizer ensures your content is loud and clear
• Hardware I/O:
• 2 Studio-grade preamps for microphones and instruments
• 1 Stereo aux input for synths or other devices
• 1 Mobile in/out for full mobile device integration
• 1 Power in for optimal performance depending on your USB-A port
• 1 Stereo speaker output for loudspeakers
• 2 Balanced jack outputs for studio monitors
• 2 Independent headphone outputs
• Digital I/O:
• 4 Software channels for routing audio
• 3 Loopback channel for capturing system audio
• 1 Mobile input for capturing audio from your smartphone/tablet
• 1 Mobile output for sending audio to your smartphone/tablet
• 2 Independent mixes, e.g. for monitoring and streaming

Lewitt LCT1040 Studio Microphone with Remote & Tube Sound

During the development process of the LCT 1040, we set out to see Grammy award-winning engineers and producers in their fantastic studios to put our prototypes to the test in real-life conditions.

The additional feedback from the global audio community ranging from friendly appreciation to brutal honesty was exactly what we needed to bring this exciting project to perfection.

Set the directivity with the seamless polar pattern control of the LCT 1040, giving you exactly what you were looking for. Additionally, you can also freely define the front of the mic depending on your recording scenario.

To prepare you for all possible scenarios, the LCT 1040 features two XLR outputs with Neutrik connectors. The Mix output delivers the ratio set with the Circuit control, a combination of the tube and FET circuit. The FET output delivers 100% pure FET independent from the Circuit control.

The high-performance magnetic pop filter of the LCT 1040 protects your capsule from unwanted plosives and moisture. Its double-layer design perfectly integrates with the shock mount and ensures clean recordings with any vocalist or genre.

Features:
• Studio centerpiece - adapt to any sound source
• 4 all-analog tube characteristics - Clear, Warm, Dark, and Saturated
• Developed in close cooperation with Grammy-winning studio professionals
• Detachable remote control for unrivaled workflow
• Blendable FET circuit and seamless polar pattern control

Specifications:
• Type: Condenser, externally polarized
• Acoustical operating principle: Pressure gradient transducer
• Transducer Ø: 25.4 mm, 1 in
• Diaphragm: 3 micron gold sputtered Mylar
• Polar pattern: Seamless from omni to wide cardioid, cardioid, supercardioid, figure-8
• Frequency range: 20 ... 20,000 Hz
• Sensitivity: 17.2 mV/Pa, -35.3 dBV/Pa
• Self-noise: 10 dB (A) FET, 13 dB (A) tube
• Max. SPL for 0.5 % THD: 137 dBSPL, 0 dB attenuation
• Signal / noise ratio: 84 dB (A) FET, 81 dB (A) tube
• Dynamic range: 127 dB (A)
• Attenuation: 0 dB, -6 dB, -12 dB, -24 dB
• Low-cut filter: lin, 40 Hz (12 dB/oct), 80 Hz (12 dB/oct), 120 Hz (6 dB/oct)
• Internal impedance: 83.8 Ω
• PSU - supply voltage: 230 V, 50 Hz, 110 V, 60 Hz
• Current consumption: 230V - 170 mA, 110V - 240 mA
• Connector PSU and remote: Gold-plated 3-pin XLR by Neutrik
• Connector: 10-pin Hirose Electric
• Tube/Valve: E88CC / 6DJ8
• Microphone enclosure: Zinc die cast
• Microphone dimensions: 196 x 65 x 45 mm, 7.7 x 2.6 x 1.8 in
• Microphone net weight: 652 g, 23 oz
• PSU dimensions: 240 x 170 x 47 mm, 9.4 x 6.7 x 1.9 in
• PSU net weight: 2381 g, 68 oz
• Remote dimensions: 240 x 163 x 52 mm, 9.4 x 6.4 x 2 in
• Remote weight: 1952 g, 69 oz

Lewitt RAY XLR Condenser Microphone with AURA & Mute

By continuously measuring your distance from the microphone, RAY can adapt your levels and tone on the fly.

You can focus on your performance while creating flawless recordings for podcasts, content, live streaming, and music production.

RAY is the first professional XLR microphone that comes with a MUTE button. You get clear visual feedback when MUTE is engaged and works fully analog, even when MUTE by Distance is activated.

RAY features our signature Record-Ready sound. It's the first choice for producers and engineers working with artists like Justin Bieber, The Rolling Stones, Halsey, Post Malone, Kehlani, Yngwie Malmsteen, or Doja Cat, be it in the studio or on stage.

RAY is based on our best-selling studio microphone, the LCT 440 PURE, and therefore features high-end specifications.

RAY's compact and clever design makes it easier to show your face to the camera, read a script, or view a screen while using the microphone. There is no bulky pop filter or microphone covering your face or field of view.

The shock mount protects your signal from structure-borne noise. The pop filter protects your signal from plosives during vocal recordings and attaches to the shock mount magnetically.

RAY is a true condenser microphone with 3-pin XLR connector. It powers all its features via 48V phantom power from your audio interface or mixer. No additional power source is needed. Just plug it in and start recording.

