ART TUBEMP/C Tube MP/C Microphone/Line Preamplifier and VCA Less Compressor

$175.99
sold out

ART TUBEMP/C Tube MP/C Microphone/Line Preamplifier and VCA Less Compressor

The Tube MP/C (PreAmplifier/Compressor) is a multi-purpose tool for audio engineering and recording. Two independent circuits featuring a tube-based analog preamplifier and a VCA-less compressor with optical gain reduction control are housed in one, convenient desk-top chassis.

Used as a mic/line preamp or as a DI (direct) box, the Tube MP/C is designed to work seamlessly with any recording, sound-reinforcement, or electronic instrument setup. A R T’s Tube MP/C circuitry is a hybrid design utilizing the latest, most advanced, solid-state and tube technology.

The preamplifier’s active balanced solid-state input provides extremely low noise and excellent common mode rejection. The ¼-inch high impedance input prevents loading of any connected device making the Tube MP/C perfect for DI or line level applications. The preamplifier’s second stage 12AX7a tube runs on a regulated DC voltage providing an additional 20dB of gain.

The compression circuit features a VCA-less design and utilizes optical electronics (Vactrol) coupled with a 12AX7a vacuum tube gain stage for superior musical performance.

Optional ART SM1 stand mount securely attaches the Tube MP/C to any microphone stand for live stage or studio applications is available.

Features

  • Tube-based mic/line preamplifier with up to 80 dB of gain 

  • Hand-selected 12AX7a tube 

  • Optical (VCA-less) compressor circuitry = transparent dynamics control 

  • 1/4-inch unbalanced inputs and outputs 

  • XLR balanced inputs and outputs 

  • Transformer isolated XLR output 

  • Selectable output range for Line/Instrument interface levels 

  • LED meters for Tube Warmth, Gain Reduction and Output level 

  • +48V phantom power Phase reversal switch 

  • Selectable release time settings 

  • > 90dB dynamic range 

  • Custom extruded aluminum chassis

Specifications

Frequency Response: 30 Hz – 60 kHz +/- 1 dB balanced output, 20 Hz – 60 kHz +/- 1dB 1/4″ output

Total Harmonic Distortion: <0.1% @ max gain

CMMR: > 60 dB @ max gain

Equivalent Input Noise: -128dBu typical (“A” wtd., Shorted XLR balanced input, gain @ max)

Input Impedance: 1M Ω 1/4″ input, 5K Ω XLR input

Input/Output Connections: Input: XLR balanced or 1/4″ balanced. Output: 1/4″ unbalanced XLR balanced, transformer isolated.

Maximum Gain: +80 dB (balanced in-out, +64dB (unbalanced input, balanced output)

Maximum Input Level: unbalanced (Inst): +15 dBu, balancd (mic): +10 dBu

Maximum Output Level: +19 dBu (Line mode)

Output Impedance: XLR: <600 Ω, 1/4″: <300 Ω

Low Cut Filter: -3 dB @ 70 Hz, 6dB/Octave

Phantom Power: Switch selectable, +48Volts DC, filtered, current limited

Chassis Type: All aluminum black anodized with integral rubber sides

Power Requirements: 9VAC @ 1000mA (external)

Attack Time: <1 ms (limit), 20 ms (comp.)

Release Time: 150ms (fast), 20ms – 3s Program dependant (Auto)

Tube Type: Hand selected 12AX7a

Compressor Slope: 2:1 (Comp.) / 11:1 (Limit)

Dimensions: 1.75″H x 5.9″ W x 6.5″ D (44.5mm x 150mm x 165mm)

Weight: 2.9 lbs (1.32 kg)

Notes: 0dBu = 0.775V rms

Weight includes power supply and packaging

Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998.  We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.   

Shipping --Pro packed & shipped  USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed &  shipped. Processing times vary, 2-30  days.

Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new. 

What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items,  electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids


ART TUBEMP/C Tube MP/C Microphone/Line Preamplifier and VCA Less Compressor

The Tube MP/C (PreAmplifier/Compressor) is a multi-purpose tool for audio engineering and recording. Two independent circuits featuring a tube-based analog preamplifier and a VCA-less compressor with optical gain reduction control are housed in one, convenient desk-top chassis.

