Mixers/Console

The Soundcraft Signature Plus 32 is a next-generation console in the Signature Plus Series. It features 32 input channels and delivers professional workflows and flagship features at a competitive price. As an evolution of the acclaimed Soundcraft Signature Series, Signature Plus models integrate consistent performance with an intuitive layout and include color-coded controls and tactile “squircle” knobs for fast adjustments. Premium creative audio quality comes from Ghost mic preamps, Sapphyre EQ, dbx one‑knob compressor, and a Lexicon hardware effects processor with Store and Tap Tempo. Pro flexibility features include SSM (Simple Success Metering), Listen bus and Talkback To, Mix to Auxes, 4x4 USB-C 192kHz interface, and flexible monitoring controls.

Rugged construction and a surface-mounted QR code, linking to training videos, manuals, and support resources, ensure Signature Plus models are ready for any environment. The Signature Plus 32 isn’t just another analog mixing console—it’s a professional-grade creative hub that empowers artists, engineers, and creators to deliver exceptional sound in studios, on stage, and across streaming platforms.

Specs

General Specifications

Equivalent Input Noise (EIN)

-128dBu - Preamp Gain @ 65dB, A-weighted, AES17 filter (20kHz)

Frequency Response

+0.5dB/-1.5dB - Audio band flatness, relative to 1kHz, 20Hz to 20kHz

Frequency Response

15Hz to 80kHz, -3dB cutoff

Residual Noise

-88dBu - One channel routed, unity gain, A-weighted

Residual Noise (Rca Channel Only)

-78dBu - Channel trim at noon, A-weighted, USB not routed

THD+N

<0.005% - 30dB preamp gain, +14dBu at any output, AES17 filter (20kHz)

CMRR

>80dB, 30dB preamp gain, -10dBu input level

CROSSTALK

-80dB, +30dB preamp gain, +14dBu at output, Measured signal on non-routed output, relative to +14dBu

Aux Send Isolation

-75dB, +30dB preamp gain, Relative to +14dBu at aux output with unity gain, Aux pot at minimum, Aux main pot at unity

Sample Rates

44.1kHz, 48kHz, 88.1kHz, 96kHz, 176.2kHz, 196kHz

Full Scale Playback Level

+17dBu, USB trim knob at noon, Routed through unity gain channel to MIX

Full Scale Recording Level

+20dBu, 0dBFS equivalent level at MIX output

Dynamic Range, Playback

94dB

Dynamic Range, Recording

107dB

THD+N, Playback

<0.01%, -0.5 dBFS playback level, Adjust USB trim to get +14dBu at any output

THD+N, Recording

<0.005%, Input to mono channel, Preamp gain 30dB, Route to MIX and Group 3-4, Adjust channel fader to reach -1dBFS

Dimensions

Box Dimensions

974 x 655 x 213 mm, (38.35 x 25.78 x 8.38 in)

Weight, in box with accessories

20.5 kg (45.2 lbs)

Product Dimensions

806 x 535 x 106 mm, (31.73 x 21.06 x 4.17 in)

Weight, bare product

13.9 kg (30.64 lbs)

Power Supply

Worldwide

What's in The Box?

1 x Soundcraft Signature Plus 32 Mixer1 x Worldwide Power Supply

The Soundcraft Signature Plus 22 is a next-generation console in the Signature Plus Series. It features 22 creative input channels and delivers professional workflows and flagship features at a competitive price. As an evolution of the acclaimed Soundcraft Signature Series, the Signature Plus models deliver consistent performance with an intuitive layout, featuring color-coded controls and tactile “squircle” knobs for quick adjustments. Premium creative audio quality comes from Ghost mic preamps, Sapphyre EQ, dbx OverEasy one‑knob compressors, and a Lexicon hardware effects processor with Store and Tap Tempo. Pro flexibility features include SSM (Simple Success Metering), Listen bus and Talkback To, Mix to Auxes, 4x4 USB-C 192 kHz interface, and flexible monitoring controls.

Rugged construction and a surface-mounted QR code, linking to training videos, manuals, and support resources, ensure Signature Plus models are ready for any environment. The Signature Plus 22 isn’t just another analog mixing console—it’s a professional-grade creative hub that empowers artists, engineers, and creators to deliver exceptional sound in studios, on stage, and across streaming platforms.


Features

• 22-channel input configuration with professional output sections

• Real-world-ready design

Creative Character Mono Inputs:

• Soundcraft Ghost mic preamps delivering smooth high-gain behavior

• Built-in dbx OverEasy one‑knob compressors with harmonic enhancement for gentle compression on voices and acoustic instruments

• TRS insert points for flexible sound shaping, like aggressive drum compression processors

• Extensive SSM (Simple Success Metering) for precise visual feedback end-to-end

• Sapphyre EQ, famous for musical tone shaping

• Exclusive Lexicon hardware effects processor, now with Store and Tap Tempo for expanded creative control

• Intuitive layout with color-coded buttons and tactile “squircle” knobs for fast, confident navigation and operation

• Smooth, premium-quality faders for precise control

Professional Output Feature Set On All Models:

• 4×4 USB-C 192 kHz interface for seamless playback and recording with laptops or mobile devices

• Pro Listen bus, without interrupting the main mix to artists or the audience

• “Talkback To” routing, powering talkback to the user’s selection of outputs

• 4x Aux sends and Mix to Auxes simplicity for versatile monitoring output control

• User configurable monitoring controls, including headphone/control room outs, Mute / Dim / Mono Sum, and direct USB routing

• Front panel QR code for instant access to training, manuals, and support

Coming Soon

• A complimentary software bundle for modern hybrid workflows, including:

  • Ableton Live 12 Lite

  • Lexicon MPX Plug-in

  • Lexicon LXP Plug-in

  • FLUX:: EVO Series Pack Plug-in

  • FLUX:: MiRA Session Metering

The Soundcraft Signature Plus 12 is a next-generation console in the Signature Plus Series. It features 12 input channels and delivers professional workflows and flagship features at a competitive price. As an evolution of the acclaimed Soundcraft Signature Series, the Signature Plus models deliver consistent performance with an intuitive layout, featuring color-coded controls and tactile “squircle” knobs for quick adjustments. Premium creative audio quality comes from Ghost mic preamps, Sapphyre EQ, dbx OverEasy one‑knob compressors, and a Lexicon hardware effects processor with Store and Tap Tempo. Pro flexibility features include SSM (Simple Success Metering), Listen bus and Talkback To, Mix to Auxes, USB‑C 4x4 192kHz interface, and flexible monitoring controls.

Rugged construction and a surface-mounted QR code, linking to training videos, manuals, and support resources, ensure Signature Plus models are ready for any environment. Rack-mount ears are also included with the Signature Plus 12. The Signature Plus 12 isn’t just another analog mixing console—it’s a professional-grade creative hub that empowers artists, engineers, and creators to deliver exceptional sound in studios, on stage, and across streaming platforms.


Features

• 12-channel creative inputs plus consistent full-featured Signature Plus output section

• Real-world-ready design with rack mount ears included with Signature Plus 12

Creative Character Mono Inputs:

• Soundcraft Ghost mic preamps delivering smooth high-gain behavior

• Built-in dbx OverEasy one‑knob compressors with harmonic enhancement for gentle compression on voices and acoustic instruments

• TRS insert points for flexible sound shaping, like aggressive drum compression processors

• Extensive SSM (Simple Success Metering) for precise visual feedback on every input and output

• Sapphyre EQ, famous for musical tone shaping

• Exclusive Lexicon hardware effects processor, now with Store and Tap Tempo for expanded creative control

• Intuitive layout with color coded buttons and tactile “squircle” knobs for fast, confident navigation and operation

• Smooth, premium quality faders for precise control

Full Output Feature Set On All Models:

• 4×4 USB C 192 kHz interface for seamless playback and recording with laptops or mobile devices

• Pro Listen bus, without interrupting mixes to artists or the audience

• “Talkback To” routing, powering talkback to the user’s selection of outputs

• 4x Aux sends including Mix to Auxes simplicity for versatile monitoring output control

• User configurable monitor controls, from mix, USB, or auxes, with Mute/Dim/Mono Sum, to headphones or control room.