Features:
• Groundbreaking XLR microphone
• Sensor-based AURA Technology
• MUTE by Distance feature
• Dedicated MUTE button
• Record-Ready sound
• 1" true condenser capsule
• 100% analog signal path
• Works with any audio interface
• Camera-friendly design

Specifications:
• Type: Condenser, externally polarized
• Acoustical operating principle: Pressure gradient transducer
• Diaphragm: 3 micron gold sputtered Mylar
• Transducer Ø: 25.4 mm, 1 in
• Polar pattern: Cardioid
• Frequency range: 20 ... 20,000 Hz
• Sensitivity: 22.6 mV/Pa, -32.9 dBV/Pa
• Self-noise: 8 dB (A)
• Max. SPL for 0.5 % THD: 131 dBSPL
• Signal / noise ratio: 86 dB (A)
• Dynamic range: 123 dB (A)
• Features: AURA, MUTE by distance, MUTE button, Lock mode
• AURA processing range: Seamless from 5 to 100 cm / 2 to 40 in
• MUTE by Distance range: 15 / 30 / 45 / 60 / 80 cm, 6 / 12 / 18 / 24 / 32 in
• MUTE attenuation value: -70 dB
• Supply voltage: 48 V ± 4 V
• Current consumption: 7.2 mA
• Internal impedance: 120 Ω
• Connector: Gold plated 3-pin XLR
• Microphone enclosure: Zinc die cast
• Microphone dimensions: 138 x 52 x 36 mm, 5.43 x 2.04 x 1.42 in
• Microphone net weight: 330 g, 11.6 oz

Lewitt PURETUBE Studio Condenser Microphone for Vocals & Recording

Retain full sound quality. Vintage tube mics sound great, but their high noise floor is a problem. Especially when applying heavy compression. PURE TUBE gives you puristic tube sound with an ultra-low noise floor of only 7 dB (A) that makes it fit for endless vocal layering, heavy compression, and more.

PURE TUBE upgrades your vocal performance with timeless premium sound, which is apparent in all the details. From its precisely crafted 1" capsule and revolutionary circuit to the integrated design of the shock mount and magnetic pop filter.

The pop filter magnetically attaches directly to the shock mount and gives you the pop performance of a studio-grade gooseneck filter while retaining the natural sound of your voice. And you are free to focus on your performance.

Works worldwide with low power consumption. The included power supply unit is extremely compact.

Upgrading gear to the next tier is a very considered decision for many of us. That's why PURE TUBE comes with a 10-year warranty and industry-leading customer service to ensure peace of mind.

A safe investment that's built to last.

PURE TUBE is developed in the LEWITT lab, a research framework founded to push audio technologies to their limits and foster innovation.

Features:
• Studio microphone for premium sound
• 1" true condenser capsule
• Optimized for vocals
• Revolutionary circuit design
• Puristic signal path
• Hand-selected 12AU7/ECC82 tube
• Ultra-low self-noise of 7 dB (A)
• Cardioid polar pattern
• 10-year LEWITT warranty

Specifications:
• Type: Condenser, externally polarized
• Acoustical operating principle: Pressure gradient transducer
• Diaphragm: 3 micron gold sputtered Mylar
• Transducer Ø: 25.4 mm, 1 in
• Polar pattern: Cardioid
• Frequency range: 20 ... 20,000 Hz
• Sensitivity: 28.2 mV/Pa, -31 dBV/Pa
• Self-noise: 7 dB (A)
• Max SPL: 132 dBSPL
• Signal / noise ratio: 87 dB (A)
• Dynamic range: 125 dB (A)
• PSU - supply voltage: 230 V, 50 Hz, 110 V, 60 Hz
• Connector: 7-pin XLR connector
• Microphone enclosure: Zinc die cast
• Microphone dimensions: 196 x 65 x 45mm, 7.7 x 2.6 x 1.8 in
• Microphone net weight: 692 g, 24.41 oz

Lewitt LCT540S Ultra-Low Noise Studio Condenser Microphone

Experience a whole new level of musical detail.

Our unique approach towards electronics and capsule design makes the microphone better than human hearing. With the LCT 540 S, we set a new benchmark in terms of capturing fine-grained details of your recording source. Record details of your voice and instruments that usually wouldn’t even be audible. Make every detail count.

Our hearing threshold is very frequency-dependent. It is less sensitive towards low and very high frequencies and most sensitive around 2 – 5 kHz. With our specific and unique approach towards circuit and capsule design, we were able to realize self-noise that'll stay below the threshold of hearing across the entire frequency spectrum.

With its cutting-edge circuit and capsule design, the LCT 540 S features an impressive dynamic range of 132 dB to capture everything from loud to subtle. You won’t hear the self-noise of the mic even after heavily compressing the signal. Material recorded with the LCT 540 S is fit for extreme processing.

Every single LCT 540 S undergoes a series of measurements followed by adjustment of the polarization voltage to achieve the same sensitivity in every LCT 540 S we will ever produce. This way, you can form a pair when you buy another one later on.

