Mixers/Console

Presonus StudioLive 32SX Compact 32 Ch 22 Buss Digital Console Mixer Recorder plus Software

Full Software Suite Included plus 3 year warranty!

Power meets efficiency.

Loaded with the processing power, studio-grade audio quality, and flexible routing options that made StudioLive® mixers famous, the StudioLive 32SX is the perfect compact, 32-channel digital mixing solution. Powered by the dual-core PreSonus® FLEX DSP Engine, the StudioLive 32SX digital mixer is equipped with 40 mixing channels, 26 mix buses, and 286 simultaneous processors, including 4 stereo reverberation systems, and Fat Channel plug-in models on every input and mix. The low profile of the StudioLive 32SX makes it an ideal solution for any mixing environment where desk real estate is at a premium. The split-fader workflow lets you manage 32 input channels in two fader layers, while still providing access to your mix outputs on eight additional faders. With 32 XMAX mic preamps and 16 balanced mix outputs, the StudioLive 32SX packs connectivity and power into an efficient use of space.

The scalable digital mixer.

The StudioLive 32SX digital mixer and the complete PreSonus StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mixes. Connect a StudioLive 32R to use as a remote stage box or monitor mixer. Multiple StudioLive Series III digital mixers can be networked, allowing you to route audio to and from any device on the audio network, thanks to the flexibility of Digital Patching onboard your StudioLive 32SX digital mixer and in UC Surface remote mixer software.

Superior sound.

We built our reputation designing great-sounding analog circuits for critical studio-recording environments, and we put all of that experience into designing the StudioLive 32SX digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 32SX mic preamps to be remote-controlled with UC Surface software or Studio One®, and when you load a StudioLive 32SX mixer scene, the mic preamp trim values can also be recalled along with the other settings.

Record music with or without a computer.

PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 32SX digital mixer or on your Mac® or Windows® computer. Record all 32 channels plus a stereo mix of your choosing via USB, to an SD Card, or both for the ultimate redundant live-recording rig. StudioLive mix scenes can be stored with your recordings to speed up virtual soundchecks. Best of all, Capture sessions open natively in Studio One with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more. No other multitrack software makes recording as fast, simple and hassle-free so you can focus on mixing the show.

The best music recording software… included.

Studio One revolutionized music recording, making common mixing and production tasks as easy as drag-and-drop. Tight integration with StudioLive 32SX digital mixers allows you to control preamp levels and more directly from the Studio One software console. Press the DAW button on your StudioLive 32SX, and your Studio One controls are right under your fingertips on your digital mixer. Studio One control can be toggled on and off, allowing you to quickly switch between your live mix and your production mix with the press of a button. Studio One Artist is included with the StudioLive 32SX, so you can start recording right out of the box.

Remote control your digital mixer from anywhere—on any device.

PreSonus StudioLive Series III digital mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly using UC Surface touch-control software for macOS®, Windows®, iPadOS® and Android™. Control your monitor mixes with QMix®-UC for iPhone®, iPod® touch, and Android devices. Whether you’re adjusting monitor mixes on stage, moving around the room to dial in your mix, or using your mobile device as a second screen for your StudioLive 32SX digital mixer, remotely controlling your mix from anywhere just got easier.

Flexible mixing for studio and stage.

The StudioLive 32SX was designed to fit well in any application. Its 16 FlexMixes can be individually configured to function as an aux bus, a subgroup, or a matrix mix. Four designated effects buses provide a total of 24 mix buses plus an independent solo bus and the main mix. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. Inputs and buses can be freely routed internally, out to your AVB network, and over the USB bus, allowing you to customize your StudioLive 32SX for your unique mixing style.

The best USB audio interface for mixing.

With 128 (64x64) channels of recording over USB, you can record every input channel and bus on your StudioLive 32SX for the ultimate recording rig. Each channel can independently access its analog input or its dedicated digital return from your computer. Six preinstalled vintage EQ and classic compressor Fat Channel plug-in models can be used onboard your mixer as well as within Studio One. And you also get Fat Channel Collection Vol. 1, which includes 15 additional vintage-modeled EQs and compressors—a $149 (USD) value if purchased separately. Fat Channel plug-ins can be inserted on every input channel and output bus, giving you extensive, studio-style processing while mixing and recording.

A complete networked solution.

StudioLive Series III networked products form an ecosystem that is easily expanded and quickly configured. Designed to enhance each other, these products are at the forefront of AVB networking technology. Connect to StudioLive Series III rack mixers and add a dedicated monitor mixer. Route audio to EarMix 16M personal monitor mixers for customized mixes on stage. With powerful plug-in processing, advanced recording features, and a full complement of analog I/O in a compact chassis, the StudioLive 32SX is an ideal centerpiece for sound systems of any size.

Apple Silicon, iOS, and iPadOS compatibility—standard.

The PreSonus StudioLive 32SX is natively compatible with Apple Silicon-based Mac computers*, as well as iOS and iPadOS devices, including iPad Pro, iPad, iPad Air, iPad Mini, iPod Touch, and iPhone. Because it's USB class-compliant, there are no special drivers or applications to download and install. You'll be able to produce on the go—everything from podcasts to folk rock to trap—wherever sound takes you.

Make your own magic.

At PreSonus, we want to make sure that our audio products come with everything you need to craft your own mesmerizing spells in the studio. That's why we include Studio One Artist with every audio interface and controller product we make, from the 2-channel AudioBox USB 96 to the 64-channel StudioLive 64S, ATOM to FaderPort 16, but we didn't stop there. Why? Because here in Louisiana, we have a word: lagniappe. It means "a little something extra," and it's in that spirit that we also include the Studio Magic Suite of software with our audio interface products and–new for 2021–our award-winning controllers as well.

The 2021 Studio Magic includes tutorials from Melodics, sound libraries from Ghost Hack, 7 virtual instruments, and 9 effects plug-ins in VST, AU, and AAX formats to use in Studio One Artist or your DAW of choice with a retail value of over $1000 (US).

Features

Powered by the new dual-core PreSonus® FLEX DSP Engine to provide the most processing of any digital mixer in its class

40 input-channel digital mixer with 25 touch-sensitive motorized faders

32 local digitally controlled XMAX mic/line inputs

2 balanced stereo aux inputs

1 stereo tape input (RCA, USB, AVB or SD)

4 FLEX FX returns

1 Talkback

26 mix buses

16 FlexMixes (Aux, Subgroup, Matrix)

4 dedicated FLEX FX buses

4 dedicated subgroups

Stereo Main bus

286 simultaneous processors

HPF

Gate/Expander

Compressor with Fat Channel plug-in models

4-band/6-band parametric EQ with Fat Channel plug-in models

Limiter

31-band graphic EQ

4 FLEX FX slots featuring legendary classic reverb emulations and delays

State Space Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus

FLEX FX multi-effects processor with 4 slots to load legendary reverb emulations and delays, with 4 dedicated effects buses

24 DCAs to control groups of channels

128-channel (64x64) recording over USB

Onboard multi-channel SD recorder (34x34) with true Virtual Soundcheck mode

AVB networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers and more

User Profiles for managing multiple operators with custom permissions

Per channel digital patching from any analog, AVB, USB, or SD Card source

DAW Control

Advanced Studio One® control integration

MCU emulation mode optimized for Logic

HUI emulation mode optimized for Pro Tools

Remote control every mix function from your computer, iPad®, or Android™ tablet with UC Surface (included)

Put your musicians’ monitor mix under their fingers with QMix®-UC (included) for iOS® or Android

Capture® 3.0 multitrack software included

Automated Virtual Soundcheck

Store StudioLive® mix scenes with your audio

Advanced Studio One integration (Studio One Artist Included)

XMAX mic preamp control from Studio One

Control Fat Channel parameters from Studio One mixing console

Computer system requirements:

Below are the minimum computer-system requirements for UC Surface, QMix®-UC, and Studio One®.

Mac®

macOS® 10.13 or higher (64-bit only)

Intel® Core™ i3 or better (Native support for Apple Silicon)

Minimum 4 GB RAM (8 GB or more recommended)

Windows®

Windows 10 (64-bit only)

Intel Core i3 or better

Minimum 4 GB RAM (8 GB or more recommended)

Mac and Windows Systems

USB 2.0 port

Internet connection

Internal or external 7200 RPM storage drive highly recommended

30 GB hard disk space

Monitor with 1366x768 resolution

iPadOS®

iPadOS 10 or later

iPad® Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation)

Android™

Android 6.0 (Marshmallow) or later

Android smartphone (QMix-UC)

Android tablet (8-inch) with 1024x768 resolution (UC Surface)

Note: The minimum system requirements may be different for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.