• Front panel QR code for instant access to training, manuals, and support

Coming Soon

• A complimentary software bundle for modern hybrid workflows, including:

  • Ableton Live 12 Lite

  • Lexicon MPX Plug-in

  • Lexicon LXP Plug-in

  • FLUX:: EVO Series Pack Plug-in

  • FLUX:: MiRA Session Metering

A series of optional interface cards, designed to fit the Local Rack, Compact Stagebox, Vi1, Vi3000 and in some cases also the Vi Stagebox, enabling Vi Series™ consoles to interface directly with a wide range of other systems and audio networks using industry standard protocols.

Variants

Line IN CARD

Eight-channel line input card with 24 bit, 48kHz A/D Converter, delta-sigma conversion. Transformer- balanced inputs. 7...26 dBu input sensitivity. “Signal present” LED indicator. Inputs on standard 25-pin D-type connector (female).

Part Numbers:
RS2425SP

Compatibility:
Vi5000/7000 or Vi6 Local Rack / Compact Stagebox / Vi1 / Vi1000/2000/3000

Line OUT CARD

Eight-channel, 24 bit line output card with 24 bit D/A converters with 48 kHz operation. Electronically balanced outputs. 7...26 dBu max. output level. Outputs on standard 25-pin D-type connector (female).

Part Numbers:
RS2424SP

Compatibility:
Vi5000/7000 or Vi6 Local Rack / Compact Stagebox / Vi1 / Vi1000/2000/3000

MIC IN CARD

Four analogue microphone/line inputs, electronically balanced, with 24 bit, 48 kHz delta- sigma A/D converters (mic/line sensitivity, gain setting in 1 dB steps, low-cut filter, and 48 V phantom power on/off controlled by console software). Green “signal present” and yellow “phantom power” indicators per channel. Inputs on standard 25-pin D-type connector (female).

Part Numbers:
RS2423SP

Compatibility:
Vi5000/7000 or Vi6 Local Rack / Compact Stagebox / Vi1 / Vi1000/2000/3000

AES/EBU CARD

AES/EBU input/ output card with 16 Ch I/O. With input SFCs only. Input SFCs can be bypassed individually. Output dither is selectable for every AES/EBU output from 24 bit, 20 bit, 18 bit or 16 bit. Settings are made with jumpers. Inputs and outputs on standard 25-pin D-type connectors (female).

Part Numbers:
RS2422SP

Compatibility:
Vi5000/7000 or Vi6 Local Rack / Compact Stagebox / Vi1 / Vi1000/2000/3000

3G SDI CARD

The 3G SDI card can de-embed up to 16 audio channels from an SDI (Serial Digital Interface) stream, and re-embed them (Embedder/ DeEmbedder card only) back on to the stream for onward transmission in a broadcast environment, saving high costs of external units and, of course, weight. These channels may be patched in to any input as usual.
Two versions of the card are available: DeEmbed only, or Embed/DeEmbed

Part Numbers:
DeEmbed Only - A949.045220-02.V
Embed/ DeEmbed - A949.045124-01.V

Compatibility:
Vi5000/7000 or Vi6 Local Rack / Compact Stagebox / Vi1 / Vi1000/2000/3000

Dolby E CARD

The Dolby E card decodes the audio channels from a Dolby E or Dolby Digital stream and allows them to be patched into separate inputs on the console for mixing. Each card provides two full decoder sections, and can dramatically save external hardware cost, space and weight.

Part Numbers:
RS2553SP

Compatibility:
Vi5000/7000 or Vi6 Local Rack / Compact Stagebox / Vi1 / Vi1000/2000/3000

ADAT CARD

The ADAT card provides two optical eight-channel ADAT inputs and outputs, with 48 kHz operation. Optical inputs and outputs are provided on Toslink connectors and can be used to record to, for example, an Alesis HD-24 hard disk recorder or other device with ADAT inputs and outputs, and receive playback audio.

Part Numbers:
RS2360SP

Compatibility:
Vi5000/7000 or Vi6 Local Rack / Compact Stagebox / Vi1 / Vi1000/2000/3000

TDIF CARD

This card provides two 8-channel TDIF I/O interfaces with 48 kHz operation with wordclock sync outputs on BNC connectors. Inputs and outputs are provided on standard 25-pin D-type connectors (female).

Part Numbers:
RS2564SP

Compatibility:
Vi5000/7000 or Vi6 Local Rack / Compact Stagebox / Vi1 / Vi1000/2000/3000

A-NET CARD

The Soundcraft A-NET® 16V card provides direct digital connection on a single Cat5e cable from the Aux or Group outputs into an Aviom® A-NET® Pro16TM Series Personal Mixer (compatible with A-16II and A360).
The Pro16 System enables musicians on stage to be fed with up to 16 subgroups of instruments or vocals which they can then mix to their own taste using their own on-stage controller. The card includes a switchable test tone and stereo pair linking via DIP switches.

Part Numbers:
Local Rack/CSB - RS2497SP
Vi Stagebox - RS2498SP

Compatibility:
Vi5000/7000 or Vi6 Local Rack / Compact Stagebox / Vi1 / Vi1000/2000/3000 / Vi Stagebox

BLU LINK CARD

The BLU Link card provides up to 32 inputs and 32 outputs to/from a BSS Blu Link ring, and can be used to interface to BSS London networked audio systems, or to the PMC Personal Monitoring Controller.
The Blu Link redundant ring allows for up to 256 channels, so the Vi Blu Link card contains internal DIP switches that allow a block of 32 sequential channels from the 256 to be addressed by the card, separately selectable for inputs and outputs.
In addition the card can be set as clock host or clock client, according to system requirements. When acting as a client a jumper cable (included) must be connected from the card’s wordclock out to the consoles wordclock input.

Part Numbers:
Local Rack/CSB - 5033340-01.V
Vi Stagebox - 5037513-01.V

Compatibility:
Vi5000/7000 or Vi6 Local Rack / Compact Stagebox / Vi1 / Vi1000/2000/3000 / Vi Stagebox

DANTE CARD

The Dante card allows 64 channels to be sent to/received from a Dante network. As well as providing audio exchange with other Dante-enabled equipment, the card also allows 64 channels of audio to be connected directly to a PC or Mac computer for recording or processing, by using a standard Ethernet connection*.
Routing and setup of the network is done using an external computer running Dante Controller software (available FOC from the Audinate website).
A BNC sync output connector on the card allows the console’s wordclock input to be driven by the network clock, if required by the clocking setup.
*Requires Dante Virtual Soundcard software to be installed on the computer — one licence token supplied with each card.

Part Numbers:
Local Rack/CSB - AES67/96kHz version: 5045044.V  Vi1 48kHz only version: 5076583.V
Vi Stagebox - 5036922-03.V

Compatibility:
Vi5000/7000 or Vi6 Local Rack / Compact Stagebox / Vi1 / Vi1000/2000/3000 / Vi Stagebox

Rocknet™ Card

The Riedel Rocknet card allows up to 64 channels of audio (64 inputs/32 outputs) to be connected to a Riedel Rocknet network comprising up to 160 channels. The system allows connection of multiple Riedel stageboxes in a redundant ring configuration, and remote control of the Rocknet preamps is possible from the Vi or Si console. Multiple consoles can share the same I/O boxes and there is built-in gain-stabilisation for client consoles.

This card is only available from Riedel’s distribution network.

Part Number:
RN343.VI   (Only available from Riedel)

Compatibility:
Vi5000/7000 or Vi6 Local Rack /  Vi1 / Vi1000/2000/3000

CobraNet™ CARD

The CobraNet card allows up to 32 channels of input or output signals (or a combination of both) to be received by or sent from console onto a CobraNetTM network. The card must be used as the Conductor for the network. By default, the card is configured for 32 outputs.