Features:
• 1" true condenser studio microphone
• Self-noise below the threshold of human hearing
• Ideal for extreme processing
• Low-cut filters and attenuation
• Cardioid polar pattern

Specifications:
• Type: Condenser, externally polarized
• Acoustical operating principle: Pressure gradient transducer, externally polarized
• Transducer Ø: 25.4 mm, 1 in
• Diaphragm: 3 micron gold sputtered Mylar
• Polar pattern: Cardioid
• Frequency range: 20 ... 20,000 Hz
• Sensitivity: 41 mV/Pa, -28 dBV/Pa
• Self-noise: 4 dB (A)
• Max. SPL for 0.5 % THD: 136 dBSPL, 0 dB attenuation
• Signal / noise ratio: 90 dB (A)
• Dynamic range: 132 dB (A)
• Attenuation: 0 dB, -6 dB, -12 dB
• Low-cut filter: linear - 80 Hz (6 dB/oct), 160 Hz (6 dB/oct)
• Internal impedance: 68 Ω
• Supply voltage: 48 V ± 4 V
• Current consumption: 3.6 mA
• Microphone enclosure: Zinc die cast
• Connector: Gold-plated 3-pin XLR
• Microphone dimensions: 158 x 52 x 36 mm, 6.22 x 2.04 x 1.42 in
• Microphone net weight: 371 g, 13.1 oz

Lewitt W9 Condenser Capsule for Live Sound & Wireless Systems

The Lewitt W9 Condenser Capsule is a premium interchangeable microphone capsule designed for live sound and wireless systems. Featuring a 1-inch true condenser capsule, the W9 delivers studio-quality clarity, warmth, and precision for vocal performances.

Ideal for professional vocalists, touring musicians, and audio engineers, the Lewitt W9 ensures exceptional clarity and detail, making it a top choice for high-performance live sound.

Features:
• Premium 1" true condenser capsule
• Crystal-clear live mixes in studio quality
• Directly compatible with industry-standard wireless systems
• High tone integrity with cupping safe design
• Optimized against plosives & moisture
• Tested & approved by pro live sound engineers and artists

Specifications:
• Type: Condenser, externally polarized
• Acoustical operating principle: Pressure gradient transducer
• Transducer Ø: 25.4 mm, 1 in
• Polar pattern: Cardioid, supercardioid
• Sensitivity: 8.1 mV/Pa, -41 dBV/Pa
• Self-noise: 21 dB (A)
• Max. SPL for 0.5 % THD: 140 dBSPL
• Signal / noise ratio: 73 dB (A)
• Attenuation: 0 dB, -12 dB
• Low-cut filter: lin, 120 Hz
• Internal impedance: 217 Ω
• Supply voltage (capsule): min. 5V V
• Current consumption: 7.5 mA
• Connector: Capsule thread: 1¼-28UN-2A
• Microphone dimensions: 51 dia x 183 mm
• Microphone net weight: 230 g

Lewitt LCT240PROBLACK XLR Condenser Microphone for Vocals & Streaming

To make recording as easy as possible, the LCT 240 PRO gets you close to a finished sound from the start with its tailored frequency response. Record-Ready, if you will. The only thing you need to do is press record.

The LCT 240 PRO is an XLR condenser microphone and is made specifically for home recording. It is the first choice for Vocals, Podcasts, Live streaming & Acoustic instruments.

The Record-Ready LEWITT sound is the first choice in world-renowned and iconic studios like Atlantic Records Studio, Blackbird Studios, Metropolis Studios, Sound Factory, and many more.

Features:
• XLR condenser microphone
• For vocals, podcasts, streaming, and instruments
• Record-Ready sound for easy recording
• Cardioid polar pattern

Specifications:
• Type: Condenser, permanently polarized
• Acoustical operating principle: Pressure gradient transducer
• Transducer Ø: 17 mm, 0.67 in
• Diaphragm: 3 micron gold sputtered Mylar
• Polar pattern: Cardioid
• Frequency range: 20 ... 20,000 Hz
• Sensitivity: 16.7 mV/Pa, -35.5 dBV/Pa
• Self-noise: 19 dB (A)
• Max. SPL for 0.5 % THD: 142 dBSPL
• Dynamic range: 123 dB (A)
• Internal impedance: 100 Ω
• Supply voltage: 48 V ± 4 V
• Current consumption: 3.1 mA
• Connector: Gold plated 3-pin XLR
• Microphone enclosure: Zinc die cast
• Microphone dimensions: 138 x 52 x 36 mm, 5.43 x 2.04 x 1.42 inch
• Microphone net weight: 310 g, 10.9 oz

Lewitt MTP550DM Professional Dynamic handheld microphone

Our MTP 550 DM is our answer to end all your feedback issues. Its very consistent cardioid polar pattern suppresses sound coming from your stage monitors. Always clear, powerful sound, for yourself on stage and for your audience.

Get out there and deliver! The stage is yours.

Tailored vocal sound
Express yourself while sitting well in the mix.

Do you want to make yourself heard? Our MTP 550 DM features powerful live sound. Your voice sits well in the mix, and you'll hear yourself clearly on the monitors.

Highly feedback proof
You'll get a clear signal on the stage monitors.

Due to the MTP 550 DM featuring a consistent cardioid pattern, your monitor signal can be as loud as you desire.

You don’t have to worry about feedback. A confident performance makes a solid show.

Durable materials for longevity
Survives all mic drops, planned or unplanned.

To assure your beloved microphone survives even the roughest touring routines, we made the enclosure out of durable zinc die-cast parts. A rubber-suspension protects the capsule while minimizing unwanted handling noise. The built-in wind- and pop-filter prevents hissing sounds and plosives. On top of that, the capsule is protected from moisture.

Cardioid polar pattern
Zero f***s given about feedback.