Note that this is the speed of your processor, the amount of RAM and the size of your harddrive will increase the overall performance of your recording system. So, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience.

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Echotone Music LLC is an experienced  long time E-commerce Audio & Musical instrument dealer since 1998.  We take pride in selling quality gear for musicians, sound engineers, production companies and broadcast applications.   

Shipping --Items are well packed and shipped  USPS, UPS or Pallet Freight Service.  Items purchased on Friday may not ship until Monday or until the projected processing period.  We are working hard to get your unit Built ( if needed), processed and shipped.

Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided, otherwise customer pays for return shipping costs.

Returned items must be sealed/unopened in original, brand-new condition, showing no signs of wear or use such as belt-buckle or pick scratches, scuffs, dings or scrapes, screw mount marks or collateral materials. Items must also include all original packaging, manuals, warrantees and accessories or your return may be subject to a return handling charge.

If the item was listed as free shipping then the cost of the shipment will be deducted from the units original cost. Gear returned with out all its original packaging, warranty cards and accessories or that shows signs of wear from use, will be subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new. 

The following products cannot be returned - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items,  electronic software downloads, demo gear, strings, reeds, computers, tubes, earbuds, earplugs, recorders, harmonicas, raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids, clothing/footwear, body jewelry, sheet music, cleaners, polishes and polishing cloths, software/soundware, books, CDs, DVD's, vinyl records, and videos.

Happy customers, that's music to our ears!

Presonus StudioLive 64S Series III 64 channel digital Console mixer & USB audio interface

Powerful Mixer with Serious Build quality and Features. Compatible with Most DAW's  Backed by 3 year Warranty!

Ships Free!

The small format mixer with large format power.

The StudioLive 64S is a 64-channel mixer that brings the power of a large format console to small format digital mixing. Powered by the new quad-core PreSonus FLEX DSP Engine, the StudioLive 64S digital mixer is equipped with 76 mixing channels, 43 mix buses, and 526 simultaneous processors—including 8 stereo reverberation systems, and Fat Channel plug-in models on every input channel and mix bus. With 128 (64X64) channels of USB recording, 128 channels of AVB I/O, flexible routing options, and the studio-grade audio quality that made StudioLive mixers famous, the StudioLive 64S delivers a truly exceptional mixing experience that's in a class of its own.

The scalable digital mixer.

The StudioLive 64S digital mixer and the complete PreSonus® StudioLive Series III ecosystem of AVB networking products allow you to create a system that is truly customized for your needs. Connect NSB-series stage boxes to add remote analog inputs and outputs wherever they’re required and complete your 64-channel, 32-bus StudioLive 64S. Add EarMix 16M personal monitor mixers to give your musicians their own customizable 16-channel monitor mix. Multiple StudioLive Series III digital mixers can be networked together, allowing you to route audio to and from any device on the audio network thanks to the flexibility of Digital Patching available both onboard your StudioLive 64S digital mixer and inside UC Surface remote mixer software.

The best digital mixer for recording—with or without a computer.

PreSonus Capture® recording software is an intuitive multitrack recording application with a fully integrated Virtual Soundcheck mode that runs directly on your StudioLive 64S digital mixer or on your Mac® or Windows® computer. Record any combination of channels, FlexMixes, and the main stereo mix to USB, to an SD Card, or both for the ultimate redundant live recording rig. StudioLive mix scenes can be stored with your recordings to speed up Virtual Soundchecks. Best of all, Capture sessions open natively in Studio One® with the entire StudioLive mix scene re-created in the Studio One console, complete with fader levels, Fat Channel settings, mutes, solos, and more to launch your live mix right where you left it. No other multitrack software makes recording as fast, simple, and hassle-free so you can focus on mixing the show.

Superior sound.

We built our reputation designing great-sounding analog circuits for critical studio recording environments, and we put all of that experience into designing the StudioLive 64S digital mixer. In 1995, PreSonus patented digital control over analog circuits with our first studio product. Building on this legacy, we created a separate digital volume-control circuit ahead of our lauded analog XMAX mic preamp design, providing the convenience of digital recall without sacrificing fidelity. This allows the StudioLive 64S mic preamps to be remote-controlled with UC Surface software or Studio One, and when you load a StudioLive 64S mixer scene, the mic preamp trim values can be recalled along with the other settings.

Create the buses and groups you need.

PreSonus designed the StudioLive 64S digital mixer to adapt to your changing needs, whether you’re mixing in the studio or on a busy festival stage. Its 32 FlexMixes can be individually configured to function as an aux bus, a subgroup, or a matrix mix. Eight designated effects buses plus stereo and mono main buses make a total of 43 mix buses in addition to an independent solo bus. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. The independent Main Mono bus can be configured with individual channel sends to feed a subwoofer or as the center channel in an LCR system, complete with a Center Divergence control on each channel to more precisely place your pan positions.

Reconfigure your mix without unplugging a cable.

StudioLive Series III digital mixers incorporate the concept of an analog patchbay and digitize it. This lets you patch any analog input or digital return (AVB, USB, or SD Card) to any channel to customize your mix configuration. This flexible feature also allows you to freely route audio to your AVB network and record any of the inputs and FlexMixes on the 64 USB sends. Digital Patching also makes it easy to quickly route to and source from your AVB audio network when using the StudioLive 64S as part of a complete networked audio system.

The ultimate USB audio interface and control surface.

With 128 (64x64) channels of recording over USB, the StudioLive 64S is not just the best digital mixer for live sound recording; it’s the best digital mixer for the studio as well. Each channel can independently access its analog input or its dedicated digital return from your computer. While compatible with any DAW, Studio One and the StudioLive 64S are the perfect pair to elevate your studio recording environment. Remotely control your StudioLive 64S digital mixer’s recallable XMAX mic preamps and Fat Channel processing from Studio One Artist. Press the DAW button on your StudioLive 64S digital mixer and use the 33 touch-sensitive motorized faders to control your Studio One mix. Seamless integration and thoughtful bidirectional control with Studio One make the StudioLive 64S the best mixing console for the modern recording studio.

World-class recording software included.

PreSonus Studio One® Artist DAW is included with the StudioLive 64S. Studio One seamlessly combines the time-tested and proven recording studio model with today’s beat- and loop-oriented production process so you can spend your precious time creating music instead of wondering what to click next.

Fat Channel plug-ins bring your mix to life for stage or studio.

The dynamic Fat Channel on the StudioLive 64S digital mixer puts critical EQ and Dynamics functions beneath your fingertips while giving you fast access to every parameter. Fat Channel plug-ins can be inserted on every input channel and output bus. You can enjoy extensive, studio-style processing whether recording in the studio or running shows on the road.

The StudioLive 64S includes six Classic Fat Channel EQ and Compressor plug-in models pre-installed. But you also get Fat Channel Collection Vol. 1... which includes 15 additional vintage-modeled EQs and Compressors—a $149 (USD) value if purchased separately.

Remote control your digital mixer from anywhere, on any device.

PreSonus StudioLive Series III digital mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly using UC Surface touch-control software for macOS®, Windows, iPad® and Android™. Control your monitor mixes with QMix®-UC for iPhone®, iPod® touch, and Android devices. Whether you’re adjusting monitor mixes on stage, moving around the room to dial in your mix, or using your mobile device as a second screen for your StudioLive 64S digital mixer, remotely controlling your mix from anywhere just got easier.

A complete networked solution.

The StudioLive Series III ecosystem of networked products are at the forefront of AVB networking technology. Designed to complement each other, the ecosystem is easily expanded and quickly configured. The StudioLive 64S is your command center to create the ultimate AVB network. Route audio to EarMix 16M personal monitor mixers. Control the gain staging and add up to 64 inputs using NSB-series stage boxes and other StudioLive Series III digital mixers. With powerful plug-in processing, a plethora of mix buses, and integrated networking onboard, the StudioLive 64S brings the large format mixing experience to the compact desktop digital mixer.

Get Connected.

The back panel of a StudioLive 64S digital mixer is equipped with plenty of local analog I/O. 32 local analog mic/line channel inputs make it easy to connect a variety of gear. 16 local mix outputs let you route to floor monitors, delay stacks and more. But the local I/O is only half the story. Connect your StudioLive 64S digital mixer to an AVB audio network and add remote inputs and outputs anywhere you need them using NSB-series stage boxes.