Part Numbers:
Local Rack/CSB - RS2485SP
Vi Stagebox - RS2496SP

Compatibility:
Vi5000/7000 or Vi6 Local Rack / Compact Stagebox / Vi1 / Vi1000/2000/3000 / Vi Stagebox

MADI Cat 5 CARD

Two types of MADI card are available, both offering 64 channels of audio on dual redundant cables. The Cat 5 version offers cost-effective connections to a Soundcraft Stagebox using Cat 5 cable terminated in robust Ethercon connectors. Distances of up to 120m are possible using approved Cat 5 cables (see list below).

APPROVED CAT 5 CABLES

TYPE

MAX. DISTANCE

NEUTRIK (CONTRIK) ETHERFLEX

80m

EVOLUTION XPC TACTICAL Cat 5E

100m

KLOTZ RC5SB

120M

Part Numbers:
RS2409SP

Compatibility:
Vi5000/7000 or Vi6 Local Rack / Compact Stagebox / Vi1 / Vi1000/2000/3000

MADI Optical CARD

The optical MADI card provides the same functionality as the Cat 5 version but on industry- standard SC fibre connectors. Two duplex SC connectors allow dual redundant cabling with automatic switchover. Connection distances of up to 1500m are possible using the standard multimode card, but a version with single-mode optical transceivers is also available allowing distances of up to 10km.
Part Numbers:
Multimode - RS2426SP
Singlemode - RS2563SP

Compatibility: Vi5000/7000 or Vi6 Local Rack / Compact Stagebox / Vi1 / Vi1000/2000/3000

The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range.

Recommmended for: Houses of WorshipMusic VenuesMusicians & BandsTheatres

The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company’s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.

A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.

Features

• Frame sizes 6+2, 8+2 and 12+2

• 2 configurable auxiliary buses

• XLR-type and ¼” metal jack connector sockets

• RCA phono stereo playback inputs and record outputs

• 3-band EQ with a swept mid on mono inputs

• 2-band EQ on stereo inputs

• TRS insert sockets and inserts on all mono inputs and mix output

• Ten-segment LED output metering

• Intuitive and comprehensive solo system

• Headphone output

• Easily rack mountable

The Soundcraft EPM will find itself in many applications including live music, recording, houses of worship and multi-speaker installations.

The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company’s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types. 

A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.

Features

• 2 configurable auxiliary buses

• XLR-type and ¼” metal jack connector sockets

• RCA phono stereo playback inputs and record outputs

• 3-band EQ with a swept mid on mono inputs

• 2-band EQ on stereo inputs

• TRS insert sockets and inserts on all mono inputs and mix output

• Ten-segment LED output metering

• Intuitive and comprehensive solo system

• Headphone output

• Easily rack mountable

The Soundcraft EPM will find itself in many applications including live music, recording, houses of worship and multi-speaker installations.

The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range.

Recommmended for: Houses of WorshipMusic VenuesMusicians & BandsTheatres

The emphasis with the Soundcraft EPM is very firmly on quality build and audio performance, with an easy to understand control surface uncluttered by unnecessary facilities, and Soundcraft have brought new technologies and ideas to this very cost-effective range. Surface mount technology is used throughout, using close-tolerance components for high accuracy and repeatable settings for EQ and gain controls. The highly-transparent GB30 Mic amp (designed by Graham Blyth for the company’s 30th anniversary, and also used on the larger LX7ii and GB Series consoles) features high-resolution adjustment over a wide gain range of 55dB, and provides a stunning +22dB headroom through the console. True professional 48-volt phantom power caters for condenser microphones of all types.

A unique feature of the signal monitoring is the PEAK led. This uses multipoint signal take-offs to watch for overload in several parts of the channel strip, and the led lights more brightly as the signal approaches the peak point. For smooth and accurate channel control, the EPM has 60mm high quality faders as used on other Soundcraft desks. The monitor output and headphone output work in parallel so that performers can still listen on phones while an engineer is listening on studio monitors.

Features

• Frame sizes 6+2, 8+2 and 12+2

• 2 configurable auxiliary buses

• XLR-type and ¼” metal jack connector sockets

• RCA phono stereo playback inputs and record outputs

• 3-band EQ with a swept mid on mono inputs

• 2-band EQ on stereo inputs

• TRS insert sockets and inserts on all mono inputs and mix output

• Ten-segment LED output metering

• Intuitive and comprehensive solo system

• Headphone output

• Easily rack mountable

The Soundcraft EPM will find itself in many applications including live music, recording, houses of worship and multi-speaker installations.

Presonus StudioLive 32SX Compact 32 Ch 22 Buss Digital Console Mixer Recorder plus Software

Full Software Suite Included plus 3 year warranty!

Power meets efficiency.

Loaded with the processing power, studio-grade audio quality, and flexible routing options that made StudioLive® mixers famous, the StudioLive 32SX is the perfect compact, 32-channel digital mixing solution. Powered by the dual-core PreSonus® FLEX DSP Engine, the StudioLive 32SX digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors, including 4 stereo reverberation systems, and Fat Channel plug-in models on every input and mix. The low profile of the StudioLive 32SX makes it an ideal solution for any mixing environment where desk real estate is at a premium. The split-fader workflow lets you manage 32 input channels in two fader layers, while still providing access to your mix outputs on eight additional faders. With 32 XMAX mic preamps and 16 balanced mix outputs, the StudioLive 32SX packs connectivity and power into an efficient use of space.

The scalable digital mixer.

The StudioLive 32SX digital mixer and the complete PreSonus StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes. Connect a StudioLive 32R to use as a remote stage box or monitor mixer. Multiple StudioLive Series III digital mixers can be networked, allowing you to route audio to and from any device on the audio network, thanks to the flexibility of Digital Patching onboard your StudioLive 32SX digital mixer and in UC Surface remote mixer software.

Superior sound.

We built our reputation designing great-sounding analog circuits for critical studio-recording environments, and we put all of that experience into designing the StudioLive 32SX digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 32SX mic preamps to be remote-controlled with UC Surface software or Studio One®, and when you load a StudioLive 32SX mixer scene, the mic preamp trim values can also be recalled along with the other settings.

Record music with or without a computer.

PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 32SX digital mixer or on your Mac® or Windows® computer. Record all 32 channels plus a stereo mix of your choosing via USB, to an SD Card, or both for the ultimate redundant live-recording rig. StudioLive mix scenes can be stored with your recordings to speed up virtual soundchecks. Best of all, Capture sessions open natively in Studio One with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more. No other multitrack software makes recording as fast, simple and hassle-free so you can focus on mixing the show.

The best music recording software… included.

Studio One revolutionized music recording, making common mixing and production tasks as easy as drag-and-drop. Tight integration with StudioLive 32SX digital mixers allows you to control preamp levels and more directly from the Studio One software console. Press the DAW button on your StudioLive 32SX, and your Studio One controls are right under your fingertips on your digital mixer. Studio One control can be toggled on and off, allowing you to quickly switch between your live mix and your production mix with the press of a button. Studio One Artist is included with the StudioLive 32SX, so you can start recording right out of the box.

Remote control your digital mixer from anywhere—on any device.

PreSonus StudioLive Series III digital mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly using UC Surface touch-control software for macOS®, Windows®, iPadOS® and Android™. Control your monitor mixes with QMix®-UC for iPhone®, iPod® touch, and Android devices. Whether you’re adjusting monitor mixes on stage, moving around the room to dial in your mix, or using your mobile device as a second screen for your StudioLive 32SX digital mixer, remotely controlling your mix from anywhere just got easier.

Flexible mixing for studio and stage.

The StudioLive 32SX was designed to fit well in any application. Its 16 FlexMixes can be individually configured to function as an aux bus, a subgroup, or a matrix mix. Four designated effects buses provide a total of 24 mix buses plus an independent solo bus and the main mix. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. Inputs and buses can be freely routed internally, out to your AVB network, and over the USB bus, allowing you to customize your StudioLive 32SX for your unique mixing style.