The cardioid polar pattern picks up sound coming mainly from the front of the microphone, sound from directly behind the MTP 550 DM is dampened effectively. Because the pattern is very consistent, it's hard to find a mic with better feedback-rejection.

Type
Dynamic, moving coil

Acoustical operating principle
Pressure gradient transducer

Polar pattern
Cardioid

Sensitivity
2 mV/Pa, -54 dBV/Pa

Internal impedance
300 Ω

Connector
Gold plated 3-pin XLR

Microphone net weight
381 g, 13.4 oz

Microphone dimensions
49 dia. x 170 mm, 1.9 dia. x 6.7 in

Microphone enclosure
Zinc die cast

Microphones measured according to: IEC 60268-4 | Phantom power according to: IEC 61938 | Noise measurement according to: IEC 60268-1

Professional dynamic vocal microphone.
MTP 550 DM

Dynamic vocal microphone
Tailored vocal sound
Highly feedback proof
Durable materials for longevity
Cardioid polar pattern
Included: Microphone clip, Windscreen, Transport bag

Lewitt DTP 640 REX Bass kick Drum Instrument Microphone

Kick drum microphone with two capsules.
DTP 640 REX
Dual-element instrument microphone
Dynamic and condenser capsule in one housing
Separate outputs for both capsules
For kick drum and other bass-heavy sources
Three switchable sound characteristics
Cardioid polar pattern

Included: Audio cable, Transport bag

Your mic for double-power kick drum sound.

The DTP 640 REX is a dual-element microphone specifically designed to capture the sound of your drums and percussion instruments. It features two phase-aligned capsules, a condenser and a dynamic one. You can also switch between three sounds for more flexibility in studio and live applications.

Dual-element kick drum microphone
Two capsules for the best of your source.

We put two phase-aligned microphones in a single housing. The dynamic side ensures accurate attack reproduction of the kick drum, while the condenser element captures the drum's low end. Each element has a dedicated output.

This enables you to shape the kick drum sound in unique ways.

For kick drum and other bass-heavy sources
Cuts a good figure on your drums and bass.

With the DTP 640 REX, you get massive yet clear kick drum and bass recordings, in the studio and on stage.

The capsule is specifically designed to replicate low frequencies with precision and punch.

Three switchable sound characteristics
Hear and feel that kick.

Dynamic =//= Condenser
Both elements with neutral frequency response.

Dynamic +//= Condenser
Dynamic element boosts low frequencies; condenser stays neutral.

Dynamic +//+ Condenser
Dynamic boosts the range of 4-6 kHz, condenser boosts low frequencies.

Sturdy metal housing
This mic is built to last.

The DTP 640 REX features a hardened hexagonal ruthenium-galvanized steel mesh grille and a solid die-cast metal body.

Specifications

Type
Dynamic, moving coil, Condenser, permanently polarized

Acoustical operating principle
Pressure gradient transducer

Transducer Ø
31.7 mm, 1.25 in

Transducer Ø
22.4 mm, 0.88 in

Polar pattern
Cardioid

EFR, ‘Enhanced Frequency Response' settings
Sensitivity, = // = FFR
0.4 mV/Pa (-69 dBV), dynamic
2 mV/Pa (-54 dBV), condenser

Sensitivity, + // = Dynamic EFR
0.4 mV/Pa, -69 dBV/Pa, dynamic
2 mV/Pa, -54 dBV/Pa, condenser

Sensitivity, + // + Dual EFR
Condenser and dynamic matched at 1 mV/Pa, -60 dBV

Self-noise
28 dB (A)

Max. SPL for 0.5 % THD
150 dBSPL, 0 dB attenuation

Dynamic range of mic. amp. (condenser)
122 dB

Pre-attenuation pad
0 dB
-10 dB
-20 dB

Rated impedance dynamic
500 Ω

Rated impedance condenser
200 Ω

Supply voltage
48 V ± 4 V

Current consumption
2 mA

Connector
Gold plated 3-pin and 5-pin XLR

Cable
1.5 m (4.95’) dual shielded Y-cable, 5-pin XLR into two 3-pin XLRs

Lewitt MTPW950 Condenser handheld microphone

With the MTP W950, vocalists like you can experience consistent Condenser sound wherever and however you perform. Watch the video to see the MTP W950 in full action.

The 1" true condenser capsule offers beautiful, studio-like high-end beyond that of a typical stage microphone. Your audience will hear every detail of your voice, just like in a studio recording.

Crystal-clear live mixes for your performance.

It might get loud on stage as you deal with noise from the crowd, drums, and other instruments.

The MTP W950 resists bleed and spills from other sound sources with an industry-defining 90% rear rejection resulting in crystal-clear live mixes.

You can enjoy excellent studio sound everywhere while still experiencing the freedom of wireless systems.

One microphone for wired and wireless.

• XLR for performing in the rehearsal room, small venues, or a recording studio. ​

• Wireless is perfect for large stages. Simply unscrew the capsule and attach it to your preferred wireless transmitter.

The cupping-safe design of the MTP W950 gives you the freedom to perform however you like.

It helps to keep your sound steady without losing tonal definition when you get creative with your grip.

Dual layer protection for high longevity.