Three year warranty—for all Series III and III S mixers

When we introduced the StudioLive Series III S mixers, we upgraded all Series III mixer warranty programs to three years as well, including both console and rack mixers. Even if you bought yours two and a half years ago, you're covered.

We take our build quality seriously, and if anything goes wrong with your mixer in your first three years of ownership (assuming you don't throw it in a swamp or anything like that) we'll repair it.

Make your own magic.

At PreSonus, we want to make sure that our audio interfaces come with everything you need to craft your own mesmerizing spells in the studio. That’s why we include Studio One Artist with every audio interface product we make. But here in Louisiana, we have a word: lagniappe. It means "a little something extra," and it’s in that spirit that we also include the Studio Magic Suite of software with our audio interface products.

The 2020 Studio Magic is a major step up from the 2019 edition, and includes Ableton Live Lite, tutorials from Melodics, 6 virtual instruments, and 9 effects plug-ins in VST, AU, and AAX formats... all unlocked for use inside Studio One Artist with a retail value of over $1000 (US).

Features

Powered by the new quad-core PreSonus FLEX DSP Engine to provide the most processing of any digital mixer in its class

76 input-channel digital mixer with 33 touch-sensitive motorized faders

64 channels (individually sourced from any of the 32 local digitally controlled XMAX mic/line inputs or any AVB, USB, or SD input)

2 balanced stereo aux inputs

1 stereo tape input (RCA, Bluetooth™ connectivity, USB, AVB or SD)

8 FLEX FX returns

1 Talkback

43 mix buses

32 FlexMixes (Aux, Subgroup, Matrix)

8 dedicated FLEX FX buses

Stereo Main bus

Main Mono/Center bus with per-channel level send and Center Divergence

526 simultaneous processors

HPF

Gate / Expander

Compressor with Fat Channel plug-in models

4-band/6-band parametric EQ with Fat Channel plug-in models

Limiter

31-band Graphic EQ

8 FLEX FX slots featuring legendary classic reverb emulations and delays

State Space-Modeled Fat Channel compressor and EQ plug-ins available on every input channel and output bus

FLEX FX multi-effects processor with 8 slots to load legendary reverb emulations and delays with 8 dedicated effects buses

24 DCAs to control groups of channels

128-channel (64x64) recording over USB

Onboard multi-channel SD recorder (34x34) with true Virtual Soundcheck mode

AVB Networking onboard (64x64) to connect with other mixers, NSB-series stage boxes, EarMix 16M personal monitor mixers and more

User Profiles for managing multiple operators with custom permissions

Per channel digital patching from any analog, AVB, USB, or SD Card source

DAW Control

Advanced Studio One control integration

MCU emulation mode optimized for Logic

HUI emulation mode optimized for Pro Tools

Remote control every mix function from your computer, iPad, or Android tablet with UC Surface (included)

Put your musicians’ monitor mix under their fingers with QMix-UC (included) for iOS or Android

Capture multitrack software included

Automated Virtual Soundcheck

Store StudioLive mix scenes with your audio

Advanced Studio One integration (Studio One Artist Included)

XMAX mic preamp control from Studio One

Control Fat Channel parameters from Studio One mixing console

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Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998.  We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.   

Shipping --Items are well packed and shipped  USPS, UPS or  Freight Service.  Items purchased on Friday may not ship until Monday or until the projected processing period.  We are working hard to get your unit Built ( if needed), processed and shipped. Processing Times  do vary

Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided, otherwise customer pays for return shipping costs.

Returned items must be sealed/unopened in original, brand-new condition, showing no signs of wear or use such as mount marks, plug marks, scratches,  scuffs, dings or scrapes, screw mount marks or collateral material damage.. Items must also include all original packaging, manuals, warrantees & accessories or your return may be subject to a return handling charge.

Refunds are for the Item cost only. If the item was listed as free shipping then the cost of the shipment will be deducted from the units original cost. Gear returned with out all its original packaging, warranty cards and accessories or that shows signs of wear from use, will be subject to an additional service/restocking fee. This item is now used and it would be unfair to resell to another customer as new. 

The following products cannot be returned - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items,  electronic software downloads, demo gear, strings, computers, vacuum tubes, earbuds, earplugs, recorders, harmonicas, raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids, clothing/footwear, cleaners, polishes & polishing cloths, software/sound ware, books, CDs, DVD's, vinyl records, and videos.

Allen & Heath AVANTIS 64 Ch USB Stereo Digital Mixer Console 96kHz

IT'S A SMALL STEP TO A GIANT LEAP

The third mixer based on our 96kHz XCVI FPGA engine, Avantis puts all our next-generation technology in a 64 channel / 42 configurable bus console, with dual Full HD touchscreens, a super-flexible workflow with Continuity UI, extensive I/O options, add-on processing from our flagship dLive mixing system, and a rugged full metal chassis.

CONTINUITY UI

It's your mixer so mix your way.

With a massive 206 square inches of screen space operating at a crisp 1080p Full HD resolution, Continuity UI allows you to see and instantly interact with more of what matters, enabling a seamless connection between the physical controls and the displays.

The faders react on touch to immediately highlight the active channels for instant visual feedback.

The channel rotaries let you work gains or pans, then at the touch of a button, dynamically fold the display to show EQ or compressor parameters across the whole bank.

Each screen also features a FastGrab tab on the right-hand side, giving you split-second access to key freely-assignable parameters like aux sends, EQ, compressor and FX on the currently selected or specific channel.

The whole system is set up to dynamically surface the information you need at any moment and put control right at your fingertips.

EVERYTHING I/O

A complete ecosystem of remote expanders.

Whether you’re an owner/operator looking to build a compact system, or a rental company with existing Allen & Heath stock, the SLink connection on Avantis allows true flexibility by connecting to the entire range of Allen & Heath audio expander hardware.

Add a Dante card to your system and you’ve got even more options, with our dedicated Dante expanders, DT168 and DT164-W.

UPGRADE TO dPACK ( this listing does not include the DPack extra software)  

However here is the info on it if you purchase it seperately

Get acclaimed dLive processing. Inside your Avantis.

Right out of the box, Avantis is loaded with powerful processing tools that will easily meet the demands of most users and applications. Want more options? Upgrade your console with Avantis dPack to get additional dLive processing including Dyn8 (up to 16 instances), DEEP Compressors, and the Dual Stage Valve Preamp, plus more models as they’re added.

dPACK - DEEP

Trusted by platinum selling artists on sellout tours, DEEP puts incredible emulations directly within Avantis’ input and mix channels with zero latency. No burning FX slots, no 3rd party gear hassles and no issues with latency or phase coherency.

dPACK - DYN8

Avantis dPack also delivers Dyn8, a powerful and sophisticated processor boasting 4 bands of dynamic EQ and 4 bands of multiband compression. With endless applications including taming vocals, tightening sub-groups or adding sonic glue to a mix, Dyn8 changes the way we think about dynamic processing. dPack enables 16 Dyn8 engines for inserting on Input and Mix channels.

A WORLD OF CONTROL

Avantis can be controlled using the Avantis Director software, MixPad app, Custom Control app or from our range of remote controllers and GPIO interfaces, with up to 48 IP remote controllers over a standard TCP/IP network. Applications include control of IEM mixes on stage, extra fader banks at FOH, and local control in breakout rooms.

IP1

1x push n turn rotary

1x LCD display

Wallplate (US or EU/UK standard)

PoE

IP6

6x push n turn rotaries

18x SoftKeys

8x LCD displays

Free standing or flush mount

PoE or wall wart

IP8

8x 60mm motor faders

22x SoftKeys

8x LCD displays

Free standing, flush mount or mic stand

PoE+ or wall wart

GPIO

8x GPI

8x GPO (N/O)

Half U, rack-mountable

PoE or wall wart

RACKEXTRA FX

12 dedicated fx rack slots. And no compromises. 

Trust us, these are not your usual built-in effects.

Allen & Heath has a well-earned reputation for crafting FX emulations that rival the very best third party plug-ins, but with none of the associated hassle.

With a passion bordering on obsession, we’ve created a suite of FX inspired by some of the most revered outboard equipment, including pristine reverbs, detailed delays, and wonderful classic modulation effects.

Best of all, we offer our 12 FX slots with no compromises. Each effect takes up just one of the 12 slots, and each of the 12 FX slots has a dedicated stereo return - so you don’t need to waste your input channels.