The best USB audio interface for mixing.

With 128 (64x64) channels of recording over USB, you can record every input channel and bus on your StudioLive 32SX for the ultimate recording rig. Each channel can independently access its analog input or its dedicated digital return from your computer. Six preinstalled vintage EQ and classic compressor Fat Channel plug-in models can be used onboard your mixer as well as within Studio One. And you also get Fat Channel Collection Vol. 1, which includes 15 additional vintage-modeled EQs and compressors—a $149 (USD) value if purchased separately. Fat Channel plug-ins can be inserted on every input channel and output bus, giving you extensive, studio-style processing while mixing and recording.

A complete networked solution.

StudioLive Series III networked products form an ecosystem that is easily expanded and quickly configured. Designed to enhance each other, these products are at the forefront of AVB networking technology. Connect to StudioLive Series III rack mixers and add a dedicated monitor mixer. Route audio to EarMix 16M personal monitor mixers for customized mixes on stage. With powerful plug-in processing, advanced recording features, and a full complement of analog I/O in a compact chassis, the StudioLive 32SX is an ideal centerpiece for sound systems of any size.

Apple Silicon, iOS, and iPadOS compatibility—standard.

The PreSonus StudioLive 32SX is natively compatible with Apple Silicon-based Mac computers*, as well as iOS and iPadOS devices, including iPad Pro, iPad, iPad Air, iPad Mini, iPod Touch, and iPhone. Because it's USB class-compliant, there are no special drivers or applications to download and install. You'll be able to produce on the go—everything from podcasts to folk rock to trap—wherever sound takes you.

Make your own magic.

At PreSonus, we want to make sure that our audio products come with everything you need to craft your own mesmerizing spells in the studio. That's why we include Studio One Artist with every audio interface and controller product we make, from the 2-channel AudioBox USB 96 to the 64-channel StudioLive 64S, ATOM to FaderPort 16, but we didn't stop there. Why? Because here in Louisiana, we have a word: lagniappe. It means "a little something extra," and it's in that spirit that we also include the Studio Magic Suite of software with our audio interface products and–new for 2021–our award-winning controllers as well.

The 2021 Studio Magic includes tutorials from Melodics, sound libraries from Ghost Hack, 7 virtual instruments, and 9 effects plug-ins in VST, AU, and AAX formats to use in Studio One Artist or your DAW of choice with a retail value of over $1000 (US).

Features

Powered by the new dual-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class

40 input-channel digital mixer with 25 touch-sensitive motorized faders

32 local digitally controlled XMAX mic/line inputs

2 balanced stereo aux inputs

1 stereo tape input (RCA, USB, AVB or SD)

4 FLEX FX returns

1 Talkback

26 mix buses

16 FlexMixes (Aux, Subgroup, Matrix)

4 dedicated FLEX FX buses

4 dedicated subgroups

Stereo Main bus

286 simultaneous processors

HPF

Gate/Expander

Compressor with Fat Channel plug-in models

4-band/6-band parametric EQ with Fat Channel plug-in models

Limiter

31-band graphic EQ

4 FLEX FX slots featuring legendary classic reverb emulations and delays

State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus

FLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays, with 4 dedicated effects buses

24 DCAs to control groups of channels

128-channel (64x64) recording over USB

Onboard multi-channel SD recorder (34x34) with true Virtual Soundcheck mode

AVB networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers and more

User Profiles for managing multiple operators with custom permissions

Per channel digital patching from any analog, AVB, USB, or SD Card source

DAW Control

Advanced Studio One® control integration

MCU emulation mode optimized for Logic

HUI emulation mode optimized for Pro Tools

Remote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)

Put your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android

Capture® 3.0 multitrack software included

Automated Virtual Soundcheck

Store StudioLive® mix scenes with your audio

Advanced Studio One integration (Studio One Artist Included)

XMAX mic preamp control from Studio One

Control Fat Channel parameters from Studio One mixing console

Computer system requirements:

Below are the minimum computer-system requirements for UC Surface, QMix®-UC, and Studio One®.

Mac®

macOS® 10.13 or higher (64-bit only)

Intel® Core™ i3 or better (Native support for Apple Silicon)

Minimum 4 GB RAM (8 GB or more recommended)

Windows®

Windows 10 (64-bit only)

Intel Core i3 or better

Minimum 4 GB RAM (8 GB or more recommended)

Mac and Windows Systems

USB 2.0 port

Internet connection

Internal or external 7200 RPM storage drive highly recommended

30 GB hard disk space

Monitor with 1366x768 resolution

iPadOS®

iPadOS 10 or later

iPad® Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation)

Android™

Android 6.0 (Marshmallow) or later

Android smartphone (QMix-UC)

Android tablet (8-inch) with 1024x768 resolution (UC Surface)

Note: The minimum system requirements may be different for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.

Note that this is the speed of your processor, the amount of RAM and the size of your harddrive will increase the overall performance of your recording system. So, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience.

----------------------------------------------------------------------------------------------------------------

Echotone Music LLC is an experienced  long time E-commerce Audio & Musical instrument dealer since 1998.  We take pride in selling quality gear for musicians, sound engineers, production companies and broadcast applications.   

Shipping --Items are well packed and shipped  USPS, UPS or Pallet Freight Service.  Items purchased on Friday may not ship until Monday or until the projected processing period.  We are working hard to get your unit Built ( if needed), processed and shipped.

Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided, otherwise customer pays for return shipping costs.

Returned items must be sealed/unopened in original, brand-new condition, showing no signs of wear or use such as belt-buckle or pick scratches, scuffs, dings or scrapes, screw mount marks or collateral materials. Items must also include all original packaging, manuals, warrantees and accessories or your return may be subject to a return handling charge.

If the item was listed as free shipping then the cost of the shipment will be deducted from the units original cost. Gear returned with out all its original packaging, warranty cards and accessories or that shows signs of wear from use, will be subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new. 

The following products cannot be returned - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items,  electronic software downloads, demo gear, strings, reeds, computers, tubes, earbuds, earplugs, recorders, harmonicas, raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids, clothing/footwear, body jewelry, sheet music, cleaners, polishes and polishing cloths, software/soundware, books, CDs, DVD's, vinyl records, and videos.

Happy customers, that's music to our ears!

Presonus StudioLive 64S Series III 64 channel digital Console mixer & USB audio interface

Powerful Mixer with Serious Build quality and Features. Compatible with Most DAW's  Backed by 3 year Warranty!

Ships Free!

The small format mixer with large format power.

The StudioLive 64S is a 64-channel mixer that brings the power of a large format console to small format digital mixing. Powered by the new quad-core PreSonus FLEX DSP Engine, the StudioLive 64S digital mixer is equipped with 76 mixing channels, 43 mix buses, and 526 simultaneous processors—including 8 stereo reverberation systems, and Fat Channel plug-in models on every input channel and mix bus. With 128 (64X64) channels of USB recording, 128 channels of AVB I/O, flexible routing options, and the studio-grade audio quality that made StudioLive mixers famous, the StudioLive 64S delivers a truly exceptional mixing experience that's in a class of its own.

The scalable digital mixer.

The StudioLive 64S digital mixer and the complete PreSonus® StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Connect NSB-series stage boxes to add remote analog inputs and outputs wherever they’re required and complete your 64-channel, 32-bus StudioLive 64S. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mix. Multiple StudioLive Series III digital mixers can be networked together, allowing you to route audio to and from any device on the audio network thanks to the flexibility of Digital Patching available both onboard your StudioLive 64S digital mixer and inside UC Surface remote mixer software.

The best digital mixer for recording—with or without a computer.

PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 64S digital mixer or on your Mac® or Windows® computer. Record any combination of channels, FlexMixes, and the main stereo mix to USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up Virtual Soundchecks. Best of all, Capture sessions open natively in Studio One® with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more to launch your live mix right where you left it. No other multitrack software makes recording as fast, simple, and hassle-free so you can focus on mixing the show.

Superior sound.