The innovative dual layer protection makes the MTP W950 resistant to the usual drawbacks of sensitive condenser microphones, allowing you to:

• Reduce plosives without the need for a pop filter

• Protect the capsule from moisture

• Eliminate wind noise in outdoor environments

Every stage, song, and artist is different. Sometimes you need to make slight adjustments to get the best sound.

MTP W950 offers

• Cardioid and supercardioid polar pattern

• 12 dB attenuation setting

• 120 Hz low-cut filter

Just screw off the top and flick a switch. It only takes a few seconds.

Even before its release, the MTP W950 has been on some of the world’s biggest stages through a comprehensive worldwide beta test. ​Night after night, professional live sound engineers have used it with star acts like the Rolling Stones, T-Pain, and Kehlani, getting outstanding and reliable sound quality no matter the venue.

Features:

• Premium handheld microphone

• 1" true condenser capsule

• Crystal-clear live mixes in studio quality

• Detachable capsule for wireless use

• High tone integrity with cupping safe design

• Optimized against plosives & moisture

• Tested & approved by pro live sound engineers and artists

Included: Transport case, Microphone clip, Windscreen

Specifications:

Type: Condenser, externally polarized

Acoustical operating principle: Pressure gradient transducer

Transducer Ø: 25.4 mm, 1 in

Polar pattern: Cardioid, Supercardioid

Sensitivity: 8.1 mV/Pa, -41.8 dBV/Pa

Self-noise: 21 dB (A)

Max SPL: 140 dBSPL (0.5% THD)

Dynamic range: 19 dB (A)

Signal / noise ratio: 73 dB (A)

Attenuation: 0 dB
                  -12 dB

Low-cut filter: lin, 120 Hz

Internal impedance: 217 Ω

Supply voltage: 48 V ± 4 V

Current consumption: 7.5 mA

Connector: Gold plated 3-pin XLR, Capsule thread: 1¼-28UN-2A

Microphone dimensions: 51 dia x 183 mm

Microphone net weight 397 g

Lewitt BEATKITPRO7-piece drum microphone kit

Premium drum microphone set for studio and stage.

The BEATKIT PRO is a professional 7-piece drum microphone set for unrivaled drum sound on stage and in the studio. It comes in a sturdy mil-spec transport case with room for all microphones, mounts, clamps, and windshields. Never was there a more complete pro package.

Kick drum microphone with two capsules.

The DTP 640 REX is a dual-element microphone for drums and percussion instruments. It features two phase-aligned capsules, a condenser and a dynamic one, to create exactly the sound you want. Additionally, you can switch between three sound characteristics for even more flexibility for studio and live applications.

Punchy sound for your snare.

The MTP 440 DM is a dynamic snare microphone perfect for getting a punchy snare sound. It earned high praise by being the favorite snare mic of the extraordinary session and live drummer Kenny Aronoff (Paul McCartney, Lady Gaga, Pharell Williams, etc.)

Perfect for toms and percussion.

The DTP 340 TT is a dynamic microphone designed to accurately capture the sound of drums and percussion instruments. Its supercardioid polar pattern ensures maximum isolation of your instrument for studio and live applications.

Overheads with high flexibility in perfect stereo.

The LCT 140 AIR stereo pair lets you switch between two sound characteristics - AIR for a record-ready sound and FLAT for highly authentic recordings. This is the only stereo pair of pencil microphone you will need - 2 sound modes, low-cut and pre-attenuation, lightweight, professional studio sound.

A premium case for storing and transportation.

The BEATKIT PRO comes in a super-sturdy mil-spec transport case ideal for storing and transportation. All microphone mounts, windshields, and clamps are included, and the latter don’t need to be unmounted for storage, which is extremely convenient on tour. Never was there a more complete pro package.

Features:

• Professional 7-piece drum microphone set

• For powerful stage sound and studio recordings

• Includes microphone mounts, clamps, and windscreens

• Sturdy mil-spec transport case for safe transport and storage

Lewitt DTP340REX Dynamic kick drum microphone

Powerful bass drum sound.
DTP 340 REX

Your mic for powerful kick drum sounds.

Our DTP 340 REX is a drum microphone designed to accurately capture the sound of your kick. Switch between two sounds for more flexibility in the studio and onstage.

Detailed and powerful, for kick drums and other bass-heavy instruments.

You can activate an integrated EQ that delivers massive sound by emphasizing frequencies from 70 to 150 Hz and from 3 to 5 kHz, optimizing the mic for use on the kick drum. You'll get an amazing sound right away, perfectly tailored to your application.

A fine figure on your drums and bass.

With the DTP 340 REX, you'll get massive yet clear kick drum and bass recordings, in your studio and onstage.

The capsule is specifically designed to replicate low frequencies with precision and punch.

Easy to use

Comes with an integrated stand adapter.

You don't need any additional clip to use your DTP 340 REX - you can mount it directly on your mic stand.

Cardioid polar pattern

Put the right focus on your source.

The cardioid polar pattern provides high gain before feedback and maximum isolation of the desired source - side and rear sounds are effectively rejected.