FULL METAL CHASSIS

Lightweight and super-strong.

You’ve probably noticed that Avantis is not just another dull grey box mixer with plastic sides. Part-inspired by the tubular exo skeletons of the latest generation of superbikes, those sleek curves are all metal - super tough - but lightweight.

Because every part of Avantis was designed in pursuit of performance and reliability, we subjected it to some of the most rigorous testing we’ve ever embarked upon. And it took it all.

DIRECTOR

Editor & Control. Offline and Online.

Avantis Director is a free Windows and Mac OS application enabling offline editing and online control capabilities. Offline mode can be used for the creation and editing of show files and system configuration, as well as serving as a training tool for new users. Online mode delivers full remote-control of the mixer, freeing the engineer from the mix position to make changes from anywhere in the venue.

ONEMIX & MIXPAD APPS

Remote mixing. Personal monitoring. 

MixPad

Avantis MixPad is an engineer’s mixing tool providing wireless mobile control for Allen & Heath Avantis digital mixers. It gives you the freedom to walk the room or stage and control the sound right where it is needed. Avantis MixPad and the Avantis mixer can work together to provide simultaneous control of independent functions, for example one engineer using the mixer to mix front-of-house sound, and another using the iPad to mix monitors on stage. Several iPads can be connected, each providing independent control.

OneMix

OneMix is a cut down version of the Avantis MixPad app that locks control to a single Aux (monitor) mix. Multiple iPads may be set up by the 'Admin' user to give each musician customised personal monitor control via Wi-Fi connection to Avantis without the risk of affecting the other monitors or FOH main mix. Avantis OneMix can be configured to provide as much or as little control as needed.

WELL CONNECTED

Dante. Waves. And so much more. 

For local I/O, Avantis is well equipped with 12 XLR analogue inputs, 12 XLR analogue outputs, plus AES (Stereo In, 2x Stereo Out).

Two additional I/O Ports allow Avantis to benefit from the full range of current dLive option cards, including Dante (64x64 and 128x128), Waves, gigaACE, MADI and more, expanding the scope for system integration, FoH / monitor splits and multitrack recording.

DANTE 128x128

With 128 channels of bidirectional audio at 96kHz, the Dante 128x128 card is suitable for high channel digital splits between systems, for instance FOH and MON, whilst offering simultaneous multitrack recording via Dante Virtual Soundcard (available separately).

DANTE 64x64

The Dante 64x64 audio networking card offers low latency connectivity to Dante networks and devices using standard networking cabling and hardware and is a cost-effective alternative to Dante 128x128 in applications that don’t require the additional I/O.

Waves V3

An interface to the Waves SoundGrid networking platform, for plugin processing, multitrack recording and audio distribution.

Features:

• 96kHz 64 channel / 42 bus digital mixer

• XCVI FPGA core with ultra-low latency (0.7ms)

• Fully configurable mix bus architecture

• Super-tough, full metal chassis

• Continuity UI seamlessly connects physical and touchscreen controls for the fastest, most intuitive workflows

• dPack option adds dLive processing, including 16 Dyn8 engines, plus per-channel zero-latency DEEP Compressors and Dual-Stage Valve preamp

• 12 RackExtra FX slots with dedicated stereo returns

• 16 DCAs

• Dual 15.6” Full HD capacitive touchscreens with gesture control

• AMM (Automatic Mic Mixer) up to 64 channels across 1, 2 or 4 zones

• Fully assignable layout

• 144 fader strips (24 faders, 6 layers) with optional dedicated master section

• SLink port for connection to Remote I/O Expanders and the ME Personal Mixing System

• 12 analogue XLR Inputs / 12 analogue XLR Outputs

• 1 Stereo AES In / 2 Stereo AES Out

• 2 I/O Ports, both capable of 128x128 operation at 96kHz – for optional cards inc. Dante, MADI and gigaACE

• User configurable rotary controls

• 24 assignable SoftKeys

• Comprehensive metering with multi-point peak detection

• Internal storage for stereo playback and recording

• USB stereo playback

• BNC Word Clock

Allen & Heath ADLIVE-DLC35 C3500 24 Fader Surface Console Digital Mixer

The C3500 is the largest C Class control Surface for the dLive MixRack. It features 24 faders over 6 layers, built-in audio I/O and networking port, dual 12″ capacitive touchscreens and the innovative Harmony UI for the fastest workflow in the industry.

Harmony User Interface

Where many digital consoles are still trying to recreate the experience of using an analogue mixer, dLive is a true digital native, drawing on our familiarity with the ubiquitous smartphones and tablets that we all use without thinking. C3500’s twin 12” capacitive touchscreens feel instantly familiar, responding to every pinch, swipe, drag and drop exactly how you’d expect them to. Bespoke ‘widget’ areas can also be set up on the screens to keep track of scenes, meters, FX and other custom controls. The screens are complemented by a set of rotary controls, allowing the creativity and immediacy of tactile control over key processing functions, working in harmony with the visual feedback displayed on the screen. The high-grip rotary knobs offer precision control, and feature RGB illumination, with colours mapped to functions for instant visual orientation.

Transparent Workflow

C3500’s layout is fully customisable, allowing the user to create a mixing interface that reflects their own mental map of the show, or for an installer to set up the surface to match the venue and the experience levels of the operators. Throughout the dLive journey our guiding aim has been to create fast and transparent workflows that allow the operator to focus on the mix, not the mixer. Every input or mix can be assigned to any and every bank and / or layer, virtual scribble strips allow inputs and mixes to be clearly named and colour coded for at-a-glance navigation, and there are 19 assignable SoftKeys, plus 3 pages of 6 assignable rotaries.

Features:

• 24 faders

• Fully assignable layout – 144 fader strips

• Harmony UI integrates screen and wrap-around controls

• Dual 12” capacitive touchscreens

• Gesture control – pinch, swipe, drag ‘n drop

• Dedicated multi-mode EQ view

• Configurable widget areas for Scenes, meters, FX and more

• 3 pages of 6 assignable rotaries

• 19 assignable SoftKeys

• Engineer’s Wedge and IEM fader strips

• Comprehensive multipoint metering

• Daylight visibility

• USB stereo recording and playback

• 6 XLR mic/line in, 6 XLR line out

• 1 digital st AES3 in, 1 digital st AES3 out

• Connection hub

• GigaACE gigabit link to MixRack

• DX link for I/O expansion

• I/O Port – 128 ch 96 kHz

• 2x Network ports

• Wordclock BNC I/O

• Video output

Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998.  We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.   

Shipping --Pro packed & shipped  USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed &  shipped. Processing times vary, 2-30  days

Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new. 

What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items,  electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids

Soundcraft SI IMPACTCONSOLE 80-input Digital Mixing Console and 32-in/32-out USB Interface and iPad Control

Ships Free!

Si Impact. Innovative digital mixing with uncompromised audio quality

Drawing on over 40 years experience in live sound mixing, Si Impact brings the latest digital mix innovations together with the unrivalled sound quality of Soundcraft. Designed to be as simple as an analog mixer, but offer radical workflow enhancements such as the unique FaderGlow™ system, massive DSP power, and a pristine 32-in/32-out USB audio interface, Si Impact delivers digital live sound mixing and recording for those who refuse to compromise on audio quality.

The legendary British sound

From humble beginnings in London more than 40 years ago and still designed and engineered in the UK, Soundcraft defined the term 'British sound' in live sound mixing consoles.

Soundcraft Co-Founder Graham Blythe's acclaimed microphone preamps and 'British' equaliser ensures the Si Impact proudly carries Soundcraft's signature sound today.

Going beyond analogue control

Combining One-Knob-One-Function control with unique features like FaderGlow™, Soundcraft combines analogue workflow with digital flexibility. FaderGlow™ illuminates the fader track in different colours to provide at-a-glance status information on precisely what the fader is controlling – aux sends, FX sends or even the graphic EQ that's available on every bus.

Each fader channel also features a clear multi-color LCD display - giving 'at a glance' information on levels and offering a fully customisable'scribble strip' to name your channels.

World-class effects & dynamics

Si Impact isn't just packed with DSP power. It's packed with DSP power from the acknowledged experts in digital FX. That means studio-grade reverbs, delays and modulations from Lexicon, legendary dbx dynamics and industry-standard BSS Graphic Equalisers.

Put your I/O where you need it

With built-in connectivity for an optional Soundcraft Stagebox, Si Impact lets you put your I/O where you need it.