We built our reputation designing great-sounding analog circuits for critical studio recording environments, and we put all of that experience into designing the StudioLive 64S digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 64S mic preamps to be remote-controlled with UC Surface software or Studio One, and when you load a StudioLive 64S mixer scene, the mic preamp trim values can be recalled along with the other settings.

Create the buses and groups you need.

PreSonus designed the StudioLive 64S digital mixer to adapt to your changing needs, whether you’re mixing in the studio or on a busy festival stage. Its 32 FlexMixes can be individually configured to function as an aux bus, a subgroup, or a matrix mix. Eight designated effects buses plus stereo and mono main buses make a total of 43 mix buses in addition to an independent solo bus. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. The independent Main Mono bus can be configured with individual channel sends to feed a subwoofer or as the center channel in an LCR system, complete with a Center Divergence control on each channel to more precisely place your pan positions.

Reconfigure your mix without unplugging a cable.

StudioLive Series III digital mixers incorporate the concept of an analog patchbay and digitize it. This lets you patch any analog input or digital return (AVB, USB, or SD Card) to any channel to customize your mix configuration. This flexible feature also allows you to freely route audio to your AVB network and record any of the inputs and FlexMixes on the 64 USB sends. Digital Patching also makes it easy to quickly route to and source from your AVB audio network when using the StudioLive 64S as part of a complete networked audio system.

The ultimate USB audio interface and control surface.

With 128 (64x64) channels of recording over USB, the StudioLive 64S is not just the best digital mixer for live sound recording; it’s the best digital mixer for the studio as well. Each channel can independently access its analog input or its dedicated digital return from your computer. While compatible with any DAW, Studio One and the StudioLive 64S are the perfect pair to elevate your studio recording environment. Remotely control your StudioLive 64S digital mixer’s recallable XMAX mic preamps and Fat Channel processing from Studio One Artist. Press the DAW button on your StudioLive 64S digital mixer and use the 33 touch-sensitive motorized faders to control your Studio One mix. Seamless integration and thoughtful bidirectional control with Studio One make the StudioLive 64S the best mixing console for the modern recording studio.

World-class recording software included.

PreSonus Studio One® Artist DAW is included with the StudioLive 64S. Studio One seamlessly combines the time-tested and proven recording studio model with today’s beat- and loop-oriented production process so you can spend your precious time creating music instead of wondering what to click next.

Fat Channel plug-ins bring your mix to life for stage or studio.

The dynamic Fat Channel on the StudioLive 64S digital mixer puts critical EQ and Dynamics functions beneath your fingertips while giving you fast access to every parameter. Fat Channel plug-ins can be inserted on every input channel and output bus. You can enjoy extensive, studio-style processing whether recording in the studio or running shows on the road.

The StudioLive 64S includes six Classic Fat Channel EQ and Compressor plug-in models pre-installed. But you also get Fat Channel Collection Vol. 1... which includes 15 additional vintage-modeled EQs and Compressors—a $149 (USD) value if purchased separately.

Remote control your digital mixer from anywhere, on any device.

PreSonus StudioLive Series III digital mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly using UC Surface touch-control software for macOS®, Windows, iPad® and Android™. Control your monitor mixes with QMix®-UC for iPhone®, iPod® touch, and Android devices. Whether you’re adjusting monitor mixes on stage, moving around the room to dial in your mix, or using your mobile device as a second screen for your StudioLive 64S digital mixer, remotely controlling your mix from anywhere just got easier.

A complete networked solution.

The StudioLive Series III ecosystem of networked products are at the forefront of AVB networking technology. Designed to complement each other, the ecosystem is easily expanded and quickly configured. The StudioLive 64S is your command center to create the ultimate AVB network. Route audio to EarMix 16M personal monitor mixers. Control the gain staging and add up to 64 inputs using NSB-series stage boxes and other StudioLive Series III digital mixers. With powerful plug-in processing, a plethora of mix buses, and integrated networking onboard, the StudioLive 64S brings the large format mixing experience to the compact desktop digital mixer.

Get Connected.

The back panel of a StudioLive 64S digital mixer is equipped with plenty of local analog I/O. 32 local analog mic/line channel inputs make it easy to connect a variety of gear. 16 local mix outputs let you route to floor monitors, delay stacks and more. But the local I/O is only half the story. Connect your StudioLive 64S digital mixer to an AVB audio network and add remote inputs and outputs anywhere you need them using NSB-series stage boxes.

Three year warranty—for all Series III and III S mixers

When we introduced the StudioLive Series III S mixers, we upgraded all Series III mixer warranty programs to three years as well, including both console and rack mixers. Even if you bought yours two and a half years ago, you're covered.

We take our build quality seriously, and if anything goes wrong with your mixer in your first three years of ownership (assuming you don't throw it in a swamp or anything like that) we'll repair it.

Make your own magic.

At PreSonus, we want to make sure that our audio interfaces come with everything you need to craft your own mesmerizing spells in the studio. That’s why we include Studio One Artist with every audio interface product we make. But here in Louisiana, we have a word: lagniappe. It means "a little something extra," and it’s in that spirit that we also include the Studio Magic Suite of software with our audio interface products.

The 2020 Studio Magic is a major step up from the 2019 edition, and includes Ableton Live Lite, tutorials from Melodics, 6 virtual instruments, and 9 effects plug-ins in VST, AU, and AAX formats... all unlocked for use inside Studio One Artist with a retail value of over $1000 (US).

Features

Powered by the new quad-core PreSonus FLEX DSP Engine to provide the most processing of any digital mixer in its class

76 input-channel digital mixer with 33 touch-sensitive motorized faders

64 channels (individually sourced from any of the 32 local digitally controlled XMAX mic/line inputs or any AVB, USB, or SD input)

2 balanced stereo aux inputs

1 stereo tape input (RCA, Bluetooth™ connectivity, USB, AVB or SD)

8 FLEX FX returns

1 Talkback

43 mix buses

32 FlexMixes (Aux, Subgroup, Matrix)

8 dedicated FLEX FX buses

Stereo Main bus

Main Mono/Center bus with per-channel level send and Center Divergence

526 simultaneous processors

HPF

Gate / Expander

Compressor with Fat Channel plug-in models

4-band/6-band parametric EQ with Fat Channel plug-in models

Limiter

31-band Graphic EQ

8 FLEX FX slots featuring legendary classic reverb emulations and delays

State Space-Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus

FLEX FX multi-effects processor with 8 slots to load legendary reverb emulations and delays with 8 dedicated effects buses

24 DCAs to control groups of channels

128-channel (64x64) recording over USB

Onboard multi-channel SD recorder (34x34) with true Virtual Soundcheck mode

AVB Networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers and more

User Profiles for managing multiple operators with custom permissions

Per channel digital patching from any analog, AVB, USB, or SD Card source

DAW Control

Advanced Studio One control integration

MCU emulation mode optimized for Logic

HUI emulation mode optimized for Pro Tools

Remote control every mix function from your computer, iPad, or Android tablet with UC Surface (included)

Put your musicians’ monitor mix under their fingers with QMix-UC (included) for iOS or Android

Capture multitrack software included

Automated Virtual Soundcheck

Store StudioLive mix scenes with your audio

Advanced Studio One integration (Studio One Artist Included)

XMAX mic preamp control from Studio One

Control Fat Channel parameters from Studio One mixing console

----------------------------------------------------------------------------------------------------------------

Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998.  We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.   

Shipping --Items are well packed and shipped  USPS, UPS or  Freight Service.  Items purchased on Friday may not ship until Monday or until the projected processing period.  We are working hard to get your unit Built ( if needed), processed and shipped. Processing Times  do vary

Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided, otherwise customer pays for return shipping costs.

Returned items must be sealed/unopened in original, brand-new condition, showing no signs of wear or use such as mount marks, plug marks, scratches,  scuffs, dings or scrapes, screw mount marks or collateral material damage.. Items must also include all original packaging, manuals, warrantees & accessories or your return may be subject to a return handling charge.