Features:

• Dynamic instrument microphone

• Switchable sound characteristics

• For kick drum and bass

• Stand adapter for easy mounting

• Cardioid polar pattern

Included: Transport bag

Specifications:

Type: Dynamic, moving coil

Acoustical operating principle: Pressure gradient transducer

Polar pattern: Cardioid

Sensitivity: =FFR 0.4 mV/Pa, -69 dBV/Pa

Sensitivity: +EFR 0.4 mV/Pa, -69 dBV/Pa

Internal impedance: 500 Ω

Connector: Gold plated 3-pin XLR

Microphone dimensions: 71 dia. x 158 mm, 2.8 dia. x 6.2 in

Microphone net weight: 740 g, 26.1 oz

Lewitt DTP340TT Dynamic tom and percussion microphone

Perfect for toms and percussion.
DTP 340 TT

Your mic for tom and percussion clarity.

Our DTP 340 TT is a dynamic microphone designed to accurately capture the sound of drums and percussion instruments. Its supercardioid polar pattern ensures maximum isolation of your instrument for studio and live applications.

Detailed and punchy sound for drums and amplifiers.

Capture the essence of your drum sound.

We designed the DTP 340 TT to accurately capture the sound of your drums and percussion instruments with maximum clarity.

This results in authentic instrumental sounds with sonic detail and character.

Punch and clarity in a compact mic.

The DTP 340 TT gives you a well-balanced drum sound, in the studio and onstage. The supercardioid pattern reduces bleed coming from the other parts of your kit. As a result, you get a focused sound with punch and clarity.

On top of that, the DTP 340 TT also sounds fantastic on guitar cabinets and its compact size helps to keep things tidy.

How tough is it?

To assure your beloved microphone survives drops and unintended hits, we make the enclosure out of durable zinc die-cast parts. A rubber-suspension protects the capsule while minimizing structure-borne noise.

A highly focused mic for a clear signal.

The supercardioid polar pattern provides high gain before feedback and maximum isolation of the desired source - side and rear sounds are effectively rejected.

Features:

• Dynamic instrument microphone

• Maximum clarity

• Specifically designed for toms

• Works also great for snare and amps

• Rugged body and hardened steel mesh grille

• Supercardioid pattern

Included: Microphone mount for drums, Microphone mount, Transport bag

Specifications

Type: Dynamic, moving coil

Acoustical operating principle: Pressure gradient transducer

Polar patter: Supercardioid

Sensitivity: 1.4 mV/Pa, -57 dBV/Pa

Internal impedance: 500 Ω

Connector: Gold plated 3-pin XLR

Microphone enclosure: Zinc die cast

Microphone dimensions: Ø 41 dia. X 94 mm, Ø 1.6 dia. X 3.7 in

Microphone net weight: 165 g, 5.82 oz

Lewitt DTP40MTS Rubber microphone mount

The Lewitt Adjustable Drum Microphone Mount isc ompatible with 3/8" and 5/8" threads, and is suitable for use with the DTP 40 Mts Rubber Microphone Mount, LCT 40 SHx Shock Mount for Studio Microphones, and the MTP 40 MCs and GTS 40 MCs Handheld Microphone Mounts.

Features:

• Suitable for: LCT and DGT microphones

• Rubber microphone mount

• Provides firm grip and attenuates structure-borne noise

• Compatible with 3/8" and 5/8" threads

Specification:

Compatibility: 3/8" and 5/8" threads

Designed for: DTP 40 Mts Rubber Microphone Mount,
LCT 40 SHx Shock Mount for Studio Microphones,
MTP 40 MCs and GTS 40 MCs Handheld Microphone Mounts.

Lewitt DTPRC Adjustable drum microphone mount

A high-quality, adjustable drum microphone mount designed for use with a range of Lewitt microphones, including the DTP 340 TT and DTP 40 MT. This versatile mount ensures optimal microphone placement and stable positioning during recording sessions or live performances.

Features:

• Suitable for: LCT and DGT microphones

• Rubber microphone mount

• Provides firm grip and attenuates structure-borne noise

• Compatible with 3/8" and 5/8" threads

Enhance your drum recording capabilities with the Lewitt DTPRC Adjustable drum microphone mount, an essential accessory for capturing clear, accurate audio from your percussion instruments.

Lewitt LCT040 MATCH Small diaphragm condenser microphone

A microphone for easy instrument recordings.

You want professional sound right from the moment you hit “record”? With the LCT 040 MATCH recording instruments is as easy as it gets. Its tried and tested small diaphragm condenser capsule provides well-balanced sound with a pleasant high-end. The excellent transient response retains the natural musicality of your acoustic instruments - quick results with zero hassle.

Crisp and defined acoustic guitar recordings.

With its fast transient response, the LCT 040 MATCH makes your acoustic guitar sound crisp and defined. What you get is a mic for guitar recordings with fast attack and a sound that cuts through the mix.

Punchy and precise drum recordings.

Transients are the DNA of your instrument's sound. To retain the natural musicality of your instruments, the LCT 040 MATCH delivers an excellent transient response. The natural characteristics of hi-hat and snare are captured accurately. You get a punchy and precise reproduction of your drum kit’s unique sound.

Durable and light aluminum housing.

The LCT 040 MATCH is built to last yet it is lightweight thanks to its CNC'ed aluminum housing, weighing only 44 g or 1.6 oz. Together with its space-saving form factor positioning and setup become easy tasks.

Are you just starting out?

Don't worry. We are here to help you.

If you are just looking for the perfect microphone for you, check out our product finder. If you want to learn and understand more about microphones in general, check out the microphone basics.