Set up your Stagebox by the band for live sound applications, or position it in the live room for studio recording all via a single piece of Cat 5 cable.

Pristine audio direct to your DAW

Si Impact makes recording quick and easy with superb quality, built-in 32-in/32-out USB recording and playback.

A single connection to your PC or MAC and you're ready to make multi-track recordings direct to any digital audio workstation. Send up to 32 inputs and 32 outputs to and from your DAW for recording and playback.

Remote mixing with your iPad®

The mix power of Si Impact is accessible from anywhere in the venue, via the Soundcraft remote iPad® app.

Mix FOH from the audience location, mix monitors from the stage, or allow musicians to set their own monitor mix from multiple iPad® devices.

Features

• Up to 80 channels to mix

• 32 Mic Inputs

• 8 XLR/1/4" Combi-jacks for line inputs and instruments

• 40 DSP input channels (32 mono inputs and 4 stereo channels/returns)

• 31 Output busses (All with full DSP processing and GEQ)

• 4-band Fully Parametric EQ on each channel and bus

• 8 VCAs + 8 Mute groups

• 26 motorised faders (24 input + LR/Mono)

• 4 fully customisable Fader Layers

• Built-in Stagebox Connectivity

• 5" touchscreen display

• Multi-Colour LCD Channel Displays on each input fader

• 4 studio-grade Lexicon Effects engines and dedicated FX busses

• BSS Graphic Equalisers on every bus

• 20 sub-group / aux busses

• 4 mono/stereo matrix busses

• 32x32 USB audio interface for multi-track recording and playback *

• Increase I/O capabilities with option cards and stageboxes

*USB Interface Compatibility:

PC: Supports Windows 7, Windows 8 and Windows 10.

Mac: Supports Mac OS 10.7.x Lion through 10.11.x El Capitan

Specifications

Height160mm (6.3")

Width750mm (29.5")

Depth500mm (19.7")

Weight20kg (44.1lb)

Allen & Heath DT168 16 x 8 Stage Box Dlive 96kHz Dante Mic Preamps Expander

The DT168 provides 16 microphone preamps and 8 line outputs in a convenient stagebox form factor. Ideal for portable applications thanks to its rubber bumpers and handle, it can be deployed on stage or used as a drop-in expander in any SQ, Avantis, AHM-64 or dLive Dante network.

DT168 offers the acclaimed Allen & Heath preamps, complete with 96kHz converters for best-in-class sound quality over Dante, plus Primary and Secondary ports for daisy-chain or redundancy through secure EtherCon connectors.

Up to 16 units can be added to an AHM-64, SQ, Avantis or dLive system when equipped with an SQ Dante or dLive 96kHz Dante card.

DT Preamp Control software allows remote control of multiple DT expanders, and enables the use of DT expanders with Dante equipped 3rd party digital mixers and sound management systems.

Features:

• Dante audio expander, 96kHz / 48kHz

• Portable stagebox design

• 16 mic preamps on XLR with Phantom Power status LEDs

• 8 XLR Line Outs

• Primary and Secondary Dante ports with locking EtherCon

• Redundant or Switched mode

• Direct preamp control from dLive, Avantis, AHM-64 and SQ

• Remote control of preamps via DT Preamp Control software for integration with 3rd party systems

• Optional 19-inch rack mount kit available

• Rubber bumpers and carry handle

• AES67 compatible

• Dante Domain Manager ready

Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998.  We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.   

Shipping --Pro packed & shipped  USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed &  shipped. Processing times vary, 2-30  days

Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new. 

What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items,  electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids

Allen & Heath DX168 6 x 8 Stage Box DLive 96kHz Mic Preamps Expander Processor

The DX168 is a rugged, 96kHz portable expander for adding remote I/O to a dLive, Avantis or SQ system, or to the AHM-64 audio matrix processor.

Each DX168 features 16 mic preamps with independent Phantom Power LED indicators, plus 8 XLR line outs.

The DX168 connects via a single Cat5e cable to the dLive Surface, MixRack, SQ mixer, Avantis mixer or upstream DX168 via a secure EtherCon port. A second locking EtherCon port is provided for redundant connection to compatible hardware, or for daisy-chaining to a downstream DX168 for additional remote I/O.

The Expander’s rugged design, with hard-wearing rubber bumpers, allows it to be placed directly on the stage floor during performances. Weighing in at just 4.8kg and featuring a sturdy carry handle, the DX168 offers the convenience and portability needed in rental, education, houses of worship and many other environments. An optional 4U rack mounting kit is available which allows installation in industry standard 19-inch racks.

With dLive

Up to 6 DX168 units can be connected directly to a dLive system – 4 via the MixRack and 2 via the Surface – allowing up to 96 remote inputs and 48 remote outputs in addition to those provided by the MixRack and Surface. More units can be connected via the dLive DX Link card or DX Hub.

With Avantis

Two units can be daisy chained and connected directly to an Avantis SLink port. Up to 16 DX168 units can be added to an Avantis system via DX Link card and/or DX Hubs.

With SQ

Two units can be daisy chained and connected directly to an SQ SLink port, with the optional SLink card for SQ enabling more connections. For a more distributed system, a DX Hub can handle up to 8 DX168 units which can be freely patched to the SQ’s 48 input channels.

With AHM-64

Two units can be daisy chained and connected directly to an AHM-64 SLink port. Up to 8 DX168 units can be added to an AHM-64 system via a DX Hub and freely patched to the 64 input channels.

Features:

• 16 Mic Preamps on XLR with Phantom Power status LEDs

• 8 XLR Line Outs

• Compatible with dLive S Class and dLive C Class hardware

• Cascade mode allows daisy-chaining of 2 DX168 Expanders for additional I/O

• Redundant DX connection to compatible dLive hardware

• Optional 19-inch rack mount kit available

• Plug and Play – no IP addressing required

• Compatible with CAT5e (or higher) cables of up to 100m

• Rubber bumpers

• Carry handle

Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998.  We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.   

Shipping --Pro packed & shipped  USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed &  shipped. Processing times vary, 2-30  days

Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new. 

What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items,  electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids

Avid STAGE 32 STG RACK 32 Channel Single MADI Split For Venue S6L Systems

Stage 32 is the most flexible remote I/O rack we have ever designed. A modular design with four I/O option slots, it accepts any of the I/O option cards designed for Stage 64 (link to options), but here's the cool bit. Any of the slots can accept an input card or an output card, meaning you can configure it exactly how you like, up to a total of 32 channels total. We will provide an empty rack option to allow total customization. Audio quality is identical to Stage 64 since it uses all the same option cards.

Features

• 32-Channel Single MADI Split

• For VENUE | S6L Systems

• Loaded with 24 Inputs and 8 Outputs

• Supports up to 32 Inputs and 32 Outputs

• 96 kHz Sample Rate

• 4 Card Slots

• 5 RU Rack

• Dual Redundant Internal PSUs

Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998.  We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.   

Shipping -Pro packed & shipped  USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed &  shipped. Processing times vary, 2-30  days

Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new. 

What products can not be returned? - Clearance items, Custom Builds, Road Cases, DT12 items, items identified as non-returnable, discontinued items, used or NOS items,  electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, turntable cartridges, fog fluid

Avid S1 EUCON Desktop Control Surface Use Multiple DAWS  Mixing console

This is a great choice if you are Music creator and recording engineer.  Creating great-sounding music can be a challenge when you're working with just a mouse and keyboard. Avid S1 gives you the hands-on speed, precision, and software integration music creators & mixers need to turn around better sounding mixes faster. All in a portable and affordable slimline surface that works with multiple DAWs and fits easily in any studio space and budget. From recording & editing tracks, to mixing and monitoring in stereo or surround, S1 provides the comprehensive control and visual feedback to accelerate any music workflow.

Audio post and mixing professionals- As the demand for new content continues to increase, audio post-production facilities are often shuttling multiple projects through different mix rooms to stay on deadline. Avid S1 provides the hands-on sound recording, editing, & surround mixing capabilities of bigger consoles in a much smaller footprint, enabling you to outfit any room in your facility for production. You get the deep DAW integration and flexibility only Avid provides in a versatile control surface designed for fast project turnaround. Plus, its small price makes it an easy choice for freelance sound editors and mixers.