Refunds are for the Item cost only. If the item was listed as free shipping then the cost of the shipment will be deducted from the units original cost. Gear returned with out all its original packaging, warranty cards and accessories or that shows signs of wear from use, will be subject to an additional service/restocking fee. This item is now used and it would be unfair to resell to another customer as new. 

The following products cannot be returned - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items,  electronic software downloads, demo gear, strings, computers, vacuum tubes, earbuds, earplugs, recorders, harmonicas, raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids, clothing/footwear, cleaners, polishes & polishing cloths, software/sound ware, books, CDs, DVD's, vinyl records, and videos.

Allen & Heath AVANTIS 64 Ch USB Stereo Digital Mixer Console 96kHz

IT'S A SMALL STEP TO A GIANT LEAP

The third mixer based on our 96kHz XCVI FPGA engine, Avantis puts all our next-generation technology in a 64 channel / 42 configurable bus console, with dual Full HD touchscreens, a super-flexible workflow with Continuity UI, extensive I/O options, add-on processing from our flagship dLive mixing system, and a rugged full metal chassis.

CONTINUITY UI

It's your mixer so mix your way.

With a massive 206 square inches of screen space operating at a crisp 1080p Full HD resolution, Continuity UI allows you to see and instantly interact with more of what matters, enabling a seamless connection between the physical controls and the displays.

The faders react on touch to immediately highlight the active channels for instant visual feedback.

The channel rotaries let you work gains or pans, then at the touch of a button, dynamically fold the display to show EQ or compressor parameters across the whole bank.

Each screen also features a FastGrab tab on the right-hand side, giving you split-second access to key freely-assignable parameters like aux sends, EQ, compressor and FX on the currently selected or specific channel.

The whole system is set up to dynamically surface the information you need at any moment and put control right at your fingertips.

EVERYTHING I/O

A complete ecosystem of remote expanders.

Whether you’re an owner/operator looking to build a compact system, or a rental company with existing Allen & Heath stock, the SLink connection on Avantis allows true flexibility by connecting to the entire range of Allen & Heath audio expander hardware.

Add a Dante card to your system and you’ve got even more options, with our dedicated Dante expanders, DT168 and DT164-W.

UPGRADE TO dPACK ( this listing does not include the DPack extra software)  

However here is the info on it if you purchase it seperately

Get acclaimed dLive processing. Inside your Avantis.

Right out of the box, Avantis is loaded with powerful processing tools that will easily meet the demands of most users and applications. Want more options? Upgrade your console with Avantis dPack to get additional dLive processing including Dyn8 (up to 16 instances), DEEP Compressors, and the Dual Stage Valve Preamp, plus more models as they’re added.

dPACK - DEEP

Trusted by platinum selling artists on sellout tours, DEEP puts incredible emulations directly within Avantis’ input and mix channels with zero latency. No burning FX slots, no 3rd party gear hassles and no issues with latency or phase coherency.

dPACK - DYN8

Avantis dPack also delivers Dyn8, a powerful and sophisticated processor boasting 4 bands of dynamic EQ and 4 bands of multiband compression. With endless applications including taming vocals, tightening sub-groups or adding sonic glue to a mix, Dyn8 changes the way we think about dynamic processing. dPack enables 16 Dyn8 engines for inserting on Input and Mix channels.

A WORLD OF CONTROL

Avantis can be controlled using the Avantis Director software, MixPad app, Custom Control app or from our range of remote controllers and GPIO interfaces, with up to 48 IP remote controllers over a standard TCP/IP network. Applications include control of IEM mixes on stage, extra fader banks at FOH, and local control in breakout rooms.

IP1

1x push n turn rotary

1x LCD display

Wallplate (US or EU/UK standard)

PoE

IP6

6x push n turn rotaries

18x SoftKeys

8x LCD displays

Free standing or flush mount

PoE or wall wart

IP8

8x 60mm motor faders

22x SoftKeys

8x LCD displays

Free standing, flush mount or mic stand

PoE+ or wall wart

GPIO

8x GPI

8x GPO (N/O)

Half U, rack-mountable

PoE or wall wart

RACKEXTRA FX

12 dedicated fx rack slots. And no compromises. 

Trust us, these are not your usual built-in effects.

Allen & Heath has a well-earned reputation for crafting FX emulations that rival the very best third party plug-ins, but with none of the associated hassle.

With a passion bordering on obsession, we’ve created a suite of FX inspired by some of the most revered outboard equipment, including pristine reverbs, detailed delays, and wonderful classic modulation effects.

Best of all, we offer our 12 FX slots with no compromises. Each effect takes up just one of the 12 slots, and each of the 12 FX slots has a dedicated stereo return - so you don’t need to waste your input channels.

FULL METAL CHASSIS

Lightweight and super-strong.

You’ve probably noticed that Avantis is not just another dull grey box mixer with plastic sides. Part-inspired by the tubular exo skeletons of the latest generation of superbikes, those sleek curves are all metal - super tough - but lightweight.

Because every part of Avantis was designed in pursuit of performance and reliability, we subjected it to some of the most rigorous testing we’ve ever embarked upon. And it took it all.

DIRECTOR

Editor & Control. Offline and Online.

Avantis Director is a free Windows and Mac OS application enabling offline editing and online control capabilities. Offline mode can be used for the creation and editing of show files and system configuration, as well as serving as a training tool for new users. Online mode delivers full remote-control of the mixer, freeing the engineer from the mix position to make changes from anywhere in the venue.

ONEMIX & MIXPAD APPS

Remote mixing. Personal monitoring. 

MixPad

Avantis MixPad is an engineer’s mixing tool providing wireless mobile control for Allen & Heath Avantis digital mixers. It gives you the freedom to walk the room or stage and control the sound right where it is needed. Avantis MixPad and the Avantis mixer can work together to provide simultaneous control of independent functions, for example one engineer using the mixer to mix front-of-house sound, and another using the iPad to mix monitors on stage. Several iPads can be connected, each providing independent control.

OneMix

OneMix is a cut down version of the Avantis MixPad app that locks control to a single Aux (monitor) mix. Multiple iPads may be set up by the 'Admin' user to give each musician customised personal monitor control via Wi-Fi connection to Avantis without the risk of affecting the other monitors or FOH main mix. Avantis OneMix can be configured to provide as much or as little control as needed.

WELL CONNECTED

Dante. Waves. And so much more. 

For local I/O, Avantis is well equipped with 12 XLR analogue inputs, 12 XLR analogue outputs, plus AES (Stereo In, 2x Stereo Out).

Two additional I/O Ports allow Avantis to benefit from the full range of current dLive option cards, including Dante (64x64 and 128x128), Waves, gigaACE, MADI and more, expanding the scope for system integration, FoH / monitor splits and multitrack recording.

DANTE 128x128

With 128 channels of bidirectional audio at 96kHz, the Dante 128x128 card is suitable for high channel digital splits between systems, for instance FOH and MON, whilst offering simultaneous multitrack recording via Dante Virtual Soundcard (available separately).

DANTE 64x64

The Dante 64x64 audio networking card offers low latency connectivity to Dante networks and devices using standard networking cabling and hardware and is a cost-effective alternative to Dante 128x128 in applications that don’t require the additional I/O.

Waves V3

An interface to the Waves SoundGrid networking platform, for plugin processing, multitrack recording and audio distribution.