Features:

• Small diaphragm condenser microphone

• Well-balanced sound with pleasant high-end

• Made for acoustic guitar and drum recordings

• Durable and light aluminum housing

• Cardioid polar pattern

Included: Foam windscreen, Microphone clip, Transport bag

Specifications:

Type: Condenser, permanently polarized

Acoustical operating principle: Pressure gradient transducer

Transducer Ø: 17 mm, 0.67 in

Diaphragm: 3 micron gold sputtered Mylar

Polar pattern: Cardioid

Frequency range: 20 ... 20,000 Hz

Sensitivity: 18.8 mV/Pa, -34.5 dBV/Pa

Self-noise: 20 dB (A)

Max. SPL for 0.5 % THD: 135 dBSPL

Dynamic range: 115 dB (A)

Internal impedance: 203 Ω

Supply voltage: 48 V ± 4 V

Current consumption: 7.2 mA

Connector: Gold plated 3-pin XLR

Microphone dimensions: 24 dia. x 83 mm, 0.9 dia. x 3.3 in

Microphone net weight: 44.6 g, 1.6 oz

Lewitt LCT040MP Stereo pair of small diaphragm Microphone

Your mics for fantastic sound in stereo.

Do you want to get into stereo recording or just need a nice pair of overheads? With the perfectly matched LCT 040 MATCH stereo pair, recording is as easy as it gets, precise localization and incredible room impression guaranteed.

The tried, tested, and tuned small diaphragm condenser capsule provides well-balanced sound with a pleasant high-end: quick results, no hassle.

Hear what you feel when you lay down that beat.

Transients are the DNA of your instrument's sound. To retain the natural musicality of your instruments, the LCT 040 MATCH delivers an excellent transient response. The natural characteristics of a hi-hat and snare drum are captured accurately.

You get a punchy and precise reproduction of your drum kit’s unique sound.

What does stereo add to my sound?

Stereo creates a three-dimensional and therefore, a more authentic listening experience. Just as with our ears, the location of a sound source can be determined by differences in level and time.

By having two matched cardioid pattern microphones, you can create perfectly balanced stereo recordings.

Light as a feather it lasts every tour.

The LCT 040 MATCH is built to last yet lightweight thanks to its CNC'ed aluminum housing, weighing only 44 g or 1.6 oz. Together with its space-saving form factor positioning and setup become easy tasks.

We match our mics precisely.

We measure the frequency response and sensitivity of every single microphone we produce. Our measurement system controls the polarization voltage of the capsule to adjust the sensitivity, so it is the same for all LCT 040 MATCH.

An algorithm compares all measured frequency responses and puts together the perfect pairs. Those get packed and sent to you.

Your sound is in focus.

A cardioid polar pattern picks up sound coming mainly from the front of the mic. Background noise or other instruments will not get in the way, and your signal stays perfectly clean.

Are you just starting out?

Don't worry. We are here to help you.

If you are just looking for the perfect microphone for you, check out our product finder. If you want to learn and understand more about microphones in general, check out the microphone basics.

Features:

• Perfectly matched stereo pair

• Well-balanced sound with pleasant high-end

• Made for acoustic guitar and drum recordings

• Durable and light aluminum housing

• Cardioid polar pattern

Included: Foam windscreen, Microphone clip, Transport bag.

Specifications

Type: Condenser, permanently polarized

Acoustical operating principle: Pressure gradient transducer

Transducer Ø: 17 mm, 0.67 in

Diaphragm: 3 micron gold sputtered Mylar

Polar pattern: Cardioid

Frequency range: 20 ... 20,000 Hz

Sensitivity: 18.8 mV/Pa, -34.5 dBV/Pa

Self-noise: 20 dB (A)

Max. SPL for 0.5 % THD: 135 dBSPL

Dynamic range: 115 dB (A)

Internal impedance: 203 Ω

Supply voltage: 48 V ± 4 V

Current consumption: 7.2 mA

Connector: Gold plated 3-pin XLR

Microphone dimensions: 24 dia. x 83 mm, 0.9 dia. x 3.3 in

Microphone net weight: 44.6 g, 1.6 oz

Lewitt CONNECT C2L USB C to Lightning cable

The Lewitt USB-C to Lightning Cable is a 4.9' charge and sync cable designed for the Lewitt CONNECT 6 audio interface. The cable is USB PD (power delivery) compatible.

Features:

• Lightning charge and sync cable - 1.5 m

• USB PD (power delivery) compatible

Specifications:

Interface: USB 2.0 (480 Mb/s)

Connector 1: 1x Lightning Male

Connector 2: 1x USB-C Male

Cable Length: 4.9' / 1.5 m

Active/Passive: Active

Color: Black

Lewitt LCT40SH Microphone shock mount

Features:

• Shock mount for studio microphones

• Attenuates noise, shock and vibration

• Screw thread closure permits fast and easy setup

• Compatible with 3/8" and 5/8" threads.