Are you a video producer or editor?  Looking for a small mixer to take on the go or video shoots?   When it comes to editing video, sound is half the picture. Avid S1 provides the hands-on control you need to not only navigate large video projects quickly, but also complete sound editing & mixing tasks with greater speed and precision than working with a mouse and keyboard. Get fast access to a host of Media Composer, Premiere Pro, and other video and audio software functions from the surface. And create higher quality soundtracks faster – in stereo or surround – with a versatile and affordable slimline surface that fits easily between your display and keyboard.

Mix big in any space

Get the unparalleled speed, rich visual feedback, and software integration of Avid’s high-end consoles in a slimline surface that’s an easy fit for any space or budget. Avid S1 gives you deep hands-on control of your favorite audio and video software, including Pro Tools, Media Composer, Logic Pro X, Cubase, Nuendo, and Premiere Pro. Together with the free Avid Control app on your iPad or Android tablet, it provides great ergonomic efficiency, easy touch workflows, and Avid S6-style metering and processing views, so you can mix more intuitively and turn around better sounding mixes fast.

While Avid S1 fits easily between your display and keyboard, it packs a lot of mixing power into its small surface. From motorized faders and knobs that respond to your touch, to fast-access touchscreen workflows and Soft Keys that enable you to perform complex tasks with a single press, S1 provides the speed and versatility to accelerate any music, audio post, or video project.

S1 is powered by EUCON, Avid’s high-speed Ethernet control protocol that delivers deep hardware/software integration, giving you full touch and tactile access to a host of Avid and third-party software functions and controls. You can even switch between multiple applications—and workstations—at the touch of a button, providing the most fluid editing and mixing experience.

S1 not only features high-resolution OLED displays, it integrates with the free Avid Control app on your tablet, providing rich visual feedback to enhance your workflow. From track names, parameter values, and automation, to S6-style monitoring, metering, and channel processing views, you get the comprehensive feedback of a high-end console in a versatile surface for the budget-minded.

Need more faders? Connect multiple S1 units together to create an extended, fully integrated control surface that provides more tactile control to handle larger mixes. You can even seamlessly connect Avid Dock to S1 to have dedicated transport controls, a jog wheel, focus fader, and more at your fingertips.

Authorized Avid Dealer

Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998.  We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.   

Shipping --Pro packed & shipped  USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed &  shipped. Processing times vary, 2-30  days

Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new. 

What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items,  electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids

Avid S6L-24C CONTROL 24 Channel Control Surface Digital Mixing System

Get the same VENUE mixing efficiency in a more compact and affordable 24-fader control surface that’s ideal for tours, festivals, corporate events, and live sound installations. For smaller spaces and better portability, S6L-24C provides easy hands-on control and powerful performance in a more streamlined and affordable control surface.

Features:
24 channel faders across 3 Channel Fader Modules, plus 2 assignable faders in the Master Live Module
32 assignable channel knobs (encoders) across 1 Channel Knob Module
1 Master Touchscreen (central screen for quick navigation, parameter identification, and control, plus Channel and Meters view)
1 Master Live Module (provides control over global system parameters, such as channel banking, snapshots, and monitoring)
Local analog I/O, digital I/O, and ancillary I/O, including ECx for remote control and DVI for connecting an external monitor (sold separately) for VENUE software display

Specifications:
12-inch daylight-visible touchscreens: 1 Master Touchscreen
Faders: 24 + 2
Knob Modules with high-resolution OLEDs and tri-color function indicators: 32 assignable knobs across 1 Channel Knob Module
Master Live Module: Graphic TFTs with soft buttons; Touch and Turn assignable encoder; 2 assignable faders; monitoring, layout and snapshot controls; transport controls and function buttons
Metering: 30-segment meters per channel, with pre- and post-fade metering options; Nominal indicator, Expander/Gate status and Compressor/Limiter gain reduction meters
Analog inputs: 8 XLR mic/line inputs with 48V and signal present LEDs
Analog outputs: 8 XLR outputs with mute and signal present LEDs
Digital inputs: 4 pairs of XLR stereo AES/EBU (8 channels total)
Digital outputs: 4 pairs of XLR stereo AES/EBU (8 channels total)
Headphone outputs: 2 independent 1/4" TRS stereo headphone jacks
Ancillary I/O: DVI-D video out, 5 USB 2.0 (2 rear, 2 front, 1 internal), ECx Ethernet port for wired/wireless remote control, GPIO (8 in/8 out), 2 footswitch, Linear Time Code input, MIDI I/O
Ethernet AVB ports: 2 etherCON (copper), 2 selectable as etherCON (copper) or SFP (fiber); redundant ring topology; supports Luminex GigaCore 26i and GigaCore 10 AVB switches for redundant star configuration
Power supply: Dual redundant, internal
Height (front, rear): 3.6, 8 inches (91, 205 mm)
Width: 38.9 inches (989 mm)
Depth: 31 inches (787 mm)
Weight: 84 lbs (38 kg)

Avid VENUE | S6L-32D CONT 32 Channel Control Surface Digital Mixing System

S6L-32D provides the mixing control and ease you need to support any live sound application in a 32-fader control surface.

Mix and record live productions of any size with ease. Avid VENUE | S6L delivers the unmatched processing power and sound clarity artists and engineers rely on to present the best show possible. From direct AAX and Waves plugin support and 128 tracks of Pro Tools recording, to full system modularity and 300+ processing channels, the S6L unified platform gives you the mixing efficiency, creativity, and flexibility you need to meet the demands of any gig. And with its expanded line of five control surfaces, three engines, and five I/O racks (including the new Stage 48) to choose from—with 100% hardware, software, and show file compatibility across all—it’s easy to configure and scale the perfect system for your needs.

Features:

• 32 channel faders across 4 Channel Fader Modules, plus 2 assignable faders in the Master Live Module

• 96 assignable channel knobs (encoders) across 3 Channel Knob Modules

• 1 Master Touchscreen (central screen for quick navigation, parameter identification, and control)

• 1 Master Live Module (provides control over global system parameters, such as channel banking, snapshots, and monitoring)

• 3 Channel Touch Modules (touchscreen display provides access and control to parameters in Meters view and Channel view)

• Local analog I/O, digital I/O, and ancillary I/O, including ECx for remote control and DVI for connecting an external monitor (sold separately) for VENUE software display

Specifications:

12-inch daylight-visible touchscreens: 1 Master Touchscreen, 3 Channel Touch Modules

Faders: 32 + 2

Knob Modules with high-resolution OLEDs and tri-color function indicators: 96 assignable knobs across 3 Channel Knob Modules

Master Live Module: Graphic TFTs with soft buttons; Touch and Turn assignable encoder; 2 assignable faders; monitoring, layout and snapshot controls; transport controls and function buttons

Metering: 30-segment meters per channel, with pre- and post-fade metering options; Nominal indicator, Expander/Gate status and Compressor/Limiter gain reduction meters

Analog inputs: 8 XLR mic/line inputs with 48V and signal present LEDs

Analog outputs: 8 XLR outputs with mute and signal present LEDs

Digital inputs: 4 pairs of XLR stereo AES/EBU (8 channels total)

Digital outputs: 4 pairs of XLR stereo AES/EBU (8 channels total)

Headphone outputs: 2 independent 1/4" TRS stereo headphone jacks

Ancillary I/O: DVI-D video out, 5 USB 2.0 (2 rear, 2 front, 1 internal), ECx Ethernet port for wired/wireless remote control, GPIO (8 in/8 out), 2 footswitch, Linear Time Code input, MIDI I/O

Ethernet AVB ports: 2 etherCON (copper), 2 selectable as etherCON (copper) or SFP (fiber); redundant ring topology; supports Luminex GigaCore 26i and GigaCore 10 AVB switches for redundant star configuration

Power supply: Dual redundant, internal hot-swappable PSUs

Height (front, rear): 3.6, 15.3 inches (91, 388 mm)

Width: 51.3 inches (1,304 mm)

Depth: 31 inches (787 mm)

Weight: 155 lbs (70 kg)

Avid VENUE E6L-144 ENGINE

Get extraordinary processing power and support for up to 144 input channels in a high-performance engine that’s ideal for mid-size live productions.