Used as a mic/line preamp or as a DI (direct) box, the Tube MP/C is designed to work seamlessly with any recording, sound-reinforcement, or electronic instrument setup. A R T’s Tube MP/C circuitry is a hybrid design utilizing the latest, most advanced, solid-state and tube technology.

The preamplifier’s active balanced solid-state input provides extremely low noise and excellent common mode rejection. The ¼-inch high impedance input prevents loading of any connected device making the Tube MP/C perfect for DI or line level applications. The preamplifier’s second stage 12AX7a tube runs on a regulated DC voltage providing an additional 20dB of gain.

The compression circuit features a VCA-less design and utilizes optical electronics (Vactrol) coupled with a 12AX7a vacuum tube gain stage for superior musical performance.

Optional ART SM1 stand mount securely attaches the Tube MP/C to any microphone stand for live stage or studio applications is available.

Features

  • Tube-based mic/line preamplifier with up to 80 dB of gain 

  • Hand-selected 12AX7a tube 

  • Optical (VCA-less) compressor circuitry = transparent dynamics control 

  • 1/4-inch unbalanced inputs and outputs 

  • XLR balanced inputs and outputs 

  • Transformer isolated XLR output 

  • Selectable output range for Line/Instrument interface levels 

  • LED meters for Tube Warmth, Gain Reduction and Output level 

  • +48V phantom power Phase reversal switch 

  • Selectable release time settings 

  • > 90dB dynamic range 

  • Custom extruded aluminum chassis

Specifications

Frequency Response: 30 Hz – 60 kHz +/- 1 dB balanced output, 20 Hz – 60 kHz +/- 1dB 1/4″ output

Total Harmonic Distortion: <0.1% @ max gain

CMMR: > 60 dB @ max gain

Equivalent Input Noise: -128dBu typical (“A” wtd., Shorted XLR balanced input, gain @ max)

Input Impedance: 1M Ω 1/4″ input, 5K Ω XLR input

Input/Output Connections: Input: XLR balanced or 1/4″ balanced. Output: 1/4″ unbalanced XLR balanced, transformer isolated.

Maximum Gain: +80 dB (balanced in-out, +64dB (unbalanced input, balanced output)

Maximum Input Level: unbalanced (Inst): +15 dBu, balancd (mic): +10 dBu

Maximum Output Level: +19 dBu (Line mode)

Output Impedance: XLR: <600 Ω, 1/4″: <300 Ω

Low Cut Filter: -3 dB @ 70 Hz, 6dB/Octave

Phantom Power: Switch selectable, +48Volts DC, filtered, current limited

Chassis Type: All aluminum black anodized with integral rubber sides

Power Requirements: 9VAC @ 1000mA (external)

Attack Time: <1 ms (limit), 20 ms (comp.)

Release Time: 150ms (fast), 20ms – 3s Program dependant (Auto)

Tube Type: Hand selected 12AX7a

Compressor Slope: 2:1 (Comp.) / 11:1 (Limit)

Dimensions: 1.75″H x 5.9″ W x 6.5″ D (44.5mm x 150mm x 165mm)

Weight: 2.9 lbs (1.32 kg)

Notes: 0dBu = 0.775V rms

Weight includes power supply and packaging

Echotone Music LLC is an experienced E-commerce Audio Visual Equipment dealer since 1998.  We take pride in selling Pro Audio gear for musicians, sound engineers, production companies and broadcast applications.   

Shipping --Pro packed & shipped  USPS, UPS or Freight Service. Contact us & pay for 2 day air upgrade on any unit. We are working hard to get your product ( built if needed), processed &  shipped. Processing times vary, 2-30  days.

Returns/Refunds- If there is truly a manufacturing defect a return tag will be provided. Otherwise customer pays for return shipping. Returned items must be sealed/unopened to qualify for a full refund. Refunds are for the Item cost only. Gear returned with out all its original packaging, & accessories or shows signs of wear, is subject to an additional service fee. This item is now used and it would be unfair to resell to another customer as new. 

What products can not be returned? - Clearance items, Custom Builds, items identified as non-returnable, discontinued items, used or NOS items,  electronic software downloads, demo gear, computers, vacuum tubes, earbuds, harmonicas raw-frame speakers, drumheads, drumsticks, turntable cartridges, fog fluids