Lewitt LCT40SHX Microphone shock mount

Lewitt LCT 40 SHX, Lewitt microphone shock mount, Shock mount for LCT 540 and LCT 640, Professional mic isolation mount, Studio condenser mic shock mount, Best shock mount for Lewitt mics, Anti-vibration microphone mount, Recording studio mic holder, Universal shock mount for condenser mics, Durable microphone shock mount

Features:

• Attenuates noise, shock and vibration

• Screw thread closure permits fast and easy setup

• Compatible with 3/8" and 5/8" threads

Lewitt LCT40SHXX Microphone shock mount

The Lewitt LCT 40 SHxx Microphone Shockmount is designed for used with their LCT 840 and 940 microphones. It attenuates noise, shock and vibration transmitted through mic stands, booms and mounts and features a quick-acting screw thread closure that permits fast and easy setup. The mount is compatible with 3/8" and 5/8" threads.

Features:

• Attenuates noise, shock and vibration

• Screw thread closure permits fast and easy setup

• Compatible with 3/8" and 5/8" threads

• Suitable for: LCT 840, LCT 940

Lewitt LCT40TR11-pin XLR cable for LCT 840

Feature:

• Oxygen free copper, extremely low resistance

• Ensures best signal transmission

• 5 m length

Suitable for

LCT 940

Studio FET and tube Microphone in one

Lewitt LCT40TSLCT 640 TS replacement cable

Feature:

• Standard neutrik 3-pin male XLR

• Needed to use the LCT 640 TS in Dual Output Mode

Suitable for:

LCT640 TS Ultimate FET studio Microphone.

Lewitt LCT441FLEX 1" true condenser multi-patter

Full flexibility with 8 polar patterns.

The LCT 441 FLEX is a compact multi-pattern studio microphone. It features high-spec technology and eight different polar patterns. You'll be more flexible when it comes to recording different instruments and vocals. It also allows switching between high directivity or more room impression and provides freedom to experiment.

Capture all the emotion of your performance.

The 1" true condenser capsule of the LCT 441 FLEX captures your instruments and vocals with an impressive amount of depth and clarity. Every single one of our capsules is tested according to the highest quality standards. At LEWITT, we completely measure every single microphone before it gets to you. Only this way, we can be sure that you can make every detail of your sound count.

Pristine studio sound quality.

The LCT 441 FLEX features a very low self-noise of only 7 dB (A) and handles ear-shattering sound pressure levels of up to 144 dBSPL.

You set the direction.

With the LCT 441 FLEX, you can easily change the overall recording direction with a push of a button. This is practical in front of guitar speakers, for drum recordings, and as a room microphone.

Specifications:

Type: Condenser, externally polarized

Acoustical operating principle: Pressure gradient transducer

Diaphragm: 3 micron gold sputtered Mylar

Transducer Ø: 25.4 mm, 1 in

Polar pattern: Omni, wide cardioid, cardioid, supercardioid, figure-8, reverse cardioid, reverse wide cardioid, reverse supercardioid

Frequency range: 20 ... 20,000 Hz

Sensitivity: 17.2 mV/Pa, -35.3 dBV/Pa

Self-noise: 7 dB (A)

Max. SPL for 0.5 % THD: 144 dBSPL

Signal / noise ratio: 87 dB (A)

Dynamic range: 137 dB (A)

Supply voltage: 48 V ± 4 V

Current consumption: 4 mA

Internal impedance: 54 Ω

Connector: Gold plated 3-pin XLR

Microphone enclosure: Zinc die cast

Microphone dimensions: 138 x 52 x 36 mm, 5.43 x 2.04 x 1.42 in

Microphone net weight: 325 g, 11.5 oz

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Lewitt MTP250DM Dynamic handheld microphone

Your mic for a clear vocal performance on stage.

The MTP 250 DM is your first-choice handheld microphone for onstage applications. The frequency response of the high-performance capsule is tailored specifically for your vocals.

Your voice will cut through the mix in any live environment. The stage is yours.

Hearing yourself clearly makes you perform better.

You want to make yourself heard? Our MTP 250 DM features full and clear live sound. Your voice sits well in the mix and you can hear yourself clearly on the monitors.

Engage with your fans. They can hear you loud and clear!

Don't worry about mic drops.

To make sure your beloved microphone survives even your roughest touring routines, we made the enclosure out of durable zinc die-cast parts. A rubber-suspension protects the capsule while minimizing unwanted handling noise.

The built-in wind and pop-filter prevents hissing sounds and plosives. On top of that, the capsule is protected from moisture.

Your voice is in focus, feedback-free.

A cardioid polar pattern picks up sound coming mainly from the front of the microphone, sound from directly behind the MTP 250 DM is dampened. You can run your monitor signal as loud as you want, without having to worry about nasty feedback issues.

You'll perform confidently, and a solid show is assured.

Are you just starting out?

Don't worry. We are here to help you.

If you are just looking for the perfect microphone for you, check out our product finder. If you want to learn and understand more about microphones in general, check out the microphone basics.

Features:

• Dynamic vocal microphone

• Tailored vocal sound

• Durable materials for longevity

• Cardioid polar pattern

• Switch version available

Included: Microphone clip, Windscreen, Transport bag

Specifications:

• Acoustical operating principle: Dynamic, moving coil

• Polar pattern: Cardioid

• Sensitivity: 2 mV/Pa, -54 dBV/Pa

• Internal impedance: 280 Ω

• Connector: Gold plated 3-pin XLR

• Microphone dimensions: 49 dia. x 170 mm, 1.9 dia. x 6.7 in

• Microphone net weight: 300 g, 10.6 oz