Features:

• Real-time processing engine handles mixing functions
• Supports up to 144 input channels
• Input processing includes HEAT, HPF, LPF, PEQ, expander/gate, compressor/limiter, delay, 4 plug-in inserts, and hardware insert
• 16 x 16 matrix mix engine, 48 VCAs, and 2 stereo solo buses
• 32 x 31-band graphic EQs
• Ethernet AVB ports Cat 5e cables up to 100m and fiber-optic cables up to 500m
• Supports Luminex GigaCore 26i and GigaCore 10 AVB switches for a redundant star configuration
• Accommodates up to 2 HDX-192 DSP expansion cards for plug-in processing (1 card is included)
• 400 plug-in slots with support for 64-bit AAX DSP and Waves SoundGrid systems through the WSG-HD option card
• Full automatic delay compensation
• Amazingly low latency

Specifications:

• Number of Analog Input Channels: No
• Number of Mic Preamps: No
• Number of Analog Output Channels: 0
• Faders & Level Adjustment: No
• Analog Inputs: No
• Analog Outputs: No
• Digital I/O: 144x etherCON
• USB I/O: 5x USB-A 2.0()
• Rack Mountable: Yes

Mixer:

• Number of Analog Input Channels: No
• Number of Mic Preamps: No
• Number of Analog Output Channels: 0
• Mix Routing: 64x Bus
• Presets: No
• Faders & Level Adjustment: No

Signal Processing:

• Dynamic Processing: Compressor, Limiter, Soft Limiter, Gate
• EQ: 7-Band Parametric
• Graphic EQ: No
• Real-Time Analyzer: No
• Audio Delay: No

Digital Audio:

• Sample Rates: 96 kHz
• Signal Generator: Yes

Connectivity:

• Analog Inputs: No
• Analog Outputs: No
• Digital I/O: 144x etherCON
• MIDI I/O: No
• USB I/O: 5x USB-A 2.0()
• Expansion Ports: 4x I/O Card

Physical:

• Rack Mountable: Yes
• Rackmount Size: 5 RU
• Dimensions: 16.9 x 8.6 x 19" / 430 x 218 x 483 mm
• Weight: 72.8 lbs. / 33 kg

Avid VENUE S6L-24D Control Surface

The VENUE | S6L-24D comes with three years of Avid Advantage Elite Live support—the company's highest level of service available to customers who work in the most mission-critical live sound environments. That means you've got the attention of a dedicated customer care team at your service—24x7. You'll receive the highest priority care to resolve issues fast, get advice and answers, and have replacement hardware or parts shipped to you rapidly—wherever you are or will be.

Features:

• 24 channel faders across 3 Channel Fader Modules, plus 2 assignable faders in the Master Live Module
• 64 assignable channel knobs (encoders) across 2 Channel Knob Modules
• 1 Master Touchscreen (central screen for quick navigation, parameter identification, and control)
• 1 Master Live Module (provides control over global system parameters, such as channel banking, snapshots, and monitoring)
• 2 Channel Touch Modules (touchscreen display provides access and control to parameters in Meters view and Channel view)
• Local analog I/O, digital I/O, and ancillary I/O, including ECx for remote control and DVI for connecting an external monitor (available separately) for VENUE software display

Specifications:

• Max I/O Capacity: 16x Input / 16x Output
• Number of Analog Input Channels: 8
• Number of Mic Preamps: No
• Number of Analog Output Channels: 8
• Faders & Level Adjustment: 26
• Analog Inputs: 8x XLR 3-Pin Input
• Analog Outputs: 8x XLR 3-Pin Output

Digital I/O:

• 8x XLR AES3 Input
• 8x XLR AES3 Output
• 2x etherCON
• USB I/O: 5x USB-A 2.0 (2-Track Record)
• Rack Mountable: No

Mixer:

• Max I/O Capacity: 16x Input / 16x Output
• Number of Analog Input Channels: 8
• Number of Mic Preamps: No
• Number of Analog Output Channels: 8
• Display: 12" Touchscreen (Daylight-Viewable)
• Faders & Level Adjustment: 26
• Meters: Channel Meter: Multi-Segment LED

Signal Processing:

• EQ: No
• Solo/Mute: Solo, Mute per Input Channel

Connectivity:

• Analog Inputs: 8x XLR 3-Pin Input
• Analog Outputs: 8x XLR 3-Pin Output
• Phantom Power: +48 V

Digital I/O:

• 8x XLR AES3 Input
• 8x XLR AES3 Output
• 2x etherCON

MIDI I/O:

• 1x MIDI 5-Pin In
• 1x MIDI 5-Pin Out
• USB I/O: 5x USB-A 2.0 (2-Track Record)

Physical:

• Rack Mountable: No
• Dimensions: 38.9 x 15.3 x 31" / 98.8 x 38.9 x 78.7 cm
• Weight: 119 lb / 54 kg

Avid VENUE S6L-16C Control Surface

The VENUE | S6L-16C comes with three years of Avid Advantage Elite Live support—the company's highest level of service available to customers who work in the most mission-critical live sound environments. That means you've got the attention of a dedicated customer care team at your service—24x7. You'll receive the highest priority care to resolve issues fast, get advice and answers, and have replacement hardware or parts shipped to you rapidly—wherever you are or will be.
Features:

• 16 channel faders across 1 Channel Fader Module, plus 2 assignable faders in the Master Live Module
• 32 assignable channel knobs (encoders) across 1 Channel Knob Modules
• 1 Master Live Module (provides control over global system parameters, such as channel banking, snapshots, and monitoring)
• Local analog I/O, digital I/O, and ancillary I/O, including ECx for remote control and DVI for connecting an external monitor (available separately) for VENUE software display

Specifications:

• Max I/O Capacity: 1x Input / 2x Output
• Number of Analog Input Channels: 1
• Number of Mic Preamps: No
• Number of Analog Output Channels: 2
• Faders & Level Adjustment: 18
• Analog Inputs: 1x XLR 3-Pin Input
• Analog Outputs: 2x XLR 3-Pin Output
• Digital I/O: 2x etherCON
• USB I/O: 5x USB-A 2.0 (2-Track Record)
• Rack Mountable: No

Mixer:

• Max I/O Capacity: 1x Input / 2x Output
• Number of Analog Input Channels: 1
• Number of Mic Preamps: No
• Number of Analog Output Channels: 2
• Display: 12" Touchscreen (Daylight-Viewable)
• Faders & Level Adjustment: 18
• Meters: Channel Meter: Multi-Segment LED

Signal Processing:

• EQ: No
• Solo/Mute: Solo, Mute per Input Channel

Connectivity:

• Analog Inputs: 1x XLR 3-Pin Input
• Analog Outputs: 2x XLR 3-Pin Output
• Phantom Power: +48 V
• Digital I/O: 2x etherCON

MIDI I/O:

• 1x MIDI 5-Pin In
• 1x MIDI 5-Pin Out
• USB I/O: 5x USB-A 2.0 (2-Track Record)

Physical:

• Rack Mountable: No
• Dimensions: 26.4 x 8.1 x 31" / 67.1 x 20.5 x 78.7 cm
• Weight: 72.8 lb / 33 kg

Avid VENUE S6L-48D Control Surface

The VENUE | S6L-48D comes with three years of Avid Advantage Elite Live support—the company's highest level of service available to customers who work in the most mission-critical live sound environments. That means you've got the attention of a dedicated customer care team at your service—24x7. You'll receive the highest priority care to resolve issues fast, get advice and answers, and have replacement hardware or parts shipped to you rapidly—wherever you are or will be.

Features:

• 48 channel faders across 5 Channel Fader Modules, plus 2 assignable faders in the Master Live Module
• 160 assignable channel knobs (encoders) across 5 Channel Knob Modules
• 1 Master Touchscreen (central screen for quick navigation, parameter identification, and control)
• 1 Master Live Module (provides control over global system parameters, such as channel banking, snapshots, and monitoring)
• 5 Channel Touch Modules (touchscreen display provides access and control to parameters in Meters view and Channel view)
• Local analog I/O, digital I/O, and ancillary I/O, including ECx for remote control and DVI for connecting an external monitor (available separately) for VENUE software display

Specifications:

• Max I/O Capacity: 16x Input / 16x Output
• Number of Analog Input Channels: 8
• Number of Analog Output Channels: 8
• Faders & Level Adjustment: 50
• Analog Inputs: 8x XLR 3-Pin Input
• Analog Outputs: 8x XLR 3-Pin Output

Digital I/O:

• 8x XLR AES3 Input
• 8x XLR AES3 Output
• 2x etherCON
• USB I/O: 5x USB-A 2.0 (2-Track Record)
• Rack Mountable: No

Mixer:

• Max I/O Capacity: 16x Input / 16x Output
• Number of Analog Input Channels: 8
• Number of Analog Output Channels: 8
• Display: 12" Touchscreen (Daylight-Viewable)
• Faders & Level Adjustment: 50
• Meters: Channel Meter: Multi-Segment LED

Signal Processing:

• Solo/Mute: Solo, Mute per Input Channel

Connectivity:

• Analog Inputs: 8x XLR 3-Pin Input
• Analog Outputs: 8x XLR 3-Pin Output
• Phantom Power: +48 V

Digital I/O:

• 8x XLR AES3 Input
• 8x XLR AES3 Output
• 2x etherCON

MIDI I/O:

• 1x MIDI 5-Pin In
• 1x MIDI 5-Pin Out
• USB I/O: 5x USB-A 2.0 (2-Track Record)

Physical:

• Rack Mountable: No
• Dimensions: 76.1 x 15.3 x 31" / 193.4 x 38.8 x 78.7 cm
• Weight: 211.6 lb / 96 kg

Allen & Heath AH-Avantis-Solo 64 Channel Digital Mixer Console

Avantis is a 64 channel / 42 configurable bus mixer platform featuring our 96kHz XCVI FPGA engine with class-leading 0.7ms latency plus add-on processing from our flagship dLive mixing system.