Features:

• 96kHz 64 channel / 42 bus digital mixer

• XCVI FPGA core with ultra-low latency (0.7ms)

• Fully configurable mix bus architecture

• Super-tough, full metal chassis

• Continuity UI seamlessly connects physical and touchscreen controls for the fastest, most intuitive workflows

• dPack option adds dLive processing, including 16 Dyn8 engines, plus per-channel zero-latency DEEP Compressors and Dual-Stage Valve preamp

• 12 RackExtra FX slots with dedicated stereo returns

• 16 DCAs

• Dual 15.6” Full HD capacitive touchscreens with gesture control

• AMM (Automatic Mic Mixer) up to 64 channels across 1, 2 or 4 zones

• Fully assignable layout

• 144 fader strips (24 faders, 6 layers) with optional dedicated master section

• SLink port for connection to Remote I/O Expanders and the ME Personal Mixing System

• 12 analogue XLR Inputs / 12 analogue XLR Outputs

• 1 Stereo AES In / 2 Stereo AES Out

• 2 I/O Ports, both capable of 128x128 operation at 96kHz – for optional cards inc. Dante, MADI and gigaACE

• User configurable rotary controls

• 24 assignable SoftKeys

• Comprehensive metering with multi-point peak detection

• Internal storage for stereo playback and recording

• USB stereo playback

• BNC Word Clock

Allen & Heath ADLIVE-DLC35 C3500 24 Fader Surface Console Digital Mixer

The C3500 is the largest C Class control Surface for the dLive MixRack. It features 24 faders over 6 layers, built-in audio I/O and networking port, dual 12″ capacitive touchscreens and the innovative Harmony UI for the fastest workflow in the industry.

Harmony User Interface

Where many digital consoles are still trying to recreate the experience of using an analogue mixer, dLive is a true digital native, drawing on our familiarity with the ubiquitous smartphones and tablets that we all use without thinking. C3500’s twin 12” capacitive touchscreens feel instantly familiar, responding to every pinch, swipe, drag and drop exactly how you’d expect them to. Bespoke ‘widget’ areas can also be set up on the screens to keep track of scenes, meters, FX and other custom controls. The screens are complemented by a set of rotary controls, allowing the creativity and immediacy of tactile control over key processing functions, working in harmony with the visual feedback displayed on the screen. The high-grip rotary knobs offer precision control, and feature RGB illumination, with colours mapped to functions for instant visual orientation.

Transparent Workflow

C3500’s layout is fully customisable, allowing the user to create a mixing interface that reflects their own mental map of the show, or for an installer to set up the surface to match the venue and the experience levels of the operators. Throughout the dLive journey our guiding aim has been to create fast and transparent workflows that allow the operator to focus on the mix, not the mixer. Every input or mix can be assigned to any and every bank and / or layer, virtual scribble strips allow inputs and mixes to be clearly named and colour coded for at-a-glance navigation, and there are 19 assignable SoftKeys, plus 3 pages of 6 assignable rotaries.

Features:

• 24 faders

• Fully assignable layout – 144 fader strips

• Harmony UI integrates screen and wrap-around controls

• Dual 12” capacitive touchscreens

• Gesture control – pinch, swipe, drag ‘n drop

• Dedicated multi-mode EQ view

• Configurable widget areas for Scenes, meters, FX and more

• 3 pages of 6 assignable rotaries

• 19 assignable SoftKeys

• Engineer’s Wedge and IEM fader strips

• Comprehensive multipoint metering

• Daylight visibility

• USB stereo recording and playback

• 6 XLR mic/line in, 6 XLR line out

• 1 digital st AES3 in, 1 digital st AES3 out

• Connection hub

• GigaACE gigabit link to MixRack

• DX link for I/O expansion

• I/O Port – 128 ch 96 kHz

• 2x Network ports

• Wordclock BNC I/O

• Video output

Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998.  We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.   

Shipping --Pro packed & shipped  USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed &  shipped. Processing times vary, 2-30  days

Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new. 

What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items,  electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids

Ships Free!

Si Impact. Innovative digital mixing with uncompromised audio quality

Drawing on over 40 years experience in live sound mixing, Si Impact brings the latest digital mix innovations together with the unrivalled sound quality of Soundcraft. Designed to be as simple as an analog mixer, but offer radical workflow enhancements such as the unique FaderGlow™ system, massive DSP power, and a pristine 32-in/32-out USB audio interface, Si Impact delivers digital live sound mixing and recording for those who refuse to compromise on audio quality.

The legendary British sound

From humble beginnings in London more than 40 years ago and still designed and engineered in the UK, Soundcraft defined the term 'British sound' in live sound mixing consoles.

Soundcraft Co-Founder Graham Blythe's acclaimed microphone preamps and 'British' equaliser ensures the Si Impact proudly carries Soundcraft's signature sound today.

Going beyond analogue control

Combining One-Knob-One-Function control with unique features like FaderGlow™, Soundcraft combines analogue workflow with digital flexibility. FaderGlow™ illuminates the fader track in different colours to provide at-a-glance status information on precisely what the fader is controlling – aux sends, FX sends or even the graphic EQ that's available on every bus.

Each fader channel also features a clear multi-color LCD display - giving 'at a glance' information on levels and offering a fully customisable'scribble strip' to name your channels.

World-class effects & dynamics

Si Impact isn't just packed with DSP power. It's packed with DSP power from the acknowledged experts in digital FX. That means studio-grade reverbs, delays and modulations from Lexicon, legendary dbx dynamics and industry-standard BSS Graphic Equalisers.

Put your I/O where you need it

With built-in connectivity for an optional Soundcraft Stagebox, Si Impact lets you put your I/O where you need it.

Set up your Stagebox by the band for live sound applications, or position it in the live room for studio recording all via a single piece of Cat 5 cable.

Pristine audio direct to your DAW

Si Impact makes recording quick and easy with superb quality, built-in 32-in/32-out USB recording and playback.

A single connection to your PC or MAC and you're ready to make multi-track recordings direct to any digital audio workstation. Send up to 32 inputs and 32 outputs to and from your DAW for recording and playback.

Remote mixing with your iPad®

The mix power of Si Impact is accessible from anywhere in the venue, via the Soundcraft remote iPad® app.

Mix FOH from the audience location, mix monitors from the stage, or allow musicians to set their own monitor mix from multiple iPad® devices.

Features

• Up to 80 channels to mix

• 32 Mic Inputs

• 8 XLR/1/4" Combi-jacks for line inputs and instruments

• 40 DSP input channels (32 mono inputs and 4 stereo channels/returns)

• 31 Output busses (All with full DSP processing and GEQ)

• 4-band Fully Parametric EQ on each channel and bus

• 8 VCAs + 8 Mute groups

• 26 motorised faders (24 input + LR/Mono)

• 4 fully customisable Fader Layers

• Built-in Stagebox Connectivity

• 5" touchscreen display

• Multi-Colour LCD Channel Displays on each input fader

• 4 studio-grade Lexicon Effects engines and dedicated FX busses

• BSS Graphic Equalisers on every bus

• 20 sub-group / aux busses

• 4 mono/stereo matrix busses

• 32x32 USB audio interface for multi-track recording and playback *

• Increase I/O capabilities with option cards and stageboxes

*USB Interface Compatibility:

PC: Supports Windows 7, Windows 8 and Windows 10.

Mac: Supports Mac OS 10.7.x Lion through 10.11.x El Capitan

Specifications

Height160mm (6.3")

Width750mm (29.5")

Depth500mm (19.7")

Weight20kg (44.1lb)

Allen & Heath DT168 16 x 8 Stage Box Dlive 96kHz Dante Mic Preamps Expander

The DT168 provides 16 microphone preamps and 8 line outputs in a convenient stagebox form factor. Ideal for portable applications thanks to its rubber bumpers and handle, it can be deployed on stage or used as a drop-in expander in any SQ, Avantis, AHM-64 or dLive Dante network.

DT168 offers the acclaimed Allen & Heath preamps, complete with 96kHz converters for best-in-class sound quality over Dante, plus Primary and Secondary ports for daisy-chain or redundancy through secure EtherCon connectors.

Up to 16 units can be added to an AHM-64, SQ, Avantis or dLive system when equipped with an SQ Dante or dLive 96kHz Dante card.

DT Preamp Control software allows remote control of multiple DT expanders, and enables the use of DT expanders with Dante equipped 3rd party digital mixers and sound management systems.

Features:

• Dante audio expander, 96kHz / 48kHz

• Portable stagebox design

• 16 mic preamps on XLR with Phantom Power status LEDs

• 8 XLR Line Outs

• Primary and Secondary Dante ports with locking EtherCon

• Redundant or Switched mode

• Direct preamp control from dLive, Avantis, AHM-64 and SQ

• Remote control of preamps via DT Preamp Control software for integration with 3rd party systems

• Optional 19-inch rack mount kit available

• Rubber bumpers and carry handle

• AES67 compatible

• Dante Domain Manager ready

Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998.  We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.   

Shipping --Pro packed & shipped  USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed &  shipped. Processing times vary, 2-30  days

Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new. 

What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items,  electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids

Allen & Heath DX168 6 x 8 Stage Box DLive 96kHz Mic Preamps Expander Processor

The DX168 is a rugged, 96kHz portable expander for adding remote I/O to a dLive, Avantis or SQ system, or to the AHM-64 audio matrix processor.

Each DX168 features 16 mic preamps with independent Phantom Power LED indicators, plus 8 XLR line outs.

The DX168 connects via a single Cat5e cable to the dLive Surface, MixRack, SQ mixer, Avantis mixer or upstream DX168 via a secure EtherCon port. A second locking EtherCon port is provided for redundant connection to compatible hardware, or for daisy-chaining to a downstream DX168 for additional remote I/O.

The Expander’s rugged design, with hard-wearing rubber bumpers, allows it to be placed directly on the stage floor during performances. Weighing in at just 4.8kg and featuring a sturdy carry handle, the DX168 offers the convenience and portability needed in rental, education, houses of worship and many other environments. An optional 4U rack mounting kit is available which allows installation in industry standard 19-inch racks.

With dLive

Up to 6 DX168 units can be connected directly to a dLive system – 4 via the MixRack and 2 via the Surface – allowing up to 96 remote inputs and 48 remote outputs in addition to those provided by the MixRack and Surface. More units can be connected via the dLive DX Link card or DX Hub.

With Avantis

Two units can be daisy chained and connected directly to an Avantis SLink port. Up to 16 DX168 units can be added to an Avantis system via DX Link card and/or DX Hubs.

With SQ

Two units can be daisy chained and connected directly to an SQ SLink port, with the optional SLink card for SQ enabling more connections. For a more distributed system, a DX Hub can handle up to 8 DX168 units which can be freely patched to the SQ’s 48 input channels.

With AHM-64

Two units can be daisy chained and connected directly to an AHM-64 SLink port. Up to 8 DX168 units can be added to an AHM-64 system via a DX Hub and freely patched to the 64 input channels.

Features:

• 16 Mic Preamps on XLR with Phantom Power status LEDs

• 8 XLR Line Outs

• Compatible with dLive S Class and dLive C Class hardware

• Cascade mode allows daisy-chaining of 2 DX168 Expanders for additional I/O

• Redundant DX connection to compatible dLive hardware

• Optional 19-inch rack mount kit available

• Plug and Play – no IP addressing required

• Compatible with CAT5e (or higher) cables of up to 100m

• Rubber bumpers

• Carry handle

Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998.  We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.   

Shipping --Pro packed & shipped  USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed &  shipped. Processing times vary, 2-30  days

Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new. 

What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items,  electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids

Allen & Heath AH-Avantis-Solo 64 Channel Digital Mixer Console

Avantis is a 64 channel / 42 configurable bus mixer platform featuring our 96kHz XCVI FPGA engine with class-leading 0.7ms latency plus add-on processing from our flagship dLive mixing system.

Continuity UI harnesses the power of the 15.6" Full HD (1080p) touchscreen to allow you to see and instantly interact with your most used parameters, enabling a seamless connection between the physical controls and the displays. The rear panel provides 6 XLR (Mic/Line) inputs and 6 XLR outputs as well as a stereo AES inputs and outputs. The SLink port allows you to connect to a multitude of hardware expansion options and controllers. Two I/O ports allow you to expand the Avantis even further with Dante, Waves, gigaACE, SuperMADI, and fibreACE cards.

Features & Specifications:

• 96kHz FPGA Processing
• 64 Input Channels
• 42 Bus
• Fully Configurable Mix Architecture
• dPack Upgrade for Additional dLive Processing
• 12 RackExtra FX slots with dedicated stereo returns
• Two 128×128 I/O Ports for Audio Networking
• 16 DCAs
• Range of Remote Expanders

Allen & Health Avantis-Solo-W-DP Digital Mixer With DEEP Pack Software

Right out of the box, Avantis is loaded with powerful processing tools that will easily meet the demands of most users and applications. Want more options? Upgrade your console with Avantis dPack to get additional dLive processing including Dyn8 (up to 16 instances), DEEP Compressors, and the Dual Stage Valve Preamp, plus more models as they’re added.

Trusted by platinum selling artists on sellout tours, DEEP puts incredible emulations directly within Avantis’ input and mix channels with zero latency. No burning FX slots, no 3rd party gear hassles and no issues with latency or phase coherency.

Avantis dPack also delivers Dyn8, a powerful and sophisticated processor boasting 4 bands of dynamic EQ and 4 bands of multiband compression. With endless applications including taming vocals, tightening sub-groups or adding sonic glue to a mix, Dyn8 changes the way we think about dynamic processing. dPack enables 16 Dyn8 engines for inserting on Input and Mix channels.

Allen & Heath has a well-earned reputation for crafting FX emulations that rival the very best third party plug-ins, but with none of the associated hassle. Some RackExtra FX are exclusive to dPack, such as Transient Controller and HypaBass.

Features and Specifications:

DEEP Compressors:
• PeakLimiter 76
• 16T
• 16VU
• Mighty
• Opto
• OptTronik
• Bus

DEEP Expanders:
• Source Expander
• Dual Threshold Expander

DEEP Preamp:
• Dual Stage Valve Preamp

DEEP EQ:
• NEQ12

Dyn Dynamics:
• 16 x Dyn8 instances

RackExtra FX:
• Hypabass
• Transient Controller

Yamaha TF3 Digital Mixing Console 48 Input 25 Motor Faders Compact

Call to order 585-405-4375

Ample input capacity and hands-on control in a compact console that can handle a wide range of applications.

The Yamaha TF3 is a 24-channel digital mixing console that combines advanced technology, intuitive operation, and exceptional sound quality, making it ideal for live sound, recording, and broadcast applications. Designed with both seasoned professionals and newcomers in mind, the TF3 empowers users to create polished mixes with ease.

The Yamaha TF3 delivers an unmatched balance of performance, functionality, and ease of use, making it a top choice for audio professionals and enthusiasts alike.

Features:
• 25 motor faders (24 channels + 1 master)
• 48 input mixing channels (40 mono + 2 stereo + 2 return)
• 20 Aux (8 mono + 6 stereo) + Stereo + Sub buses
• 8 DCA groups with Roll-out
• 24 analog XLR/TRS combo mic/line inputs + 2 analog RCA pin stereo line inputs
• 16 analog XLR outputs
• 34 x 34 digital record/playback channels via USB 2.0 + 2 x 2 via a USB storage device
• 1 expansion slot for NY64-D audio interface card

Specifications:
• Sampling frequency rate: Internal - 48 kHz
• Signal delay: Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz
• Fader: 100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders
• Total harmonic distortion: Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz)
• Frequency response: +0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT
• Dynamic range: 110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min.
• Hum & noise level: Equivalent input noise - –128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter), Residual output noise - –85 dBu, ST master off (Measured with an A-Weight filter)
• Crosstalk: –100 dB (Measured with a –30 dB/octave filter@22 kHz), adjacent INPUT/OMNI OUT channels, Input Gain=Min.
• Power requirements: 100–240 V 50/60 Hz
• Power consumption: 100 W
• Dimensions: W - 716 mm (28.2in), H - 225 mm (8.9in), D - 599 mm (23.6in)
• Net weight: 17.0 kg (37.5lb)
• Accessories: Quick Guide, Power Cord, NUENDO LIVE (DAW Software)
• Options: Expansion Card, Foot Switch (FC5)
• Others: Operating temperature range: 0–40 °C, Storage temperature range: -20–60 °C