Continuity UI harnesses the power of the 15.6" Full HD (1080p) touchscreen to allow you to see and instantly interact with your most used parameters, enabling a seamless connection between the physical controls and the displays. The rear panel provides 6 XLR (Mic/Line) inputs and 6 XLR outputs as well as a stereo AES inputs and outputs. The SLink port allows you to connect to a multitude of hardware expansion options and controllers. Two I/O ports allow you to expand the Avantis even further with Dante, Waves, gigaACE, SuperMADI, and fibreACE cards.

Features & Specifications:

• 96kHz FPGA Processing
• 64 Input Channels
• 42 Bus
• Fully Configurable Mix Architecture
• dPack Upgrade for Additional dLive Processing
• 12 RackExtra FX slots with dedicated stereo returns
• Two 128×128 I/O Ports for Audio Networking
• 16 DCAs
• Range of Remote Expanders

Allen & Health Avantis-Solo-W-DP Digital Mixer With DEEP Pack Software

Right out of the box, Avantis is loaded with powerful processing tools that will easily meet the demands of most users and applications. Want more options? Upgrade your console with Avantis dPack to get additional dLive processing including Dyn8 (up to 16 instances), DEEP Compressors, and the Dual Stage Valve Preamp, plus more models as they’re added.

Trusted by platinum selling artists on sellout tours, DEEP puts incredible emulations directly within Avantis’ input and mix channels with zero latency. No burning FX slots, no 3rd party gear hassles and no issues with latency or phase coherency.

Avantis dPack also delivers Dyn8, a powerful and sophisticated processor boasting 4 bands of dynamic EQ and 4 bands of multiband compression. With endless applications including taming vocals, tightening sub-groups or adding sonic glue to a mix, Dyn8 changes the way we think about dynamic processing. dPack enables 16 Dyn8 engines for inserting on Input and Mix channels.

Allen & Heath has a well-earned reputation for crafting FX emulations that rival the very best third party plug-ins, but with none of the associated hassle. Some RackExtra FX are exclusive to dPack, such as Transient Controller and HypaBass.

Features and Specifications:

DEEP Compressors:
• PeakLimiter 76
• 16T
• 16VU
• Mighty
• Opto
• OptTronik
• Bus

DEEP Expanders:
• Source Expander
• Dual Threshold Expander

DEEP Preamp:
• Dual Stage Valve Preamp

DEEP EQ:
• NEQ12

Dyn Dynamics:
• 16 x Dyn8 instances

RackExtra FX:
• Hypabass
• Transient Controller

Yamaha CL5 Digital Mixing Console 72 Channel with Centralogic Faders

Call to order 585-405-4375

With a three-section fader layout for efficient hands-on control, the CL5 is the ideal choice for a diverse spectrum of live sound systems.

The Yamaha CL5 is a cutting-edge digital mixing console designed for professional live sound, broadcast, and installation applications. Renowned for its exceptional audio quality, intuitive operation, and advanced features, the CL5 delivers unmatched performance in demanding environments.

The Yamaha CL5 is the go-to solution for audio professionals who demand precision, reliability, and versatility in every performance.

Features:
• Input channels: 72 mono, 8 stereo
• Fader configuration: 16-fader left section, 8-fader Centralogic section, 8-fader right section, 2-fader master section
• Stainless steel stay for iPad support
• Built-in meter bridge

Specifications:
• Sampling frequency rate: Internal - 44.1kHz / 48kHz, External - 44.1kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm), 48kHz: +4.1667%, +0.1%, -0.1%, -4.0% (±200ppm)
• Signal delay: Less than 2.5ms, OMNI IN to OMNI OUT, Fs=48kHz
• Total harmonic distortion: Less than 0.05% 20Hz-20kHz@+4dBu into 600Ω, OMNI IN to OMNI OUT, Input Gain = Min.
• Frequency response: +0.5, -1.5dB 20Hz-20kHz, refer to +4dBu output @1kHz, OMNI IN to OMNI OUT
• Dynamic range: 112dB typ.: DA Converter / 108dB typ.: OMNI IN to OMNI OUT, Input Gain = Min.
• Hum & noise level: Equivalent input noise - -128dBu typ., Equivalent Input Noise, Input Gain=Max., Residual output noise - -88dBu, Residual output noise, ST master off
• Crosstalk: -100dB*1, adjacent OMNI IN/OMNI OUT channels, Input Gain = Min.
• Power requirements: US/Canada: 120V 60Hz, Japan: 100V 50/60Hz, China: 110-240V 50/60Hz, Korea: 220V 60Hz, Other: 110-240V 50/60Hz
• Power consumption: 170W: Internal Power Supply / 200W: Simultaneous use of Internal PSU and External PW800W
• Dimensions: W - 1053mm (41 1/2in), H - 299mm (11 3/4in), D - 667mm (26 1/4in)
• Net weight: 36kg (79.4lb)
• Others: Temperature Range: Operating temperature range: 0 - 40℃, Storage temperature range: -20 - 60℃

Yamaha TF3 Digital Mixing Console 48 Input 25 Motor Faders Compact

Call to order 585-405-4375

Ample input capacity and hands-on control in a compact console that can handle a wide range of applications.

The Yamaha TF3 is a 24-channel digital mixing console that combines advanced technology, intuitive operation, and exceptional sound quality, making it ideal for live sound, recording, and broadcast applications. Designed with both seasoned professionals and newcomers in mind, the TF3 empowers users to create polished mixes with ease.

The Yamaha TF3 delivers an unmatched balance of performance, functionality, and ease of use, making it a top choice for audio professionals and enthusiasts alike.

Features:
• 25 motor faders (24 channels + 1 master)
• 48 input mixing channels (40 mono + 2 stereo + 2 return)
• 20 Aux (8 mono + 6 stereo) + Stereo + Sub buses
• 8 DCA groups with Roll-out
• 24 analog XLR/TRS combo mic/line inputs + 2 analog RCA pin stereo line inputs
• 16 analog XLR outputs
• 34 x 34 digital record/playback channels via USB 2.0 + 2 x 2 via a USB storage device
• 1 expansion slot for NY64-D audio interface card

Specifications:
• Sampling frequency rate: Internal - 48 kHz
• Signal delay: Less than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz
• Fader: 100 mm motorized, Resolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders
• Total harmonic distortion: Less than 0.05% 20 Hz–20 kHz @+4 dBu into 600 , INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB/octave filter@80 kHz)
• Frequency response: +0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT
• Dynamic range: 110 dB typ., DA Converter, 107 dB typ., INPUT to OMNI OUT, Input Gain=Min.
• Hum & noise level: Equivalent input noise - –128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter), Residual output noise - –85 dBu, ST master off (Measured with an A-Weight filter)
• Crosstalk: –100 dB (Measured with a –30 dB/octave filter@22 kHz), adjacent INPUT/OMNI OUT channels, Input Gain=Min.
• Power requirements: 100–240 V 50/60 Hz
• Power consumption: 100 W
• Dimensions: W - 716 mm (28.2in), H - 225 mm (8.9in), D - 599 mm (23.6in)
• Net weight: 17.0 kg (37.5lb)
• Accessories: Quick Guide, Power Cord, NUENDO LIVE (DAW Software)
• Options: Expansion Card, Foot Switch (FC5)
• Others: Operating temperature range: 0–40 °C, Storage temperature range: -20–60 °C